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Camollia\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIET&Agrave;:\u003C\u002Fstrong> &quot;Societ&agrave; di Camporegio&quot; - Via di Camporegio, 1\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NOME DEI CONTRADAIOLI:\u003C\u002Fstrong> Dragaioli\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;Il cor che m&#39;arde divien fiamma in bocca&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>STEMMA:\u003C\u002Fstrong> raffigura un drago verde, linguato e armato di unghie e dardi rossi, coronato all&#39;antica con le ali spiegate, tenente nella zampa destra un&#39;asta con pennoncello azzurro recante la lettera &quot;U&quot; d&#39;oro, coronata alla reale su concessione di Umberto I, Re d&#39;Italia, a seguito della sua visita a Siena nel 1887.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORI:\u003C\u002Fstrong> rosa antico e verde con liste gialle\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SIMBOLEGGIA:\u003C\u002Fstrong>&nbsp;l&#39;ardore\u003C\u002Fp>\r\n\r\n\u003Ch2>LUOGHI E RIFERIMENTI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHIESA E ORATORIO:\u003C\u002Fstrong> Chiesa di Santa Caterina al Paradiso (Via del Paradiso), dal 1787\u002F1788 divenne Oratorio della Contrada del Drago\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRONO E FESTA TITOLARE:\u003C\u002Fstrong> Santa Caterina - ultima domenica di Maggio\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEO:\u003C\u002Fstrong> Via del Paradiso\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong> Opera dello scultore Vico Consorti, realizzata nel 1977, porta la scritta: &quot;l&#39;amore di Contrada per l&#39;arte di Vico Consorti affida ai Dragaioli che&hellip;&quot;\u003C\u002Fp>\r\n\r\n\u003Ch2>RELAZIONI E ORGANIZZAZIONE\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RAPPORTI CON ALTRE CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cem>\u003Cstrong>alleate\u003C\u002Fstrong>\u003C\u002Fem>&nbsp;Aquila\u003Cbr \u002F>\r\n\u003Cem>\u003Cstrong>nemiche\u003C\u002Fstrong>\u003C\u002Fem> nessuna\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORAZIONI:\u003C\u002Fstrong> Banchieri\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COMPAGNIE MILITARI:\u003C\u002Fstrong> San Donato ai Montanini e Sant&#39;Egidio\u003C\u002Fp>\r\n\r\n\u003Ch2>STORIA DELLA CONTRADA DEL DRAGO\u003C\u002Fh2>\r\n\r\n\u003Cp>La Contrada del Drago vanta una delle presenze pi&ugrave; antiche tra le contrade senesi. &Egrave; documentata gi&agrave; dal \u003Cstrong>1481\u003C\u002Fstrong> al di fuori della partecipazione a pubblici eventi, e figura tra le prime a comparire sul Campo nelle pubbliche feste: il \u003Cstrong>1&deg; marzo 1494\u003C\u002Fstrong>, insieme a \u003Cstrong>Giraffa\u003C\u002Fstrong>, \u003Cstrong>Chiocciola\u003C\u002Fstrong> e \u003Cstrong>Onda\u003C\u002Fstrong>, partecip&ograve; a una \u003Cstrong>&quot;Pugna&quot;\u003C\u002Fstrong> organizzata in onore del \u003Cstrong>Cardinale di St. Mal&ograve;\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Le origini della sua identit&agrave; sono legate alle antiche \u003Cstrong>cacce ai tori\u003C\u002Fstrong>, alle quali gli appartenenti alla Contrada presero parte con una \u003Cstrong>macchina a foggia di Drago\u003C\u002Fstrong>, guadagnandosi il nome di \u003Cstrong>&quot;gli uomini del Drago&quot;\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Per quanto riguarda la vita interna, fino alla met&agrave; del \u003Cstrong>XVII secolo\u003C\u002Fstrong> i Dragaioli tennero le proprie adunanze in \u003Cstrong>abitazioni private o botteghe del rione\u003C\u002Fstrong>. A partire dal \u003Cstrong>settembre 1650\u003C\u002Fstrong> fu loro concesso di riunirsi presso la \u003Cstrong>cappella della Compagnia Laicale di San Domenico in Camporegio\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La svolta definitiva per la sede della Contrada arriv&ograve; nel \u003Cstrong>1787\u003C\u002Fstrong>, quando il \u003Cstrong>Granduca di Toscana Pietro Leopoldo\u003C\u002Fstrong> don&ograve; ai Dragaioli la \u003Cstrong>chiesa di Santa Caterina\u003C\u002Fstrong> e parte del \u003Cstrong>Convento delle Monache del Paradiso\u003C\u002Fstrong>. La chiesa e il museo sorgono sul \u003Cstrong>Poggio Malavolti\u003C\u002Fstrong>, un poggio che oggi non esiste pi&ugrave; e di cui si va progressivamente perdendo anche il ricordo.