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perdere",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"da-non-perdere",{"@type":1571,"@id":1577,"name":1578,"language":1579,"slug":1580,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002F72656fabc1c770ecc787","Must-see",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"must-see",[1582,1592],{"@type":1583,"@id":1584,"description":1585,"abstract":1586,"timetable":16,"title":1587,"subtitle":16,"ctaText":1588,"extraInformations":16,"language":1589,"slug":1590,"slugFormatted":1591},"PoiTranslation","\u002Fapi\u002F.well-known\u002Fgenid\u002F793e7f9d4535a0f759d8","\u003Ch2>L’architettura della Basilica e la Cappella delle Volte\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno della \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> è in stile gotico cistercense e realizzato in mattoni. La facciata, priva di decorazioni fatta eccezione per il rosone, colpisce per la sua essenzialità. Una parte è coperta dalla \u003Cstrong>Cappella delle Volte\u003C\u002Fstrong>, dove si trova il dipinto di Andrea Vanni che raffigura \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong>. L’opera è significativa perché realizzata quando Caterina era ancora in vita.\u003C\u002Fp>\r\n\r\n\u003Ch2>Affreschi, opere e reliquie di Santa Caterina\u003C\u002Fh2>\r\n\r\n\u003Cp>All’interno della basilica si possono ammirare affreschi e opere che raccontano la vita, le visioni e la forza di \u003Cstrong>Santa Caterina\u003C\u002Fstrong>, figura capace di parlare a papi, re e popoli.\u003C\u002Fp>\r\n\r\n\u003Cp>A destra della facciata si trova l’ingresso al \u003Cstrong>chiostro\u003C\u002Fstrong> del 1425, dove è presente un’unica navata con capriate a vista e una serie di cappelle. Tra le opere conservate si segnalano alcuni dipinti, un Crocifisso ligneo del XIV secolo, una Pietà lignea e la Natività della Madonna, ritenuta il capolavoro di Casolani del 1584.\u003C\u002Fp>\r\n\r\n\u003Cp>Lungo la parete destra della \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> si trova la Cappella affrescata di \u003Cstrong>Santa Caterina\u003C\u002Fstrong>, fatta costruire da Niccolò Bensi nel 1466 per custodire, sull’altare marmoreo di Giovanni di Stefano, la sacra testa della Santa. Sempre lungo il fianco destro della chiesa, in una teca inserita nella parete, è collocata anche la reliquia del dito pollice di Caterina.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il campanile e le celebrazioni del 29 aprile\u003C\u002Fh3>\r\n\r\n\u003Cp>Il campanile fu costruito nel 1340, ma la sua altezza attuale venne ridotta in seguito al terremoto del 1798.\u003C\u002Fp>\r\n\r\n\u003Cp>Ogni anno, il 29 aprile,festa in onore di \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong>, la reliquia del dito pollice viene portata in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> e usata per impartire la benedizione all’Italia e all’Europa, di cui Caterina è patrona.\u003C\u002Fp>","\u003Cp>Silenziosa e solenne, la \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> custodisce uno dei legami più profondi tra \u003Cstrong>Siena\u003C\u002Fstrong> e \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong>. Tra le sue mura, la memoria della santa vive in un luogo dove arte, devozione e storia si intrecciano in un percorso \u003Cstrong>spirituale\u003C\u002Fstrong> e \u003Cstrong>culturale\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Costruita tra il 1226 e il 1265 e ampliata nel corso del Trecento, la \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> è conosciuta anche come basilica cateriniana per il suo profondo legame con \u003Cstrong>Santa Caterina\u003C\u002Fstrong>. Qui la santa veniva spesso a pregare e maturò la sua vocazione. Ancora oggi, in una \u003Cstrong>cappella affrescata\u003C\u002Fstrong>, si conserva la testa-reliquia, elemento che rende questa chiesa uno dei riferimenti più significativi per scoprire la figura della Santa.\u003C\u002Fp>","Basilica di San Domenico: luogo spirituale e culturale di Siena","\u003Cdiv>Visita la \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> per scoprire un luogo da non perdere, dove la memoria di \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong> continua a vivere tra reliquie, arte e devozione.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"basilica-di-san-domenico","\u002Fbasilica-di-san-domenico",{"@type":1583,"@id":1593,"description":1594,"abstract":1595,"timetable":16,"title":1596,"subtitle":16,"ctaText":1597,"extraInformations":16,"language":1598,"slug":1590,"slugFormatted":1599},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fda439f9b46aef52d2b62","\u003Ch2>The architecture of the Basilica and the Chapel of the Vaults\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior of the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> is in Cistercian Gothic style and made of bricks. The facade, devoid of decorations except for the rose window, impresses with its essentiality. A part is covered by the \u003Cstrong>Chapel of the Vaults\u003C\u002Fstrong>, where the painting by Andrea Vanni depicting \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong> is located. The work is significant because it was created while Catherine was still alive.\u003C\u002Fp>\r\n\r\n\u003Ch2>Frescoes, works, and relics of Saint Catherine\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside the basilica, one can admire frescoes and works that tell the life, visions, and strength of \u003Cstrong>Saint Catherine\u003C\u002Fstrong>, a figure capable of speaking to popes, kings, and peoples.\u003C\u002Fp>\r\n\r\n\u003Cp>To the right of the facade is the entrance to the \u003Cstrong>cloister\u003C\u002Fstrong> from 1425, which features a single nave with exposed trusses and a series of chapels. Among the preserved works are several paintings, a wooden crucifix from the 14th century, a wooden Pietà, and the Nativity of the Madonna, considered the masterpiece of Casolani from 1584.\u003C\u002Fp>\r\n\r\n\u003Cp>Along the right wall of the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> is the frescoed Chapel of \u003Cstrong>Saint Catherine\u003C\u002Fstrong>, built by Niccolò Bensi in 1466 to house, on the marble altar of Giovanni di Stefano, the sacred head of the Saint. Also along the right side of the church, in a case inserted into the wall, is the relic of Catherine's thumb.\u003C\u002Fp>\r\n\r\n\u003Ch3>The bell tower and the celebrations of April 29\u003C\u002Fh3>\r\n\r\n\u003Cp>The bell tower was built in 1340, but its current height was reduced following the earthquake of 1798.\u003C\u002Fp>\r\n\r\n\u003Cp>Every year, on April 29, the feast in honor of \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong>, the thumb relic is brought to \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> and used to impart blessings to Italy and Europe, of which Catherine is the patron.\u003C\u002Fp>","\u003Cp>Silent and solemn, the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> holds one of the deepest connections between \u003Cstrong>Siena\u003C\u002Fstrong> and \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong>. Within its walls, the memory of the saint lives in a place where art, devotion, and history intertwine in a \u003Cstrong>spiritual\u003C\u002Fstrong> and \u003Cstrong>cultural\u003C\u002Fstrong> journey.\u003C\u002Fp>\r\n\r\n\u003Cp>Built between 1226 and 1265 and expanded during the 14th century, the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> is also known as the Caterinian basilica due to its deep connection with \u003Cstrong>Saint Catherine\u003C\u002Fstrong>. Here, the saint often came to pray and matured her vocation. Even today, in a \u003Cstrong>frescoed chapel\u003C\u002Fstrong>, the head-relic is preserved, making this church one of the most significant references for discovering the figure of the Saint.\u003C\u002Fp>","Basilica of San Domenico: spiritual and cultural place of Siena","\u003Cdiv>Visit the Basilica of San Domenico to discover a must-see place, where the memory of Saint Catherine of Siena continues to live among relics, art, and devotion.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fbasilica-di-san-domenico",[],[1602,1607,1611],{"@type":1603,"@id":1604,"translations":1605,"position":1524,"imagePath":1606},"Gallery","\u002Fapi\u002F.well-known\u002Fgenid\u002F6b04c8145b215161966a",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-domenico-interno-3-6a760a2df1404824851625.jpg",{"@type":1603,"@id":1608,"translations":1609,"position":1524,"imagePath":1610},"\u002Fapi\u002F.well-known\u002Fgenid\u002F494f901ed7b4ab12ede1",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-domenico-esterno-6a760a2e092ae695139172.jpg",{"@type":1603,"@id":1612,"translations":1613,"position":1524,"imagePath":1614},"\u002Fapi\u002F.well-known\u002Fgenid\u002F684e40612651e8972538",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-domenico-esterno-1-6a760a2dd1c7d054629704.jpg","Siena","SI","53100","Italia",{"@type":1620,"@id":1621,"hashParam":1622},"PoiPreview","\u002Fapi\u002F.well-known\u002Fgenid\u002F30ec3c24675bdb73a36c","1fef9f96195c4d4041818bcbaadf7ad68f433ed7f194f13d29ffb41204c57f45",95,"BASIC_1",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fpoi\u002F",[1628],{"category":1629,"tags":1635},{"@id":1557,"@type":1558,"translations":1630},[1631,1633],{"@type":1561,"@id":1562,"name":1563,"language":1632,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1561,"@id":1567,"name":1563,"language":1634,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},[1636],{"@id":1554,"@type":1555,"tagCategory":1637,"translations":1643},{"@id":1557,"@type":1558,"translations":1638},[1639,1641],{"@type":1561,"@id":1562,"name":1563,"language":1640,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1561,"@id":1567,"name":1563,"language":1642,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},[1644,1646],{"@type":1571,"@id":1572,"name":1573,"language":1645,"slug":1575,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1571,"@id":1577,"name":1578,"language":1647,"slug":1580,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1649,"@type":1510,"name":1650,"poiType":1651,"address":1663,"latitude":1664,"longitude":1665,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1666,"translations":1679,"socials":1697,"gallery":1698,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":1707,"position":1623,"layout":1624,"otherPoiType":1710,"logoPath":1626,"poiTagsByCategory":1711},"\u002Fapi\u002Fpois\u002F019e791b-f549-7e85-8f9c-e48a8ac7a81d","Basilica di San Francesco",{"@id":1513,"@type":1514,"id":1515,"translations":1652,"poiCategory":1657},[1653,1655],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":1654,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":1656,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":1658},[1659,1661],{"@type":1539,"@id":1540,"name":1541,"language":1660,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":1662,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Piazza San Francesco","43.3221603","11.3338376",[1667],{"@id":1554,"@type":1555,"tagCategory":1668,"translations":1674},{"@id":1557,"@type":1558,"translations":1669},[1670,1672],{"@type":1561,"@id":1562,"name":1563,"language":1671,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1561,"@id":1567,"name":1563,"language":1673,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},[1675,1677],{"@type":1571,"@id":1572,"name":1573,"language":1676,"slug":1575,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1571,"@id":1577,"name":1578,"language":1678,"slug":1580,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},[1680,1689],{"@type":1583,"@id":1681,"description":1682,"abstract":1683,"timetable":16,"title":1684,"subtitle":16,"ctaText":1685,"extraInformations":16,"language":1686,"slug":1687,"slugFormatted":1688},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc9a574082cb4161e1f52","\u003Ch2>San Francesco a Siena: spiritualità, arte e tradizione francescana\u003C\u002Fh2>\r\n\r\n\u003Cp>La Basilica è profondamente legata alla presenza dei Frati Minori, che nel XIII secolo trovarono a Siena un terreno fertile per la predicazione, l’assistenza ai bisognosi e la diffusione della cultura religiosa. Anche per questo la chiesa conserva ancora oggi un forte valore spirituale, ma anche educativo: l’arte, nelle sue navate, serviva a rendere accessibili ai fedeli storie sacre, santi e miracoli.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il miracolo delle Sacre Particole e la devozione popolare\u003C\u002Fh3>\r\n\r\n\u003Cp>Uno degli episodi più celebri legati alla Basilica risale al 1730, quando 351 particole consacrate vennero rubate per poi essere ritrovate, tre giorni dopo, nella cassetta delle elemosine della vicina Collegiata di Santa Maria in Provenzano. Da allora nacque il \u003Cstrong>Miracolo delle Sacre Particole\u003C\u002Fstrong>: conservate con cura, le ostie risultano ancora intatte dopo oltre 280 anni e rappresentano uno dei segni più forti della devozione popolare senese.\u003C\u002Fp>\r\n\r\n\u003Ch2>Storia e architettura della Chiesa di San Francesco\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa medievale, costruita tra il 1326 e il 1475, presentava originariamente una facciata rivestita in marmo bianco e verde, in sintonia con il linguaggio architettonico senese. Dopo i restauri di fine Ottocento, l’esterno assunse l’aspetto attuale in stile neogotico, più sobrio ed essenziale. Restano però elementi di grande valore, come il rosone attribuito a \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> e il portale cuspidato con la lunetta raffigurante San Francesco e San Bernardino in adorazione della Vergine col Bambino.\u003C\u002Fp>\r\n\r\n\u003Ch3>Opere d’arte e simboli della storia senese\u003C\u002Fh3>\r\n\r\n\u003Cp>La Basilica custodisce un importante patrimonio di \u003Cstrong>arte sacra\u003C\u002Fstrong>. Tra gli affreschi attribuiti ad \u003Cstrong>Andrea Vanni\u003C\u002Fstrong> spiccano figure di santi legate alla tradizione della città. Di grande rilievo anche il crocifisso ligneo della fine del Duecento, sopravvissuto all’incendio del 1655. Nelle cappelle si conservano inoltre opere di \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> e \u003Cstrong>Pietro Lorenzetti\u003C\u002Fstrong>, mentre la tomba dei Tolomei e la memoria di \u003Cstrong>Pia de’ Tolomei\u003C\u002Fstrong> collegano la chiesa alla storia delle famiglie senesi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Spiritualità e vita quotidiana: il legame con la comunità senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi la Basilica di San Francesco è ancora un punto di riferimento per la comunità. Le bandiere delle contrade nella navata e le celebrazioni religiose che coinvolgono la città confermano il suo ruolo di ponte tra fede, identità civica e tradizione popolare.\u003C\u002Fp>","\u003Cp>Appena fuori dal centro storico di Siena sorge la \u003Cstrong>Basilica di San Francesco\u003C\u002Fstrong>, una testimonianza viva di come spiritualità e vita quotidiana si siano intrecciate nei secoli, lasciando tracce profonde nella memoria collettiva senese. La facciata in mattoni, semplice e sobria, riflette l’ideale francescano di austerità e introduce a uno spazio dove fede, arte e tradizione si incontrano.\u003C\u002Fp>","Basilica di San Francesco: il segno nella storia spirituale di Siena","\u003Cdiv>Vivi l'emozione di un viaggio nel cuore di Siena. Esplora la Basilica di San Francesco dove arte e spiritualità continuano a parlare alla città.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"basilica-di-san-francesco","\u002Fbasilica-di-san-francesco",{"@type":1583,"@id":1690,"description":1691,"abstract":1692,"timetable":16,"title":1693,"subtitle":16,"ctaText":1694,"extraInformations":16,"language":1695,"slug":1687,"slugFormatted":1696},"\u002Fapi\u002F.well-known\u002Fgenid\u002F332ed6d083c12585ae36","\u003Ch2>San Francesco in Siena: spirituality, art, and Franciscan tradition\u003C\u002Fh2>\r\n\r\n\u003Cp>The Basilica is deeply connected to the presence of the Friars Minor, who in the 13th century found fertile ground in Siena for preaching, assisting the needy, and spreading religious culture. For this reason, the church still holds a strong spiritual value today, but also educational: the art in its naves served to make sacred stories, saints, and miracles accessible to the faithful.\u003C\u002Fp>\r\n\r\n\u003Ch3>The miracle of the Sacred Particles and popular devotion\u003C\u002Fh3>\r\n\r\n\u003Cp>One of the most famous episodes related to the Basilica dates back to 1730, when 351 consecrated particles were stolen and then found three days later in the alms box of the nearby Collegiate Church of Santa Maria in Provenzano. From then on, the \u003Cstrong>Miracle of the Sacred Particles\u003C\u002Fstrong> was born: carefully preserved, the hosts remain intact after over 280 years and represent one of the strongest signs of popular devotion in Siena.\u003C\u002Fp>\r\n\r\n\u003Ch2>History and architecture of the Church of San Francesco\u003C\u002Fh2>\r\n\r\n\u003Cp>The medieval church, built between 1326 and 1475, originally featured a facade covered in white and green marble, in harmony with the Sienese architectural language. After the restorations of the late 19th century, the exterior took on its current neo-Gothic appearance, more sober and essential. However, elements of great value remain, such as the rose window attributed to \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> and the pointed portal with the lunette depicting Saint Francis and Saint Bernardino in adoration of the Virgin with Child.\u003C\u002Fp>\r\n\r\n\u003Ch3>Works of art and symbols of Sienese history\u003C\u002Fh3>\r\n\r\n\u003Cp>The Basilica houses an important heritage of \u003Cstrong>sacred art\u003C\u002Fstrong>. Among the frescoes attributed to \u003Cstrong>Andrea Vanni\u003C\u002Fstrong>, figures of saints linked to the city's tradition stand out. Also of great significance is the wooden crucifix from the late 13th century, which survived the fire of 1655. In the chapels, there are also works by \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> and \u003Cstrong>Pietro Lorenzetti\u003C\u002Fstrong>, while the tomb of the Tolomei and the memory of \u003Cstrong>Pia de’ Tolomei\u003C\u002Fstrong> connect the church to the history of Sienese families.\u003C\u002Fp>\r\n\r\n\u003Ch2>Spirituality and daily life: the bond with the Sienese community\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the Basilica of San Francesco is still a reference point for the community. The flags of the contrade in the nave and the religious celebrations involving the city confirm its role as a bridge between faith, civic identity, and popular tradition.\u003C\u002Fp>","\u003Cp>Just outside the historic center of Siena stands the \u003Cstrong>Basilica of San Francesco\u003C\u002Fstrong>, a living testament to how spirituality and daily life have intertwined over the centuries, leaving deep traces in the collective memory of Siena. The simple and sober brick facade reflects the Franciscan ideal of austerity and introduces a space where faith, art, and tradition meet.\u003C\u002Fp>","Basilica of San Francesco: the mark in the spiritual history of Siena","\u003Cdiv>Experience the emotion of a journey in the heart of Siena. Explore the Basilica of San Francesco where art and spirituality continue to speak to the city.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fbasilica-di-san-francesco",[],[1699,1703],{"@type":1603,"@id":1700,"translations":1701,"position":1524,"imagePath":1702},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb26f5617821322ef53aa",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-francesco-esterno-piazza-2-6a760945855e8695899159.jpg",{"@type":1603,"@id":1704,"translations":1705,"position":1524,"imagePath":1706},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5fb8d2386ff8433df2fd",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-francesco-interni-9-6a760945a41a4490277304.jpg",{"@type":1620,"@id":1708,"hashParam":1709},"\u002Fapi\u002F.well-known\u002Fgenid\u002F97ce8bdc8c96217bce04","46e690c4622756ff50ed092f96bef4acee942d87b5ca7be47ce87e37561c1fba",[],[1712],{"category":1713,"tags":1719},{"@id":1557,"@type":1558,"translations":1714},[1715,1717],{"@type":1561,"@id":1562,"name":1563,"language":1716,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1561,"@id":1567,"name":1563,"language":1718,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},[1720],{"@id":1554,"@type":1555,"tagCategory":1721,"translations":1727},{"@id":1557,"@type":1558,"translations":1722},[1723,1725],{"@type":1561,"@id":1562,"name":1563,"language":1724,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1561,"@id":1567,"name":1563,"language":1726,"slug":1565,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},[1728,1730],{"@type":1571,"@id":1572,"name":1573,"language":1729,"slug":1575,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1571,"@id":1577,"name":1578,"language":1731,"slug":1580,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1733,"@type":1510,"name":1734,"poiType":1735,"address":1747,"latitude":1748,"longitude":1749,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1750,"translations":1751,"socials":1769,"gallery":1770,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":1787,"position":1623,"layout":1624,"otherPoiType":1790,"logoPath":1626,"poiTagsByCategory":1791},"\u002Fapi\u002Fpois\u002F019eac57-bde9-7419-9d72-5fc10d3edd2e","Basilica di Santa Maria dei Servi",{"@id":1513,"@type":1514,"id":1515,"translations":1736,"poiCategory":1741},[1737,1739],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":1738,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":1740,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":1742},[1743,1745],{"@type":1539,"@id":1540,"name":1541,"language":1744,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":1746,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Piazza Manzoni","43.3153519","11.3378936",[],[1752,1761],{"@type":1583,"@id":1753,"description":1754,"abstract":1755,"timetable":16,"title":1756,"subtitle":16,"ctaText":1757,"extraInformations":16,"language":1758,"slug":1759,"slugFormatted":1760},"\u002Fapi\u002F.well-known\u002Fgenid\u002F907bf2958d68d7993a76","\u003Ch2>Storia della Basilica e dei Servi di Maria\u003C\u002Fh2>\r\n\r\n\u003Cp>I \u003Cstrong>Servi di Maria\u003C\u002Fstrong> arrivarono a Siena intorno al 1250 e fondarono qui il loro convento, inglobando l’antica chiesa di \u003Cstrong>San Clemente\u003C\u002Fstrong>, già esistente dal XII secolo.\u003C\u002Fp>\r\n\r\n\u003Cp>La costruzione della basilica si sviluppò tra XIII e XVI secolo, dando vita a un edificio stratificato che unisce elementi gotici, rinascimentali e restauri neogotici ottocenteschi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e interno della chiesa\u003C\u002Fh2>\r\n\r\n\u003Cp>L’esterno in laterizio, sobrio e compatto, presenta una facciata quattrocentesca incompiuta, tipica del gusto tardo-gotico senese, con linee semplici e volumi essenziali.\u003C\u002Fp>\r\n\r\n\u003Cp>L’interno, a tre navate, conserva l’impianto gotico originario con arcate ogivali e campate ampie, mentre le cappelle laterali mostrano interventi rinascimentali nelle cornici e negli altari.\u003C\u002Fp>\r\n\r\n\u003Ch2>Opere d’arte e scuola senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra le opere più importanti spicca la \u003Cstrong>Madonna del Bordone\u003C\u002Fstrong> del 1261, di \u003Cstrong>Coppo di Marcovaldo\u003C\u002Fstrong>, capolavoro della \u003Cstrong>pittura italiana\u003C\u002Fstrong> del Duecento.\u003C\u002Fp>\r\n\r\n\u003Cp>Sono presenti anche affreschi trecenteschi e quattrocenteschi della \u003Cstrong>scuola senese\u003C\u002Fstrong> e opere di maestri come \u003Cstrong>Taddeo di Bartolo\u003C\u002Fstrong>, \u003Cstrong>Lippo Memmi\u003C\u002Fstrong> e \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il campanile e Piazza Manzoni\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>campanile\u003C\u002Fstrong> trecentesco, in laterizio e slanciato, è caratterizzato da eleganti bifore nella cella campanaria, che alleggeriscono la struttura e diffondono il suono delle campane sulla valle.\u003C\u002Fp>\r\n\r\n\u003Cp>Visibile da molti punti della città, la torre campanaria è un importante riferimento nel profilo urbano del Valdimontone.\u003C\u002Fp>\r\n\r\n\u003Ch3>Una terrazza naturale su Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, ampia e tranquilla, permette di ammirare la basilica e il campanile nella loro interezza e offre una vista spettacolare sul centro storico, dal \u003Cstrong>Duomo\u003C\u002Fstrong> alla \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La piazza è anche un punto ideale per iniziare la visita del rione del Valdimontone, uno dei più antichi di Siena e sede di una delle Contrade storiche del Palio.\u003C\u002Fp>","\u003Cp>Sul colle del \u003Cstrong>Valdimontone\u003C\u002Fstrong>, \u003Cstrong>Santa Maria dei Servi\u003C\u002Fstrong> accoglie chi arriva con una vista che svela \u003Cstrong>Siena \u003C\u002Fstrong>in tutta la sua bellezza.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>Basilica\u003C\u002Fstrong> di Santa Maria dei Servi sorge in una posizione panoramica che domina la città e si affaccia su \u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, una delle \u003Cstrong>terrazze naturali\u003C\u002Fstrong> più suggestive di Siena.\u003C\u002Fp>","Basilica di Santa Maria dei Servi: arte e panorama sul Valdimontone","\u003Cdiv>Raggiungi Santa Maria dei Servi e lasciati accogliere da uno dei luoghi più panoramici di Siena, dove arte, silenzio e storia si aprono sul profilo della città.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"basilica-di-santa-maria-dei-servi","\u002Fbasilica-di-santa-maria-dei-servi",{"@type":1583,"@id":1762,"description":1763,"abstract":1764,"timetable":16,"title":1765,"subtitle":16,"ctaText":1766,"extraInformations":16,"language":1767,"slug":1759,"slugFormatted":1768},"\u002Fapi\u002F.well-known\u002Fgenid\u002F197b692c50f8097b4c64","\u003Ch2>History of the Basilica and the Servants of Mary\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Servants of Mary\u003C\u002Fstrong> arrived in Siena around 1250 and founded their convent here, incorporating the ancient church of \u003Cstrong>San Clemente\u003C\u002Fstrong>, which had existed since the 12th century.\u003C\u002Fp>\r\n\r\n\u003Cp>The construction of the basilica developed between the 13th and 16th centuries, giving rise to a layered building that combines Gothic, Renaissance elements, and 19th-century neo-Gothic restorations.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and interior of the church\u003C\u002Fh2>\r\n\r\n\u003Cp>The sober and compact brick exterior features an unfinished 15th-century façade, typical of the late Gothic Sienese style, with simple lines and essential volumes.\u003C\u002Fp>\r\n\r\n\u003Cp>The interior, with three naves, preserves the original Gothic layout with pointed arches and wide spans, while the side chapels show Renaissance interventions in the frames and altars.\u003C\u002Fp>\r\n\r\n\u003Ch2>Works of art and Sienese school\u003C\u002Fh2>\r\n\r\n\u003Cp>Among the most important works stands out the \u003Cstrong>Madonna del Bordone\u003C\u002Fstrong> from 1261, by \u003Cstrong>Coppo di Marcovaldo\u003C\u002Fstrong>, a masterpiece of \u003Cstrong>Italian painting\u003C\u002Fstrong> of the 13th century.\u003C\u002Fp>\r\n\r\n\u003Cp>There are also 14th and 15th-century frescoes from the \u003Cstrong>Sienese school\u003C\u002Fstrong> and works by masters such as \u003Cstrong>Taddeo di Bartolo\u003C\u002Fstrong>, \u003Cstrong>Lippo Memmi\u003C\u002Fstrong>, and \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>The bell tower and Piazza Manzoni\u003C\u002Fh3>\r\n\r\n\u003Cp>The 14th-century \u003Cstrong>bell tower\u003C\u002Fstrong>, made of brick and slender, is characterized by elegant biforas in the bell chamber, which lighten the structure and spread the sound of the bells over the valley.\u003C\u002Fp>\r\n\r\n\u003Cp>Visible from many points in the city, the bell tower is an important reference in the urban profile of Valdimontone.\u003C\u002Fp>\r\n\r\n\u003Ch3>A natural terrace over Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, wide and tranquil, allows you to admire the basilica and the bell tower in their entirety and offers a spectacular view of the historic center, from the \u003Cstrong>Cathedral\u003C\u002Fstrong> to the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The square is also an ideal starting point for visiting the Valdimontone district, one of the oldest in Siena and home to one of the historic Contrade of the Palio.\u003C\u002Fp>","\u003Cp>On the hill of \u003Cstrong>Valdimontone\u003C\u002Fstrong>, \u003Cstrong>Santa Maria dei Servi\u003C\u002Fstrong> welcomes those who arrive with a view that reveals \u003Cstrong>Siena\u003C\u002Fstrong> in all its beauty.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Basilica\u003C\u002Fstrong> of Santa Maria dei Servi stands in a panoramic position that dominates the city and overlooks \u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, one of the most picturesque \u003Cstrong>natural terraces\u003C\u002Fstrong> of Siena.\u003C\u002Fp>","Basilica of Santa Maria dei Servi: art and panorama over Valdimontone","\u003Cdiv>Reach Santa Maria dei Servi and let yourself be welcomed by one of the most panoramic places in Siena, where art, silence, and history open up to the profile of the city.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fbasilica-di-santa-maria-dei-servi",[],[1771,1775,1779,1783],{"@type":1603,"@id":1772,"translations":1773,"position":1524,"imagePath":1774},"\u002Fapi\u002F.well-known\u002Fgenid\u002F83615b35c3841c2b0e53",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-esterno-con-drone-1-6abe6b43deb67680222522.jpg",{"@type":1603,"@id":1776,"translations":1777,"position":1524,"imagePath":1778},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fefe730bc7dcd62405877",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-esterni-1-6abe6b43ad867633663951.jpg",{"@type":1603,"@id":1780,"translations":1781,"position":1524,"imagePath":1782},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdbf0f526311580015211",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-interni-3-6abe6b43c8731797281094.jpg",{"@type":1603,"@id":1784,"translations":1785,"position":1524,"imagePath":1786},"\u002Fapi\u002F.well-known\u002Fgenid\u002F764158345b65dc8bcf76",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-interni-8-6abe6b43d51d2062118813.jpg",{"@type":1620,"@id":1788,"hashParam":1789},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa0933fa1ce5a3c018605","c4d020d0a8c730b46931db8f1a017e3cafe7ab8bf7723464ded9b4b56543a363",[],[],{"@id":1793,"@type":1510,"name":1794,"poiType":1795,"address":1807,"latitude":1808,"longitude":1809,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1810,"translations":1811,"socials":1829,"gallery":1830,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":1839,"position":1842,"layout":1624,"otherPoiType":1843,"logoPath":1626,"poiTagsByCategory":1844},"\u002Fapi\u002Fpois\u002F019eac49-32d2-76bf-8279-002e2f101610","Chiesa della Santissima Annunziata",{"@id":1513,"@type":1514,"id":1515,"translations":1796,"poiCategory":1801},[1797,1799],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":1798,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":1800,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":1802},[1803,1805],{"@type":1539,"@id":1540,"name":1541,"language":1804,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":1806,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Complesso Museale Santa Maria della Scala","43.3170","11.3286",[],[1812,1821],{"@type":1583,"@id":1813,"description":1814,"abstract":1815,"timetable":16,"title":1816,"subtitle":16,"ctaText":1817,"extraInformations":16,"language":1818,"slug":1819,"slugFormatted":1820},"\u002Fapi\u002F.well-known\u002Fgenid\u002F349a194588da89afbec9","\u003Ch2>Tra luce e devozione: la Santissima Annunziata\u003C\u002Fh2>\r\n\r\n\u003Cp>Un soffio di luce e di silenzio racconta secoli di fede nella \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong>, cuore dello storico \u003Cstrong>Spedale di Santa Maria della Scala\u003C\u002Fstrong>. Fondata nel \u003Cstrong>XIV secolo\u003C\u002Fstrong> come cappella interna dello Spedale, la Chiesa offriva riparo e spiritualità ai pellegrini lungo la \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Ricostruita e ampliata nel \u003Cstrong>Cinquecento\u003C\u002Fstrong>, oggi mostra un’eleganza armoniosa, frutto della cultura manierista toscana. La facciata sobria custodisce un tesoro spirituale, evocando grazia, ascolto e rinnovamento secondo la tradizione senese.\u003C\u002Fp>\r\n\r\n\u003Ch3>Affreschi e dorature, l’Annunciazione e il Settecento nella Santissima Annunziata\u003C\u002Fh3>\r\n\r\n\u003Cp>L’altare maggiore ospita una splendida \u003Cstrong>Annunciazione\u003C\u002Fstrong> realizzata nel \u003Cstrong>1730\u003C\u002Fstrong>, attribuita a \u003Cstrong>Sebastiano Conca\u003C\u002Fstrong>, noto per la sua sensibilità luminosa e teatrale. Le decorazioni interne, ricche di stucchi e dorature, riflettono il gusto tardo barocco diffuso a Siena tra XVII e XVIII secolo, realizzate secondo le volontà testamentarie dell’antenato Rettore dello Spedale.\u003C\u002Fp>\r\n\r\n\u003Cp>Affreschi e tele della \u003Cstrong>scuola senese\u003C\u002Fstrong> accompagnano il visitatore lungo le pareti, creando un percorso visivo che intreccia devozione e bellezza. La cappella dell’ospedale, collegata alla chiesa, conserva opere di grande valore storico, che raccontano la vita quotidiana di pellegrini e malati.\u003C\u002Fp>\r\n\r\n\u003Ch2>Tra arte, storia e spiritualità\u003C\u002Fh2>\r\n\r\n\u003Cp>Artisti come \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> e \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, attivi nello stesso complesso, contribuiscono a un’atmosfera di intensa spiritualità pittorica. La chiesa era luogo di passaggio per i viandanti, offrendo conforto, cure e un momento di silenzio prima di riprendere il cammino verso Roma.\u003C\u002Fp>\r\n\r\n\u003Cp>Molti senesi la considerano un luogo “di confine”: sospeso tra la città e il mondo dei pellegrini, tra arte e carità, storia e fede. La luce che filtra dalle alte finestre crea giochi dorati che mutano durante il giorno, trasformando l’ambiente in un piccolo teatro sacro.\u003C\u002Fp>\r\n\r\n\u003Ch3>Lo Spedale di Santa Maria della Scala: arte che cura e accoglie\u003C\u002Fh3>\r\n\r\n\u003Cp>Visitando la \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong> dopo lo \u003Cstrong>Spedale di Santa Maria della Scala\u003C\u002Fstrong>, si percepisce un dialogo profondo tra arte, cura e spiritualità: ogni pietra e ogni affresco raccontano storie di accoglienza, di pellegrini e di fede che si tramanda nei secoli.\u003C\u002Fp>","\u003Cp>Esplora la \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong> a Siena, custode di arte barocca, affreschi senesi e storia dei pellegrini, tra spiritualità, bellezza e cultura nel cuore della città.\u003C\u002Fp>","Chiesa della Santissima Annunziata: un gioiello nascosto a Siena","\u003Cdiv>Lasciati stupire dalla luce e dai silenzi della \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong> a Siena: un luogo dove \u003Cstrong>arte, fede e storia\u003C\u002Fstrong> dialogano e trasformano ogni visita in un’esperienza indimenticabile.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-della-santissima-annunziata","\u002Fchiesa-della-santissima-annunziata",{"@type":1583,"@id":1822,"description":1823,"abstract":1824,"timetable":16,"title":1825,"subtitle":16,"ctaText":1826,"extraInformations":16,"language":1827,"slug":1819,"slugFormatted":1828},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0daeff976be338d8c6b5","\u003Ch2>Between light and devotion: the Most Holy Annunciation\u003C\u002Fh2>\r\n\r\n\u003Cp>A breath of light and silence tells centuries of faith in the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong>, heart of the historic \u003Cstrong>Hospital of Santa Maria della Scala\u003C\u002Fstrong>. Founded in the \u003Cstrong>14th century\u003C\u002Fstrong> as an internal chapel of the Hospital, the Church provided shelter and spirituality to pilgrims along the \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Rebuilt and expanded in the \u003Cstrong>16th century\u003C\u002Fstrong>, it now displays harmonious elegance, a result of Tuscan Mannerist culture. The sober facade guards a spiritual treasure, evoking grace, listening, and renewal according to Sienese tradition.\u003C\u002Fp>\r\n\r\n\u003Ch3>Frescoes and gilding, the Annunciation and the 18th century in the Most Holy Annunciation\u003C\u002Fh3>\r\n\r\n\u003Cp>The main altar hosts a splendid \u003Cstrong>Annunciation\u003C\u002Fstrong> created in \u003Cstrong>1730\u003C\u002Fstrong>, attributed to \u003Cstrong>Sebastiano Conca\u003C\u002Fstrong>, known for his luminous and theatrical sensitivity. The internal decorations, rich in stuccos and gilding, reflect the late Baroque taste prevalent in Siena between the 17th and 18th centuries, created according to the testamentary wishes of the ancestor Rector of the Hospital.\u003C\u002Fp>\r\n\r\n\u003Cp>Frescoes and canvases from the \u003Cstrong>Sienese school\u003C\u002Fstrong> accompany the visitor along the walls, creating a visual path that intertwines devotion and beauty. The chapel of the hospital, connected to the church, preserves works of great historical value, telling the daily life of pilgrims and the sick.\u003C\u002Fp>\r\n\r\n\u003Ch2>Between art, history, and spirituality\u003C\u002Fh2>\r\n\r\n\u003Cp>Artists like \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> and \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, active in the same complex, contribute to an atmosphere of intense pictorial spirituality. The church was a place of passage for travelers, offering comfort, care, and a moment of silence before resuming the journey to Rome.\u003C\u002Fp>\r\n\r\n\u003Cp>Many Sienese consider it a “border” place: suspended between the city and the world of pilgrims, between art and charity, history and faith. The light filtering through the high windows creates golden plays that change throughout the day, transforming the environment into a small sacred theater.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Hospital of Santa Maria della Scala: art that heals and welcomes\u003C\u002Fh3>\r\n\r\n\u003Cp>Visiting the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong> after the \u003Cstrong>Hospital of Santa Maria della Scala\u003C\u002Fstrong>, one perceives a deep dialogue between art, care, and spirituality: every stone and every fresco tells stories of welcome, of pilgrims, and of faith that has been passed down through the centuries.\u003C\u002Fp>","\u003Cp>Explore the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong> in Siena, guardian of Baroque art, Sienese frescoes, and the history of pilgrims, amidst spirituality, beauty, and culture in the heart of the city.\u003C\u002Fp>","Church of the Most Holy Annunciation: a hidden gem in Siena","\u003Cdiv>Let yourself be amazed by the light and silences of the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong> in Siena: a place where \u003Cstrong>art, faith, and history\u003C\u002Fstrong> converse and transform every visit into an unforgettable experience.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-della-santissima-annunziata",[],[1831,1835],{"@type":1603,"@id":1832,"translations":1833,"position":1524,"imagePath":1834},"\u002Fapi\u002F.well-known\u002Fgenid\u002F47da6ae1567ed3b32efe",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-della-santissima-annunziata-6a8c0f851ebb4825859575.jpg",{"@type":1603,"@id":1836,"translations":1837,"position":1524,"imagePath":1838},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc13eae505baa6deef299",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsanta-maria-della-scala-chiesa-della-santissima-annunziata-6a8c0fe487fc7638221400.jpg",{"@type":1620,"@id":1840,"hashParam":1841},"\u002Fapi\u002F.well-known\u002Fgenid\u002F236ea59d1be1c55340d0","25037c6e751e5ca96f06ec838a43bfbf9b304d88f9dae0888b73cbca7c48740a",90,[],[],{"@id":1846,"@type":1510,"name":1847,"poiType":1848,"address":1860,"latitude":1861,"longitude":1862,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1863,"translations":1864,"socials":1882,"gallery":1883,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":1888,"position":1380,"layout":1624,"otherPoiType":1891,"logoPath":1626,"poiTagsByCategory":1892},"\u002Fapi\u002Fpois\u002F019ed48c-f9f9-7ecc-9c05-65963c9091ce","Chiesa di San Pietro alla Magione",{"@id":1513,"@type":1514,"id":1515,"translations":1849,"poiCategory":1854},[1850,1852],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":1851,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":1853,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":1855},[1856,1858],{"@type":1539,"@id":1540,"name":1541,"language":1857,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":1859,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"via camollia,179","43.32654447807516","11.326106772422117",[],[1865,1874],{"@type":1583,"@id":1866,"description":1867,"abstract":1868,"timetable":16,"title":1869,"subtitle":16,"ctaText":1870,"extraInformations":16,"language":1871,"slug":1872,"slugFormatted":1873},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5ee5085149ffec9882c3","\u003Ch2>Storia e architettura\u003C\u002Fh2>\r\n\r\n\u003Cp>Lo\u003Cstrong> stile romanico \u003C\u002Fstrong>dell’edificio è essenziale e sobrio: pietra nuda, proporzioni solide e “militari”, che riflettono la funzione protettiva e spirituale più che l’apparenza decorativa. Alcuni blocchi murari mostrano segni di lavorazione più antichi, probabilmente materiali di riuso provenienti da strutture romane vicine.\u003C\u002Fp>\r\n\r\n\u003Cp>Su un lato si trova la \u003Cstrong>Cappella di San Donnino\u003C\u002Fstrong>, costruita tra il 1523 e il 1526 come ex voto per ringraziare la fine di un’epidemia di peste.\u003C\u002Fp>\r\n\r\n\u003Ch2>Arte e decorazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>All’interno della chiesa sono conservati frammenti di affreschi medievali che raffigurano scene della Crocifissione e storie bibliche, opere attribuite a \u003Cstrong>Cristoforo di Bindoccio\u003C\u002Fstrong> e \u003Cstrong>Meo di Pero\u003C\u002Fstrong>. Tra le opere più rilevanti vi sono il \u003Cstrong>tabernacolo gotico del Santo Olio\u003C\u002Fstrong>, i frammenti di affreschi trecenteschi, la \u003Cstrong>Madonna col Bambino di Bartolomeo Neroni\u003C\u002Fstrong> detto il Riccio, la \u003Cstrong>Madonna con i santi Giovanni Battista \u003C\u002Fstrong>e \u003Cstrong>Pietro di Diego Pesco\u003C\u002Fstrong> e due dipinti seicenteschi dedicati a \u003Cstrong>Sant’Ugo\u003C\u002Fstrong> e al martirio di \u003Cstrong>San Donnino\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Visitare San Pietro alla Magione significa immergersi in un luogo che custodisce secoli di devozione, protezione e pellegrinaggi, tra storia, arte e spiritualità.\u003C\u002Fp>","\u003Cp>Tra pietre antiche e \u003Cstrong>simboli templari\u003C\u002Fstrong>, la \u003Cstrong>Chiesa di San Pietro alla Magione\u003C\u002Fstrong> racconta secoli di fede, \u003Cstrong>pellegrini\u003C\u002Fstrong> e \u003Cstrong>cavalieri\u003C\u002Fstrong>, custodendo silenzi che parlano più delle parole. La chiesa appartenne ai \u003Cstrong>Cavalieri Templari\u003C\u002Fstrong> dal XII secolo ed è tra le poche a \u003Cstrong>Siena\u003C\u002Fstrong> con una documentata presenza templare diretta.\u003C\u002Fp>\r\n\r\n\u003Cp>Al suo interno stabilirono la loro sede, il “\u003Cstrong>Mansio Templi\u003C\u002Fstrong>”, e vi tenevano un ospizio per pellegrini, da cui deriva il nome della chiesa.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>La storia della Chiesa \u003C\u002Fstrong>\u003Cstrong>di San Pietro alla Magione: \u003C\u002Fstrong>\u003C\u002Fp>\r\n\r\n\u003Cp>Nel 1312 la chiesa passò ai \u003Cstrong>Cavalieri Ospitalieri\u003C\u002Fstrong>, per poi essere affidata alla diocesi, e ancora oggi ospita le riunioni e le celebrazioni della sezione senese del \u003Cstrong>Sovrano Militare Ordine di Malta\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>I templari gestivano terre, proteggevano pellegrini e custodivano beni e documenti, e sulla parete si possono osservare le croci dell’ordine scolpite nella pietra. La posizione strategica e l’orientamento leggermente anomalo dell’edificio rispetto alla griglia urbana medievale suggeriscono un legame simbolico con \u003Cstrong>Gerusalemme\u003C\u002Fstrong> o con un punto preciso lungo la \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Sotto e intorno alla chiesa si trovavano sepolture di cavalieri e di pellegrini morti in viaggio, ormai perdute nel tempo. \u003Cstrong>San Pietro\u003C\u002Fstrong> era invocato soprattutto come protettore dei viaggi e garante del ritorno sicuro dei pellegrini.\u003C\u002Fp>","Chiesa di San Pietro alla Magione: storia templare e pellegrini a Siena","\u003Cdiv>Lasciati guidare dai simboli templari, ascolta il silenzio delle pietre e scopri la storia millenaria della Magione.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-pietro-alla-magione","\u002Fchiesa-di-san-pietro-alla-magione",{"@type":1583,"@id":1875,"description":1876,"abstract":1877,"timetable":16,"title":1878,"subtitle":16,"ctaText":1879,"extraInformations":16,"language":1880,"slug":1872,"slugFormatted":1881},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3d89bcc9bc8396861320","\u003Ch2>History and Architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Romanesque style\u003C\u002Fstrong> of the building is essential and sober: bare stone, solid and “military” proportions, reflecting the protective and spiritual function more than decorative appearance. Some masonry blocks show signs of older workmanship, probably reused materials from nearby Roman structures.\u003C\u002Fp>\r\n\r\n\u003Cp>On one side is the \u003Cstrong>Chapel of San Donnino\u003C\u002Fstrong>, built between 1523 and 1526 as a votive offering to thank for the end of a plague epidemic.\u003C\u002Fp>\r\n\r\n\u003Ch2>Art and Decorations\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside the church are preserved fragments of medieval frescoes depicting scenes of the Crucifixion and biblical stories, works attributed to \u003Cstrong>Cristoforo di Bindoccio\u003C\u002Fstrong> and \u003Cstrong>Meo di Pero\u003C\u002Fstrong>. Among the most relevant works are the \u003Cstrong>gothic tabernacle of the Holy Oil\u003C\u002Fstrong>, fragments of 14th-century frescoes, the \u003Cstrong>Madonna with Child by Bartolomeo Neroni\u003C\u002Fstrong> known as il Riccio, the \u003Cstrong>Madonna with Saints John the Baptist\u003C\u002Fstrong> and \u003Cstrong>Peter by Diego Pesco\u003C\u002Fstrong>, and two 17th-century paintings dedicated to \u003Cstrong>Saint Hugh\u003C\u002Fstrong> and the martyrdom of \u003Cstrong>San Donnino\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Visiting San Pietro alla Magione means immersing oneself in a place that preserves centuries of devotion, protection, and pilgrimages, amidst history, art, and spirituality.\u003C\u002Fp>","\u003Cp>Among ancient stones and \u003Cstrong>Templar symbols\u003C\u002Fstrong>, the \u003Cstrong>Church of San Pietro alla Magione\u003C\u002Fstrong> tells centuries of faith, \u003Cstrong>pilgrims\u003C\u002Fstrong>, and \u003Cstrong>knights\u003C\u002Fstrong>, keeping silences that speak more than words. The church belonged to the \u003Cstrong>Knights Templar\u003C\u002Fstrong> from the 12th century and is among the few in \u003Cstrong>Siena\u003C\u002Fstrong> with documented direct Templar presence.\u003C\u002Fp>\r\n\r\n\u003Cp>Inside, they established their headquarters, the “\u003Cstrong>Mansio Templi\u003C\u002Fstrong>”, and held a hospice for pilgrims, from which the church derives its name.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>The history of the Church \u003C\u002Fstrong>\u003Cstrong>of San Pietro alla Magione: \u003C\u002Fstrong>\u003C\u002Fp>\r\n\r\n\u003Cp>In 1312, the church passed to the \u003Cstrong>Knights Hospitaller\u003C\u002Fstrong>, later being entrusted to the diocese, and still today it hosts the meetings and celebrations of the Sienese section of the \u003Cstrong>Sovereign Military Order of Malta\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The Templars managed lands, protected pilgrims, and safeguarded goods and documents, and on the wall, one can observe the crosses of the order carved in stone. The strategic position and the slightly anomalous orientation of the building compared to the medieval urban grid suggest a symbolic link with \u003Cstrong>Jerusalem\u003C\u002Fstrong> or a specific point along the \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Beneath and around the church were burials of knights and pilgrims who died on their journey, now lost to time. \u003Cstrong>San Pietro\u003C\u002Fstrong> was invoked especially as the protector of travelers and guarantor of the safe return of pilgrims.\u003C\u002Fp>","Church of San Pietro alla Magione: Templar History and Pilgrims in Siena","\u003Cdiv>Let yourself be guided by Templar symbols, listen to the silence of the stones, and discover the millennia-old history of the Magione.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-san-pietro-alla-magione",[],[1884],{"@type":1603,"@id":1885,"translations":1886,"position":1524,"imagePath":1887},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc9274744452134455259",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-della-magione-esterno-6a8c7405bc725636658489.jpg",{"@type":1620,"@id":1889,"hashParam":1890},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd22e2f23369ee6d61b4f","3fa500f2c33334bd802a553189979d61c55682a49848903c5777f23bd8a2d173",[],[],{"@id":1894,"@type":1510,"name":1895,"poiType":1896,"address":1908,"latitude":1909,"longitude":1910,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1911,"translations":1912,"socials":1930,"gallery":1931,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":1948,"position":1380,"layout":1624,"otherPoiType":1951,"logoPath":1626,"poiTagsByCategory":1952},"\u002Fapi\u002Fpois\u002F019eac54-176c-70a6-b1b2-f089a2d6171b","Chiesa di Santa Maria in Provenzano",{"@id":1513,"@type":1514,"id":1515,"translations":1897,"poiCategory":1902},[1898,1900],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":1899,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":1901,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":1903},[1904,1906],{"@type":1539,"@id":1540,"name":1541,"language":1905,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":1907,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Piazza Provenzano","43.3206631","11.3325672",[],[1913,1922],{"@type":1583,"@id":1914,"description":1915,"abstract":1916,"timetable":16,"title":1917,"subtitle":16,"ctaText":1918,"extraInformations":16,"language":1919,"slug":1920,"slugFormatted":1921},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffc97533066e6ecfaf557","\u003Ch2>Storia e origine del culto mariano\u003C\u002Fh2>\r\n\r\n\u003Cp>La costruzione della chiesa iniziò nel 1594 e si concluse nel 1604, in piena epoca manierista, su progetto di \u003Cstrong>Flaminio del Turco\u003C\u002Fstrong> e \u003Cstrong>Damiano Schifardini\u003C\u002Fstrong>. La consacrazione avvenne nel 1611, quando l’edificio divenne rapidamente uno dei principali \u003Cstrong>santuari mariani \u003C\u002Fstrong>di Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>L’origine del culto è legata a un evento ritenuto miracoloso: nel 1594 un colpo di archibugio colpì un’antica immagine della Madonna. Da quel momento si diffusero racconti di guarigioni e \u003Cstrong>grazie\u003C\u002Fstrong> ricevute, e la devozione popolare crebbe fino a spingere il\u003Cstrong> Comune\u003C\u002Fstrong> e le \u003Cstrong>Contrade\u003C\u002Fstrong> a costruire una chiesa monumentale per custodire l’immagine, oggi posta sull’altare maggiore.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e opere d’arte\u003C\u002Fh2>\r\n\r\n\u003Cp>La facciata in travertino è uno dei migliori esempi di manierismo senese: sobria, elegante e scandita da nicchie che ospitano statue ottocentesche di \u003Cstrong>Antonio Zini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>L’interno è a croce greca, dominato da una grande cupola affrescata nel Settecento con i quattro santi protettori di Siena: \u003Cstrong>Galgano\u003C\u002Fstrong>, \u003Cstrong>Savino\u003C\u002Fstrong>, \u003Cstrong>Crescenzio\u003C\u002Fstrong> e \u003Cstrong>Vittore\u003C\u002Fstrong>. Tra le opere più importanti spicca \u003Cstrong>La Messa di San Cerbone\u003C\u002Fstrong> di \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>, uno dei capolavori del barocco senese.\u003C\u002Fp>\r\n\r\n\u003Cp>Numerosi altari laterali, riccamente decorati, testimoniano la partecipazione delle Contrade alla costruzione e all’abbellimento della chiesa.\u003C\u002Fp>\r\n\r\n\u003Ch2>Santa Maria in Provenzano e il Palio del 2 luglio\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa è strettamente legata al \u003Cstrong>Palio del 2 luglio\u003C\u002Fstrong>, dedicato alla \u003Cstrong>Madonna di Provenzano\u003C\u002Fstrong>. Ogni anno le Contrade vi portano ceri e doni votivi in segno di devozione.\u003C\u002Fp>\r\n\r\n\u003Cp>E la Contrada che vince porta subito dopo la corsa il Palio appena conquestato in Provenzano, per rendere omaggio alla Madonna a cui è dedicato.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un luogo di protezione e identità\u003C\u002Fh3>\r\n\r\n\u003Cp>La Madonna di Provenzano è considerata \u003Cstrong>protettrice\u003C\u002Fstrong> della città nei momenti difficili: epidemie, carestie e guerre spinsero i senesi a rivolgersi a lei per chiedere protezione.\u003C\u002Fp>\r\n\r\n\u003Cp>La piazza antistante, un tempo degradata, fu completamente riqualificata grazie alla costruzione della chiesa, diventando un elegante spazio urbano.\u003C\u002Fp>","\u003Cp>A\u003Cstrong> Siena\u003C\u002Fstrong>, il \u003Cstrong>Palio del 2 luglio\u003C\u002Fstrong> nasce anche da una devozione profonda: quella per la \u003Cstrong>Madonna di Provenzano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>Chiesa di Santa Maria in Provenzano\u003C\u002Fstrong> è uno dei luoghi più identitari della città, profondamente legato alla \u003Cstrong>devozione mariana\u003C\u002Fstrong> e alla tradizione del Palio. Sorge nell’omonima piazza, nel \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong>, in un’area che un tempo ospitava le case del condottiero ghibellino \u003Cstrong>Provenzano Salvani\u003C\u002Fstrong>, citato da\u003Cstrong> Dante\u003C\u002Fstrong> nella \u003Cstrong>Divina Commedia\u003C\u002Fstrong>.\u003C\u002Fp>","Chiesa di Santa Maria in Provenzano: devozione e Palio a Siena","\u003Cdiv>Attraversa \u003Cstrong>Piazza Provenzano\u003C\u002Fstrong> e\u003Cbr>ritrova il legame tra devozione, arte e \u003Cstrong>Palio\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santa-maria-in-provenzano","\u002Fchiesa-di-santa-maria-in-provenzano",{"@type":1583,"@id":1923,"description":1924,"abstract":1925,"timetable":16,"title":1926,"subtitle":16,"ctaText":1927,"extraInformations":16,"language":1928,"slug":1920,"slugFormatted":1929},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4abfafb4da2cc9bfd919","\u003Ch2>History and origin of the Marian cult\u003C\u002Fh2>\r\n\r\n\u003Cp>The construction of the church began in 1594 and was completed in 1604, during the full Mannerist period, based on a design by \u003Cstrong>Flaminio del Turco\u003C\u002Fstrong> and \u003Cstrong>Damiano Schifardini\u003C\u002Fstrong>. The consecration took place in 1611, when the building quickly became one of the main \u003Cstrong>Marian sanctuaries\u003C\u002Fstrong> of Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>The origin of the cult is linked to an event considered miraculous: in 1594, a gunshot hit an ancient image of the Madonna. From that moment, stories of healings and \u003Cstrong>graces\u003C\u002Fstrong> received spread, and popular devotion grew until it prompted the \u003Cstrong>Municipality\u003C\u002Fstrong> and the \u003Cstrong>Contrade\u003C\u002Fstrong> to build a monumental church to house the image, now placed on the main altar.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and artworks\u003C\u002Fh2>\r\n\r\n\u003Cp>The travertine façade is one of the best examples of Sienese Mannerism: sober, elegant, and marked by niches that host 19th-century statues by \u003Cstrong>Antonio Zini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The interior is in a Greek cross shape, dominated by a large dome frescoed in the 18th century with the four patron saints of Siena: \u003Cstrong>Galgano\u003C\u002Fstrong>, \u003Cstrong>Savino\u003C\u002Fstrong>, \u003Cstrong>Crescenzio\u003C\u002Fstrong>, and \u003Cstrong>Vittore\u003C\u002Fstrong>. Among the most important works stands out \u003Cstrong>The Mass of San Cerbone\u003C\u002Fstrong> by \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>, one of the masterpieces of Sienese Baroque.\u003C\u002Fp>\r\n\r\n\u003Cp>Numerous richly decorated side altars testify to the participation of the Contrade in the construction and embellishment of the church.\u003C\u002Fp>\r\n\r\n\u003Ch2>Santa Maria in Provenzano and the Palio of July 2\u003C\u002Fh2>\r\n\r\n\u003Cp>The church is closely linked to the \u003Cstrong>Palio of July 2\u003C\u002Fstrong>, dedicated to the \u003Cstrong>Madonna of Provenzano\u003C\u002Fstrong>. Every year, the Contrade bring candles and votive offerings as a sign of devotion.\u003C\u002Fp>\r\n\r\n\u003Cp>And the Contrada that wins immediately brings the Palio just conquered to Provenzano, to pay homage to the Madonna to whom it is dedicated.\u003C\u002Fp>\r\n\r\n\u003Ch3>A place of protection and identity\u003C\u002Fh3>\r\n\r\n\u003Cp>The Madonna of Provenzano is considered the \u003Cstrong>protector\u003C\u002Fstrong> of the city in difficult times: epidemics, famines, and wars prompted the Sienese to turn to her for protection.\u003C\u002Fp>\r\n\r\n\u003Cp>The square in front, once degraded, was completely redeveloped thanks to the construction of the church, becoming an elegant urban space.\u003C\u002Fp>","\u003Cp>In \u003Cstrong>Siena\u003C\u002Fstrong>, the \u003Cstrong>Palio of July 2\u003C\u002Fstrong> also arises from a deep devotion: that for the \u003Cstrong>Madonna of Provenzano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Church of Santa Maria in Provenzano\u003C\u002Fstrong> is one of the most iconic places in the city, deeply linked to \u003Cstrong>Marian devotion\u003C\u002Fstrong> and the tradition of the Palio. It stands in the square of the same name, in the \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong>, in an area that once housed the houses of the Ghibelline leader \u003Cstrong>Provenzano Salvani\u003C\u002Fstrong>, mentioned by \u003Cstrong>Dante\u003C\u002Fstrong> in the \u003Cstrong>Divine Comedy\u003C\u002Fstrong>.\u003C\u002Fp>","Church of Santa Maria in Provenzano: devotion and Palio in Siena","\u003Cdiv>Cross Piazza Provenzano and rediscover the link between devotion, art, and the Palio.