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII E RISULTATI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>PALII VINTI:\u003C\u002Fstrong> per la Contrada e riconosciuti 39\u003C\u002Fp>","\u003Cp>Guidata da un antico e indomabile ardore, la \u003Cstrong>Contrada del Drago\u003C\u002Fstrong> vanta origini tra le pi&ugrave; remote nella storia di Siena. Un viaggio affascinante sul colle di Camporegio, dove i colori rosa antico e verde raccontano una fiera tradizione fatta di passione, memoria e leggenda.\u003C\u002Fp>\r\n\r\n\u003Cp>&nbsp;\u003C\u002Fp>","Contrada del Drago",{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},"drago","\u002Fdrago",{"@type":1498,"@id":1507,"description":1508,"abstract":1509,"timetable":16,"title":1502,"subtitle":16,"ctaText":16,"extraInformations":16,"language":1510,"slug":1504,"slugFormatted":1511},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe91d3027290af7695bcf","\u003Ch2>GENERAL INFORMATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>HEADQUARTERS:\u003C\u002Fstrong> Piazza Matteotti, 18 - Terzo di Camollia\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIETY:\u003C\u002Fstrong> &quot;Societ&agrave; di Camporegio&quot; - Via di Camporegio, 1\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NAME OF THE CONTRADA MEMBERS:\u003C\u002Fstrong> Dragaioli\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;The heart that burns within me becomes a flame in my mouth&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COAT OF ARMS:\u003C\u002Fstrong> depicts a green dragon, forked tongue and armed with red claws and darts, crowned in the ancient style with outspread wings, holding in its right claw a staff with a blue pennant bearing the letter &quot;U&quot; in gold, crowned by royal grant from Umberto I, King of Italy, following his visit to Siena in 1887.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORS:\u003C\u002Fstrong> antique pink and green with yellow stripes\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SYMBOLIZES:\u003C\u002Fstrong> ardor\u003C\u002Fp>\r\n\r\n\u003Ch2>PLACES AND REFERENCES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHURCH AND ORATORY:\u003C\u002Fstrong> Church of Santa Caterina al Paradiso (Via del Paradiso), from 1787\u002F1788 became Oratory of the Contrada del Drago\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRON AND TITLE FESTIVAL:\u003C\u002Fstrong> Santa Caterina - last Sunday of May\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEUM:\u003C\u002Fstrong> Via del Paradiso\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong> Work by the sculptor Vico Consorti, created in 1977, bears the inscription: &quot;the love of the Contrada for the art of Vico Consorti entrusts to the Dragaioli who&hellip;&quot;\u003C\u002Fp>\r\n\r\n\u003Ch2>RELATIONS AND ORGANIZATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RELATIONS WITH OTHER CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>allies\u003C\u002Fem>&nbsp;\u003C\u002Fstrong>Aquila\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>enemies\u003C\u002Fem>&nbsp;\u003C\u002Fstrong>none\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORATIONS:\u003C\u002Fstrong> Bankers\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MILITARY COMPANIES:\u003C\u002Fstrong> San Donato ai Montanini and Sant&#39;Egidio\u003C\u002Fp>\r\n\r\n\u003Ch2>HISTORY OF THE CONTRADA DEL DRAGO\u003C\u002Fh2>\r\n\r\n\u003Cp>The Contrada del Drago boasts one of the oldest presences among the Sienese contrade. It is documented as early as \u003Cstrong>1481\u003C\u002Fstrong> outside of participation in public events, and is among the first to appear in the Campo during public festivities: on \u003Cstrong>March 1, 1494\u003C\u002Fstrong>, together with \u003Cstrong>Giraffa\u003C\u002Fstrong>, \u003Cstrong>Chiocciola\u003C\u002Fstrong>, and \u003Cstrong>Onda\u003C\u002Fstrong>, it participated in a \u003Cstrong>&quot;Pugna&quot;\u003C\u002Fstrong> organized in honor of the \u003Cstrong>Cardinal of St. Mal&ograve;\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The origins of its identity are linked to the