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-santa-maria-in-provenzano",[],[1932,1936,1940,1944],{"@type":1603,"@id":1933,"translations":1934,"position":1524,"imagePath":1935},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7cd60c41632d4b5bb552",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-facciata-esterna-3-6abe6da69d8c8949281384.jpg",{"@type":1603,"@id":1937,"translations":1938,"position":116,"imagePath":1939},"\u002Fapi\u002F.well-known\u002Fgenid\u002F85333d0f8494d3e5c778",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-interni-6a8c0e5e445f9301664061.jpg",{"@type":1603,"@id":1941,"translations":1942,"position":456,"imagePath":1943},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff49fd22e0411284ea9cc",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-esterno-6a8c0e5e61feb189583594.jpg",{"@type":1603,"@id":1945,"translations":1946,"position":681,"imagePath":1947},"\u002Fapi\u002F.well-known\u002Fgenid\u002F403b161e8fb7c5294d5a",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-esterno-con-drone-2-6abe6da6ba0a8262261274.jpg",{"@type":1620,"@id":1949,"hashParam":1950},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6185f1fe3e519fe184fc","edb7ac21816cde1e3a8853d5229d455b96555c30c63cfabf9fd684d4de810847",[],[],{"@id":1954,"@type":1510,"name":1955,"poiType":1956,"address":1968,"latitude":1969,"longitude":1970,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1971,"translations":1972,"socials":1990,"gallery":1991,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2004,"position":2007,"layout":1624,"otherPoiType":2008,"logoPath":1626,"poiTagsByCategory":2009},"\u002Fapi\u002Fpois\u002F019ecba7-10f2-7cf7-9963-d80e6c096b32","Basilica dell'Osservanza",{"@id":1513,"@type":1514,"id":1515,"translations":1957,"poiCategory":1962},[1958,1960],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":1959,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":1961,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":1963},[1964,1966],{"@type":1539,"@id":1540,"name":1541,"language":1965,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":1967,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Strada dell'Osservanza, 7","43.33144352883088","11.339342227274544",[],[1973,1982],{"@type":1583,"@id":1974,"description":1975,"abstract":1976,"timetable":16,"title":1977,"subtitle":16,"ctaText":1978,"extraInformations":16,"language":1979,"slug":1980,"slugFormatted":1981},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3544f50c7e620bca94ed","\u003Cp>Immersa nel verde del\u003Cstrong> colle di Capriola\u003C\u002Fstrong>, la \u003Cstrong>Basilica dell’Osservanza\u003C\u002Fstrong> offre un’oasi di silenzio e contemplazione appena fuori dalle mura di \u003Cstrong>Siena\u003C\u002Fstrong>, un luogo dove\u003Cstrong> arte\u003C\u002Fstrong>, \u003Cstrong>storia\u003C\u002Fstrong> e \u003Cstrong>spiritualità\u003C\u002Fstrong> si intrecciano lontano dai percorsi più affollati.\u003C\u002Fp>\r\n\r\n\u003Cp>Le origini della basilica risalgono alla metà del \u003Cstrong>XV secolo\u003C\u002Fstrong>, quando \u003Cstrong>San Bernardino da Siena\u003C\u002Fstrong>, figura amatissima in città, iniziò a predicare sul colle ispirando la costruzione di un \u003Cstrong>convento francescano\u003C\u002Fstrong> dedicato all’“Osservanza”, cioè alla rigorosa osservanza della regola francescana. Dopo la sua morte nel 1444 a L’Aquila, i seguaci vollero onorarne la memoria edificando una chiesa che ne custodisse lo spirito. I lavori iniziarono nel 1476 e proseguirono per diversi decenni, dando vita a un complesso armonioso e sobrio, tipico dell’architettura francescana.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel corso dei secoli, il convento e la basilica hanno accompagnato la vita religiosa e civile della città: il colle serviva anche come punto strategico di osservazione durante le guerre tra Siena e\u003Cstrong> Firenze\u003C\u002Fstrong>, e la campana maggiore avvisava la popolazione in caso di pericolo.\u003C\u002Fp>\r\n\r\n\u003Cp>La basilica subì gravi danni durante la \u003Cstrong>Seconda Guerra Mondiale\u003C\u002Fstrong>: i bombardamenti del 1944 colpirono quasi completamente l’edificio. La ricostruzione fedele, conclusa negli anni Cinquanta, restituì alla città uno dei suoi luoghi più cari.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Architettura e opere d’arte\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno semplice e luminoso ospita opere di grande valore, tra cui dipinti attribuiti a \u003Cstrong>Sano di Pietro\u003C\u002Fstrong>, e opere in \u003Cstrong>terracotta invetriata\u003C\u002Fstrong> con \u003Cstrong>San Ludovico di Tolosa\u003C\u002Fstrong> e \u003Cstrong>San Bonaventura\u003C\u002Fstrong> di \u003Cstrong>Andrea della Robbia\u003C\u002Fstrong>. Particolarmente suggestiva è la cappella dedicata a \u003Cstrong>San Bernardino\u003C\u002Fstrong>, che conserva \u003Cstrong>reliquie\u003C\u002Fstrong> e testimonianze della sua predicazione.\u003Cbr \u002F>\r\nLa facciata, sobria e immersa nel verde, riflette l’armonia dell’architettura francescana. All’interno, il complesso si sviluppa in ambienti che raccontano i secoli di storia, dalle decorazioni originali del XV secolo fino agli interventi di ricostruzione del XX secolo.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Convento e panorami\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Il convento annesso ospita una preziosa \u003Cstrong>biblioteca storica\u003C\u002Fstrong>, ricca di \u003Cstrong>manoscritti \u003C\u002Fstrong>e volumi antichi legati alla predicazione francescana e alla storia senese. Il piazzale antistante offre una vista panoramica sulla \u003Cstrong>campagna toscana\u003C\u002Fstrong> e sulla città, rendendolo ideale per una pausa contemplativa o per scattare \u003Cstrong>fotografie\u003C\u002Fstrong> suggestive.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>Basilica dell’Osservanza\u003C\u002Fstrong> oggi è un luogo di pace e riflessione, perfetto per chi ama arte, storia e spiritualità. L’atmosfera raccolta e il forte legame con San Bernardino ne fanno una tappa imprescindibile per conoscere l’anima più autentica di Siena.\u003C\u002Fp>","\u003Cp>Scopri la Basilica dell’Osservanza a Siena, un luogo di arte, storia e spiritualità legato a San Bernardino. Ammira opere preziose, panorami mozzafiato e la pace del colle di Capriola.\u003C\u002Fp>","Basilica dell’Osservanza: arte, storia e spiritualità a Siena","\u003Cdiv>Respira il silenzio, osserva i dettagli e porta con te il fascino senza tempo di Siena\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"basilica-dell-osservanza","\u002Fbasilica-dell-osservanza",{"@type":1583,"@id":1983,"description":1984,"abstract":1985,"timetable":16,"title":1986,"subtitle":16,"ctaText":1987,"extraInformations":16,"language":1988,"slug":1980,"slugFormatted":1989},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7f827ab305e3843f31e4","\u003Cp>Set in the greenery of the \u003Cstrong>Capriola hill\u003C\u002Fstrong>, the \u003Cstrong>Basilica of the Observance\u003C\u002Fstrong> offers an oasis of silence and contemplation just outside the walls of \u003Cstrong>Siena\u003C\u002Fstrong>, a place where \u003Cstrong>art\u003C\u002Fstrong>, \u003Cstrong>history\u003C\u002Fstrong>, and \u003Cstrong>spirituality\u003C\u002Fstrong> intertwine away from the more crowded paths.\u003C\u002Fp>\r\n\r\n\u003Cp>The origins of the basilica date back to the mid-\u003Cstrong>15th century\u003C\u002Fstrong>, when \u003Cstrong>Saint Bernardino of Siena\u003C\u002Fstrong>, a beloved figure in the city, began preaching on the hill, inspiring the construction of a \u003Cstrong>Franciscan convent\u003C\u002Fstrong> dedicated to the “Observance,” meaning the strict adherence to the Franciscan rule. After his death in 1444 in L’Aquila, his followers wanted to honor his memory by building a church that would preserve his spirit. Construction began in 1476 and continued for several decades, resulting in a harmonious and sober complex, typical of Franciscan architecture.\u003C\u002Fp>\r\n\r\n\u003Cp>Over the centuries, the convent and the basilica have accompanied the religious and civil life of the city: the hill also served as a strategic observation point during the wars between Siena and \u003Cstrong>Florence\u003C\u002Fstrong>, and the main bell warned the population in case of danger.\u003C\u002Fp>\r\n\r\n\u003Cp>The basilica suffered severe damage during \u003Cstrong>World War II\u003C\u002Fstrong>: the bombings of 1944 almost completely hit the building. The faithful reconstruction, completed in the 1950s, returned to the city one of its dearest places.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Architecture and artworks\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The simple and bright interior houses works of great value, including paintings attributed to \u003Cstrong>Sano di Pietro\u003C\u002Fstrong>, and \u003Cstrong>glazed terracotta\u003C\u002Fstrong> works featuring \u003Cstrong>Saint Louis of Toulouse\u003C\u002Fstrong> and \u003Cstrong>Saint Bonaventure\u003C\u002Fstrong> by \u003Cstrong>Andrea della Robbia\u003C\u002Fstrong>. Particularly striking is the chapel dedicated to \u003Cstrong>Saint Bernardino\u003C\u002Fstrong>, which preserves \u003Cstrong>relics\u003C\u002Fstrong> and testimonies of his preaching.\u003C\u002Fp>\r\n\r\n\u003Cp>The facade, sober and immersed in greenery, reflects the harmony of Franciscan architecture. Inside, the complex unfolds in spaces that tell centuries of history, from the original decorations of the 15th century to the reconstruction interventions of the 20th century.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Convent and views\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The attached convent houses a valuable \u003Cstrong>historical library\u003C\u002Fstrong>, rich in \u003Cstrong>manuscripts\u003C\u002Fstrong> and ancient volumes related to Franciscan preaching and Siena's history. The square in front offers a panoramic view of the \u003Cstrong>Tuscan countryside\u003C\u002Fstrong> and the city, making it ideal for a contemplative break or for taking \u003Cstrong>suggestive photographs\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Basilica of the Observance\u003C\u002Fstrong> today is a place of peace and reflection, perfect for those who love art, history, and spirituality. The intimate atmosphere and the strong connection with Saint Bernardino make it an essential stop to discover the most authentic soul of Siena.\u003C\u002Fp>","\u003Cp>Discover the Basilica dell'Osservanza in Siena, a place of art, history, and spirituality linked to San Bernardino. Admire precious artworks, breathtaking views, and the tranquility of Capriola Hill.\u003C\u002Fp>","Basilica of the Observance: art, history, and spirituality in Siena","\u003Cdiv>Breathe in the silence, observe the details, and take with you the timeless charm of Siena\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fbasilica-dell-osservanza",[],[1992,1996,2000],{"@type":1603,"@id":1993,"translations":1994,"position":1524,"imagePath":1995},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7afe19288b973cb361b6",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dell-osservanza-10-6abf841368d71738452306.jpg",{"@type":1603,"@id":1997,"translations":1998,"position":1524,"imagePath":1999},"\u002Fapi\u002F.well-known\u002Fgenid\u002F36cb5369ca9fd19ed048",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dell-osservanza-7-6abf8413939e6493464360.jpg",{"@type":1603,"@id":2001,"translations":2002,"position":1524,"imagePath":2003},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7902db4c1faca2c6d931",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dell-osservanza-3-6abf8413843c6247627734.jpg",{"@type":1620,"@id":2005,"hashParam":2006},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8c269b360601243fb007","47265df68e6d1f26cc7aeb4738a73c89f7cf21d45cc5a35db6693c839b21ada0",70,[],[],{"@id":2011,"@type":1510,"name":2012,"poiType":2013,"address":2025,"latitude":2026,"longitude":2027,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2028,"translations":2029,"socials":2047,"gallery":2048,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2053,"position":2007,"layout":2056,"otherPoiType":2057,"logoPath":1626,"poiTagsByCategory":2058},"\u002Fapi\u002Fpois\u002F019ecbe8-9e0e-7495-8a72-54ef9b757889","Chiesa San Martino",{"@id":1513,"@type":1514,"id":1515,"translations":2014,"poiCategory":2019},[2015,2017],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2016,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2018,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2020},[2021,2023],{"@type":1539,"@id":1540,"name":1541,"language":2022,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2024,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Logge del Papa, 7","43.31856187509854","11.333709026984916",[],[2030,2039],{"@type":1583,"@id":2031,"description":2032,"abstract":2033,"timetable":16,"title":2034,"subtitle":16,"ctaText":2035,"extraInformations":16,"language":2036,"slug":2037,"slugFormatted":2038},"\u002Fapi\u002F.well-known\u002Fgenid\u002F351b8f3809c75d60c970","\u003Cp>Storia e leggende della chiesa\u003C\u002Fp>\r\n\r\n\u003Cp>Citata già nell’alto Medioevo, la Chiesa di San Martino è stata rinnovata e ampliata nei secoli, combinando elementi gotici e barocchi. Era strettamente legata alle confraternite locali e agli artigiani, in particolare sarti e falegnami, e spesso fungeva da punto di riferimento per le processioni di quartiere.\u003C\u002Fp>\r\n\r\n\u003Cp>Una \u003Cstrong>leggenda racconta\u003C\u002Fstrong> che la statua di San Martino abbia mosso il mantello da sola per proteggere un bambino che stava per cadere da un cornicione: da allora, ogni anno, i bambini ricevono una benedizione speciale durante la festa del santo. Al XV secolo risalgono altri miracoli minori legati alla salute.\u003C\u002Fp>\r\n\r\n\u003Cp>Si narra inoltre che sotto la chiesa esista un \u003Cstrong>pozzo nascosto\u003C\u002Fstrong>, utilizzato in passato per scopi rituali o per proteggere oggetti preziosi durante guerre e saccheggi, una curiosità molto amata dai residenti.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e interni\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa presenta una struttura semplice con elementi gotici e barocchi. L’interno ospita affreschi di scuola senese e dipinti raffiguranti San Martino. Sono stati rinvenuti resti di tombe medievali, a testimonianza dei legami con nobili e confratelli locali.\u003C\u002Fp>\r\n\r\n\u003Cp>L’\u003Cstrong>organo a canne\u003C\u002Fstrong>, risalente a fine ‘500\u002Finizi ‘600 e realizzato da Cesare Romani, è stato restaurato e conserva ancora gran parte dei materiali originali.\u003C\u002Fp>\r\n\r\n\u003Ch2>Opere principali\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra le opere più significative della chiesa si trovano:\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Natività di Gesù\u003C\u002Fstrong>, Domenico Beccafumi (1524)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>La Circoncisione di Gesù\u003C\u002Fstrong>, Guido Reni (1636)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Il Martirio di San Bartolomeo\u003C\u002Fstrong>, Giovanni Francesco Barbieri “Il Guercino” (1637)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Madonna col Bambino\u003C\u002Fstrong>, marmo di Giuseppe Mazzuoli, collocata su uno degli altari laterali\u003C\u002Fp>\r\n\r\n\u003Cp>Volta e cupola decorate con affreschi di Annibale Mazzuoli\u003C\u002Fp>\r\n\r\n\u003Ch2>Un’esperienza a Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>La Chiesa di San Martino rappresenta un luogo dove arte, storia e fede si intrecciano. Tra affreschi, leggende e miracoli, ogni visita diventa un viaggio nella tradizione senese più autentica.\u003C\u002Fp>","\u003Cp>Una chiesa dove il tempo sembra rallentare, dove ogni angolo custodisce storie di \u003Cstrong>fede\u003C\u002Fstrong>, \u003Cstrong>miracoli\u003C\u002Fstrong> e \u003Cstrong>devozione\u003C\u002Fstrong> popolare. La Chiesa di San Martino a Siena ti accoglie con la sua struttura semplice, \u003Cstrong>affreschi\u003C\u002Fstrong> di scuola senese e \u003Cstrong>opere\u003C\u002Fstrong> che raccontano secoli di storia, legami con artigiani e confraternite, e una tradizione che ancora oggi affascina grandi e piccini.\u003C\u002Fp>","Chiesa di San Martino: arte, fede e leggende a Siena","\u003Cdiv>Scopri i segreti e i capolavori di San Martino e lasciati sorprendere dai racconti, dalle opere e dalle leggende.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-san-martino","\u002Fchiesa-san-martino",{"@type":1583,"@id":2040,"description":2041,"abstract":2042,"timetable":16,"title":2043,"subtitle":16,"ctaText":2044,"extraInformations":16,"language":2045,"slug":2037,"slugFormatted":2046},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb9c15c4ddba63e840a48","\u003Ch2>History and legends of the church\u003C\u002Fh2>\r\n\r\n\u003Cp>Mentioned as early as the High Middle Ages, the Church of San Martino has been renewed and expanded over the centuries, combining Gothic and Baroque elements. It was closely linked to local brotherhoods and artisans, particularly tailors and carpenters, and often served as a reference point for neighborhood processions.\u003C\u002Fp>\r\n\r\n\u003Cp>A \u003Cstrong>legend tells\u003C\u002Fstrong> that the statue of San Martino moved its cloak by itself to protect a child who was about to fall from a ledge: since then, every year, children receive a special blessing during the saint's feast. Other minor miracles related to health date back to the 15th century.\u003C\u002Fp>\r\n\r\n\u003Cp>It is also said that beneath the church there exists a \u003Cstrong>hidden well\u003C\u002Fstrong>, used in the past for ritual purposes or to protect precious objects during wars and looting, a curiosity much loved by the residents.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and interiors\u003C\u002Fh2>\r\n\r\n\u003Cp>The church features a simple structure with Gothic and Baroque elements. The interior houses frescoes from the Sienese school and paintings depicting San Martino. Remains of medieval tombs have been found, testifying to the ties with local nobles and brothers.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>pipe organ\u003C\u002Fstrong>, dating back to the late 1500s\u002Fearly 1600s and made by Cesare Romani, has been restored and still retains much of the original materials.\u003C\u002Fp>\r\n\r\n\u003Ch2>Main works Among\u003C\u002Fh2>\r\n\r\n\u003Cp>the most significant works of the church are:\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Nativity of Jesus\u003C\u002Fstrong>, Domenico Beccafumi (1524)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>The Circumcision of Jesus\u003C\u002Fstrong>, Guido Reni (1636)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>The Martyrdom of Saint Bartholomew\u003C\u002Fstrong>, Giovanni Francesco Barbieri “Il Guercino” (1637)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Madonna with Child\u003C\u002Fstrong>, marble by Giuseppe Mazzuoli, placed on one of the side altars\u003C\u002Fp>\r\n\r\n\u003Cp>Ceiling and dome decorated with frescoes by Annibale Mazzuoli\u003C\u002Fp>\r\n\r\n\u003Ch2>An experience in Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>The Church of San Martino represents a place where art, history, and faith intertwine. Among frescoes, legends, and miracles, every visit becomes a journey into the most authentic Sienese tradition.\u003C\u002Fp>","\u003Cp>A church where time seems to slow down, where every corner holds stories of \u003Cstrong>faith\u003C\u002Fstrong>, \u003Cstrong>miracles\u003C\u002Fstrong>, and \u003Cstrong>popular devotion\u003C\u002Fstrong>. The Church of San Martino in Siena welcomes you with its simple structure, \u003Cstrong>frescoes\u003C\u002Fstrong> from the Sienese school, and \u003Cstrong>works\u003C\u002Fstrong> that tell centuries of history, ties with artisans and brotherhoods, and a tradition that still fascinates both young and old today.\u003C\u002Fp>","Church of San Martino: art, faith, and legends in Siena","\u003Cdiv>Discover the secrets and masterpieces of San Martino and let yourself be surprised by the stories, the works, and the legends.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-san-martino",[],[2049],{"@type":1603,"@id":2050,"translations":2051,"position":1524,"imagePath":2052},"\u002Fapi\u002F.well-known\u002Fgenid\u002F83decf3676c7ab12b759",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-martino-facciata-esterna-6a8c763582837304997429.jpg",{"@type":1620,"@id":2054,"hashParam":2055},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc41add69602b44571177","3f99349bc824465a834aa5db5891b770e5bb3ab96cd5398edd2edcbd66e200ac","CONVERSION",[],[],{"@id":2060,"@type":1510,"name":2061,"poiType":2062,"address":2074,"latitude":2075,"longitude":2076,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2077,"translations":2078,"socials":2097,"gallery":2098,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2103,"position":2007,"layout":2056,"otherPoiType":2106,"logoPath":1626,"poiTagsByCategory":2107},"\u002Fapi\u002Fpois\u002F019f8994-f20e-7a84-a511-f47fd0382194","Chiesa di San Raimondo al Refugio",{"@id":1513,"@type":1514,"id":1515,"translations":2063,"poiCategory":2068},[2064,2066],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2065,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2067,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2069},[2070,2072],{"@type":1539,"@id":1540,"name":1541,"language":2071,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2073,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"via di Fieravecchia","43.3170077","11.3383192",[],[2079,2088],{"@type":1583,"@id":2080,"description":2081,"abstract":2082,"timetable":16,"title":2083,"subtitle":16,"ctaText":2084,"extraInformations":16,"language":2085,"slug":2086,"slugFormatted":2087},"\u002Fapi\u002F.well-known\u002Fgenid\u002F30713582bb67088c46b6","\u003Ch2>Origini e costruzione del complesso\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa si sviluppa all’inizio del \u003Cstrong>Seicento\u003C\u002Fstrong> all’interno del complesso assistenziale dedicato alle \u003Cstrong>Povere Abbandonate\u003C\u002Fstrong>, una congregazione fondata nel 1580 per accogliere ed educare giovani in difficoltà. Nel 1601 il nobile senese \u003Cstrong>Aurelio Chigi \u003C\u002Fstrong>promuove la costruzione della chiesa, che diventa il centro spirituale del Refugio. Dopo la sua morte, il progetto viene portato avanti da \u003Cstrong>Agostino Chigi\u003C\u002Fstrong> e successivamente da\u003Cstrong> Fabio Chigi\u003C\u002Fstrong>, futuro \u003Cstrong>papa Alessandro VII\u003C\u002Fstrong>, che ne sostiene lo sviluppo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Facciata e architettura barocca\u003C\u002Fh2>\r\n\r\n\u003Cp>La\u003Cstrong> facciata in marmo\u003C\u002Fstrong>, completata intorno al 1660 e progettata da \u003Cstrong>Benedetto Giovannelli\u003C\u002Fstrong>, rappresenta uno dei migliori esempi di \u003Cstrong>barocco senese\u003C\u002Fstrong>. L’eleganza delle linee e la presenza dello\u003Cstrong> stemma pontificio\u003C\u002Fstrong> di Alessandro VII definiscono il carattere solenne dell’edificio.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interni e patrimonio artistico\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno custodisce \u003Cstrong>opere\u003C\u002Fstrong> dei principali \u003Cstrong>pittori senesi\u003C\u002Fstrong> del Seicento, tra cui \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>,\u003Cstrong> Alessandro Casolani\u003C\u002Fstrong>, \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong> e \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Il \u003Cstrong>complesso museale\u003C\u002Fstrong> annesso conserva anche opere di epoche precedenti, come l’\u003Cstrong>Assunta di Domenico di Bartolo\u003C\u002Fstrong> e una \u003Cstrong>Santa Caterina d’Alessandria\u003C\u002Fstrong> attribuita a \u003Cstrong>Jacopo della Quercia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Valore storico e oggi\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi la chiesa e gli ambienti storici fanno parte della \u003Cstrong>Fondazione Conservatori Riuniti di Siena\u003C\u002Fstrong>, che tutela il patrimonio e ne permette la visita attraverso \u003Cstrong>percorsi culturali\u003C\u002Fstrong> e \u003Cstrong>museali\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La sua posizione vicino a\u003Cstrong> Porta Romana\u003C\u002Fstrong> la rende una tappa significativa per comprendere la Siena barocca e il suo sistema di istituzioni assistenziali.\u003C\u002Fp>","\u003Cp>La storia di \u003Cstrong>San Raimondo al Refugio\u003C\u002Fstrong> nasce da un’idea semplice e potente: dare spazio all\u003Cstrong>’accoglienza\u003C\u002Fstrong>. Attorno a questa visione si costruisce uno dei complessi barocchi più significativi di \u003Cstrong>Siena\u003C\u002Fstrong>.\u003C\u002Fp>","Chiesa di San Raimondo al Refugio: arte barocca e accoglienza a Siena","\u003Cdiv>Scopri un luogo dove la cura diventa architettura e l’arte racconta una storia di comunità e protezione.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-raimondo-al-refugio","\u002Fchiesa-di-san-raimondo-al-refugio",{"@type":1583,"@id":2089,"description":2090,"abstract":2091,"timetable":16,"title":2092,"subtitle":16,"ctaText":2093,"extraInformations":16,"language":2094,"slug":2095,"slugFormatted":2096},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3354be5ef79e20abd8c8","\u003Ch2>Origins and Construction of the Complex\u003C\u002Fh2>\r\n\r\n\u003Cp>The church was developed at the beginning of the \u003Cstrong>Seventeenth Century\u003C\u002Fstrong> within the welfare complex dedicated to the \u003Cstrong>Povere Abbandonate\u003C\u002Fstrong>, a congregation founded in 1580 to welcome and educate young people in difficulty. In 1601, the noble Sienese \u003Cstrong>Aurelio Chigi\u003C\u002Fstrong> promotes the construction of the church, which becomes the spiritual center of the Refugio. After his death, the project is carried on by \u003Cstrong>Agostino Chigi\u003C\u002Fstrong> and later by \u003Cstrong>Fabio Chigi\u003C\u002Fstrong>, future \u003Cstrong>Pope Alexander VII\u003C\u002Fstrong>, who supports its development.\u003C\u002Fp>\r\n\r\n\u003Ch2>Facade and Baroque Architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>marble facade\u003C\u002Fstrong>, completed around 1660 and designed by \u003Cstrong>Benedetto Giovannelli\u003C\u002Fstrong>, represents one of the best examples of \u003Cstrong>Sienese Baroque\u003C\u002Fstrong>. The elegance of the lines and the presence of the \u003Cstrong>papal coat of arms\u003C\u002Fstrong> of Alexander VII define the solemn character of the building.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interiors and Artistic Heritage\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior houses \u003Cstrong>works\u003C\u002Fstrong> by the main \u003Cstrong>Sienese painters\u003C\u002Fstrong> of the Seventeenth Century, including \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>, \u003Cstrong>Alessandro Casolani\u003C\u002Fstrong>, \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong>, and \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>attached museum complex\u003C\u002Fstrong> also preserves works from earlier periods, such as the \u003Cstrong>Assumption by Domenico di Bartolo\u003C\u002Fstrong> and a \u003Cstrong>Saint Catherine of Alexandria\u003C\u002Fstrong> attributed to \u003Cstrong>Jacopo della Quercia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Historical Value and Today\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the church and the historical environments are part of the \u003Cstrong>Fondazione Conservatori Riuniti di Siena\u003C\u002Fstrong>, which protects the heritage and allows visits through \u003Cstrong>cultural\u003C\u002Fstrong> and \u003Cstrong>museum paths\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Its location near \u003Cstrong>Porta Romana\u003C\u002Fstrong> makes it a significant stop for understanding Baroque Siena and its system of welfare institutions.\u003C\u002Fp>","\u003Cp>The story of \u003Cstrong>San Raimondo al Refugio\u003C\u002Fstrong> originates from a simple and powerful idea: to provide space for \u003Cstrong>welcome\u003C\u002Fstrong>. Around this vision, one of the most significant Baroque complexes in \u003Cstrong>Siena\u003C\u002Fstrong> is built.\u003C\u002Fp>","Church of San Raimondo al Refugio: Baroque Art and Hospitality in Siena","\u003Cdiv>Discover a place where care becomes architecture and art tells a story of community and protection.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"church-of-san-raimondo-al-refugio","\u002Fen\u002Fchurch-of-san-raimondo-al-refugio",[],[2099],{"@type":1603,"@id":2100,"translations":2101,"position":1524,"imagePath":2102},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4bd8fb135adcf05182b0",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-san-raimondo-al-refugio-dettaglio-6a8c7bc7e9459330915198.jpg",{"@type":1620,"@id":2104,"hashParam":2105},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7b184f73ce9e4d4e2194","362a080afea296817dbfda9a906b45f8bd222d87029547b7620050c2459ed3b8",[],[],{"@id":2109,"@type":1510,"name":2110,"poiType":2111,"address":2123,"latitude":2124,"longitude":2125,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2126,"translations":2127,"socials":2145,"gallery":2146,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2155,"position":2007,"layout":1624,"otherPoiType":2158,"logoPath":1626,"poiTagsByCategory":2159},"\u002Fapi\u002Fpois\u002F019ecbee-7325-7ebf-89de-24f5528b8a7e","Chiesa di Santa Maria degli Angeli, detta \"Il Santuccio\"",{"@id":1513,"@type":1514,"id":1515,"translations":2112,"poiCategory":2117},[2113,2115],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2114,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2116,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2118},[2119,2121],{"@type":1539,"@id":1540,"name":1541,"language":2120,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2122,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via Roma, 69","43.315447394949565","11.339793837480203",[],[2128,2137],{"@type":1583,"@id":2129,"description":2130,"abstract":2131,"timetable":16,"title":2132,"subtitle":16,"ctaText":2133,"extraInformations":16,"language":2134,"slug":2135,"slugFormatted":2136},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff1d767439aa05c735696","\u003Ch2>Origini e ruolo storico\u003C\u002Fh2>\r\n\r\n\u003Cp>Fondata tra il 1320 e il 1352 dalle monache dell’ordine di Santa Maria Maddalena, la chiesa si fuse in seguito con le consorelle di Santa Maria degli Angeli in Valli. Nel marzo del 1550 (1549 secondo l’anno senese), venne portato nella chiesa un reliquiario duecentesco contenente la testa di San Galgano, alla quale pare continuassero a crescere i capelli. Le monache tagliavano i capelli, considerati capaci di operare guarigioni miracolose.\u003C\u002Fp>\r\n\r\n\u003Cp>Il \u003Cstrong>soprannome “Santuccio”\u003C\u002Fstrong> sembra derivare proprio dalla presenza di questa reliquia, mentre un’altra ipotesi lo collega alla casata senese dei Santucci, che sostenne economicamente la fondazione del convento. La chiesa ebbe inoltre un ruolo nella \u003Cstrong>storia del Palio\u003C\u002Fstrong>: fungeva da punto di partenza per il\u003Cstrong> “Palio alla lunga”,\u003C\u002Fstrong> una versione storica della corsa prima dell’introduzione del Palio come lo vediamo oggi in Piazza del Campo.\u003C\u002Fp>\r\n\r\n\u003Cp>Il \u003Cstrong>convento femminile\u003C\u002Fstrong> era frequentato soprattutto da ragazze appartenenti a famiglie nobili di Siena. Molte entravano in convento non solo per vocazione religiosa, ma anche per strategie familiari: serviva a evitare divisioni di patrimoni o matrimoni indesiderati. Per sostenere il convento, le monache producevano ricami, tessuti e oggetti sacri, richiesti anche fuori Siena. Vivevano in \u003Cstrong>clausura stretta\u003C\u002Fstrong>, comunicando con l’esterno tramite grate e ruote girevoli per passare oggetti senza contatto diretto. In alcuni periodi storici, il complesso fu trasformato e riutilizzato per scopi civili e militari.\u003C\u002Fp>\r\n\r\n\u003Ch2>Arte e ristrutturazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel XVI secolo la chiesa fu ristrutturata: venne costruito un grandioso altare secondo i dettami della Controriforma. All’interno si trova un organo, presente già nel 1531 e ampliato nel Seicento, dotato di doppia meccanica per essere suonato sia dall’interno del coro sia dal lato della chiesa.\u003C\u002Fp>\r\n\r\n\u003Cp>Il \u003Cstrong>patrimonio artistico\u003C\u002Fstrong> include opere dei principali maestri senesi: sculture lignee di \u003Cstrong>Jacopo della Quercia\u003C\u002Fstrong> (oggi alla Pinacoteca Nazionale), e la tela dell’altare raffigurante la Madonna con il Bambino e santi, iniziata da \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> nel 1610, proseguita da \u003Cstrong>Ventura Salimbeni \u003C\u002Fstrong>e completata nel 1614 da \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong>. Ai lati dell’altare si trovano la tela di \u003Cstrong>Antonio Buonfigli\u003C\u002Fstrong> con Santa Cecilia che suona l’organo e l’affresco Il concerto d’angeli di Ventura Salimbeni, a cui si deve anche il ciclo di affreschi che decora le pareti con le Storie della vita di San Galgano (1612).\u003C\u002Fp>","\u003Cp>Tra le vie di \u003Cstrong>Porta Romana\u003C\u002Fstrong>, si nasconde un piccolo scrigno di storia e devozione: la \u003Cstrong>Chiesa di Santa Maria degli Angeli,\u003C\u002Fstrong> conosciuta come Il \u003Cstrong>Santuccio\u003C\u002Fstrong>. Passeggiando tra le sue mura, si percepisce l’eco dei secoli: \u003Cstrong>reliquie\u003C\u002Fstrong> miracolose, \u003Cstrong>monache\u003C\u002Fstrong> in clausura e l’arte dei più grandi maestri senesi raccontano la spiritualità e le tradizioni della città.\u003C\u002Fp>","Chiesa di Santa Maria degli Angeli, Il Santuccio a Siena","\u003Cdiv>Ammira da vicino le opere dei grandi maestri senesi e scopri la storia unica di San Galgano e delle monache del convento.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santa-maria-degli-angeli-detta-il-santuccio","\u002Fchiesa-di-santa-maria-degli-angeli-detta-il-santuccio",{"@type":1583,"@id":2138,"description":2139,"abstract":2140,"timetable":16,"title":2141,"subtitle":16,"ctaText":2142,"extraInformations":16,"language":2143,"slug":2135,"slugFormatted":2144},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0e096793abbc63a16a3a","\u003Ch2>Origins and historical role\u003C\u002Fh2>\r\n\r\n\u003Cp>Founded between 1320 and 1352 by the nuns of the order of Santa Maria Maddalena, the church later merged with the sisters of Santa Maria degli Angeli in Valli. In March 1550 (1549 according to the Sienese year), a 13th-century reliquary containing the head of Saint Galgano was brought to the church, from which it seemed hair continued to grow. The nuns would cut the hair, believed to be capable of performing miraculous healings.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>nickname “Santuccio”\u003C\u002Fstrong> seems to derive precisely from the presence of this relic, while another hypothesis links it to the Sienese family of the Santucci, who financially supported the foundation of the convent. The church also played a role in the \u003Cstrong>history of the Palio\u003C\u002Fstrong>: it served as a starting point for the \u003Cstrong>“Palio alla lunga,”\u003C\u002Fstrong> a historical version of the race before the introduction of the Palio as we see it today in Piazza del Campo.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>female convent\u003C\u002Fstrong> was frequented mainly by girls from noble families in Siena. Many entered the convent not only for religious vocation but also for family strategies: it helped avoid divisions of estates or unwanted marriages. To support the convent, the nuns produced embroidery, fabrics, and sacred objects, which were also in demand outside Siena. They lived in \u003Cstrong>strict cloister\u003C\u002Fstrong>, communicating with the outside through grates and revolving wheels to pass objects without direct contact. In some historical periods, the complex was transformed and reused for civil and military purposes.\u003C\u002Fp>\r\n\r\n\u003Ch2>Art and renovations\u003C\u002Fh2>\r\n\r\n\u003Cp>In the 16th century, the church was renovated: a grand altar was built according to the dictates of the Counter-Reformation. Inside, there is an organ, already present in 1531 and expanded in the 17th century, equipped with double mechanics to be played both from inside the choir and from the side of the church.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>artistic heritage\u003C\u002Fstrong> includes works by the main Sienese masters: wooden sculptures by \u003Cstrong>Jacopo della Quercia\u003C\u002Fstrong> (now at the National Gallery), and the altar painting depicting the Madonna with Child and saints, started by \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> in 1610, continued by \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong> and completed in 1614 by \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong>. On either side of the altar are the painting by \u003Cstrong>Antonio Buonfigli\u003C\u002Fstrong> with Saint Cecilia playing the organ and the fresco The Concert of Angels by Ventura Salimbeni, who is also responsible for the cycle of frescoes that decorates the walls with the Stories of the Life of Saint Galgano (1612).\u003C\u002Fp>","\u003Cp>Among the streets of \u003Cstrong>Porta Romana\u003C\u002Fstrong>, there lies a small treasure of history and devotion: the \u003Cstrong>Church of Santa Maria degli Angeli,\u003C\u002Fstrong> known as the \u003Cstrong>Santuccio\u003C\u002Fstrong>. Walking through its walls, one can feel the echo of centuries: \u003Cstrong>miraculous relics\u003C\u002Fstrong>, \u003Cstrong>nuns\u003C\u002Fstrong> in cloister, and the art of the greatest Sienese masters tell the spirituality and traditions of the city.\u003C\u002Fp>","Church of Santa Maria degli Angeli, the Santuccio in Siena","\u003Cdiv>Admire up close the works of the great Sienese masters and discover the unique story of Saint Galgano and the nuns of the convent.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-santa-maria-degli-angeli-detta-il-santuccio",[],[2147,2151],{"@type":1603,"@id":2148,"translations":2149,"position":1524,"imagePath":2150},"\u002Fapi\u002F.well-known\u002Fgenid\u002F59fb3eb86d2ef27fff49",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-santa-maria-degli-angeli-detta-il-santuccio-1-6abf8b0039d8f177464630.jpg",{"@type":1603,"@id":2152,"translations":2153,"position":1524,"imagePath":2154},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff9b60e7941f6bef60e38",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-santa-maria-degli-angeli-detta-il-santuccio-4-6abf8b001e41c610980939.jpg",{"@type":1620,"@id":2156,"hashParam":2157},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff8f147ca6033efbbde12","9187c60e210eb6d01e3eb155688fd96c0094b4dc664d993c007dd2e5ca0476b4",[],[],{"@id":2161,"@type":1510,"name":2162,"poiType":2163,"address":2175,"latitude":2176,"longitude":2177,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2178,"translations":2179,"socials":2197,"gallery":2198,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2199,"position":2007,"layout":1624,"otherPoiType":2202,"logoPath":1626,"poiTagsByCategory":2203},"\u002Fapi\u002Fpois\u002F019ed472-f52c-7190-ac3e-c4bc1e210dc4","Chiesa di Santa Maria delle Nevi",{"@id":1513,"@type":1514,"id":1515,"translations":2164,"poiCategory":2169},[2165,2167],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2166,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2168,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2170},[2171,2173],{"@type":1539,"@id":1540,"name":1541,"language":2172,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2174,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via dei Montanini, 7","43.321695415637926","11.330005428835527",[],[2180,2189],{"@type":1583,"@id":2181,"description":2182,"abstract":2183,"timetable":16,"title":2184,"subtitle":16,"ctaText":2185,"extraInformations":16,"language":2186,"slug":2187,"slugFormatted":2188},"\u002Fapi\u002F.well-known\u002Fgenid\u002F264ceb2a78879937ca85","\u003Ch2>Una chiesa piccola che non si dimentica\u003C\u002Fh2>\r\n\r\n\u003Cp>In \u003Cstrong>Via Montanini\u003C\u002Fstrong>, una delle strade storiche che collegano \u003Cstrong>Porta Camollia\u003C\u002Fstrong> al centro di \u003Cstrong>Siena\u003C\u002Fstrong>, c'è una facciata in laterizio semplice ed elegante che non chiede attenzione. Eppure, qualcosa trattiene lo sguardo: il \u003Cstrong>portale in pietra\u003C\u002Fstrong>, la finestra centrale, le proporzioni equilibrate di un edificio che sa esattamente quello che è. La \u003Cstrong>Chiesa di Santa Maria delle Nevi\u003C\u002Fstrong> non cerca di impressionare dall'esterno. Lo fa da dentro, e lo fa in modo che non si dimentica facilmente.\u003C\u002Fp>\r\n\r\n\u003Ch2>Le origini: un vescovo, un miracolo e una devozione antica\u003C\u002Fh2>\r\n\r\n\u003Ch3>Giovanni Chinugi e la Madonna della Neve\u003C\u002Fh3>\r\n\r\n\u003Cp>La storia inizia nel \u003Cstrong>1477\u003C\u002Fstrong>, quando \u003Cstrong>Giovanni Chinugi\u003C\u002Fstrong>, vescovo della nuova diocesi di \u003Cstrong>Pienza\u003C\u002Fstrong> istituita da \u003Cstrong>Pio II\u003C\u002Fstrong>, decide di fondare questo oratorio privato legato alla devozione mariana. Il nome \u003Cstrong>"delle Nevi"\u003C\u002Fstrong> richiama il miracolo della \u003Cstrong>Madonna della Neve\u003C\u002Fstrong>, legato alla \u003Cstrong>Basilica di Santa Maria Maggiore\u003C\u002Fstrong> a \u003Cstrong>Roma\u003C\u002Fstrong>: una storia di neve caduta in agosto, di visioni e di fede che ha attraversato i secoli. In quella piccola chiesa di \u003Cstrong>Via Montanini\u003C\u002Fstrong>, quella devozione trova una casa raccolta e intima, pensata per chi vuole pregare in silenzio, lontano dal rumore della città. Un'atmosfera che è rimasta intatta fino ad oggi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dentro: dove il Rinascimento senese si mostra senza filtri\u003C\u002Fh2>\r\n\r\n\u003Ch3>La navata, la luce e le proporzioni che non sbagliano nulla\u003C\u002Fh3>\r\n\r\n\u003Cp>Varcando la soglia, la navata unica si apre luminosa e armoniosa, con le \u003Cstrong>volte a botte\u003C\u002Fstrong> che guidano lo sguardo verso il fondo senza distrazioni. Le proporzioni sono equilibrate, tipiche dell'architettura senese del \u003Cstrong>Quattrocento\u003C\u002Fstrong>: niente di eccessivo, niente di superfluo. Tutto è pensato per valorizzare l'altare e la pala centrale, come se l'intero edificio fosse stato costruito intorno a un'unica opera. E in un certo senso, è proprio così.\u003C\u002Fp>\r\n\r\n\u003Ch3>La pala di Matteo di Giovanni: un capolavoro che non ha mai lasciato questa chiesa\u003C\u002Fh3>\r\n\r\n\u003Cp>Al centro dell'altare maggiore in marmo, con le sue cornici e i dettagli classicheggianti, c'è la \u003Cstrong>Pala dell'Assunta\u003C\u002Fstrong> del 1477 di \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong>, uno dei massimi pittori del Rinascimento senese. Colori luminosi, figure eleganti, un'atmosfera mistica che si sente ancora oggi fermandosi davanti alla tela. La \u003Cstrong>Madonna\u003C\u002Fstrong> è rappresentata in una \u003Cstrong>mandorla di luce\u003C\u002Fstrong>, circondata da angeli, in uno di quei momenti in cui la pittura smette di essere decorazione e diventa qualcosa di più difficile da spiegare. E poi c'è una cosa che la rende ancora più preziosa: questa pala fu commissionata appositamente per questa chiesa nel 1477, e da allora non si è mai mossa. Un caso raro a \u003Cstrong>Siena\u003C\u002Fstrong>, rarissimo in Italia. Chi entra nella \u003Cstrong>Chiesa di Santa Maria delle Nevi\u003C\u002Fstrong> vede esattamente quello che \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong> aveva in mente quando l'ha dipinta.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un gioiello che la città tiene per sé\u003C\u002Fh2>\r\n\r\n\u003Cp>La zona di \u003Cstrong>Via Montanini\u003C\u002Fstrong> era un tempo ricca di oratori e piccole chiese legate alle famiglie nobili e alle confraternite. La maggior parte ha perso la sua identità originaria nel corso dei secoli. \u003Cstrong>Santa Maria delle Nevi\u003C\u002Fstrong> è una delle poche che l'ha conservata intatta: stile rinascimentale puro, tra i più raffinati di \u003Cstrong>Siena\u003C\u002Fstrong>, restaurata più volte sempre con l'obiettivo di preservare quella purezza stilistica. Spesso ignorata dai turisti, molto amata dagli appassionati d'arte. Una di quelle chiese che si trovano per caso e che si continuano a pensare per giorni.\u003C\u002Fp>","\u003Cp>Una pala che non si è mai mossa, in una chiesa che il tempo non ha cambiato. \u003Cstrong>Santa Maria delle Nevi\u003C\u002Fstrong> è uno dei luoghi \u003Cstrong>spirituali\u003C\u002Fstrong> e \u003Cstrong>culturali\u003C\u002Fstrong> \u003Cstrong>da non perdere\u003C\u002Fstrong> a \u003Cstrong>Siena\u003C\u002Fstrong>. Scopri perché.\u003C\u002Fp>","Chiesa di Santa Maria delle Nevi: il Rinascimento senese in una navata sola","\u003Cdiv>Vuoi scoprire la \u003Cstrong>Siena\u003C\u002Fstrong> più autentica e silenziosa? Entra nella \u003Cstrong>Chiesa di Santa Maria delle Nevi\u003C\u002Fstrong> e lascia che la luce di \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong> faccia il resto.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santa-maria-delle-nevi","\u002Fchiesa-di-santa-maria-delle-nevi",{"@type":1583,"@id":2190,"description":2191,"abstract":2192,"timetable":16,"title":2193,"subtitle":16,"ctaText":2194,"extraInformations":16,"language":2195,"slug":2187,"slugFormatted":2196},"\u002Fapi\u002F.well-known\u002Fgenid\u002F61f5bb74d3cf16361755","\u003Ch2>A small church that is unforgettable\u003C\u002Fh2>\r\n\r\n\u003Cp>On \u003Cstrong>Via Montanini\u003C\u002Fstrong>, one of the historic streets connecting \u003Cstrong>Porta Camollia\u003C\u002Fstrong> to the center of \u003Cstrong>Siena\u003C\u002Fstrong>, there is a simple and elegant brick facade that does not demand attention. Yet, something holds the gaze: the \u003Cstrong>stone portal\u003C\u002Fstrong>, the central window, the balanced proportions of a building that knows exactly what it is. The \u003Cstrong>Church of Santa Maria delle Nevi\u003C\u002Fstrong> does not seek to impress from the outside. It does so from within, and it does so in a way that is not easily forgotten.\u003C\u002Fp>\r\n\r\n\u003Ch2>The origins: a bishop, a miracle, and an ancient devotion\u003C\u002Fh2>\r\n\r\n\u003Ch3>Giovanni Chinugi and the Madonna della Neve\u003C\u002Fh3>\r\n\r\n\u003Cp>The story begins in \u003Cstrong>1477\u003C\u002Fstrong>, when \u003Cstrong>Giovanni Chinugi\u003C\u002Fstrong>, bishop of the new diocese of \u003Cstrong>Pienza\u003C\u002Fstrong> established by \u003Cstrong>Pius II\u003C\u002Fstrong>, decides to found this private oratory linked to Marian devotion. The name \u003Cstrong>"delle Nevi"\u003C\u002Fstrong> recalls the miracle of the \u003Cstrong>Madonna della Neve\u003C\u002Fstrong>, connected to the \u003Cstrong>Basilica of Santa Maria Maggiore\u003C\u002Fstrong> in \u003Cstrong>Rome\u003C\u002Fstrong>: a story of snow falling in August, of visions and faith that has crossed the centuries. In that small church on \u003Cstrong>Via Montanini\u003C\u002Fstrong>, that devotion finds a collected and intimate home, designed for those who wish to pray in silence, away from the noise of the city. An atmosphere that has remained intact to this day.\u003C\u002Fp>\r\n\r\n\u003Ch2>Inside: where the Sienese Renaissance is shown without filters\u003C\u002Fh2>\r\n\r\n\u003Ch3>The nave, the light, and the proportions that get everything right\u003C\u002Fh3>\r\n\r\n\u003Cp>Crossing the threshold, the single nave opens bright and harmonious, with the \u003Cstrong>barrel vaults\u003C\u002Fstrong> guiding the gaze towards the back without distractions. The proportions are balanced, typical of Sienese architecture of the \u003Cstrong>Fifteenth Century\u003C\u002Fstrong>: nothing excessive, nothing superfluous. Everything is designed to enhance the altar and the central altarpiece, as if the entire building had been constructed around a single work. And in a certain sense, it is exactly so.\u003C\u002Fp>\r\n\r\n\u003Ch3>The altarpiece by Matteo di Giovanni: a masterpiece that has never left this church\u003C\u002Fh3>\r\n\r\n\u003Cp>At the center of the main altar in marble, with its frames and classicizing details, there is the \u003Cstrong>Altarpiece of the Assumption\u003C\u002Fstrong> from 1477 by \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong>, one of the greatest painters of the Sienese Renaissance. Bright colors, elegant figures, a mystical atmosphere that is still felt today when stopping in front of the canvas. The \u003Cstrong>Madonna\u003C\u002Fstrong> is depicted in a \u003Cstrong>mandorla of light\u003C\u002Fstrong>, surrounded by angels, in one of those moments when painting stops being decoration and becomes something more difficult to explain. And then there is one thing that makes it even more precious: this altarpiece was commissioned specifically for this church in 1477, and since then it has never moved. A rare case in \u003Cstrong>Siena\u003C\u002Fstrong>, extremely rare in Italy. Those who enter the \u003Cstrong>Church of Santa Maria delle Nevi\u003C\u002Fstrong> see exactly what \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong> had in mind when he painted it.\u003C\u002Fp>\r\n\r\n\u003Ch2>A jewel that the city keeps to itself\u003C\u002Fh2>\r\n\r\n\u003Cp>The area of \u003Cstrong>Via Montanini\u003C\u002Fstrong> was once rich in oratories and small churches linked to noble families and confraternities. Most have lost their original identity over the centuries. \u003Cstrong>Santa Maria delle Nevi\u003C\u002Fstrong> is one of the few that has preserved it intact: pure Renaissance style, among the most refined in \u003Cstrong>Siena\u003C\u002Fstrong>, restored several times always with the aim of preserving that stylistic purity. Often overlooked by tourists, much loved by art enthusiasts. One of those churches that are found by chance and that continue to be thought about for days.\u003C\u002Fp>","\u003Cp>A altarpiece that has never moved, in a church that time has not changed. \u003Cstrong>Santa Maria delle Nevi\u003C\u002Fstrong> is one of the \u003Cstrong>spiritual\u003C\u002Fstrong> and \u003Cstrong>cultural\u003C\u002Fstrong> \u003Cstrong>must-see\u003C\u002Fstrong> places in \u003Cstrong>Siena\u003C\u002Fstrong>. Discover why.\u003C\u002Fp>","Church of Santa Maria delle Nevi: the Sienese Renaissance in a single nave","\u003Cdiv>Do you want to discover the most authentic and silent \u003Cstrong>Siena\u003C\u002Fstrong>? Enter the \u003Cstrong>Church of Santa Maria delle Nevi\u003C\u002Fstrong> and let the light of \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong> do the rest.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-santa-maria-delle-nevi",[],[],{"@type":1620,"@id":2200,"hashParam":2201},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdd31e2334669a02c0a33","778d76703865c56b50ed6be8a070de9be2dee034137e29b5ab42bb59060237e5",[],[],{"@id":2205,"@type":1510,"name":2206,"poiType":2207,"address":2219,"latitude":2220,"longitude":2221,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2222,"translations":2223,"socials":2242,"gallery":2243,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2248,"position":2007,"layout":2056,"otherPoiType":2251,"logoPath":1626,"poiTagsByCategory":2252},"\u002Fapi\u002Fpois\u002F019f899b-a63c-77c5-8282-9af1c996d3b5","Chiesa di Santo Spirito",{"@id":1513,"@type":1514,"id":1515,"translations":2208,"poiCategory":2213},[2209,2211],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2210,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2212,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2214},[2215,2217],{"@type":1539,"@id":1540,"name":1541,"language":2216,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2218,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Piazza Santo Spirito","43.3177869","11.3374109",[],[2224,2233],{"@type":1583,"@id":2225,"description":2226,"abstract":2227,"timetable":16,"title":2228,"subtitle":16,"ctaText":2229,"extraInformations":16,"language":2230,"slug":2231,"slugFormatted":2232},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fac232855f02f62288084","\u003Ch2>Origini e trasformazioni storiche\u003C\u002Fh2>\r\n\r\n\u003Cp>La Chiesa di Santo Spirito nasce nel XIV secolo come\u003Cstrong> complesso monastico dei benedettini silvestrini,\u003C\u002Fstrong> passando poi ai \u003Cstrong>vallombrosani \u003C\u002Fstrong>e successivamente ai \u003Cstrong>domenicani \u003C\u002Fstrong>nel \u003Cstrong>Quattrocento\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Con il loro arrivo prende avvio una \u003Cstrong>ricostruzione \u003C\u002Fstrong>quasi totale dell’edificio, che tra il 1498 e il 1530 assume l’\u003Cstrong>aspetto rinascimentale\u003C\u002Fstrong> ancora oggi visibile.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel 1848 il convento viene soppresso e trasformato in\u003Cstrong> carcere\u003C\u002Fstrong>, con ambienti adattati a \u003Cstrong>celle \u003C\u002Fstrong>e spazi di detenzione. In seguito, con la dismissione dell’uso carcerario, il complesso torna alla \u003Cstrong>diocesi di Siena\u003C\u002Fstrong> e viene progressivamente recuperato.\u003C\u002Fp>\r\n\r\n\u003Cp>Oggi la chiesa è nuovamente accessibile grazie anche all’impegno dei volontari della \u003Cstrong>Nobile Contrada del Nicchio\u003C\u002Fstrong>, che ne cura l’apertura in alcuni giorni.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e struttura rinascimentale\u003C\u002Fh2>\r\n\r\n\u003Cp>La facciata in cotto a forma di capanna riflette la sobrietà tipica dell’architettura senese. Il portale rinascimentale del 1519, attribuito a\u003Cstrong> Baldassarre Peruzzi\u003C\u002Fstrong>, introduce all’interno a \u003Cstrong>navata\u003C\u002Fstrong> unica con quattro cappelle per lato, creando un ambiente raccolto e armonico.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>cupola\u003C\u002Fstrong> con tamburo, attribuita a \u003Cstrong>Giacomo Cozzarelli \u003C\u002Fstrong>e datata 1508, si integra con equilibrio nel complesso, mentre il transetto poco sporgente e il coro profondo richiamano il gusto rinascimentale senese. Le cappelle laterali conservano \u003Cstrong>decorazioni rinascimentali\u003C\u002Fstrong> e \u003Cstrong>manieriste\u003C\u002Fstrong>, anche se molte opere sono state spostate nel tempo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Identità storica e stratificazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel corso dei secoli la chiesa ha cambiato più volte \u003Cstrong>ordine religioso\u003C\u002Fstrong>, diventando un luogo attraversato da differenti esperienze spirituali e comunitarie. Nel Cinquecento è attestata anche la presenza della \u003Cstrong>comunità spagnola\u003C\u002Fstrong>, legata alla cosiddetta “\u003Cstrong>Cappella degli Spagnoli”\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La trasformazione in carcere ha rappresentato una rottura netta rispetto alla funzione originaria, con la riconversione degli spazi conventuali in ambienti di detenzione.\u003C\u002Fp>\r\n\r\n\u003Ch2>Valore attuale e fruizione\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi Santo Spirito è un luogo meno conosciuto rispetto ad altre chiese cittadine, ma proprio per questo conserva un carattere autentico. La sua riapertura è legata a un impegno civico e contradaiolo che ne ha permesso il \u003Cstrong>recupero \u003C\u002Fstrong>e la restituzione alla città.\u003C\u002Fp>","\u003Cp>\u003Cstrong>Santo Spirito\u003C\u002Fstrong> è una \u003Cstrong>chiesa\u003C\u002Fstrong> che ha attraversato i secoli cambiando forma più volte, senza mai perdere la sua identità più profonda.\u003C\u002Fp>","Chiesa di Santo Spirito: tra trasformazioni e Rinascimento a Siena","\u003Cdiv>Segui le tracce di una storia fatta di passaggi e trasformazioni, dove ogni epoca ha lasciato un segno nella bellissima Chiesa di Santo Spirito.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santo-spirito","\u002Fchiesa-di-santo-spirito",{"@type":1583,"@id":2234,"description":2235,"abstract":2236,"timetable":16,"title":2237,"subtitle":16,"ctaText":2238,"extraInformations":16,"language":2239,"slug":2240,"slugFormatted":2241},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9704c5785373f1e0d6f3","\u003Ch2>Origins and historical transformations\u003C\u002Fh2>\r\n\r\n\u003Cp>The Church of Santo Spirito was founded in the 14th century as a\u003Cstrong> monastic complex of the Silvestrine Benedictines,\u003C\u002Fstrong> later passing to the \u003Cstrong>Vallombrosans \u003C\u002Fstrong>and subsequently to the \u003Cstrong>Dominicans \u003C\u002Fstrong>in the \u003Cstrong>15th century\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>With their arrival, a \u003Cstrong>nearly total reconstruction \u003C\u002Fstrong>of the building began, which between 1498 and 1530 took on the \u003Cstrong>Renaissance appearance\u003C\u002Fstrong> still visible today.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1848 the convent was suppressed and transformed into a\u003Cstrong> prison\u003C\u002Fstrong>, with spaces adapted to \u003Cstrong>cells \u003C\u002Fstrong>and detention areas. Subsequently, with the cessation of its use as a prison, the complex returned to the \u003Cstrong>diocese of Siena\u003C\u002Fstrong> and was progressively restored.\u003C\u002Fp>\r\n\r\n\u003Cp>Today the church is once again accessible thanks also to the efforts of the volunteers of the \u003Cstrong>Noble Contrada del Nicchio\u003C\u002Fstrong>, who manage its opening on certain days.\u003C\u002Fp>\r\n\r\n\u003Ch2>Renaissance architecture and structure\u003C\u002Fh2>\r\n\r\n\u003Cp>The brick façade in the shape of a hut reflects the typical sobriety of Sienese architecture. The Renaissance portal from 1519, attributed to\u003Cstrong> Baldassarre Peruzzi\u003C\u002Fstrong>, leads inside to a \u003Cstrong>single nave\u003C\u002Fstrong> with four chapels on each side, creating a collected and harmonious environment.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>dome\u003C\u002Fstrong> with a drum, attributed to \u003Cstrong>Giacomo Cozzarelli \u003C\u002Fstrong>and dated 1508, integrates harmoniously into the complex, while the slightly protruding transept and the deep choir evoke the Sienese Renaissance taste. The side chapels retain \u003Cstrong>Renaissance\u003C\u002Fstrong> and \u003Cstrong>mannerist decorations\u003C\u002Fstrong>, although many works have been moved over time.\u003C\u002Fp>\r\n\r\n\u003Ch2>Historical identity and stratifications\u003C\u002Fh2>\r\n\r\n\u003Cp>Over the centuries, the church has changed its \u003Cstrong>religious order\u003C\u002Fstrong> multiple times, becoming a place traversed by different spiritual and community experiences. In the 16th century, the presence of the \u003Cstrong>Spanish community\u003C\u002Fstrong> is also documented, linked to the so-called “\u003Cstrong>Chapel of the Spaniards”\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The transformation into a prison represented a sharp break from its original function, with the reconversion of the conventual spaces into detention environments.\u003C\u002Fp>\r\n\r\n\u003Ch2>Current value and enjoyment\u003C\u002Fh2>\r\n\r\n\u003Cp>Today Santo Spirito is a less known place compared to other city churches, but for this reason, it retains an authentic character. Its reopening is linked to a civic and contrada commitment that has allowed for its \u003Cstrong>recovery \u003C\u002Fstrong>and return to the city.\u003C\u002Fp>","\u003Cp> Santo Spirito is a church that has traversed the centuries changing form multiple times, without ever losing its deepest identity.