ancient \u003Cstrong>bull hunts\u003C\u002Fstrong>, in which members of the Contrada participated with a \u003Cstrong>dragon-shaped machine\u003C\u002Fstrong>, earning the name \u003Cstrong>&quot;the men of the Dragon&quot;\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Regarding internal life, until the mid-\u003Cstrong>17th century\u003C\u002Fstrong>, the Dragaioli held their meetings in \u003Cstrong>private homes or shops of the district\u003C\u002Fstrong>. Starting from \u003Cstrong>September 1650\u003C\u002Fstrong>, they were allowed to gather at the \u003Cstrong>chapel of the Lay Company of San Domenico in Camporegio\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The definitive turning point for the headquarters of the Contrada came in \u003Cstrong>1787\u003C\u002Fstrong>, when the \u003Cstrong>Grand Duke of Tuscany Pietro Leopoldo\u003C\u002Fstrong> donated to the Dragaioli the \u003Cstrong>church of Santa Caterina\u003C\u002Fstrong> and part of the \u003Cstrong>Convent of the Nuns of Paradise\u003C\u002Fstrong>. The church and the museum are located on the \u003Cstrong>Poggio Malavolti\u003C\u002Fstrong>, a hill that no longer exists today and of which the memory is gradually fading.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII AND RESULTS\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>WON PALII:\u003C\u002Fstrong> for the Contrada and recognized 39\u003C\u002Fp>","\u003Cp>Guided by an ancient and untamed passion, the\u003Cstrong> Contrada del Drago\u003C\u002Fstrong> boasts some of the oldest origins in Sienese history. A fascinating journey onto the hill of Camporegio, where the antique rose and green colors tell a proud tradition of passion, memory, and 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di Sotto, 86","43.3169633","11.3313620","0577 288086","info@contradadellaquila.com","https:\u002F\u002Fwww.contradadellaquila.com\u002F",[],[1630,1639],{"@type":1498,"@id":1631,"description":1632,"abstract":1633,"timetable":16,"title":1634,"subtitle":16,"ctaText":1635,"extraInformations":16,"language":1636,"slug":1637,"slugFormatted":1638},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe35532a410c9a9e42bdb","\u003Ch2>INFORMAZIONI GENERALI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>SEDE: \u003C\u002Fstrong>Casato di Sotto, 86 - Terzo di Citt&agrave;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIET&Agrave;:\u003C\u002Fstrong> &quot;il Rostro&quot; - Vicolo del Verchione, 6\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NOME DEI CONTRADAIOLI:\u003C\u002Fstrong> Aquilini\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;Unguibus et Rostris - dell&#39;Aquila il rostro, l&#39;ugna e l&#39;ala&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>STEMMA:\u003C\u002Fstrong> scudo d&#39;oro con l&#39;Aquila bicipite nera coronata d&#39;antico e recante nell&#39;artiglio destro lo scettro e la spada e, nel sinistro, il globo imperiale centrale e crociato. Caricata nel petto una rotella d&#39;oro fiammeggiante con le lettere U.I (Umberto 1&deg;) con caratteri maiuscoli romani d&#39;azzurro.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORI:\u003C\u002Fstrong> giallo oro, con inserti neri e azzurri, con al centro l&#39;Aquila imperiale\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SIMBOLEGGIA:\u003C\u002Fstrong> combattivit&agrave;\u003C\u002Fp>\r\n\r\n\u003Ch2>LUOGHI E RIFERIMENTI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHIESA E ORATORIO:\u003C\u002Fstrong> Oratorio di San Giovanni Battista detto &quot;dei Tredicini&quot;, Casato di Sotto\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRONO E FESTA TITOLARE:\u003C\u002Fstrong> SS. Nome di Maria - 12 settembre\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEO:\u003C\u002Fstrong> piano terra del Palazzo cinquecentesco Agazzari-Nastasi, all&#39;angolo tra il Casato di Sotto e la Costa Larga\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong> opera dello scultore Bruno Buracchini (1963), sul basamento il motto &quot;Unguis et Rostris&quot;. Si trova in Piazza Postierla.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELAZIONI E ORGANIZZAZIONE\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RAPPORTI CON ALTRE CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cem>\u003Cstrong>alleate\u003C\u002Fstrong>\u003C\u002Fem>&nbsp;Civetta e Drago\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>nemiche\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Pantera\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORAZIONI:\u003C\u002Fstrong> notai\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COMPAGNIE MILITARI:\u003C\u002Fstrong> San Pietro in Castelvecchio, Casato di Sopra, Aldobrandino del Mancino.\u003C\u002Fp>\r\n\r\n\u003Ch2>STORIA DELLA CONTRADA DELL&#39;AQUILA\u003C\u002Fh2>\r\n\r\n\u003Cp>Le origini della Contrada dell&#39;Aquila affondano nel \u003Cstrong>Medioevo\u003C\u002Fstrong>, legate alla presenza della \u003Cstrong>famiglia Marescotti\u003C\u002Fstrong>, il cui stemma araldico, adottato dalla contrada, raffigurava\u003Cstrong> un&#39;aquila\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Fin dai primi tempi, la contrada partecip&ograve; alle forme pi&ugrave; antiche di \u003Cstrong>giochi e competizioni tra rioni\u003C\u002Fstrong>, che nel corso dei secoli si evolsero nell&#39;odierno Palio di Siena. Nel tempo lo stemma sub&igrave; diversi cambiamenti. Per circa un secolo, dal 1622 al 1718, la contrada non prese parte ai giochi pubblici, scomparendo di fatto dalla scena venendo\u003Cstrong> assorbita dalle contrade vicine\u003C\u002Fstrong>. Fu grazie al cavaliere \u003Cstrong>Giovanni Antonio Pecci\u003C\u002Fstrong> che nel 1718 torn&ograve; in vita, dopo aver chiesto al tribunale di Biccherna di poter partecipare nuovamente al Palio.\u003C\u002Fp>\r\n\r\n\u003Cp>Tra il Settecento e i giorni nostri si sono poi formate e sciolte diverse alleanze. Quanto ai luoghi di riferimento, inizialmente i palii e i ritrovi si tenevano nella chiesa di \u003Cstrong>San Pietro in Castelvecchio\u003C\u002Fstrong>, per passare successivamente alla chiesa dello \u003Cstrong>Spedale di Santa Maria della Scala\u003C\u002Fstrong>. Dal 1788 la contrada ha sede nell&#39;\u003Cstrong>Oratorio dei Tredicini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII E RISULTATI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>PALII VINTI: \u003C\u002Fstrong>30&nbsp;per la Contrada | 25 per il Comune\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICOLARIT&Agrave;\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TITOLO:&nbsp;\u003C\u002Fstrong>La Contrada dell&rsquo;Aquila ha il titolo di \u003Cstrong>&quot;Nobile&quot;\u003C\u002Fstrong> per l&#39;accoglienza data a \u003Cstrong>Carlo V d&#39;Asburgo\u003C\u002Fstrong> (Imperatore del Sacro Romano Impero) in visita a \u003Cstrong>Siena\u003C\u002Fstrong> il \u003Cstrong>24 aprile 1536\u003C\u002Fstrong>. Le fu concesso di inalberare l&#39;\u003Cstrong>Aquila a due teste\u003C\u002Fstrong> simbolo dell&#39;\u003Cstrong>Impero\u003C\u002Fstrong> e l&#39;appellativo di \u003Cstrong>&quot;Nobile&quot;\u003C\u002Fstrong>. In precedenza la Contrada presentava una bandiera con l&#39;\u003Cstrong>Aquila a una sola testa\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>GEMELLAGGI: \u003C\u002Fstrong>L&#39;Aquila e La Valletta (Malta)\u003C\u002Fp>","\u003Cp>Fiera della sua combattivit&agrave; e legata a una prestigiosa eredit&agrave; imperiale, la \u003Cstrong>Nobile Contrada dell&#39;Aquila\u003C\u002Fstrong> racchiude una storia secolare di rinascita e orgoglio. Un viaggio nel cuore del Casato di Sotto, dove i colori giallo oro, nero e azzurro raccontano l&#39;anima indomita del suo popolo.\u003C\u002Fp>\r\n\r\n\u003Cp>&nbsp;\u003C\u002Fp>","Nobile Contrada dell'Aquila","\u003Cdiv>\u003Cstrong>CURIOSITÀ\u003Cbr>\u003C\u002Fstrong>È l'unica contrada ad aver avuto una \u003Cstrong>fantina donna\u003C\u002Fstrong> nel \u003Cstrong>Palio Moderno\u003C\u002Fstrong> (1957, Rosanna Bonelli, soprannominata \"Rompicollo\" o \"Diavola\").\u003Cbr>\u003Cbr>Conserva il \u003Cstrong>drappellone più antico\u003C\u002Fstrong> tuttora conservato a Siena (02\u002F07\u002F1719).