\u003C\u002Fp>","Church of Santo Spirito: between transformations and Renaissance in Siena","\u003Cdiv>Follow the traces of a story made of passages and transformations, where every era has left a mark in the beautiful Church of Santo Spirito.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"church-of-santo-spirito","\u002Fen\u002Fchurch-of-santo-spirito",[],[2244],{"@type":1603,"@id":2245,"translations":2246,"position":1524,"imagePath":2247},"\u002Fapi\u002F.well-known\u002Fgenid\u002F1858bfb4551513f03e4e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-santo-spirito-esterni-6a8c7c3f9a0ec931351175.jpg",{"@type":1620,"@id":2249,"hashParam":2250},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcbdbd089668d0e40b820","252e48ee16c1a359cd1ed6a36efe4bff3903b01614bcd5835c901299959b47d9",[],[],{"@id":2254,"@type":1510,"name":2255,"poiType":2256,"address":2268,"latitude":2269,"longitude":2270,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2271,"translations":2272,"socials":2290,"gallery":2291,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2296,"position":2299,"layout":2056,"otherPoiType":2300,"logoPath":1626,"poiTagsByCategory":2301},"\u002Fapi\u002Fpois\u002F019ed47a-091c-7444-acf7-27eddb4d5441","Cappella della Madonna del Rosario",{"@id":1513,"@type":1514,"id":1515,"translations":2257,"poiCategory":2262},[2258,2260],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2259,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2261,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2263},[2264,2266],{"@type":1539,"@id":1540,"name":1541,"language":2265,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2267,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via della Diana, 62","43.31296399156735","11.327335502817395",[],[2273,2282],{"@type":1583,"@id":2274,"description":2275,"abstract":2276,"timetable":16,"title":2277,"subtitle":16,"ctaText":2278,"extraInformations":16,"language":2279,"slug":2280,"slugFormatted":2281},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcfad7c8d1c9cff4b459a","\u003Ch2>Un atto di devozione e comunità\u003C\u002Fh2>\r\n\r\n\u003Cp>La storia della \u003Cstrong>Cappella della Madonna del Rosario\u003C\u002Fstrong> comincia nel 1655, quando i contradaioli della \u003Cstrong>Chiocciola\u003C\u002Fstrong> decisero di costruire un luogo tutto loro. Non era solo un santuario: era un gesto di identità, un segno concreto di appartenenza. Per la prima volta a \u003Cstrong>Siena\u003C\u002Fstrong>, una cappella veniva edificata interamente a spese di una contrada. Artigiani, famiglie, giovani e anziani contribuirono come potevano: chi portava pietre, chi offriva una giornata di lavoro, chi donava qualche moneta. Nacque così un’opera collettiva, un atto d’amore verso la \u003Cstrong>Madonna\u003C\u002Fstrong> e verso la propria comunità.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un barocco unico nel cuore di Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>Siena è famosa per il suo \u003Cstrong>gotico severo\u003C\u002Fstrong>, fatto di linee verticali e sobrietà medievale. Ecco perché la Cappella della Madonna del Rosario spicca: è l’unico vero edificio \u003Cstrong>tardo barocco\u003C\u002Fstrong> della città. La facciata, progettata da \u003Cstrong>Giacomo Franchini\u003C\u002Fstrong>, è un gioco di curve, volute e cornici che sembrano muoversi come onde. È un barocco senese misurato, elegante, sorprendente in un contesto così sobrio.\u003C\u002Fp>\r\n\r\n\u003Cp>All’interno, la cappella custodiva opere nate non per stupire, ma per accompagnare la vita della comunità. La pala della \u003Cstrong>Madonna del Rosario\u003C\u002Fstrong> era il cuore del santuario: la Madonna con il Bambino, circondata dai Misteri del Rosario. La pala originale non è sempre visibile oggi, ma la sua presenza aleggia ancora nell’altare e nella memoria dei contradaioli. Le pareti e la volta sono ornate da volute leggere, motivi floreali, piccoli angeli in stucco, cornici mosse e dorature: opere realizzate da maestranze locali che creano un’atmosfera festosa e raccolta al tempo stesso.\u003C\u002Fp>\r\n\r\n\u003Ch2>Testimonianze di fede e tradizione\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel corso dei secoli, la cappella si è arricchita di piccoli \u003Cstrong>dipinti votivi\u003C\u002Fstrong>, quadri offerti per grazie ricevute, immagini della Madonna protettrice e opere di artisti locali tra XVII e XIX secolo. Sono testimonianze preziose della fede popolare, più importanti per la contrada che per i musei. Un tempo custodiva anche un tabernacolo barocco, candelabri, oggetti liturgici e drappi ricamati con il simbolo della \u003Cstrong>Chiocciola\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Dopo la vittoria del Palio di Provenzano nel 1722, la contrada decise di restaurare e ampliare la cappella, seguendo una tradizione tipicamente senese: quando una contrada vince, restituisce qualcosa al proprio territorio. Così la cappella divenne ancora più bella, più ricca, più amata.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un luogo identitario che continua a respirare\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel 1820 la cappella è stata sconsacrata, ma non ha perso il suo valore. Oggi, la \u003Cstrong>Chiocciola\u003C\u002Fstrong> ne ha recuperato l’uso per ricoverarvi il cavallo nei giorni del Palio. Non si celebrano più messe, ma la cappella continua a essere un luogo identitario, un punto di ritrovo, un frammento di storia viva. Quando la contrada si riunisce, quando si prepara il Palio, quando si celebrano momenti importanti, la cappella torna a respirare, raccontando devozione, comunità e la vita che da secoli pulsa tra le sue mura.\u003C\u002Fp>","\u003Cp>La \u003Cstrong>Cappella della Madonna del Rosario\u003C\u002Fstrong> è un luogo identitario della contrada Chiocciola a Siena. Un piccolo gioiello \u003Cstrong>spirituale\u003C\u002Fstrong> e \u003Cstrong>culturale\u003C\u002Fstrong> che racconta devozione, storia e tradizione senese.\u003C\u002Fp>","Cappella della Madonna del Rosario: Storia, Arte e Identità Contradaiola","\u003Cdiv>Scopri la \u003Cstrong>Cappella della Madonna del Rosario\u003C\u002Fstrong> e immergiti in un luogo dove la storia, la devozione e la cultura contradaiola si intrecciano in un’esperienza unica e profondamente \u003Cstrong>spirituale\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"cappella-della-madonna-del-rosario","\u002Fcappella-della-madonna-del-rosario",{"@type":1583,"@id":2283,"description":2284,"abstract":2285,"timetable":16,"title":2286,"subtitle":16,"ctaText":2287,"extraInformations":16,"language":2288,"slug":2280,"slugFormatted":2289},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5ca294cbf7226f08245c","\u003Ch2>An Act of Devotion and Community\u003C\u002Fh2>\r\n\r\n\u003Cp>The history of the \u003Cstrong>Chapel of the Madonna del Rosario\u003C\u002Fstrong> begins in 1655, when the contradaioli of the \u003Cstrong>Chiocciola\u003C\u002Fstrong> decided to build a place of their own. It was not just a sanctuary: it was a gesture of identity, a concrete sign of belonging. For the first time in \u003Cstrong>Siena\u003C\u002Fstrong>, a chapel was built entirely at the expense of a contrada. Artisans, families, young and old contributed as they could: some brought stones, some offered a day of work, some donated a few coins. Thus, a collective work was born, an act of love towards the \u003Cstrong>Madonna\u003C\u002Fstrong> and towards their community.\u003C\u002Fp>\r\n\r\n\u003Ch3>A Unique Baroque in the Heart of Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>Siena is famous for its \u003Cstrong>severe Gothic\u003C\u002Fstrong>, characterized by vertical lines and medieval sobriety. This is why the Chapel of the Madonna del Rosario stands out: it is the only true \u003Cstrong>late Baroque\u003C\u002Fstrong> building in the city. The facade, designed by \u003Cstrong>Giacomo Franchini\u003C\u002Fstrong>, is a play of curves, scrolls, and frames that seem to move like waves. It is a measured, elegant Sienese Baroque, surprising in such a sober context.\u003C\u002Fp>\r\n\r\n\u003Cp>Inside, the chapel housed works created not to impress, but to accompany the life of the community. The altarpiece of the \u003Cstrong>Madonna del Rosario\u003C\u002Fstrong> was the heart of the sanctuary: the Madonna with the Child, surrounded by the Mysteries of the Rosary. The original altarpiece is not always visible today, but its presence still lingers in the altar and in the memory of the contradaioli. The walls and the ceiling are adorned with light scrolls, floral motifs, small stucco angels, dynamic frames, and gilding: works created by local craftsmen that create a festive yet intimate atmosphere.\u003C\u002Fp>\r\n\r\n\u003Ch2>Testimonies of Faith and Tradition\u003C\u002Fh2>\r\n\r\n\u003Cp>Over the centuries, the chapel has been enriched with small \u003Cstrong>votive paintings\u003C\u002Fstrong>, paintings offered for graces received, images of the protective Madonna, and works by local artists from the 17th to the 19th century. They are precious testimonies of popular faith, more important for the contrada than for museums. Once, it also housed a Baroque tabernacle, candlesticks, liturgical objects, and embroidered cloths with the symbol of the \u003Cstrong>Chiocciola\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>After the victory of the Palio di Provenzano in 1722, the contrada decided to restore and enlarge the chapel, following a typically Sienese tradition: when a contrada wins, it gives something back to its territory. Thus, the chapel became even more beautiful, richer, and more beloved.\u003C\u002Fp>\r\n\r\n\u003Ch3>An Identity Place That Continues to Breathe\u003C\u002Fh3>\r\n\r\n\u003Cp>In 1820, the chapel was deconsecrated, but it has not lost its value. Today, the \u003Cstrong>Chiocciola\u003C\u002Fstrong> has reclaimed its use to house the horse on Palio days. Masses are no longer celebrated, but the chapel continues to be an identity place, a meeting point, a fragment of living history. When the contrada gathers, when preparing for the Palio, when celebrating important moments, the chapel comes back to life, telling of devotion, community, and the life that has pulsed within its walls for centuries.\u003C\u002Fp>","\u003Cp>The \u003Cstrong>Chapel of the Madonna del Rosario\u003C\u002Fstrong> is an identity place of the Chiocciola contrada in Siena. A small \u003Cstrong>spiritual\u003C\u002Fstrong> and \u003Cstrong>cultural\u003C\u002Fstrong> gem that tells of devotion, history, and Sienese tradition.\u003C\u002Fp>","Chapel of the Madonna del Rosario: History, Art, and Contrada Identity","\u003Cdiv>Discover the \u003Cstrong>Chapel of the Madonna del Rosario\u003C\u002Fstrong> and immerse yourself in a place where history, devotion, and contrada culture intertwine in a unique and deeply \u003Cstrong>spiritual\u003C\u002Fstrong> experience.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fcappella-della-madonna-del-rosario",[],[2292],{"@type":1603,"@id":2293,"translations":2294,"position":1524,"imagePath":2295},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff405607cf6efcbbc0d13",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcappella-della-madonna-del-rosario-1-6ac8c375839f7545006108.jpg",{"@type":1620,"@id":2297,"hashParam":2298},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8183746f3afe00072c64","be8c945db8db06ca4e3538db189fdb295ebd70d4374ede9e6a28d15064e9607a",50,[],[],{"@id":2303,"@type":1510,"name":2304,"poiType":2305,"address":2317,"latitude":2318,"longitude":2319,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2320,"translations":2321,"socials":2339,"gallery":2340,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2349,"position":2299,"layout":1624,"otherPoiType":2352,"logoPath":1626,"poiTagsByCategory":2353},"\u002Fapi\u002Fpois\u002F019ecbe5-a68d-7374-ba71-4e2544bb1de6","Chiesa San Cristoforo",{"@id":1513,"@type":1514,"id":1515,"translations":2306,"poiCategory":2311},[2307,2309],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2308,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2310,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2312},[2313,2315],{"@type":1539,"@id":1540,"name":1541,"language":2314,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2316,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via del moro, 2","43.320261600097254","11.331516400000002",[],[2322,2331],{"@type":1583,"@id":2323,"description":2324,"abstract":2325,"timetable":16,"title":2326,"subtitle":16,"ctaText":2327,"extraInformations":16,"language":2328,"slug":2329,"slugFormatted":2330},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8e83da4a8a51f2c6c5ee","\u003Cp>Situata nel \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong>, San Cristoforo ha origini antichissime, tra XI e XII secolo, e il suo ruolo nella storia di Siena è testimoniato dai \u003Cstrong>documenti medievali\u003C\u002Fstrong>. Prima della costruzione del Palazzo Pubblico, il Consiglio Generale della Repubblica – detto anche “di Campana” per la convocazione tramite una campana speciale, oggi conservata al Museo Civico – si riuniva qui.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel 1260, la chiesa fu scenario di una decisione storica: i Senesi decisero di affrontare i Fiorentini, combattendo e vincendo la celebre \u003Cstrong>battaglia di Montaperti\u003C\u002Fstrong>. Secoli di eventi hanno segnato l’edificio: il \u003Cstrong>terremoto\u003C\u002Fstrong> del 1798 distrusse la facciata, che oggi presenta un elegante prospetto in mattoni, scandito da quattro colonne e ornato da due statue, raffiguranti Santa Caterina e il Beato Bernardo Tolomei, opera di Giuseppe Silini (1802). Le \u003Cstrong>nicchie\u003C\u002Fstrong> vuote sulla facciata si dice dovessero ospitare statue mai realizzate.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e curiosità\u003C\u002Fh2>\r\n\r\n\u003Cp>San Cristoforo è tra le poche chiese senesi con un \u003Cstrong>campanile staccato\u003C\u002Fstrong>, usato secondo alcune tradizioni anche come torre di avvistamento. Il piccolo \u003Cstrong>chiostro romanico\u003C\u002Fstrong>, accessibile da via del Moro, custodisce, secondo una lapide, le spoglie del poeta senese Cecco Angiolieri.\u003C\u002Fp>\r\n\r\n\u003Cp>Durante le guerre tra guelfi e ghibellini, parte del tesoro della chiesa fu nascosto in \u003Cstrong>passaggi segreti\u003C\u002Fstrong> sotto il pavimento; alcuni archeologi ritengono che condotti sotterranei colleghino ancora oggi la chiesa a vecchie cantine e conventi vicini. Oggi la chiesa fa parte della parrocchia dell’Insigne Collegiata di Santa Maria in Provenzano e funziona come Rettoria autonoma, custodita dalle suore Figlie della Chiesa, destinata alle attività liturgiche e pastorali degli studenti universitari.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interni e opere d’arte\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno è a \u003Cstrong>navata unica\u003C\u002Fstrong>. A sinistra, si incontra il sepolcro dedicato a Germanico Tolomei, opera di Bartolomeo Mazzuoli, seguito dalla pala di Girolamo del Pacchia raffigurante una Madonna col Bambino e santi. Sull’altare maggiore si trova il \u003Cstrong>Transito di San Benedetto\u003C\u002Fstrong> (Giovanni Antonio Mazzuoli, 1693) e una \u003Cstrong>Madonna col Bambino\u003C\u002Fstrong> di matrice robbiana (XV secolo). Gli affreschi frammentari del XIV secolo raccontano la vita di San Cristoforo e di santi locali, sebbene molti siano stati coperti o danneggiati durante i restauri. Parte delle opere della chiesa è oggi conservata al Museo Diocesano di Arti Sacre.\u003C\u002Fp>","\u003Cp>Immagina di camminare in \u003Cstrong>Piazza Tolomei\u003C\u002Fstrong> e di trovarti davanti a un edificio che ha visto secoli di storia: dalla \u003Cstrong>vita politica\u003C\u002Fstrong> della Repubblica senese alle \u003Cstrong>battaglie\u003C\u002Fstrong> che hanno cambiato il destino della città, fino agli \u003Cstrong>affreschi\u003C\u002Fstrong> e alle \u003Cstrong>opere d’arte\u003C\u002Fstrong> che ancora oggi raccontano la fede dei senesi.\u003C\u002Fp>","Chiesa di San Cristoforo: storia e arte nel cuore di Siena","\u003Cdiv>Immergiti nella storia millenaria di Siena e lasciati sorprendere dai segreti di San Cristoforo.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-san-cristoforo","\u002Fchiesa-san-cristoforo",{"@type":1583,"@id":2332,"description":2333,"abstract":2334,"timetable":16,"title":2335,"subtitle":16,"ctaText":2336,"extraInformations":16,"language":2337,"slug":2329,"slugFormatted":2338},"\u002Fapi\u002F.well-known\u002Fgenid\u002F16e6604bed9f2308d8e3","\u003Cp>Located in the \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong>, San Cristoforo has ancient origins, between the 11th and 12th centuries, and its role in the history of Siena is documented by \u003Cstrong>medieval documents\u003C\u002Fstrong>. Before the construction of the Palazzo Pubblico, the General Council of the Republic – also known as “di Campana” for the summons via a special bell, now preserved in the Civic Museum – met here.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1260, the church was the scene of a historic decision: the Sienese decided to confront the Florentines, fighting and winning the famous \u003Cstrong>battle of Montaperti\u003C\u002Fstrong>. Centuries of events have marked the building: the \u003Cstrong>earthquake\u003C\u002Fstrong> of 1798 destroyed the facade, which today features an elegant brick front, marked by four columns and adorned with two statues, depicting Saint Catherine and Blessed Bernardo Tolomei, a work by Giuseppe Silini (1802). The empty \u003Cstrong>niches\u003C\u002Fstrong> on the facade are said to have been intended to host statues that were never made.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and curiosities\u003C\u002Fh2>\r\n\r\n\u003Cp>San Cristoforo is among the few Sienese churches with a \u003Cstrong>detached bell tower\u003C\u002Fstrong>, used according to some traditions also as a watchtower. The small \u003Cstrong>Romanesque cloister\u003C\u002Fstrong>, accessible from via del Moro, houses, according to a plaque, the remains of the Sienese poet Cecco Angiolieri.\u003C\u002Fp>\r\n\r\n\u003Cp>During the wars between Guelphs and Ghibellines, part of the church's treasure was hidden in \u003Cstrong>secret passages\u003C\u002Fstrong> beneath the floor; some archaeologists believe that underground tunnels still connect the church to old cellars and nearby convents. Today the church is part of the parish of the Insigne Collegiata of Santa Maria in Provenzano and functions as an autonomous Rectory, cared for by the Daughters of the Church, intended for the liturgical and pastoral activities of university students.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interiors and works of art\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior has a \u003Cstrong>single nave\u003C\u002Fstrong>. On the left, there is the tomb dedicated to Germanico Tolomei, a work by Bartolomeo Mazzuoli, followed by the altarpiece by Girolamo del Pacchia depicting a Madonna with Child and saints. On the main altar is the \u003Cstrong>Transitus of Saint Benedict\u003C\u002Fstrong> (Giovanni Antonio Mazzuoli, 1693) and a \u003Cstrong>Madonna with Child\u003C\u002Fstrong> of Robbian style (15th century). The fragmentary frescoes from the 14th century depict the life of Saint Christopher and local saints, although many have been covered or damaged during restorations. Part of the church's works are now preserved in the Diocesan Museum of Sacred Arts.\u003C\u002Fp>","\u003Cp>Imagine walking in \u003Cstrong>Piazza Tolomei\u003C\u002Fstrong> and finding yourself in front of a building that has witnessed centuries of history: from the \u003Cstrong>political life\u003C\u002Fstrong> of the Sienese Republic to the \u003Cstrong>battles\u003C\u002Fstrong> that changed the fate of the city, to the \u003Cstrong>frescoes\u003C\u002Fstrong> and \u003Cstrong>works of art\u003C\u002Fstrong> that still today tell the faith of the Sienese.\u003C\u002Fp>","Church of San Cristoforo: history and art in the heart of Siena","\u003Cdiv>Immerse yourself in the millennia-old history of Siena and let yourself be surprised by the secrets of San Cristoforo.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-san-cristoforo",[],[2341,2345],{"@type":1603,"@id":2342,"translations":2343,"position":1524,"imagePath":2344},"\u002Fapi\u002F.well-known\u002Fgenid\u002F59df5edcb88104a7c08a",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-cristoforo-esterno-dal-basso-6a8c7566ec538371184478.jpg",{"@type":1603,"@id":2346,"translations":2347,"position":1524,"imagePath":2348},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcb588a2ea4402b2dab65",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-cristoforo-navata-6a8c75671aa86487657850.jpg",{"@type":1620,"@id":2350,"hashParam":2351},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc36ecc9a3aad63a208ca","88ec1da3267dd72414a655088c40bc62829a73a3167790ad3a62485ee642b566",[],[],{"@id":2355,"@type":1510,"name":2356,"poiType":2357,"address":2369,"latitude":2370,"longitude":2371,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2372,"translations":2373,"socials":2391,"gallery":2392,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2393,"position":2299,"layout":2056,"otherPoiType":2396,"logoPath":1626,"poiTagsByCategory":2397},"\u002Fapi\u002Fpois\u002F019ed46d-88c6-74cb-9849-7505f97f4114","Chiesa di San Donato",{"@id":1513,"@type":1514,"id":1515,"translations":2358,"poiCategory":2363},[2359,2361],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2360,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2362,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2364},[2365,2367],{"@type":1539,"@id":1540,"name":1541,"language":2366,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2368,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Piazza dell'Abbadia, 5","43.32202102008651","11.331449628834985",[],[2374,2383],{"@type":1583,"@id":2375,"description":2376,"abstract":2377,"timetable":16,"title":2378,"subtitle":16,"ctaText":2379,"extraInformations":16,"language":2380,"slug":2381,"slugFormatted":2382},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9ebb80743a143de76354","\u003Ch2>Una chiesa che nessuno nota. E che vale tutto\u003C\u002Fh2>\r\n\r\n\u003Cp>Camminando nel cuore di \u003Cstrong>Siena\u003C\u002Fstrong>, accanto alla sede storica del \u003Cstrong>Monte dei Paschi\u003C\u002Fstrong>, si incontra una piazza raccolta e silenziosa che i visitatori attraversano senza fermarsi. Alzando gli occhi sulla facciata a capanna della \u003Cstrong>Chiesa di San Donato\u003C\u002Fstrong>, con la parte inferiore in pietra antica e quella superiore in laterizio, il \u003Cstrong>rosone marmoreo\u003C\u002Fstrong> cattura la luce e trattiene lo sguardo. Qualcosa dice di entrare. E chi entra capisce subito che qui c'è qualcosa che il turismo più veloce non ha mai trovato: tre epoche sovrapposte, \u003Cstrong>medievale\u003C\u002Fstrong>, \u003Cstrong>barocca\u003C\u002Fstrong> e \u003Cstrong>novecentesca\u003C\u002Fstrong>, ognuna con la sua voce, tutte nello stesso spazio.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dalle origini all'abbazia vallombrosana\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un presidio spirituale e difensivo\u003C\u002Fh3>\r\n\r\n\u003Cp>La storia inizia tra il 1109 e il 1119, quando la chiesa viene fondata come abbazia dipendente da \u003Cstrong>San Michele in Passignano\u003C\u002Fstrong>, uno dei centri più importanti dell'ordine \u003Cstrong>vallombrosano\u003C\u002Fstrong>. Il nome originario era \u003Cstrong>San Michele al Monte di San Donato\u003C\u002Fstrong>: non solo un luogo di preghiera, ma un presidio che controllava terreni, poderi e attività agricole nella zona nord della città. La sua posizione vicino alle mura e alle vie di accesso la rendeva strategica anche dal punto di vista difensivo. Ancora oggi, sostando davanti alla facciata, si percepisce qualcosa di quella solidità antica: la pietra che non cede, i muri che ricordano ogni secolo che hanno attraversato.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il declino, i Carmelitani e il restauro che ha cambiato tutto\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel \u003Cstrong>XVI secolo\u003C\u002Fstrong> la comunità vallombrosana scompare in silenzio, i beni vengono assorbiti da altre istituzioni religiose senesi come se non fossero mai esistiti. Nel \u003Cstrong>1682-1683\u003C\u002Fstrong> arrivano i \u003Cstrong>Carmelitani Scalzi\u003C\u002Fstrong>: nuove cappelle appaiono dove prima c'era pietra nuda, altari barocchi prendono il posto di arredi più sobri, il gusto del XVII secolo si sovrappone a quello del XII come un nuovo strato di intonaco su un affresco antico. Poi, nel \u003Cstrong>1940-1942\u003C\u002Fstrong>, un restauro decide che tutto quel barocco va rimosso. Si vuole restituire un aspetto medievale, secondo la moda del tempo. La facciata che si vede oggi non è quella originale: è un'interpretazione del passato fatta con gli occhi del Novecento. Un edificio che ha cambiato pelle tre volte. E che porta ancora i segni di ogni trasformazione, visibili a chi sa dove guardare.\u003C\u002Fp>\r\n\r\n\u003Ch2>Varcare la soglia\u003C\u002Fh2>\r\n\r\n\u003Ch3>Luce, marmo e frammenti che resistono\u003C\u002Fh3>\r\n\r\n\u003Cp>La navata unica si apre all'improvviso, ampia e luminosa, e il silenzio che accoglie è diverso da quello di fuori: più denso, più antico. Il transetto poco pronunciato lascia che lo sguardo scivoli diretto al \u003Cstrong>presbiterio rialzato\u003C\u002Fstrong> e all'\u003Cstrong>altare maggiore marmoreo\u003C\u002Fstrong>. Ai suoi lati, due \u003Cstrong>Angeli in stile barocco\u003C\u002Fstrong> vicini alla mano di \u003Cstrong>Giuseppe Mazzuoli\u003C\u002Fstrong>, uno dei maggiori scultori senesi del Seicento, vegliano immobili da secoli, come se stessero aspettando qualcuno. Ci si avvicina alla parete destra e si trovano i frammenti: affreschi \u003Cstrong>duecenteschi\u003C\u002Fstrong> con figure di santi e motivi ornamentali tipici della pittura senese del tempo. Piccoli, quasi timidi, ma preziosi come tutto ciò che ha resistito nonostante tutto.\u003C\u002Fp>\r\n\r\n\u003Ch3>Tre epoche che convivono senza parlarsi\u003C\u002Fh3>\r\n\r\n\u003Cp>Gli \u003Cstrong>arredi liturgici settecenteschi\u003C\u002Fstrong>, sopravvissuti ai restauri del Novecento, creano un contrasto che si sente nell'aria prima ancora di capirlo: il barocco che resiste accanto al medievale ricostruito, il Settecento che guarda il Duecento da pochi metri di distanza, tutto in silenzio, tutto nello stesso spazio. La \u003Cstrong>Chiesa di San Donato\u003C\u002Fstrong> non ha scelto un'epoca da raccontare. Le ha tenute tutte, una sopra l'altra, come se il tempo non avesse avuto il coraggio di cancellare nulla del tutto.\u003C\u002Fp>\r\n\r\n\u003Ch2>La piazza, il Monte dei Paschi e il contrasto che dice tutto\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa si affaccia su una piazza raccolta, ancora chiamata con il nome dell'antica abbazia, come se la città non avesse mai voluto dimenticare cosa c'era prima. Accanto, la sede storica del \u003Cstrong>Monte dei Paschi di Siena\u003C\u002Fstrong> guarda dall'altra parte: spiritualità medievale e potere finanziario moderno, separati da pochi metri di selciato. Un contrasto che a \u003Cstrong>Siena\u003C\u002Fstrong> non sorprende, ma che qui, in questa piazza silenziosa, si sente con una chiarezza che altrove non si trova. \u003Cstrong>San Donato\u003C\u002Fstrong> è una chiesa attiva, con funzioni e iniziative \u003Cstrong>culturali\u003C\u002Fstrong>: non un museo imbalsamato, ma un luogo vivo, che aspetta chi ha voglia di fermarsi davvero.\u003C\u002Fp>","\u003Cp>Tre epoche in un unico edificio, a pochi passi dal Monte dei Paschi. La \u003Cstrong>Chiesa di San Donato\u003C\u002Fstrong> è uno dei luoghi \u003Cstrong>spirituali\u003C\u002Fstrong> e \u003Cstrong>culturali\u003C\u002Fstrong> \u003Cstrong>da non perdere\u003C\u002Fstrong> a \u003Cstrong>Siena\u003C\u002Fstrong>. Scopri perché.\u003C\u002Fp>","Chiesa di San Donato: tre secoli di storia nascosti nel cuore di Siena","\u003Cdiv>Vuoi scoprire la \u003Cstrong>Siena\u003C\u002Fstrong> più autentica e silenziosa? Entra nella \u003Cstrong>Chiesa di San Donato\u003C\u002Fstrong> e lascia che tre secoli di storia ti parlino, uno alla volta.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-donato","\u002Fchiesa-di-san-donato",{"@type":1583,"@id":2384,"description":2385,"abstract":2386,"timetable":16,"title":2387,"subtitle":16,"ctaText":2388,"extraInformations":16,"language":2389,"slug":2381,"slugFormatted":2390},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb8db760c3c7337abf931","\u003Ch2>A church that no one notices. And that is worth everything\u003C\u002Fh2>\r\n\r\n\u003Cp>Walking in the heart of \u003Cstrong>Siena\u003C\u002Fstrong>, next to the historic headquarters of \u003Cstrong>Monte dei Paschi\u003C\u002Fstrong>, one encounters a small and silent square that visitors pass through without stopping. Looking up at the gabled facade of the \u003Cstrong>Church of San Donato\u003C\u002Fstrong>, with the lower part in ancient stone and the upper part in brick, the \u003Cstrong>marble rose window\u003C\u002Fstrong> captures the light and holds the gaze. Something invites you to enter. And those who enter immediately understand that here there is something that faster tourism has never found: three overlapping eras, \u003Cstrong>medieval\u003C\u002Fstrong>, \u003Cstrong>baroque\u003C\u002Fstrong>, and \u003Cstrong>twentieth-century\u003C\u002Fstrong>, each with its own voice, all in the same space.