\u003Cbr>\u003Cbr>\u003C\u002Fdiv>",{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},"aquila","\u002Faquila",{"@type":1498,"@id":1640,"description":1641,"abstract":1642,"timetable":16,"title":1634,"subtitle":16,"ctaText":1643,"extraInformations":16,"language":1644,"slug":1637,"slugFormatted":1645},"\u002Fapi\u002F.well-known\u002Fgenid\u002F06dcd0eb9b434773cff1","\u003Ch2>GENERAL INFORMATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>HEADQUARTERS:\u003C\u002Fstrong> Casato di Sotto, 86 - Terzo di Citt&agrave;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIETY:\u003C\u002Fstrong> &quot;il Rostro&quot; - Vicolo del Verchione, 6\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NAME OF THE CONTRADA MEMBERS:\u003C\u002Fstrong> Aquilini\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;Unguibus et Rostris - Of the Eagle the beak, the claw and the wing&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COAT OF ARMS:\u003C\u002Fstrong> golden shield with the black bicephalous Eagle crowned in ancient style and holding in the right claw the scepter and the sword and, in the left, the imperial globe central and crossed. Charged on the chest is a flaming golden shield with the letters U.I (Umberto 1&deg;) in uppercase Roman characters of blue.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORS:\u003C\u002Fstrong> gold yellow, with black and blue inserts, with the imperial Eagle in the center\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SYMBOLIZES:\u003C\u002Fstrong> combativeness\u003C\u002Fp>\r\n\r\n\u003Ch2>PLACES AND REFERENCES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHURCH AND ORATORY:\u003C\u002Fstrong> Oratory of San Giovanni Battista known as &quot;dei Tredicini&quot;, Casato di Sotto\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRON AND TITLE FESTIVAL:\u003C\u002Fstrong>&nbsp;SS. Name of Mary - September 12\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEUM:\u003C\u002Fstrong> ground floor of the 16th-century Palazzo Agazzari-Nastasi, at the corner between Casato di Sotto and Costa Larga\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong> work by the sculptor Bruno Buracchini (1963), on the base the motto &quot;Unguis et Rostris&quot;. It&#39;s located in Piazza Postierla.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELATIONS AND ORGANIZATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RELATIONS WITH OTHER CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cem>\u003Cstrong>allies\u003C\u002Fstrong>\u003C\u002Fem> Civetta and Drago\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>enemies\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Pantera\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORATIONS:\u003C\u002Fstrong> notaries\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MILITARY COMPANIES:\u003C\u002Fstrong> San Pietro in Castelvecchio, Casato di Sopra, Aldobrandino del Mancino.\u003C\u002Fp>\r\n\r\n\u003Ch2>HISTORY OF THE DISTRICT OF THE EAGLE\u003C\u002Fh2>\r\n\r\n\u003Cp>The origins of the District of the Eagle date back to the \u003Cstrong>Middle Ages\u003C\u002Fstrong>, linked to the presence of the \u003Cstrong>Marescotti family\u003C\u002Fstrong>, whose heraldic coat of arms, adopted by the district, depicted an \u003Cstrong>eagle\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>From the earliest times, the district participated in the oldest forms of \u003Cstrong>games and competitions between districts\u003C\u002Fstrong>, which over the centuries evolved into the current Palio di Siena. Over time, the coat of arms underwent several changes. For about a century, from 1622 to 1718, the district did not participate in public games, effectively disappearing from the scene as it was absorbed by neighboring districts. It was thanks to the knight \u003Cstrong>Giovanni Antonio Pecci\u003C\u002Fstrong> that in 1718 it came back to life, after asking the tribunal of Biccherna to be allowed to participate again in the Palio.