\u003C\u002Fp>\r\n\r\n\u003Ch2>From the origins to the Vallombrosan abbey\u003C\u002Fh2>\r\n\r\n\u003Ch3>A spiritual and defensive stronghold\u003C\u002Fh3>\r\n\r\n\u003Cp>The story begins between 1109 and 1119, when the church was founded as an abbey dependent on \u003Cstrong>San Michele in Passignano\u003C\u002Fstrong>, one of the most important centers of the \u003Cstrong>Vallombrosan\u003C\u002Fstrong> order. The original name was \u003Cstrong>San Michele al Monte di San Donato\u003C\u002Fstrong>: not only a place of prayer but a stronghold that controlled lands, farms, and agricultural activities in the northern part of the city. Its position near the walls and access roads made it strategic from a defensive point of view as well. Even today, standing in front of the facade, one can sense something of that ancient solidity: the stone that does not yield, the walls that remember every century they have endured.\u003C\u002Fp>\r\n\r\n\u003Ch3>The decline, the Carmelites, and the restoration that changed everything\u003C\u002Fh3>\r\n\r\n\u003Cp>In the \u003Cstrong>16th century\u003C\u002Fstrong>, the Vallombrosan community quietly disappears, its assets absorbed by other Sienese religious institutions as if they had never existed. In \u003Cstrong>1682-1683\u003C\u002Fstrong>, the \u003Cstrong>Discalced Carmelites\u003C\u002Fstrong> arrive: new chapels appear where there was once bare stone, baroque altars replace more sober furnishings, the taste of the 17th century overlays that of the 12th like a new layer of plaster on an ancient fresco. Then, in \u003Cstrong>1940-1942\u003C\u002Fstrong>, a restoration decides that all that baroque must be removed. They want to restore a medieval appearance, according to the fashion of the time. The facade seen today is not the original: it is an interpretation of the past made with the eyes of the twentieth century. A building that has changed its skin three times. And that still bears the marks of each transformation, visible to those who know where to look.\u003C\u002Fp>\r\n\r\n\u003Ch2>Crossing the threshold\u003C\u002Fh2>\r\n\r\n\u003Ch3>Light, marble, and fragments that endure\u003C\u002Fh3>\r\n\r\n\u003Cp>The single nave suddenly opens, wide and bright, and the silence that welcomes you is different from that outside: denser, more ancient. The slightly pronounced transept allows the gaze to slide directly to the \u003Cstrong>raised presbytery\u003C\u002Fstrong> and the \u003Cstrong>marble high altar\u003C\u002Fstrong>. On either side, two \u003Cstrong>Baroque Angels\u003C\u002Fstrong> close to the hand of \u003Cstrong>Giuseppe Mazzuoli\u003C\u002Fstrong>, one of the greatest Sienese sculptors of the 17th century, have stood immobile for centuries, as if waiting for someone. Approaching the right wall, one finds the fragments: \u003Cstrong>13th-century\u003C\u002Fstrong> frescoes with figures of saints and ornamental motifs typical of Sienese painting of the time. Small, almost shy, but precious like everything that has endured despite everything.\u003C\u002Fp>\r\n\r\n\u003Ch3>Three eras coexisting without speaking to each other\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>18th-century liturgical furnishings\u003C\u002Fstrong>, which survived the restorations of the 20th century, create a contrast that is felt in the air even before it is understood: the baroque that resists next to the reconstructed medieval, the 18th century looking at the 13th from a few meters away, all in silence, all in the same space. The \u003Cstrong>Church of San Donato\u003C\u002Fstrong> has not chosen an era to tell. It has kept them all, one on top of the other, as if time had not had the courage to erase anything completely.\u003C\u002Fp>\r\n\r\n\u003Ch2>The square, Monte dei Paschi, and the contrast that says it all\u003C\u002Fh2>\r\n\r\n\u003Cp>The church overlooks a small square, still called by the name of the ancient abbey, as if the city had never wanted to forget what was there before. Next to it, the historic headquarters of \u003Cstrong>Monte dei Paschi di Siena\u003C\u002Fstrong> looks from the other side: medieval spirituality and modern financial power, separated by a few meters of cobblestone. A contrast that does not surprise in \u003Cstrong>Siena\u003C\u002Fstrong>, but that here, in this silent square, is felt with a clarity that cannot be found elsewhere. \u003Cstrong>San Donato\u003C\u002Fstrong> is an active church, with cultural functions and initiatives: not a preserved museum, but a living place, waiting for those who truly want to stop.\u003C\u002Fp>","\u003Cp>Three eras in a single building, just steps from Monte dei Paschi. The\u003Cstrong> Church of San Donato\u003C\u002Fstrong> is one of the \u003Cstrong>spiritual\u003C\u002Fstrong> and \u003Cstrong>cultural places not to be missed\u003C\u002Fstrong> in \u003Cstrong>Siena\u003C\u002Fstrong>. Discover why.\u003C\u002Fp>","Church of San Donato: three centuries of history hidden in the heart of Siena","\u003Cdiv>Do you want to discover the most authentic and silent \u003Cstrong>Siena\u003C\u002Fstrong>? Enter the \u003Cstrong>Church of San Donato\u003C\u002Fstrong> and let three centuries of history speak to you, one by one.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-san-donato",[],[],{"@type":1620,"@id":2394,"hashParam":2395},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6b85d6041cce9eb27e5f","07831ec872f2676e7b1729bacf0bec23322f9900d39470a0aedae02881f4c031",[],[],{"@id":2399,"@type":1510,"name":2400,"poiType":2401,"address":2413,"latitude":2414,"longitude":2415,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2416,"translations":2417,"socials":2435,"gallery":2436,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2445,"position":2299,"layout":1624,"otherPoiType":2448,"logoPath":1626,"poiTagsByCategory":2449},"\u002Fapi\u002Fpois\u002F019ecbf3-e94c-7335-b879-3ccc74e5944d","Chiesa di San Giorgio",{"@id":1513,"@type":1514,"id":1515,"translations":2402,"poiCategory":2407},[2403,2405],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2404,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2406,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2408},[2409,2411],{"@type":1539,"@id":1540,"name":1541,"language":2410,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2412,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via di Pantaneto 111","43.31773860063586","11.336163952407755",[],[2418,2427],{"@type":1583,"@id":2419,"description":2420,"abstract":2421,"timetable":16,"title":2422,"subtitle":16,"ctaText":2423,"extraInformations":16,"language":2424,"slug":2425,"slugFormatted":2426},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffe6b35f934626dc87a65","\u003Ch2>Storia e origini\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa sorge in \u003Cstrong>Via Pantaneto\u003C\u002Fstrong>, nel Terzo di San Martino, su una struttura precedente già esistente nel 1081 e dedicata a San Giorgio, in \u003Cstrong>ringraziamento per la vittoria\u003C\u002Fstrong> senese a Montaperti il 4 settembre 1260. Il \u003Cstrong>campanile\u003C\u002Fstrong>, seppur rimaneggiato, conserva secondo la tradizione \u003Cstrong>38 finestrelle\u003C\u002Fstrong> in ricordo delle compagnie che presero parte allo scontro.\u003C\u002Fp>\r\n\r\n\u003Cp>Dal 1586 al 1666, la Chiesa ospitò la \u003Cstrong>Congregazione dei Sacri Chiodi\u003C\u002Fstrong>, fondata dal senese Matteo Guerra, seguendo lo spirito dell’Oratorio di San Filippo Neri, con scopi di \u003Cstrong>disciplina penitenziale\u003C\u002Fstrong>, \u003Cstrong>predicazione\u003C\u002Fstrong> e \u003Cstrong>formazione teologica\u003C\u002Fstrong> del clero. Nel 1666, Papa Alessandro VII la soppresse, affidandola al \u003Cstrong>Seminario Arcivescovile senese\u003C\u002Fstrong>, che vi rimase per circa due secoli, dando origine a numerose committenze artistiche dei prelati della famiglia Chigi-Zondadari.\u003C\u002Fp>\r\n\r\n\u003Cp>All’inizio del Settecento, il Cardinale \u003Cstrong>Anton Felice Zondadari\u003C\u002Fstrong>, fratello dell’allora Arcivescovo di Siena Alessandro, decise di \u003Cstrong>restaurare l’intero edificio\u003C\u002Fstrong>. I lavori iniziarono nel 1723 e, tra demolizioni e nuove costruzioni, culminarono con la consacrazione della nuova chiesa il 9 settembre 1731, con \u003Cstrong>facciata neoclassica\u003C\u002Fstrong> progettata da \u003Cstrong>Pietro Cremoni di Arosio \u003C\u002Fstrong>e successive rifiniture terminate nel 1738 sotto la direzione di \u003Cstrong>Antonio Fondi\u003C\u002Fstrong>. La chiesa fu completata definitivamente il 19 novembre 1741, grazie anche al lascito testamentario del Cardinale Zondadari.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e decorazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>La Chiesa di San Giorgio unisce \u003Cstrong>elementi del tardo romanico\u003C\u002Fstrong> con \u003Cstrong>rifacimenti in stile barocco\u003C\u002Fstrong>. La \u003Cstrong>facciata\u003C\u002Fstrong>, rinnovata nel XVIII secolo, è realizzata in \u003Cstrong>travertino\u003C\u002Fstrong> proveniente dalle Serre di Rapolano e impreziosita da dettagli elegantemente scolpiti.\u003C\u002Fp>\r\n\r\n\u003Cp>L’\u003Cstrong>interno\u003C\u002Fstrong> ospita numerose opere d’arte commissionate dalla famiglia Zondadari e da altre importanti personalità senesi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Opere e artisti principali\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra le opere più significative:\u003C\u002Fp>\r\n\r\n\u003Cul>\r\n\t\u003Cli>\u003Cstrong>San Giorgio e il drago\u003C\u002Fstrong> di \u003Cstrong>Sebastiano Conca\u003C\u002Fstrong>\u003C\u002Fli>\r\n\t\u003Cli>Monumento alla memoria del pittore \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> (1656)\u003C\u002Fli>\r\n\t\u003Cli>Dipinti di \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>, \u003Cstrong>Raffaello Vanni\u003C\u002Fstrong>, \u003Cstrong>Placido Costanzi\u003C\u002Fstrong>, \u003Cstrong>Niccolò Franchini\u003C\u002Fstrong> e \u003Cstrong>Vincenzo Meucci\u003C\u002Fstrong>\u003C\u002Fli>\r\n\t\u003Cli>Ai lati dell’altare, due monumenti funebri del 1748 dedicati ai fratelli \u003Cstrong>Anton Felice e Alessandro Zondadari\u003C\u002Fstrong>\u003C\u002Fli>\r\n\t\u003Cli>Dipinti rilevanti: \u003Cstrong>Incontro sulla via del Calvario\u003C\u002Fstrong> di Raffaello Vanni (XVII secolo), \u003Cstrong>Crocifissione con padre Matteo Guerra\u003C\u002Fstrong> di Francesco Vanni (1601–1602 circa) e l’altare principale con \u003Cstrong>San Giorgio e il drago\u003C\u002Fstrong> di Sebastiano Conca (XVIII secolo)\u003C\u002Fli>\r\n\u003C\u002Ful>","\u003Cp>Varcando la soglia della \u003Cstrong>Chiesa di San Giorgio,\u003C\u002Fstrong> si percepisce subito l’eco di secoli di devozione, arte e impegno civico. Ogni dettaglio racconta la storia di Siena, dai successi militari ai lasciti di famiglie illustri, fino alle opere d’arte che ne impreziosiscono l’interno.\u003C\u002Fp>","Chiesa di San Giorgio – Storia e Arte a Siena","\u003Cdiv>Passeggia tra archi, affreschi e monumenti che raccontano oltre sette secoli di storia senese.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-giorgio","\u002Fchiesa-di-san-giorgio",{"@type":1583,"@id":2428,"description":2429,"abstract":2430,"timetable":16,"title":2431,"subtitle":16,"ctaText":2432,"extraInformations":16,"language":2433,"slug":2425,"slugFormatted":2434},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc515347e66f8d6d3968e","\u003Ch2>History and Origins\u003C\u002Fh2>\r\n\r\n\u003Cp>The church stands on \u003Cstrong>Via Pantaneto\u003C\u002Fstrong>, in the Terzo di San Martino, on a previous structure already existing in 1081 and dedicated to San Giorgio, in \u003Cstrong>thanksgiving for the victory\u003C\u002Fstrong> of Siena at Montaperti on September 4, 1260. The \u003Cstrong>belfry\u003C\u002Fstrong>, although altered, retains according to tradition \u003Cstrong>38 small windows\u003C\u002Fstrong> in memory of the companies that took part in the battle.\u003C\u002Fp>\r\n\r\n\u003Cp>From 1586 to 1666, the Church hosted the \u003Cstrong>Congregation of the Holy Nails\u003C\u002Fstrong>, founded by the Sienese Matteo Guerra, following the spirit of the Oratory of San Filippo Neri, with aims of \u003Cstrong>penitential discipline\u003C\u002Fstrong>, \u003Cstrong>preaching\u003C\u002Fstrong>, and \u003Cstrong>theological training\u003C\u002Fstrong> of the clergy. In 1666, Pope Alexander VII suppressed it, entrusting it to the \u003Cstrong>Sienese Archiepiscopal Seminary\u003C\u002Fstrong>, which remained there for about two centuries, giving rise to numerous artistic commissions from the prelates of the Chigi-Zondadari family.\u003C\u002Fp>\r\n\r\n\u003Cp>At the beginning of the 18th century, Cardinal \u003Cstrong>Anton Felice Zondadari\u003C\u002Fstrong>, brother of the then Archbishop of Siena Alessandro, decided to \u003Cstrong>restore the entire building\u003C\u002Fstrong>. The works began in 1723 and, amid demolitions and new constructions, culminated in the consecration of the new church on September 9, 1731, with a \u003Cstrong>neoclassical facade\u003C\u002Fstrong> designed by \u003Cstrong>Pietro Cremoni di Arosio\u003C\u002Fstrong> and subsequent finishing touches completed in 1738 under the direction of \u003Cstrong>Antonio Fondi\u003C\u002Fstrong>. The church was definitively completed on November 19, 1741, also thanks to the testamentary bequest of Cardinal Zondadari.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and Decorations\u003C\u002Fh2>\r\n\r\n\u003Cp>The Church of San Giorgio combines \u003Cstrong>elements of late Romanesque\u003C\u002Fstrong> with \u003Cstrong>Baroque-style renovations\u003C\u002Fstrong>. The \u003Cstrong>facade\u003C\u002Fstrong>, renewed in the 18th century, is made of \u003Cstrong>travertine\u003C\u002Fstrong> from the Serre di Rapolano and embellished with elegantly carved details.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>interior\u003C\u002Fstrong> houses numerous works of art commissioned by the Zondadari family and other important Sienese personalities.\u003C\u002Fp>\r\n\r\n\u003Ch2>Main Works and Artists\u003C\u002Fh2>\r\n\r\n\u003Cp>Among the most significant works:\u003C\u002Fp>\r\n\r\n\u003Cul>\r\n\t\u003Cli>\u003Cstrong>Saint George and the Dragon\u003C\u002Fstrong> by \u003Cstrong>Sebastiano Conca\u003C\u002Fstrong>\u003C\u002Fli>\r\n\t\u003Cli>Monument in memory of the painter \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> (1656)\u003C\u002Fli>\r\n\t\u003Cli>Paintings by \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>, \u003Cstrong>Raffaello Vanni\u003C\u002Fstrong>, \u003Cstrong>Placido Costanzi\u003C\u002Fstrong>, \u003Cstrong>Niccolò Franchini\u003C\u002Fstrong>, and \u003Cstrong>Vincenzo Meucci\u003C\u002Fstrong>\u003C\u002Fli>\r\n\t\u003Cli>On either side of the altar, two funerary monuments from 1748 dedicated to the brothers \u003Cstrong>Anton Felice and Alessandro Zondadari\u003C\u002Fstrong>\u003C\u002Fli>\r\n\t\u003Cli>Notable paintings: \u003Cstrong>Meeting on the Way to Calvary\u003C\u002Fstrong> by Raffaello Vanni (17th century), \u003Cstrong>Crucifixion with Father Matteo Guerra\u003C\u002Fstrong> by Francesco Vanni (circa 1601–1602) and the main altar with \u003Cstrong>Saint George and the Dragon\u003C\u002Fstrong> by Sebastiano Conca (18th century)\u003C\u002Fli>\r\n\u003C\u002Ful>","\u003Cp>Crossing the threshold of the \u003Cstrong>Church of San Giorgio,\u003C\u002Fstrong> one immediately perceives the echo of centuries of devotion, art, and civic commitment. Every detail tells the story of Siena, from military successes to the legacies of illustrious families, to the works of art that adorn its interior.\u003C\u002Fp>","Church of San Giorgio – History and Art in Siena","\u003Cdiv>Stroll among arches, frescoes, and monuments that tell the story of over seven centuries of Sienese history.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-san-giorgio",[],[2437,2441],{"@type":1603,"@id":2438,"translations":2439,"position":1524,"imagePath":2440},"\u002Fapi\u002F.well-known\u002Fgenid\u002F62f2d4f24f57b1bbd134",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-giorgio-esterno-6a8c7725338a7870397525.jpg",{"@type":1603,"@id":2442,"translations":2443,"position":1524,"imagePath":2444},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fffb693e524eeae6eb7ea",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-giorgio-navata-6a8c772512a4d144744241.jpg",{"@type":1620,"@id":2446,"hashParam":2447},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc29da2064a2ece1d7416","2a88d227b7e1bda72e594db21dc5cc5073cbc9684d070c4faaebe0cc7e7646c1",[],[],{"@id":2451,"@type":1510,"name":2452,"poiType":2453,"address":2465,"latitude":2466,"longitude":2467,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2468,"translations":2469,"socials":2488,"gallery":2489,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2498,"position":2299,"layout":1624,"otherPoiType":2501,"logoPath":1626,"poiTagsByCategory":2502},"\u002Fapi\u002Fpois\u002F019f8987-52b5-7377-9730-32aed8614dfc","Chiesa di San Niccolò in Sasso",{"@id":1513,"@type":1514,"id":1515,"translations":2454,"poiCategory":2459},[2455,2457],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2456,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2458,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2460},[2461,2463],{"@type":1539,"@id":1540,"name":1541,"language":2462,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2464,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via del Poggio","43.3175557","11.3304130",[],[2470,2479],{"@type":1583,"@id":2471,"description":2472,"abstract":2473,"timetable":16,"title":2474,"subtitle":16,"ctaText":2475,"extraInformations":16,"language":2476,"slug":2477,"slugFormatted":2478},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7b0446994b6b5415534f","\u003Ch2>Origini e funzione nella Siena medievale\u003C\u002Fh2>\r\n\r\n\u003Cp>La Chiesa di San Niccolò in Sasso è una delle più antiche di Siena, con origini risalenti all’XI secolo, quando la città era ancora formata da nuclei abitativi sparsi. Il nome “in Sasso” deriva dal terreno roccioso su cui fu edificata.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel Medioevo fu legata alla \u003Cstrong>Corporazione dei Fabbri\u003C\u002Fstrong>, diventando un punto di riferimento per artigiani e lavoratori del \u003Cstrong>ferro\u003C\u002Fstrong> che frequentavano la zona.\u003C\u002Fp>\r\n\r\n\u003Ch2>Struttura e stratificazione del tempo\u003C\u002Fh2>\r\n\r\n\u003Cp>L’edificio conserva una struttura semplice e stratificata. La navata unica, stretta e allungata, mantiene l’impianto romanico originario, mentre il portale gotico, aggiunto nel Trecento, introduce un elemento architettonico successivo. L’abside semicircolare conserva la forma originaria dell’XI secolo.\u003C\u002Fp>\r\n\r\n\u003Cp>Sulle pareti sono ancora visibili frammenti di \u003Cstrong>affreschi trecenteschi \u003C\u002Fstrong>con figure di santi della \u003Cstrong>scuola senese\u003C\u002Fstrong>, oggi in parte sbiaditi ma ancora leggibili.\u003C\u002Fp>\r\n\r\n\u003Ch2>Secoli di trasformazioni e silenzio\u003C\u002Fh2>\r\n\r\n\u003Cp>Con il passare dei secoli la chiesa ha perso centralità rispetto ad altri edifici religiosi più grandi della città, ma non è mai stata completamente abbandonata. È stata oggetto di \u003Cstrong>restauri\u003C\u002Fstrong> e riaperture per celebrazioni occasionali.\u003C\u002Fp>\r\n\r\n\u003Cp>Oggi è una chiesa consacrata ma raramente aperta al pubblico.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un luogo di memoria\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>San Niccolò in Sasso\u003C\u002Fstrong> rappresenta la memoria della Siena medievale più essenziale, legata alla vita quotidiana degli artigiani e alla crescita iniziale della città. È un luogo che conserva la continuità della sua storia attraverso la semplicità della sua architettura.\u003C\u002Fp>","\u003Cp>Tra le strade più antiche di \u003Cstrong>Siena\u003C\u002Fstrong>, la \u003Cstrong>Chiesa di San Niccolò in Sasso\u003C\u002Fstrong> si distingue per la sua semplicità, legata alle origini medievali della città e a una storia fatta di\u003Cstrong> artigiani\u003C\u002Fstrong>, \u003Cstrong>pietra \u003C\u002Fstrong>e \u003Cstrong>devozione quotidiana\u003C\u002Fstrong>.\u003C\u002Fp>","Chiesa di San Niccolò in Sasso: una delle chiese più antiche di Siena","\u003Cdiv>Varca la soglia di una delle chiese più antiche di \u003Cstrong>Siena \u003C\u002Fstrong>e ascolta la voce discreta del suo passato \u003Cstrong>medievale\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-niccolo-in-sasso","\u002Fchiesa-di-san-niccolo-in-sasso",{"@type":1583,"@id":2480,"description":2481,"abstract":2482,"timetable":16,"title":2483,"subtitle":16,"ctaText":2484,"extraInformations":16,"language":2485,"slug":2486,"slugFormatted":2487},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb3c1453e24d25e03a7fb","\u003Ch2>Origins and function in medieval Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>The Church of San Niccolò in Sasso is one of the oldest in Siena, with origins dating back to the 11th century, when the city was still made up of scattered residential nuclei. The name “in Sasso” comes from the rocky ground on which it was built.\u003C\u002Fp>\r\n\r\n\u003Cp>In the Middle Ages, it was linked to the \u003Cstrong>Corporation of Blacksmiths\u003C\u002Fstrong>, becoming a reference point for craftsmen and workers of \u003Cstrong>iron\u003C\u002Fstrong> who frequented the area.\u003C\u002Fp>\r\n\r\n\u003Ch2>Structure and stratification of time\u003C\u002Fh2>\r\n\r\n\u003Cp>The building retains a simple and stratified structure. The single nave, narrow and elongated, maintains the original Romanesque layout, while the Gothic portal, added in the 14th century, introduces a subsequent architectural element. The semicircular apse preserves the original shape from the 11th century.\u003C\u002Fp>\r\n\r\n\u003Cp>On the walls, fragments of \u003Cstrong>14th-century frescoes\u003C\u002Fstrong> depicting figures of saints from the \u003Cstrong>Sienese school\u003C\u002Fstrong> are still visible, now partially faded but still legible.\u003C\u002Fp>\r\n\r\n\u003Ch2>Centuries of transformations and silence\u003C\u002Fh2>\r\n\r\n\u003Cp>Over the centuries, the church has lost prominence compared to other larger religious buildings in the city, but it has never been completely abandoned. It has been the subject of \u003Cstrong>restorations\u003C\u002Fstrong> and reopenings for occasional celebrations.\u003C\u002Fp>\r\n\r\n\u003Cp>Today it is a consecrated church but rarely open to the public.\u003C\u002Fp>\r\n\r\n\u003Ch2>A place of memory\u003C\u002Fh2>\r\n\r\n\u003Cp>San Niccolò in Sasso represents the memory of the most essential medieval Siena, linked to the daily life of craftsmen and the early growth of the city. It is a place that preserves the continuity of its history through the simplicity of its architecture.\u003C\u002Fp>","\u003Cp>Among the oldest streets of \u003Cstrong>Siena\u003C\u002Fstrong>, the \u003Cstrong>Church of San Niccolò in Sasso\u003C\u002Fstrong> stands out for its simplicity, linked to the medieval origins of the city and a history made of \u003Cstrong>craftsmen\u003C\u002Fstrong>, \u003Cstrong>stone\u003C\u002Fstrong>, and \u003Cstrong>daily devotion\u003C\u002Fstrong>.\u003C\u002Fp>","Church of San Niccolò in Sasso: one of the oldest churches in Siena","\u003Cdiv>Cross the threshold of one of the oldest churches in Siena and listen to the discreet voice of its medieval past.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"church-of-san-niccolo-in-sasso","\u002Fen\u002Fchurch-of-san-niccolo-in-sasso",[],[2490,2494],{"@type":1603,"@id":2491,"translations":2492,"position":1524,"imagePath":2493},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5df4c836bfe3bc5213d9",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-niccolo-in-sasso-3-6ac8c0227cbeb599508532.jpg",{"@type":1603,"@id":2495,"translations":2496,"position":1524,"imagePath":2497},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd13db4ffeceadd11c7b1",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-niccolo-in-sasso-2-6ac8c0229ce61805190297.jpg",{"@type":1620,"@id":2499,"hashParam":2500},"\u002Fapi\u002F.well-known\u002Fgenid\u002F94c3a789bbc6d985cce7","973a1469746e2e5b98f6e798f6fc6613c87e9d9925ec60546db32324ce40c26d",[],[],{"@id":2504,"@type":1510,"name":2505,"poiType":2506,"address":2518,"latitude":2519,"longitude":2520,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2521,"translations":2522,"socials":2540,"gallery":2541,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2554,"position":2299,"layout":1624,"otherPoiType":2557,"logoPath":1626,"poiTagsByCategory":2558},"\u002Fapi\u002Fpois\u002F019ecbe0-11cc-7e48-9891-67c5f94c44e0","Chiesa di San Pietro alle Scale",{"@id":1513,"@type":1514,"id":1515,"translations":2507,"poiCategory":2512},[2508,2510],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2509,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2511,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2513},[2514,2516],{"@type":1539,"@id":1540,"name":1541,"language":2515,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2517,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"via di san Pietro 29","43.31618668943058","11.330368731114218",[],[2523,2532],{"@type":1583,"@id":2524,"description":2525,"abstract":2526,"timetable":16,"title":2527,"subtitle":16,"ctaText":2528,"extraInformations":16,"language":2529,"slug":2530,"slugFormatted":2531},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc9014a0785af357e4e83","\u003Ch2>\u003Cstrong>Origini e funzione storica\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa ha origini \u003Cstrong>altomedievali \u003C\u002Fstrong>(XI–XII secolo) ed è stata rimaneggiata più volte nel corso dei secoli.\u003Cbr \u002F>\r\nNon era una parrocchia importante, ma uno spazio a servizio degli abitanti del quartiere, degli \u003Cstrong>artigiani\u003C\u002Fstrong> e di chi si muoveva quotidianamente lungo le \u003Cstrong>scalinate\u003C\u002Fstrong> della città.\u003Cbr \u002F>\r\nLa chiesa si sviluppa lungo un sistema di \u003Cstrong>gradini \u003C\u002Fstrong>e passaggi che collegavano livelli diversi di Siena, integrandosi con il tessuto urbano circostante.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Arte e architettura\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno si articola in una \u003Cstrong>navata\u003C\u002Fstrong> unica, con\u003Cstrong> altari\u003C\u002Fstrong> decorati in \u003Cstrong>gesso\u003C\u002Fstrong> e \u003Cstrong>stucco \u003C\u002Fstrong>secondo lo stile\u003Cstrong> tardo-barocco\u003C\u002Fstrong>.\u003Cbr \u002F>\r\nTra le \u003Cstrong>opere\u003C\u002Fstrong> conservate si segnalano il \u003Cstrong>polittico\u003C\u002Fstrong> smembrato attribuito ad \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong>, raffigurante la \u003Cstrong>Madonna col Bambino e quattro santi\u003C\u002Fstrong>, la \u003Cstrong>pala \u003C\u002Fstrong>\u003Cstrong>Riposo durante la fuga in Egitto\u003C\u002Fstrong> di\u003Cstrong> Rutilio Manetti \u003C\u002Fstrong>del 1621 e un \u003Cstrong>affresco\u003C\u002Fstrong> parziale di \u003Cstrong>Liberale da Verona\u003C\u002Fstrong> con \u003Cstrong>Santa Caterina\u003C\u002Fstrong>.\u003Cbr \u002F>\r\nSulla facciata in mattoni si apre un portale sormontato da un \u003Cstrong>rilievo marmoreo\u003C\u002Fstrong> che raffigura San Pietro in gloria tra\u003Cstrong> angeli\u003C\u002Fstrong>.\u003Cbr \u002F>\r\nAll’interno si trova la statua di\u003Cstrong> Santa Rita\u003C\u002Fstrong>, che ogni anno viene portata in \u003Cstrong>processione \u003C\u002Fstrong>fino alla \u003Cstrong>chiesa di Sant’Agostino\u003C\u002Fstrong> il \u003Cstrong>18 maggio\u003C\u002Fstrong>, in occasione della festa dedicata alla santa.\u003C\u002Fp>","\u003Cp>Percorrendo la scalinate medievale di \u003Cstrong>Via San Pietro\u003C\u002Fstrong>, si incontra una chiesa raccolta che custodisce secoli di storia del quartiere e delle persone che l’hanno abitata. \u003Cstrong>La chiesa si San Pietro alle Scale, \u003C\u002Fstrong>nota anche come\u003Cstrong> San Pietro in Castelvecchio, \u003C\u002Fstrong>è un luogo dove\u003Cstrong> devozione\u003C\u002Fstrong>, \u003Cstrong>arte \u003C\u002Fstrong>e\u003Cstrong> tradizione\u003C\u002Fstrong> convivono in spazi intimi, piccoli scrigni di memoria nascosti tra gli edifici.\u003C\u002Fp>","Chiesa di San Pietro alle Scale: arte e devozione nascosta nel cuore di Siena","\u003Cdiv>Vivi un frammento autentico di Siena, dove ogni altare e ogni affresco raccontano la storia di un quartiere e delle persone che lo hanno attraversato.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-pietro-alle-scale","\u002Fchiesa-di-san-pietro-alle-scale",{"@type":1583,"@id":2533,"description":2534,"abstract":2535,"timetable":16,"title":2536,"subtitle":16,"ctaText":2537,"extraInformations":16,"language":2538,"slug":2530,"slugFormatted":2539},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7a343aa7ebd484ffeaca","\u003Ch2>\u003Cstrong>Origins and historical function\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The church has \u003Cstrong>early medieval\u003C\u002Fstrong> origins (11th–12th century) and has been remodeled several times over the centuries.\u003Cbr \u002F>\r\nIt was not an important parish, but a space serving the residents of the neighborhood, the \u003Cstrong>artisans\u003C\u002Fstrong>, and those who moved daily along the \u003Cstrong>staircases\u003C\u002Fstrong> of the city.\u003Cbr \u002F>\r\nThe church develops along a system of \u003Cstrong>steps\u003C\u002Fstrong> and passages that connected different levels of Siena, integrating with the surrounding urban fabric.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Art and architecture\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior consists of a \u003Cstrong>single nave\u003C\u002Fstrong>, with \u003Cstrong>altars\u003C\u002Fstrong> decorated in \u003Cstrong>plaster\u003C\u002Fstrong> and \u003Cstrong>stucco\u003C\u002Fstrong> according to the \u003Cstrong>late Baroque\u003C\u002Fstrong> style.\u003Cbr \u002F>\r\nAmong the \u003Cstrong>works\u003C\u002Fstrong> preserved, the dismantled \u003Cstrong>polyptych\u003C\u002Fstrong> attributed to \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> stands out, depicting the \u003Cstrong>Madonna with Child and four saints\u003C\u002Fstrong>, the \u003Cstrong>altarpiece\u003C\u002Fstrong> \u003Cstrong>Rest during the Flight into Egypt\u003C\u002Fstrong> by \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong> from 1621, and a \u003Cstrong>partial fresco\u003C\u002Fstrong> by \u003Cstrong>Liberale da Verona\u003C\u002Fstrong> featuring \u003Cstrong>Saint Catherine\u003C\u002Fstrong>.\u003Cbr \u002F>\r\nOn the brick facade, a portal opens topped by a \u003Cstrong>marble relief\u003C\u002Fstrong> depicting Saint Peter in glory among \u003Cstrong>angels\u003C\u002Fstrong>.\u003Cbr \u002F>\r\nInside, there is a statue of \u003Cstrong>Saint Rita\u003C\u002Fstrong>, which is carried in \u003Cstrong>procession\u003C\u002Fstrong> every year to the \u003Cstrong>Church of Sant'Agostino\u003C\u002Fstrong> on \u003Cstrong>May 18\u003C\u002Fstrong>, during the feast dedicated to the saint.\u003C\u002Fp>","\u003Cp>Walking along the medieval staircase of \u003Cstrong>Via San Pietro\u003C\u002Fstrong>, one encounters a small church that holds centuries of history of the neighborhood and the people who have lived there. \u003Cstrong>The church of San Pietro alle Scale,\u003C\u002Fstrong> also known as \u003Cstrong>San Pietro in Castelvecchio,\u003C\u002Fstrong> is a place where \u003Cstrong>devotion\u003C\u002Fstrong>, \u003Cstrong>art\u003C\u002Fstrong>, and \u003Cstrong>tradition\u003C\u002Fstrong> coexist in intimate spaces, small treasure chests of memory hidden among the buildings.\u003C\u002Fp>","Church of San Pietro alle Scale: art and devotion hidden in the heart of Siena","\u003Cdiv>Experience an authentic fragment of Siena, where every altar and every fresco tells the story of a neighborhood and the people who have passed through it.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-san-pietro-alle-scale",[],[2542,2546,2550],{"@type":1603,"@id":2543,"translations":2544,"position":1524,"imagePath":2545},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3190b99d99e1ff55d60e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-pietro-alle-scale-9-6abf8875e830a619034125.jpg",{"@type":1603,"@id":2547,"translations":2548,"position":1524,"imagePath":2549},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4ccf7b7276ea86a0c395",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-san-pietro-alle-scale-6abf8875cc6a9158438106.jpg",{"@type":1603,"@id":2551,"translations":2552,"position":1524,"imagePath":2553},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd7dfb043a6d2e8274c3c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-pietro-alle-scale-5-6abf887604bde755264385.jpg",{"@type":1620,"@id":2555,"hashParam":2556},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff309171aa63d10458187","d21d497b14f91b008a2e142d0acdbbec0dc9a996800206a57d065f25b1dee652",[],[],{"@id":2560,"@type":1510,"name":2561,"poiType":2562,"address":2574,"latitude":2575,"longitude":2576,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2577,"translations":2578,"socials":2597,"gallery":2598,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2603,"position":2299,"layout":2056,"otherPoiType":2606,"logoPath":1626,"poiTagsByCategory":2607},"\u002Fapi\u002Fpois\u002F019f89f3-3fcb-74be-9613-63192edb8fc3","Chiesa di San Vigilio",{"@id":1513,"@type":1514,"id":1515,"translations":2563,"poiCategory":2568},[2564,2566],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2565,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2567,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2569},[2570,2572],{"@type":1539,"@id":1540,"name":1541,"language":2571,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2573,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"via San Vigilio","43.3195066","11.3328067",[],[2579,2588],{"@type":1583,"@id":2580,"description":2581,"abstract":2582,"timetable":16,"title":2583,"subtitle":16,"ctaText":2584,"extraInformations":16,"language":2585,"slug":2586,"slugFormatted":2587},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcc48071d32755fad5d75","\u003Ch2>Origini medievali e vita monastica\u003C\u002Fh2>\r\n\r\n\u003Cp>Le\u003Cstrong> origini \u003C\u002Fstrong>della Chiesa di San Vigilio risalgono all’XI secolo, quando \u003Cstrong>Siena\u003C\u002Fstrong> era ancora un centro in crescita, circondato da campagne e piccoli insediamenti religiosi.\u003C\u002Fp>\r\n\r\n\u003Cp>Nacque come \u003Cstrong>dipendenza urbana\u003C\u002Fstrong> dell’\u003Cstrong>abbazia camaldolese della Berardenga\u003C\u002Fstrong>, portando con sé una\u003Cstrong> spiritualità \u003C\u002Fstrong>fatta di silenzio, semplicità e \u003Cstrong>meditazione\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Per secoli rimase legata alla \u003Cstrong>vita monastica\u003C\u002Fstrong>, fino al 1561, quando passò ai \u003Cstrong>Gesuiti,\u003C\u002Fstrong> che ne modificarono profondamente il ruolo e l’impostazione.\u003C\u002Fp>\r\n\r\n\u003Ch2>La trasformazione gesuitica e il barocco senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Con i Gesuiti la chiesa venne ricostruita secondo i canoni del loro stile, unendo rigore, teatralità e forte impatto emotivo. Il risultato, consolidato fino al XVIII secolo, è un esempio di \u003Cstrong>barocco senese\u003C\u002Fstrong> elegante e misurato.\u003C\u002Fp>\r\n\r\n\u003Cp>All’interno, la volta è decorata con quindici \u003Cstrong>tele\u003C\u002Fstrong> di \u003Cstrong>Raffaello Vanni \u003C\u002Fstrong>dedicate al \u003Cstrong>Giudizio Universale\u003C\u002Fstrong>, che accompagnano lo sguardo lungo la navata come un racconto continuo. Sulle pareti sono presenti\u003Cstrong> opere di scuola senese\u003C\u002Fstrong> che dialogano con la\u003Cstrong> luce\u003C\u002Fstrong> proveniente dalle finestre alte.\u003C\u002Fp>\r\n\r\n\u003Cp>Lo spazio è pensato per avvolgere il visitatore e guidarlo verso l’altare, costruendo un’\u003Cstrong>esperienza\u003C\u002Fstrong> raccolta e intensa.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dalla soppressione gesuitica all’università\u003C\u002Fh2>\r\n\r\n\u003Cp>Con la partenza dei Gesuiti nel 1775, la chiesa cambiò nuovamente funzione. Gli ambienti dell’ex convento entrarono a far parte dell’\u003Cstrong>Università degli Studi di Siena\u003C\u002Fstrong> e nel 1991 San Vigilio venne scelta come \u003Cstrong>Cappella Universitaria\u003C\u002Fstrong>, luogo di incontro, meditazione e celebrazione per studenti e docenti.\u003C\u002Fp>\r\n\r\n\u003Cp>Oggi la chiesa mantiene un ruolo attivo, legato sia alla vita accademica sia alla comunità cittadina.\u003C\u002Fp>\r\n\r\n\u003Ch2>Identità e atmosfera\u003C\u002Fh2>\r\n\r\n\u003Cp>San Vigilio rappresenta un barocco senese misurato, costruito sull’equilibrio più che sull’eccesso. Ogni elemento architettonico e decorativo contribuisce a un’armonia complessiva in cui la storia non si impone, ma accompagna.\u003C\u002Fp>","\u003Cp>Tra silenzio e luce, la \u003Cstrong>Chiesa di San Vigilio\u003C\u002Fstrong> si svela come un luogo che ha attraversato i secoli cambiando volto, ma conservando intatta la sua voce più profonda.\u003C\u002Fp>","Chiesa di San Vigilio: dal silenzio monastico al barocco gesuitico a Siena","\u003Cdiv>Lasciati accompagnare dentro uno spazio dove secoli diversi convivono in un equilibrio discreto, tra memoria, arte e vita quotidiana.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-san-vigilio","\u002Fchiesa-di-san-vigilio",{"@type":1583,"@id":2589,"description":2590,"abstract":2591,"timetable":16,"title":2592,"subtitle":16,"ctaText":2593,"extraInformations":16,"language":2594,"slug":2595,"slugFormatted":2596},"\u002Fapi\u002F.well-known\u002Fgenid\u002F89449e415a1d32f6cc35","\u003Ch2>Medieval origins and monastic life\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>origins\u003C\u002Fstrong> of the Church of San Vigilio date back to the 11th century, when \u003Cstrong>Siena\u003C\u002Fstrong> was still a growing center, surrounded by countryside and small religious settlements.\u003C\u002Fp>\r\n\r\n\u003Cp>It was born as an \u003Cstrong>urban dependency\u003C\u002Fstrong> of the \u003Cstrong>Camaldolese Abbey of Berardenga\u003C\u002Fstrong>, bringing with it a \u003Cstrong>spirituality\u003C\u002Fstrong> made of silence, simplicity, and \u003Cstrong>meditation\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>For centuries it remained linked to \u003Cstrong>monastic life\u003C\u002Fstrong>, until 1561, when it passed to the \u003Cstrong>Jesuits\u003C\u002Fstrong>, who profoundly changed its role and layout.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Jesuit transformation and Sienese Baroque\u003C\u002Fh2>\r\n\r\n\u003Cp>With the Jesuits, the church was rebuilt according to the canons of their style, combining rigor, theatricality, and strong emotional impact. The result, consolidated until the 18th century, is an example of elegant and measured \u003Cstrong>Sienese Baroque\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Inside, the vault is decorated with fifteen \u003Cstrong>canvases\u003C\u002Fstrong> by \u003Cstrong>Raffaello Vanni\u003C\u002Fstrong> dedicated to the \u003Cstrong>Last Judgment\u003C\u002Fstrong>, which guide the gaze along the nave like a continuous narrative. On the walls, there are \u003Cstrong>works from the Sienese school\u003C\u002Fstrong> that interact with the \u003Cstrong>light\u003C\u002Fstrong> coming from the high windows.\u003C\u002Fp>\r\n\r\n\u003Cp>The space is designed to envelop the visitor and guide them towards the altar, creating a \u003Cstrong>collected\u003C\u002Fstrong> and intense \u003Cstrong>experience\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>From Jesuit suppression to the university\u003C\u002Fh2>\r\n\r\n\u003Cp>With the departure of the Jesuits in 1775, the church changed function once again. The rooms of the former convent became part of the \u003Cstrong>University of Siena\u003C\u002Fstrong> and in 1991 San Vigilio was chosen as the \u003Cstrong>University Chapel\u003C\u002Fstrong>, a place for meeting, meditation, and celebration for students and faculty.\u003C\u002Fp>\r\n\r\n\u003Cp>Today, the church maintains an active role, linked both to academic life and the local community.\u003C\u002Fp>\r\n\r\n\u003Ch2>Identity and atmosphere\u003C\u002Fh2>\r\n\r\n\u003Cp>San Vigilio represents a measured Sienese Baroque, built on balance rather than excess. Every architectural and decorative element contributes to an overall harmony where history does not impose itself but accompanies.\u003C\u002Fp>","\u003Cp>Between silence and light, the \u003Cstrong>Church of San Vigilio\u003C\u002Fstrong> reveals itself as a place that has traversed the centuries, changing its face while preserving its deepest voice intact.\u003C\u002Fp>","Church of San Vigilio: from monastic silence to Jesuit Baroque in Siena","\u003Cdiv>Let yourself be guided into a space where different centuries coexist in a discreet balance, between memory, art, and daily life.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"church-of-san-vigilio","\u002Fen\u002Fchurch-of-san-vigilio",[],[2599],{"@type":1603,"@id":2600,"translations":2601,"position":1524,"imagePath":2602},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4ca662fbab81483fcf2b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-san-vigilio-3-6abfc3f29a7b9757028986.jpg",{"@type":1620,"@id":2604,"hashParam":2605},"\u002Fapi\u002F.well-known\u002Fgenid\u002Faa2bec3d9f9aa8d30851","ffb426640983830f123c4d15a88c90d569629835f6b10c7405050838e3168139",[],[],{"@id":2609,"@type":1510,"name":2610,"poiType":2611,"address":2623,"latitude":2624,"longitude":2625,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2626,"translations":2627,"socials":2646,"gallery":2647,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2652,"position":2299,"layout":2056,"otherPoiType":2655,"logoPath":1626,"poiTagsByCategory":2656},"\u002Fapi\u002Fpois\u002F019ed08c-f059-7ad0-b07f-dc9ee5ec8469","Chiesa di Sant'Agostino",{"@id":1513,"@type":1514,"id":1515,"translations":2612,"poiCategory":2617},[2613,2615],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2614,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2616,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2618},[2619,2621],{"@type":1539,"@id":1540,"name":1541,"language":2620,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2622,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via fontanella, 6","43.314922615570865","11.331884501848673",[],[2628,2637],{"@type":1583,"@id":2629,"description":2630,"abstract":2631,"timetable":16,"title":2632,"subtitle":16,"ctaText":2633,"extraInformations":16,"language":2634,"slug":2635,"slugFormatted":2636},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fedad4f877263640e170c","\u003Ch2>Capolavori e patrimonio artistico\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa custodisce opere pittoriche dal XIV al XVII secolo di grande rilievo. Tra i più celebri: la \u003Cstrong>Maestà di Sant’Agostino\u003C\u002Fstrong> di \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> (1337-1338), l’\u003Cstrong>Adorazione dei Pastori\u003C\u002Fstrong> di \u003Cstrong>Francesco Giorgio Martini\u003C\u002Fstrong> (1490), la \u003Cstrong>Crocifissione (Pala Chigi)\u003C\u002Fstrong> del \u003Cstrong>Perugino\u003C\u002Fstrong> e la \u003Cstrong>Madonna in Trono col Bambino e Santi\u003C\u002Fstrong> di \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Sono presenti anche opere di \u003Cstrong>Francesco Vanni, Rutilio Manetti, Casolani \u003C\u002Fstrong>e \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, oltre al \u003Cstrong>Ciborio a tempietto con Cristo Risorto\u003C\u002Fstrong> dei \u003Cstrong>Mazzuoli \u003C\u002Fstrong>(XVII secolo), esempio di eccellenza scultorea senese. L’interno della chiesa offre un percorso tra \u003Cstrong>affreschi \u003C\u002Fstrong>e \u003Cstrong>sculture \u003C\u002Fstrong>che raccontano secoli di devozione, arte e storia cittadina.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un luogo di fede e cultura\u003C\u002Fh2>\r\n\r\n\u003Cp>Ogni ambiente della Chiesa di Sant’Agostino rivela un dialogo tra passato e presente: i lavori settecenteschi si intrecciano con gli elementi medievali, creando un’atmosfera di solennità raccolta e accogliente. La chiesa rimane un punto di riferimento per la comunità senese e un luogo dove arte e spiritualità si incontrano.\u003C\u002Fp>","\u003Cp>Varcando la soglia della \u003Cstrong>Chiesa di Sant’Agostino\u003C\u002Fstrong>, si percepisce la storia viva di \u003Cstrong>Siena\u003C\u002Fstrong>: ogni pietra, ogni affresco racconta fede, cultura e generazioni di senesi che hanno vissuto questi spazi.\u003C\u002Fp>\r\n\r\n\u003Cp>Fondata dai\u003Cstrong> frati\u003C\u002Fstrong> dell’\u003Cstrong>Ordine di Sant’Agostino\u003C\u002Fstrong> nel 1258, la chiesa è il risultato di un’opera collettiva dell’ordine religioso, pensata per offrire una sede di culto ai frati e uno spazio spirituale alla comunità cittadina. La costruzione durò oltre cinquant’anni, proseguendo anche agli inizi del \u003Cstrong>Trecento\u003C\u002Fstrong>. Lo stile originale è \u003Cstrong>medievale\u003C\u002Fstrong> e \u003Cstrong>gotico toscano\u003C\u002Fstrong>, semplice e lineare, con muratura in laterizio.\u003C\u002Fp>\r\n\r\n\u003Cp>Dopo l’incendio del 1747, l’interno fu rinnovato con richiami settecenteschi, classici e barocchi, su progetto di \u003Cstrong>Luigi Vanvitelli\u003C\u002Fstrong>. La facciata originale in cotto fu ricoperta da un portico neoclassico realizzato da \u003Cstrong>Agostino Fantastici\u003C\u002Fstrong> tra il 1818 e il 1819. Durante le soppressioni napoleoniche, i frati furono costretti ad abbandonare il convento, pur mantenendo rapporti con la parrocchia.\u003C\u002Fp>","La Chiesa di Sant’Agostino a Siena: arte e devozione","\u003Cdiv>Senti l’eco dei secoli tra le volte della Chiesa di sant’ Agostino e lasciati sorprendere dall’arte che parla di Siena.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-sant-agostino","\u002Fchiesa-di-sant-agostino",{"@type":1583,"@id":2638,"description":2639,"abstract":2640,"timetable":16,"title":2641,"subtitle":16,"ctaText":2642,"extraInformations":16,"language":2643,"slug":2644,"slugFormatted":2645},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fec90eb4b0b43b25e8cf3","\u003Ch2>Masterpieces and artistic heritage\u003C\u002Fh2>\r\n\r\n\u003Cp>The church houses significant paintings from the 14th to the 17th century. Among the most famous are: the \u003Cstrong>Majesty of Saint Augustine\u003C\u002Fstrong> by \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> (1337-1338), the \u003Cstrong>Adoration of the Shepherds\u003C\u002Fstrong> by \u003Cstrong>Francesco Giorgio Martini\u003C\u002Fstrong> (1490), the \u003Cstrong>Crucifixion (Pala Chigi)\u003C\u002Fstrong> by \u003Cstrong>Perugino\u003C\u002Fstrong>, and the \u003Cstrong>Madonna in Throne with Child and Saints\u003C\u002Fstrong> by \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>There are also works by \u003Cstrong>Francesco Vanni, Rutilio Manetti, Casolani\u003C\u002Fstrong>, and \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, as well as the \u003Cstrong>Ciborium with Risen Christ\u003C\u002Fstrong> by the \u003Cstrong>Mazzuoli\u003C\u002Fstrong> (17th century), an example of Sienese sculptural excellence. The interior of the church offers a journey through \u003Cstrong>frescoes\u003C\u002Fstrong> and \u003Cstrong>sculptures\u003C\u002Fstrong> that tell centuries of devotion, art, and local history.\u003C\u002Fp>\r\n\r\n\u003Ch2>A place of faith and culture\u003C\u002Fh2>\r\n\r\n\u003Cp>Every space in the Church of Sant’Agostino reveals a dialogue between past and present: the eighteenth-century works intertwine with medieval elements, creating an atmosphere of solemnity that is both intimate and welcoming. The church remains a point of reference for the Sienese community and a place where art and spirituality meet.\u003C\u002Fp>","\u003Cp>Crossing the threshold of the \u003Cstrong>Church of Sant’Agostino\u003C\u002Fstrong>, one perceives the living history of \u003Cstrong>Siena\u003C\u002Fstrong>: every stone, every fresco tells of faith, culture, and generations of Sienese who have lived in these spaces.\u003C\u002Fp>\r\n\r\n\u003Cp>Founded by the \u003Cstrong>friars\u003C\u002Fstrong> of the \u003Cstrong>Order of Saint Augustine\u003C\u002Fstrong> in 1258, the church is the result of a collective effort of the religious order, designed to provide a place of worship for the friars and a spiritual space for the local community. The construction lasted over fifty years, continuing into the early \u003Cstrong>fourteenth century\u003C\u002Fstrong>. The original style is \u003Cstrong>medieval\u003C\u002Fstrong> and \u003Cstrong>Tuscan Gothic\u003C\u002Fstrong>, simple and linear, with brick masonry.\u003C\u002Fp>\r\n\r\n\u003Cp>After the fire of 1747, the interior was renewed with references to the eighteenth century, classical and baroque, designed by \u003Cstrong>Luigi Vanvitelli\u003C\u002Fstrong>. The original facade in terracotta was covered by a neoclassical portico created by \u003Cstrong>Agostino Fantastici\u003C\u002Fstrong> between 1818 and 1819. During the Napoleonic suppressions, the friars were forced to abandon the convent, while maintaining relations with the parish.\u003C\u002Fp>","The Church of Sant’Agostino in Siena: art and devotion","\u003Cdiv>Feel the echo of the centuries among the vaults of the Church of Sant’Agostino and let yourself be surprised by the art that speaks of Siena.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"27-chiesa-di-sant-agostino-2","\u002Fen\u002F27-chiesa-di-sant-agostino-2",[],[2648],{"@type":1603,"@id":2649,"translations":2650,"position":1524,"imagePath":2651},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7cb8def1cfdce84ef921",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-sant-agostino-2-6abf86321a4cd137923652.jpg",{"@type":1620,"@id":2653,"hashParam":2654},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7738fb60eef8fdbba248","4c806ac750e54d1d052ed9c79d4ea27658b201915afc8c2bdfc865f48021def1",[],[],{"@id":2658,"@type":1510,"name":2659,"poiType":2660,"address":2672,"latitude":2673,"longitude":2674,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2675,"translations":2676,"socials":2695,"gallery":2696,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2705,"position":2299,"layout":1624,"otherPoiType":2708,"logoPath":1626,"poiTagsByCategory":2709},"\u002Fapi\u002Fpois\u002F019f897f-8f9d-7a96-afc1-2244ebb975a2","Chiesa di Sant'Andrea",{"@id":1513,"@type":1514,"id":1515,"translations":2661,"poiCategory":2666},[2662,2664],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2663,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2665,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2667},[2668,2670],{"@type":1539,"@id":1540,"name":1541,"language":2669,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2671,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via dei Montanini","43.3234310","11.3285114",[],[2677,2686],{"@type":1583,"@id":2678,"description":2679,"abstract":2680,"timetable":16,"title":2681,"subtitle":16,"ctaText":2682,"extraInformations":16,"language":2683,"slug":2684,"slugFormatted":2685},"\u002Fapi\u002F.well-known\u002Fgenid\u002F87e13381761f237e0d4b","\u003Ch2>Origini medievali e funzione storica\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa è \u003Cstrong>attestata fin dal 1175\u003C\u002Fstrong> e risulta ricordata nel \u003Cstrong>Constituto del Comune\u003C\u002Fstrong> del 1262. \u003Cstrong>Secondo il Pecci\u003C\u002Fstrong>, un breve del 1284 del \u003Cstrong>vescovo Rinaldo concesse quaranta giorni di indulgenza a chi contribuiva al risorgimento della chiesa\u003C\u002Fstrong>, già in stato di rovina.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>In origine\u003C\u002Fstrong> doveva servire come \u003Cstrong>fonte battesimale\u003C\u002Fstrong> e come \u003Cstrong>luogo di sepoltura per coloro che\u003C\u002Fstrong>, a causa delle guerre, \u003Cstrong>erano lontani dalle proprie chiese di riferimento\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Trasformazioni architettoniche\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel corso dei secoli la chiesa ha \u003Cstrong>subito numerosi interventi\u003C\u002Fstrong>, in particolare nel Settecento e poi tra il 1931 e il 1961, quando \u003Cstrong>vennero ripristinate strutture medievali\u003C\u002Fstrong> che ne hanno modificato in modo significativo l’aspetto. Della \u003Cstrong>struttura originaria\u003C\u002Fstrong> \u003Cstrong>rimane oggi\u003C\u002Fstrong> soprattutto \u003Cstrong>l’abside\u003C\u002Fstrong>, insieme al \u003Cstrong>campanile romanico\u003C\u002Fstrong> ancora conservato.\u003C\u002Fp>\r\n\r\n\u003Ch3>Opere e patrimonio artistico\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>All’interno\u003C\u002Fstrong> si conservano \u003Cstrong>opere di epoche diverse\u003C\u002Fstrong>. Tra queste una \u003Cstrong>Madonna col Bambino\u003C\u002Fstrong> in stucco del XV secolo di \u003Cstrong>scuola quercesca\u003C\u002Fstrong>, una \u003Cstrong>Madonna in bronzo\u003C\u002Fstrong> e il \u003Cstrong>Battesimo di Cristo di Bruno Buracchini\u003C\u002Fstrong>, quest’ultimo \u003Cstrong>collocato sul fonte battesimale\u003C\u002Fstrong> e realizzato nel Novecento.\u003C\u002Fp>\r\n\r\n\u003Cp>Di particolare rilievo è il \u003Cstrong>polittico di Giovanni di Paolo\u003C\u002Fstrong> del 1445, raffigurante \u003Cstrong>l’Incoronazione della Vergine tra i santi Pietro e Andrea\u003C\u002Fstrong>, collocato \u003Cstrong>nell’altare maggiore\u003C\u002Fstrong>. Sono \u003Cstrong>presenti anche affreschi quattrocenteschi\u003C\u002Fstrong> attribuiti a \u003Cstrong>Martino di Bartolomeo\u003C\u002Fstrong>, inseriti in un \u003Cstrong>arcosolio\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Contesto urbano\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa \u003Cstrong>si trova accanto alla cappella di Sant’Anna in San Onofrio\u003C\u002Fstrong> e \u003Cstrong>di fronte\u003C\u002Fstrong> ai \u003Cstrong>palazzi Zondadari e Bernardi Avanzati\u003C\u002Fstrong>, in un contesto urbano ricco di stratificazioni storiche nel Terzo di Camollia.\u003C\u002Fp>","\u003Cp>In Via Montanini, nel Terzo di Camollia, la \u003Cstrong>Chiesa di Sant’Andrea\u003C\u002Fstrong> si inserisce \u003Cstrong>tra palazzi nobiliari\u003C\u002Fstrong> e \u003Cstrong>cappelle storiche\u003C\u002Fstrong>, conservando le tracce di \u003Cstrong>una lunga storia\u003C\u002Fstrong> fatta di \u003Cstrong>trasformazioni\u003C\u002Fstrong> e \u003Cstrong>stratificazioni architettoniche\u003C\u002Fstrong>.\u003C\u002Fp>","Chiesa di Sant’Andrea: storia medievale nel cuore di Via Montanini","\u003Cdiv>Lasciati guidare lungo Via Montanini e \u003Cstrong>scopri una chiesa dove la storia medievale\u003C\u002Fstrong> e le \u003Cstrong>trasformazioni dei secoli si intrecciano\u003C\u002Fstrong> nella pietra e nella memoria della città.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-sant-andrea","\u002Fchiesa-di-sant-andrea",{"@type":1583,"@id":2687,"description":2688,"abstract":2689,"timetable":16,"title":2690,"subtitle":16,"ctaText":2691,"extraInformations":16,"language":2692,"slug":2693,"slugFormatted":2694},"\u002Fapi\u002F.well-known\u002Fgenid\u002F496e59f9d32e70bfe24e","\u003Ch2>Medieval origins and historical function\u003C\u002Fh2>\r\n\r\n\u003Cp>The church has been \u003Cstrong>documented since 1175\u003C\u002Fstrong> and is mentioned in the \u003Cstrong>Municipal Constitution\u003C\u002Fstrong> of 1262. \u003Cstrong>According to Pecci\u003C\u002Fstrong>, a brief from 1284 by \u003Cstrong>Bishop Rinaldo granted forty days of indulgence to those who contributed to the restoration of the church\u003C\u002Fstrong>, which was already in a state of ruin.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Originally\u003C\u002Fstrong>, it was meant to serve as a \u003Cstrong>baptismal font\u003C\u002Fstrong> and as a \u003Cstrong>burial place for those who\u003C\u002Fstrong>, due to wars, \u003Cstrong>were far from their own reference churches\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architectural transformations\u003C\u002Fh2>\r\n\r\n\u003Cp>Over the centuries, the church has \u003Cstrong>undergone numerous interventions\u003C\u002Fstrong>, particularly in the eighteenth century and then between 1931 and 1961, when \u003Cstrong>medieval structures were restored\u003C\u002Fstrong> that significantly altered its appearance. Of the \u003Cstrong>original structure\u003C\u002Fstrong>, \u003Cstrong>today mainly the apse\u003C\u002Fstrong> remains, along with the \u003Cstrong>Romanesque bell tower\u003C\u002Fstrong> still preserved.\u003C\u002Fp>\r\n\r\n\u003Ch3>Artworks and artistic heritage\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Inside\u003C\u002Fstrong>, there are \u003Cstrong>works from different eras\u003C\u002Fstrong>. Among these is a \u003Cstrong>Madonna with Child\u003C\u002Fstrong> in stucco from the 15th century of \u003Cstrong>Quercia school\u003C\u002Fstrong>, a \u003Cstrong>bronze Madonna\u003C\u002Fstrong>, and the \u003Cstrong>Baptism of Christ by Bruno Buracchini\u003C\u002Fstrong>, the latter \u003Cstrong>placed on the baptismal font\u003C\u002Fstrong> and created in the twentieth century.\u003C\u002Fp>\r\n\r\n\u003Cp>Of particular significance is the \u003Cstrong>polyptych by Giovanni di Paolo\u003C\u002Fstrong> from 1445, depicting \u003Cstrong>the Coronation of the Virgin between Saints Peter and Andrew\u003C\u002Fstrong>, located \u003Cstrong>in the main altar\u003C\u002Fstrong>. There are also \u003Cstrong>fifteenth-century frescoes\u003C\u002Fstrong> attributed to \u003Cstrong>Martino di Bartolomeo\u003C\u002Fstrong>, inserted in an \u003Cstrong>arcosolium\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Urban context\u003C\u002Fh2>\r\n\r\n\u003Cp>The church \u003Cstrong>is located next to the chapel of Sant'Anna in San Onofrio\u003C\u002Fstrong> and \u003Cstrong>facing\u003C\u002Fstrong> the \u003Cstrong>Zondadari and Bernardi Avanzati palaces\u003C\u002Fstrong>, in an urban context rich in historical stratifications in the Terzo di Camollia.\u003C\u002Fp>","\u003Cp>In Via Montanini, in the Terzo di Camollia, the \u003Cstrong>Church of Sant'Andrea\u003C\u002Fstrong> is set \u003Cstrong>among noble palaces\u003C\u002Fstrong> and \u003Cstrong>historic chapels\u003C\u002Fstrong>, preserving traces of \u003Cstrong>a long history\u003C\u002Fstrong> made of \u003Cstrong>transformations\u003C\u002Fstrong> and \u003Cstrong>architectural stratifications\u003C\u002Fstrong>.\u003C\u002Fp>","Church of Sant'Andrea: medieval history in the heart of Via Montanini","\u003Cdiv>Let yourself be guided along Via Montanini and \u003Cstrong>discover a church where medieval history\u003C\u002Fstrong> and \u003Cstrong>the transformations of the centuries intertwine\u003C\u002Fstrong> in the stone and memory of the city.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"church-of-sant-andrea","\u002Fen\u002Fchurch-of-sant-andrea",[],[2697,2701],{"@type":1603,"@id":2698,"translations":2699,"position":1524,"imagePath":2700},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffceaf93669df4af66b31",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsant-andrea-5-6abfc2c85745c044794810.jpg",{"@type":1603,"@id":2702,"translations":2703,"position":1524,"imagePath":2704},"\u002Fapi\u002F.well-known\u002Fgenid\u002F90c33edf0465dbfc6e4b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsant-andrea-2-6abfc2c871e8a218225966.jpg",{"@type":1620,"@id":2706,"hashParam":2707},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8a4849594e3b75e247da","8a48ed3c121ad0302f34f5c6d068b05c33c1e3f9b2ea3aaa4e8590cafac4cb8b",[],[],{"@id":2711,"@type":1510,"name":2712,"poiType":2713,"address":2725,"latitude":2726,"longitude":2727,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2728,"translations":2729,"socials":2747,"gallery":2748,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2757,"position":2299,"layout":1624,"otherPoiType":2760,"logoPath":1626,"poiTagsByCategory":2761},"\u002Fapi\u002Fpois\u002F019ecbfa-89be-742c-bbe9-366d1b612b45","Chiesa di Santa Elisabetta della Visitazione",{"@id":1513,"@type":1514,"id":1515,"translations":2714,"poiCategory":2719},[2715,2717],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2716,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2718,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2720},[2721,2723],{"@type":1539,"@id":1540,"name":1541,"language":2722,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2724,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via dei Rossi, 108","43.3222351221282","11.333322571164155",[],[2730,2739],{"@type":1583,"@id":2731,"description":2732,"abstract":2733,"timetable":16,"title":2734,"subtitle":16,"ctaText":2735,"extraInformations":16,"language":2736,"slug":2737,"slugFormatted":2738},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb2904a10b35f0e81c319","\u003Ch2>\u003Cstrong>Storia e contesto religioso\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa è parte integrante della \u003Cstrong>Casa Madre delle Sorelle dei Poveri di Santa Caterina da Siena\u003C\u002Fstrong>, e questo legame con la \u003Cstrong>vita religiosa femminile\u003C\u002Fstrong> le conferisce un’atmosfera di cura, dedizione e semplicità. Qui si venera il corpo della \u003Cstrong>beata Savina Petrilli\u003C\u002Fstrong>, fondatrice dell’ordine e figura amata a Siena per la sua opera a favore dei più fragili. Le \u003Cstrong>origini dell’edificio\u003C\u002Fstrong> risalgono al 1680, ma la forma attuale fu realizzata tra il 1884 e il 1901 dalla stessa beata Savina Petrilli. Il risultato è un elegante esempio di \u003Cstrong>stile neorinascimentale\u003C\u002Fstrong>, sobrio e armonioso, che richiama la tradizione artistica toscana pur mantenendo una propria identità.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Architettura e interni\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>La \u003Cstrong>facciata semplice e luminosa\u003C\u002Fstrong> invita a entrare senza clamore: una porta discreta verso un mondo fatto di preghiera, silenzio e memoria. All’interno, la \u003Cstrong>mancanza di decorazioni\u003C\u002Fstrong> e la \u003Cstrong>luce filtrante\u003C\u002Fstrong> dalle finestre creano un \u003Cstrong>ambiente intimo\u003C\u002Fstrong>, capace di accompagnare meditazione e raccoglimento. Le \u003Cstrong>linee pulite\u003C\u002Fstrong> dell’architettura esaltano il tema della Visitazione e i valori di accoglienza, incontro e servizio, coerenti con la missione dell’ordine. Passeggiando lungo via dei Rossi, la chiesa appare come \u003Cstrong>un’oasi spirituale\u003C\u002Fstrong> incastonata nel tessuto urbano: un luogo abitato, dove la spiritualità si intreccia con la quotidianità.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Esperienza di visita\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Visitandola, si percepisce la forza di una fede concreta, fatta di gesti semplici e di attenzione verso gli altri, eredità diretta della beata \u003Cstrong>Savina Petrilli.\u003C\u002Fstrong> È una tappa perfetta per chi desidera conoscere \u003Cstrong>una Siena più intima\u003C\u002Fstrong>, lontana dai grandi monumenti ma ricca di storie e umanità. Uscendo, resta la sensazione di aver attraversato un luogo che custodisce non solo architettura e memoria, ma soprattutto testimonianze di vita vissuta, dedizione e speranza.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>","\u003Cp>Nel cuore di \u003Cstrong>via dei Rossi\u003C\u002Fstrong>, tra palazzi silenziosi e scorci medievali, la Chiesa di Sant’Elisabetta della Visitazione si apre come un \u003Cstrong>piccolo rifugio spirituale\u003C\u002Fstrong>, pensato per chi cerca un momento di raccoglimento lontano dai percorsi più battuti.\u003C\u002Fp>","Santa Elisabetta della Visitazione: un’oasi di pace nel cuore di Siena","\u003Cdiv>Lasciati avvolgere dalla calma e dall’intimità di Santa Elisabetta: un angolo di spiritualità autentica a Siena.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santa-elisabetta-della-visitazione","\u002Fchiesa-di-santa-elisabetta-della-visitazione",{"@type":1583,"@id":2740,"description":2741,"abstract":2742,"timetable":16,"title":2743,"subtitle":16,"ctaText":2744,"extraInformations":16,"language":2745,"slug":2737,"slugFormatted":2746},"\u002Fapi\u002F.well-known\u002Fgenid\u002F195495b88aaeca865357","\u003Ch2>\u003Cstrong>History and religious context\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The church is an integral part of the \u003Cstrong>Mother House of the Sisters of the Poor of Saint Catherine of Siena\u003C\u002Fstrong>, and this connection with \u003Cstrong>female religious life\u003C\u002Fstrong> gives it an atmosphere of care, dedication, and simplicity. Here, the body of \u003Cstrong>blessed Savina Petrilli\u003C\u002Fstrong>, founder of the order and a beloved figure in Siena for her work on behalf of the most vulnerable, is venerated. The \u003Cstrong>origins of the building\u003C\u002Fstrong> date back to 1680, but the current form was realized between 1884 and 1901 by the same blessed Savina Petrilli. The result is an elegant example of \u003Cstrong>neo-Renaissance style\u003C\u002Fstrong>, sober and harmonious, which recalls the Tuscan artistic tradition while maintaining its own identity.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Architecture and interiors\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>simple and bright facade\u003C\u002Fstrong> invites one to enter without fuss: a discreet door to a world made of prayer, silence, and memory. Inside, the \u003Cstrong>lack of decorations\u003C\u002Fstrong> and the \u003Cstrong>filtering light\u003C\u002Fstrong> from the windows create an \u003Cstrong>intimate environment\u003C\u002Fstrong>, capable of accompanying meditation and reflection. The \u003Cstrong>clean lines\u003C\u002Fstrong> of the architecture enhance the theme of the Visitation and the values of welcome, encounter, and service, consistent with the mission of the order. Walking along via dei Rossi, the church appears as \u003Cstrong>a spiritual oasis\u003C\u002Fstrong> embedded in the urban fabric: a inhabited place, where spirituality intertwines with everyday life.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Visiting experience\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>When visiting, one perceives the strength of a concrete faith, made of simple gestures and attention towards others, a direct legacy of blessed \u003Cstrong>Savina Petrilli.\u003C\u002Fstrong> It is a perfect stop for those who wish to know \u003Cstrong>a more intimate Siena\u003C\u002Fstrong>, far from the grand monuments but rich in stories and humanity. Upon exiting, there remains the feeling of having crossed a place that preserves not only architecture and memory but above all testimonies of lived life, dedication, and hope.\u003C\u002Fp>","\u003Cp>In the heart of \u003Cstrong>via dei Rossi\u003C\u002Fstrong>, among silent buildings and medieval glimpses, the Church of Saint Elizabeth of the Visitation opens up like a \u003Cstrong>small spiritual refuge\u003C\u002Fstrong>, designed for those seeking a moment of reflection away from the more beaten paths\u003C\u002Fp>","Saint Elizabeth of the Visitation: an oasis of peace in the heart of Siena","\u003Cdiv>Let yourself be enveloped by the calm and intimacy of Saint Elizabeth: a corner of authentic spirituality in Siena.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-santa-elisabetta-della-visitazione",[],[2749,2753],{"@type":1603,"@id":2750,"translations":2751,"position":1524,"imagePath":2752},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc3937e38ca1a22b7c15e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-sant-elisabetta-della-visitazione-7-6abf8bdceed65669141560.jpg",{"@type":1603,"@id":2754,"translations":2755,"position":1524,"imagePath":2756},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9c6c6f1c8f3b58447643",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-sant-elisabetta-della-visitazione-3-6abf8bdd1acd4527119735.jpg",{"@type":1620,"@id":2758,"hashParam":2759},"\u002Fapi\u002F.well-known\u002Fgenid\u002F724a0cbe86a32396d9ef","f658196363ad49693e7528b6750f61a6907d6bb1c8dddc7a52327147a45719db",[],[],{"@id":2763,"@type":1510,"name":2764,"poiType":2765,"address":2777,"latitude":2778,"longitude":2779,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2780,"translations":2781,"socials":2799,"gallery":2800,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2813,"position":2299,"layout":1624,"otherPoiType":2816,"logoPath":1626,"poiTagsByCategory":2817},"\u002Fapi\u002Fpois\u002F019ecbb0-ce00-72a3-ba1f-5921e936c117","Chiesa di Santa Lucia",{"@id":1513,"@type":1514,"id":1515,"translations":2766,"poiCategory":2771},[2767,2769],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2768,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2770,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2772},[2773,2775],{"@type":1539,"@id":1540,"name":1541,"language":2774,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2776,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Pian dei Mantellini","43.31444459730475","11.327585027273539",[],[2782,2791],{"@type":1583,"@id":2783,"description":2784,"abstract":2785,"timetable":16,"title":2786,"subtitle":16,"ctaText":2787,"extraInformations":16,"language":2788,"slug":2789,"slugFormatted":2790},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe483859966e39dc817b4","\u003Ch2>\u003Cstrong>Arte e architettura\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno della chiesa è un esempio pregevole della \u003Cstrong>pittura senese del Seicento\u003C\u002Fstrong> e conserva l’atmosfera autentica delle antiche \u003Cstrong>confraternite\u003C\u002Fstrong> cittadine. Sulle volte domina il \u003Cstrong>Trionfo di Santa Lucia\u003C\u002Fstrong>, realizzato tra il 1612 e il 1621 da \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong>, mentre sull'arco si ammira la figura di \u003Cstrong>San Giovanni Evangelista\u003C\u002Fstrong>, con colori intensi e grande teatralità. L’altare maggiore ospita il \u003Cstrong>Martirio di Santa Lucia\u003C\u002Fstrong> (1606) di \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>, tradizionalmente venerata anche da \u003Cstrong>San Bernardino da Siena\u003C\u002Fstrong>. Completano gli ambienti le statue in \u003Cstrong>terracotta policroma \u003C\u002Fstrong>del Quattrocento, raffiguranti Santa Lucia e \u003Cstrong>San Nicola\u003C\u002Fstrong>, i numerosi altari laterali con tele della scuola senese, arredi liturgici, reliquiari e oggetti processionali. Le decorazioni in stucco e le cornici dorate esprimono la ricchezza artistica tipica del Seicento senese, mentre antichi registri, abiti e manoscritti testimoniano la storia della confraternita e la vicinanza alla città.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Festa e tradizione\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Ogni anno il \u003Cstrong>13 dicembre\u003C\u002Fstrong>, giorno della festa di Santa Lucia, la chiesa accoglie migliaia di fedeli. Il momento più atteso è la \u003Cstrong>benedizione degli occhi\u003C\u002Fstrong>, rito che ricorda il significato del nome Lucia, “luce”. Il \u003Cstrong>Pian dei Mantellini\u003C\u002Fstrong> ospita la tradizionale fiera, con le \u003Cstrong>campanine in terracotta\u003C\u002Fstrong> dipinte con i colori delle Contrade e i \u003Cstrong>panini benedetti \u003C\u002Fstrong>distribuiti come segno di protezione e buon auspicio.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Perché visitarla\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Visitare la Chiesa di Santa Lucia significa immergersi in un luogo dove \u003Cstrong>arte, fede e storia\u003C\u002Fstrong> dialogano continuamente. È uno spazio raccolto e suggestivo, capace di far percepire la vita delle confraternite, la devozione popolare e la cultura senese in tutte le sue sfumature. Un luogo dove l’osservazione attenta regala emozioni profonde, e dove ogni dettaglio racconta secoli di identità e tradizione.\u003C\u002Fp>","\u003Cp>Entrando nella \u003Cstrong>Chiesa di Santa Lucia\u003C\u002Fstrong>, ti accompagna la sensazione di vedere attraverso gli occhi della santa: la luce, i dettagli e gli affreschi parlano di fede, protezione e storia della città. Fondata probabilmente già nel XIII secolo, la chiesa assume l’aspetto attuale grazie a una ricostruzione tra la fine del \u003Cstrong>Cinquecento\u003C\u002Fstrong> e l’inizio del \u003Cstrong>Seicento\u003C\u002Fstrong>. È strettamente legata alla \u003Cstrong>Venerabile Confraternita dei Santi Niccolò e Lucia\u003C\u002Fstrong>, attiva dal \u003Cstrong>Medioevo\u003C\u002Fstrong>, e ha rappresentato per secoli un punto di riferimento religioso per famiglie, artigiani e confratelli del quartiere. La devozione a Santa Lucia, protettrice della vista, si concretizza nella \u003Cstrong>tradizione\u003C\u002Fstrong> secondo cui la santa gettò i propri occhi in mare per sfuggire a un pretendente, trasformandoli in gemme simbolo di protezione e buona fortuna.\u003C\u002Fp>","Chiesa di Santa Lucia: arte, devozione e tradizione a Siena","\u003Cdiv>Lasciati guidare dagli occhi di Santa Lucia e scopri affreschi, statue e tradizioni che proteggono e illuminano Siena da secoli.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santa-lucia","\u002Fchiesa-di-santa-lucia",{"@type":1583,"@id":2792,"description":2793,"abstract":2794,"timetable":16,"title":2795,"subtitle":16,"ctaText":2796,"extraInformations":16,"language":2797,"slug":2789,"slugFormatted":2798},"\u002Fapi\u002F.well-known\u002Fgenid\u002F92bc96d5b8aad3329633","\u003Ch2>\u003Cstrong>Art and architecture\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior of the church is a remarkable example of \u003Cstrong>Sienese painting of the 17th century\u003C\u002Fstrong> and preserves the authentic atmosphere of the ancient \u003Cstrong>confraternities\u003C\u002Fstrong> of the city. Dominating the vaults is the \u003Cstrong>Triumph of Santa Lucia\u003C\u002Fstrong>, created between 1612 and 1621 by \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong>, while on the arch one admires the figure of \u003Cstrong>Saint John the Evangelist\u003C\u002Fstrong>, with intense colors and great theatricality. The main altar houses the \u003Cstrong>Martyrdom of Santa Lucia\u003C\u002Fstrong> (1606) by \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>, traditionally venerated also by \u003Cstrong>Saint Bernardino of Siena\u003C\u002Fstrong>. Completing the spaces are the \u003Cstrong>polychrome terracotta\u003C\u002Fstrong> statues from the 15th century, depicting Santa Lucia and \u003Cstrong>Saint Nicholas\u003C\u002Fstrong>, the numerous side altars with canvases from the Sienese school, liturgical furnishings, reliquaries, and processional objects. The stucco decorations and gilded frames express the artistic richness typical of the Sienese 17th century, while ancient registers, garments, and manuscripts testify to the history of the confraternity and its closeness to the city.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Festival and tradition\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Every year on \u003Cstrong>December 13\u003C\u002Fstrong>, the day of the feast of Santa Lucia, the church welcomes thousands of faithful. The most awaited moment is the \u003Cstrong>blessing of the eyes\u003C\u002Fstrong>, a rite that recalls the meaning of the name Lucia, “light.” The \u003Cstrong>Pian dei Mantellini\u003C\u002Fstrong> hosts the traditional fair, with \u003Cstrong>terracotta bells\u003C\u002Fstrong> painted in the colors of the Contrade and the \u003Cstrong>blessed rolls\u003C\u002Fstrong> distributed as a sign of protection and good omen.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Why visit\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Visiting the Church of Santa Lucia means immersing yourself in a place where \u003Cstrong>art, faith, and history\u003C\u002Fstrong> continuously interact. It is a cozy and evocative space, capable of conveying the life of the confraternities, popular devotion, and Sienese culture in all its nuances. A place where careful observation offers deep emotions, and where every detail tells centuries of identity and tradition.\u003C\u002Fp>","\u003Cp>Entering the \u003Cstrong>Church of Santa Lucia\u003C\u002Fstrong>, you are accompanied by the feeling of seeing through the eyes of the saint: the light, the details, and the frescoes speak of faith, protection, and the history of the city. Founded probably as early as the 13th century, the church takes on its current appearance thanks to a reconstruction between the end of the \u003Cstrong>16th century\u003C\u002Fstrong> and the beginning of the \u003Cstrong>17th century\u003C\u002Fstrong>. It is closely linked to the \u003Cstrong>Venerable Confraternity of Saints Niccolò and Lucia\u003C\u002Fstrong>, active since the \u003Cstrong>Middle Ages\u003C\u002Fstrong>, and has represented for centuries a religious reference point for families, artisans, and confreres of the neighborhood. The devotion to Santa Lucia, the protector of sight, is embodied in the \u003Cstrong>tradition\u003C\u002Fstrong> that the saint threw her own eyes into the sea to escape a suitor, transforming them into gems symbolizing protection and good luck.\u003C\u002Fp>","Church of Santa Lucia: art, devotion, and tradition in Siena","\u003Cdiv>Let yourself be guided by the eyes of Santa Lucia and discover frescoes, statues, and traditions that have protected and illuminated Siena for centuries.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-santa-lucia",[],[2801,2805,2809],{"@type":1603,"@id":2802,"translations":2803,"position":1524,"imagePath":2804},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3183c7412ffd7730d384",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-santa-lucia-9-6ac8beee82295820206799.jpg",{"@type":1603,"@id":2806,"translations":2807,"position":1524,"imagePath":2808},"\u002Fapi\u002F.well-known\u002Fgenid\u002F946b40a5f7abdb963217",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-santa-lucia-7-6ac8beee73b5a010040362.jpg",{"@type":1603,"@id":2810,"translations":2811,"position":1524,"imagePath":2812},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff2e30636cd8a43454ea2",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-santa-lucia-4-6ac8beee585f9420676517.jpg",{"@type":1620,"@id":2814,"hashParam":2815},"\u002Fapi\u002F.well-known\u002Fgenid\u002F480cc8e3d0accfecc942","12cf8cafbd07deb11fb13c3f4c137e38a00a08d28b878f3c2568822af5b4920d",[],[],{"@id":2819,"@type":1510,"name":2820,"poiType":2821,"address":2833,"latitude":2834,"longitude":2835,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2836,"translations":2837,"socials":2855,"gallery":2856,"city":1615,"province":1616,"postalCode":1617,"country":1618,"poiPreview":2861,"position":2299,"layout":1624,"otherPoiType":2864,"logoPath":1626,"poiTagsByCategory":2865},"\u002Fapi\u002Fpois\u002F019ecbc5-a762-78c0-9891-98f1eefa91e9","Chiesa di Santo Stefano alla lizza",{"@id":1513,"@type":1514,"id":1515,"translations":2822,"poiCategory":2827},[2823,2825],{"@type":1518,"@id":1519,"name":1448,"backUrl":1449,"language":2824,"slug":1525,"slugFormatted":1526},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1518,"@id":1528,"name":1529,"backUrl":1465,"language":2826,"slug":1465,"slugFormatted":1533},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},{"@id":1535,"@type":1536,"translations":2828},[2829,2831],{"@type":1539,"@id":1540,"name":1541,"language":2830,"slug":1543,"slugFormatted":16},{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},{"@type":1539,"@id":1545,"name":1546,"language":2832,"slug":1548,"slugFormatted":16},{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"Via dei Gazzani","43.32446666652259","11.32720339658734",[],[2838,2847],{"@type":1583,"@id":2839,"description":2840,"abstract":2841,"timetable":16,"title":2842,"subtitle":16,"ctaText":2843,"extraInformations":16,"language":2844,"slug":2845,"slugFormatted":2846},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0201e56ceba9f373dffc","\u003Ch2>Opere e decorazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>All’interno, Santo Stefano ospitava importanti opere, oggi trasferite al \u003Cstrong>Battistero\u003C\u002Fstrong> per ragioni di conservazione. Tra queste figurano la \u003Cstrong>Madonna col Bambino e santi\u003C\u002Fstrong>\u003Cstrong> di Andrea Vanni\u003C\u002Fstrong> con predella di \u003Cstrong>Giovanni di Paolo\u003C\u002Fstrong>, \u003Cstrong>La Visitazione\u003C\u002Fstrong>\u003Cstrong> di Rutilio Manetti\u003C\u002Fstrong> sull’altare destro, la \u003Cstrong>Deposizione di Cristo\u003C\u002Fstrong>\u003Cstrong> di Antonio Buonfigli\u003C\u002Fstrong> nell’abside e la statua in legno di \u003Cstrong>San Bartolomeo\u003C\u002Fstrong>\u003Cstrong>di Guido del Tonghio\u003C\u002Fstrong> sull’altare a sinistra.\u003C\u002Fp>\r\n\r\n\u003Cp>La facciata dell’edificio presenta quattro pilastri in mattoni, una finestra rettangolare ed è coronata da un timpano.\u003C\u002Fp>\r\n\r\n\u003Cp>Per alcuni periodi tra XVIII e XIX secolo, Santo Stefano compare pochissimo negli atti parrocchiali e viene citata più come edificio che come chiesa attiva. Le campane non servivano solo al culto, ma erano strumenti civili per raduni, allarmi e comunicazioni.\u003C\u002Fp>","\u003Cp>Immersa nella storica \u003Cstrong>piazza della Lizza\u003C\u002Fstrong>, la \u003Cstrong>chiesa di Santo Stefano\u003C\u002Fstrong> sorprende per la sua \u003Cstrong>architettura barocca\u003C\u002Fstrong> e la capacità di trasformare musica e silenzi in emozioni che attraversano i secoli.\u003C\u002Fp>\r\n\r\n\u003Cp>Documentata fin dal XII secolo, l’edificio non conserva elementi romanici originali perché fu completamente riedificato tra il 1671 e il 1675 in stile barocco-classicizzante. Prende il nome dalla piazza La Lizza, così chiamata perché nel tardo Cinquecento era usata come campo per \u003Cstrong>tornei \u003C\u002Fstrong>e \u003Cstrong>esercitazioni equestri\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Oggi sconsacrata e non più adibita a funzioni religiose, la chiesa è un\u003Cstrong> auditorium \u003C\u002Fstrong>per \u003Cstrong>concerti\u003C\u002Fstrong> ed è sede principale dell’\u003Cstrong>Italian Opera Siena\u003C\u002Fstrong>. Nonostante non fosse stata concepita per la musica, la pianta, le volte e le superfici spoglie creano una risonanza naturale sorprendente, che avvolge chi ascolta gli spettacoli.\u003C\u002Fp>","Chiesa di Santo Stefano alla Lizza: arte, storia e musica a Siena","\u003Cdiv>Lasciati avvolgere dall’armonia dei secoli, ascolta la storia tra le volte barocche e senti l’eco della musica nascere dai mattoni antichi della Lizza.\u003C\u002Fdiv>",{"@type":1521,"@id":1522,"locale":10,"name":1523,"position":1524},"chiesa-di-santo-stefano-alla-lizza","\u002Fchiesa-di-santo-stefano-alla-lizza",{"@type":1583,"@id":2848,"description":2849,"abstract":2850,"timetable":16,"title":2851,"subtitle":16,"ctaText":2852,"extraInformations":16,"language":2853,"slug":2845,"slugFormatted":2854},"\u002Fapi\u002F.well-known\u002Fgenid\u002F96cca65a765cbc9f9f8b","\u003Ch2>Works and decorations\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside, Santo Stefano housed important works, now transferred to the \u003Cstrong>Baptistery\u003C\u002Fstrong> for conservation reasons. Among these are the \u003Cstrong>Madonna with Child and Saints\u003C\u002Fstrong>\u003Cstrong> by Andrea Vanni\u003C\u002Fstrong> with a predella by \u003Cstrong>Giovanni di Paolo\u003C\u002Fstrong>, \u003Cstrong>The Visitation\u003C\u002Fstrong>\u003Cstrong> by Rutilio Manetti\u003C\u002Fstrong> on the right altar, the \u003Cstrong>Deposition of Christ\u003C\u002Fstrong>\u003Cstrong> by Antonio Buonfigli\u003C\u002Fstrong> in the apse, and the wooden statue of \u003Cstrong>Saint Bartholomew\u003C\u002Fstrong>\u003Cstrong> by Guido del Tonghio\u003C\u002Fstrong> on the left altar.\u003C\u002Fp>\r\n\r\n\u003Cp>The facade of the building features four brick pillars, a rectangular window, and is crowned by a tympanum.\u003C\u002Fp>\r\n\r\n\u003Cp>For some periods between the 18th and 19th centuries, Santo Stefano appears very little in the parish records and is mentioned more as a building than as an active church. The bells were not only used for worship but were civil instruments for gatherings, alarms, and communications.\u003C\u002Fp>","\u003Cp>Set in the historic \u003Cstrong>piazza della Lizza\u003C\u002Fstrong>, the \u003Cstrong>church of Santo Stefano\u003C\u002Fstrong> surprises with its \u003Cstrong>Baroque architecture\u003C\u002Fstrong> and its ability to transform music and silences into emotions that traverse the centuries.\u003C\u002Fp>\r\n\r\n\u003Cp>Documented since the 12th century, the building does not retain original Romanesque elements because it was completely rebuilt between 1671 and 1675 in a Baroque-classical style. It takes its name from the square La Lizza, so called because in the late 16th century it was used as a field for \u003Cstrong>tournaments\u003C\u002Fstrong> and \u003Cstrong>equestrian exercises\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Today deconsecrated and no longer used for religious functions, the church is an \u003Cstrong>auditorium\u003C\u002Fstrong> for \u003Cstrong>concerts\u003C\u002Fstrong> and is the main venue of the \u003Cstrong>Italian Opera Siena\u003C\u002Fstrong>. Although it was not designed for music, the layout, the vaults, and the bare surfaces create a surprising natural resonance that envelops those who listen to the performances.\u003C\u002Fp>","Church of Santo Stefano alla Lizza: art, history, and music in Siena","\u003Cdiv>Let yourself be enveloped by the harmony of the centuries, listen to the history among the Baroque vaults, and feel the echo of music rising from the ancient bricks of La Lizza.\u003C\u002Fdiv>",{"@type":1521,"@id":1531,"locale":1469,"name":1532,"position":116},"\u002Fen\u002Fchiesa-di-santo-stefano-alla-lizza",[],[2857],{"@type":1603,"@id":2858,"translations":2859,"position":1524,"imagePath":2860},"\u002Fapi\u002F.well-known\u002Fgenid\u002F91ecdc93c5a6cec97096",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-santo-stefano-alla-lizza-3-6abf86b39d27e519497260.jpg",{"@type":1620,"@id":2862,"hashParam":2863},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7945f5d2406e2967f338","781f63b8cb18caf0123b704108ea47025b99e4bc7670aa27addb9f38dbe8a5f2",[],[],{"@id":2867,"@type":2868,"first":2867,"last":2869,"next":2869},"\u002Fapi\u002Fpois?itemsPerPage=24&poiType.translations.name%5B%5D=Chiese%20e%20basiliche&page=1","PartialCollectionView","\u002Fapi\u002Fpois?itemsPerPage=24&poiType.translations.name%5B%5D=Chiese%20e%20basiliche&page=2",{"@type":2871,"template":2872,"variableRepresentation":2873,"mapping":2874},"IriTemplate","\u002Fapi\u002Fpois{?poiType.poiCategory,poiType.poiCategory[],poiType,poiType[],poiTag,poiTag[],poiTag.tagCategory,poiTag.tagCategory[],name,translations.slug,translations.slug[],translations.slugFormatted,translations.slugFormatted[],poiType.poiCategory.translations.slug,poiType.poiCategory.translations.slug[],stars,stars[],poiType.translations.name,poiType.translations.name[],poiType.translations.slug,poiType.translations.slug[],poiPreview.hashParam,poiPreview.hashParam[],orderByPosition,orderByName}","BasicRepresentation",[2875,2878,2880,2882,2884,2886,2888,2890,2892,2894,2896,2898,2900,2902,2904,2906,2908,2910,2912,2914,2916,2918,2920,2922,2925],{"@type":2876,"variable":2877,"property":2877,"required":28},"IriTemplateMapping","poiType.poiCategory",{"@type":2876,"variable":2879,"property":2877,"required":28},"poiType.poiCategory[]",{"@type":2876,"variable":2881,"property":2881,"required":28},"poiType",{"@type":2876,"variable":2883,"property":2881,"required":28},"poiType[]",{"@type":2876,"variable":2885,"property":2885,"required":28},"poiTag",{"@type":2876,"variable":2887,"property":2885,"required":28},"poiTag[]",{"@type":2876,"variable":2889,"property":2889,"required":28},"poiTag.tagCategory",{"@type":2876,"variable":2891,"property":2889,"required":28},"poiTag.tagCategory[]",{"@type":2876,"variable":2893,"property":2893,"required":28},"name",{"@type":2876,"variable":2895,"property":2895,"required":28},"translations.slug",{"@type":2876,"variable":2897,"property":2895,"required":28},"translations.slug[]",{"@type":2876,"variable":2899,"property":2899,"required":28},"translations.slugFormatted",{"@type":2876,"variable":2901,"property":2899,"required":28},"translations.slugFormatted[]",{"@type":2876,"variable":2903,"property":2903,"required":28},"poiType.poiCategory.translations.slug",{"@type":2876,"variable":2905,"property":2903,"required":28},"poiType.poiCategory.translations.slug[]",{"@type":2876,"variable":2907,"property":2907,"required":28},"stars",{"@type":2876,"variable":2909,"property":2907,"required":28},"stars[]",{"@type":2876,"variable":2911,"property":2911,"required":28},"poiType.translations.name",{"@type":2876,"variable":2913,"property":2911,"required":28},"poiType.translations.name[]",{"@type":2876,"variable":2915,"property":2915,"required":28},"poiType.translations.slug",{"@type":2876,"variable":2917,"property":2915,"required":28},"poiType.translations.slug[]",{"@type":2876,"variable":2919,"property":2919,"required":28},"poiPreview.hashParam",{"@type":2876,"variable":2921,"property":2919,"required":28},"poiPreview.hashParam[]",{"@type":2876,"variable":2923,"property":2924},"orderByPosition","position",{"@type":2876,"variable":2926,"property":2893},"orderByName"]