\u003C\u002Fp>\r\n\r\n\u003Cp>Between the 18th century and the present day, various alliances have been formed and dissolved. As for reference places, initially the palii and gatherings were held in the church of \u003Cstrong>San Pietro in Castelvecchio\u003C\u002Fstrong>, later moving to the church of the \u003Cstrong>Hospital of Santa Maria della Scala\u003C\u002Fstrong>. Since 1788, the district has been based in the \u003Cstrong>Oratory of the Tredicini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII AND RESULTS\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>WON PALII:\u003C\u002Fstrong>&nbsp;30&nbsp;for the Contrada | 25&nbsp;for the Municipality\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICULARITIES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TITLE:&nbsp;\u003C\u002Fstrong>The Contreada of the Eagle has the title of \u003Cstrong>&quot;Noble&quot;\u003C\u002Fstrong> for the welcome given to \u003Cstrong>Charles V of Habsburg\u003C\u002Fstrong> (Emperor of the Holy Roman Empire) during his visit to \u003Cstrong>Siena\u003C\u002Fstrong> on \u003Cstrong>April 24, 1536\u003C\u002Fstrong>. It was granted the right to fly the \u003Cstrong>two-headed Eagle\u003C\u002Fstrong> symbol of the \u003Cstrong>Empire\u003C\u002Fstrong> and the title of \u003Cstrong>&quot;Noble&quot;\u003C\u002Fstrong>. Previously, the District had a flag with the \u003Cstrong>one-headed Eagle\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>TWINNINGS:\u003C\u002Fstrong>&nbsp;L&#39;Aquila and Valletta (Malta)\u003C\u002Fp>","\u003Cp>Proud of its fighting spirit and bound to a prestigious imperial heritage, the \u003Cstrong>Nobile Contrada dell&#39;Aquila\u003C\u002Fstrong> embodies a centuries-old history of rebirth and pride. A journey into the heart of Casato di Sotto, where the golden yellow, black, and blue colors tell the untamed soul of its people.\u003C\u002Fp>","\u003Cdiv>\u003Cstrong>CURIOSITIES\u003Cbr>\u003C\u002Fstrong>It is the only district to have had a \u003Cstrong>female jockey\u003C\u002Fstrong> in the \u003Cstrong>Modern Palio\u003C\u002Fstrong> (1957, Rosanna Bonelli, nicknamed \"Rompicollo\" or \"Diavola\").\u003Cbr>\u003Cbr>It preserves the \u003Cstrong>oldest drappellone\u003C\u002Fstrong> still kept in Siena (07\u002F02\u002F1719)\u003C\u002Fdiv>",{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"\u002Fen\u002Faquila",[],[1648],{"@type":1515,"@id":1649,"translations":1650,"position":1466,"imagePath":1651},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5619c0bc475064a7563c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Faquila-6adb80b11012b916552194.jpg",{"@type":1524,"@id":1653,"hashParam":1654},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2b9b91d96a4dd192237e","ed340f995eb9284a073063341355e8a3b062098e35a537029cbe83c5562d6651",[],[],{"@id":1658,"@type":1450,"name":1659,"poiType":1660,"address":1672,"latitude":1673,"longitude":1674,"phone":1675,"mobile":16,"email":1676,"website":1677,"stars":16,"poiTag":1678,"translations":1679,"socials":1696,"gallery":1697,"city":1519,"province":1520,"postalCode":1521,"country":1522,"poiPreview":1702,"position":1705,"layout":1528,"otherPoiType":1706,"logoPath":1530,"poiTagsByCategory":1707},"\u002Fapi\u002Fpois\u002F019e6ee7-ef8b-70e8-8839-999e6e802421","Bruco",{"@id":1453,"@type":1454,"id":1455,"translations":1661,"poiCategory":1666},[1662,1664],{"@type":1458,"@id":1609,"name":1460,"backUrl":1461,"language":1663,"slug":1461,"slugFormatted":1467},{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},{"@type":1458,"@id":1612,"name":1460,"backUrl":1461,"language":1665,"slug":1461,"slugFormatted":1474},{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},{"@id":1476,"@type":1477,"translations":1667},[1668,1670],{"@type":1480,"@id":1617,"name":1482,"language":1669,"slug":1484,"slugFormatted":16},{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},{"@type":1480,"@id":1620,"name":1487,"language":1671,"slug":1489,"slugFormatted":16},{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"Via del Comune, 44","43.3229136","11.3330507","0577 286021","segreteria@nobilcontradadelbruco.it","https:\u002F\u002Fwww.nobilcontradadelbruco.it\u002F",[],[1680,1689],{"@type":1498,"@id":1681,"description":1682,"abstract":1683,"timetable":16,"title":1684,"subtitle":16,"ctaText":1685,"extraInformations":16,"language":1686,"slug":1687,"slugFormatted":1688},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa08420dcc8fc86205a36","\u003Ch2>INFORMAZIONI GENERALI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>SEDE:\u003C\u002Fstrong> Via del Comune, 44 - Terzo di Camollia\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIET&Agrave;:\u003C\u002Fstrong> &quot;L&#39;Alba&quot; - Via del Comune, 44\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NOME DEI CONTRADAIOLI:\u003C\u002Fstrong> Brucaioli\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;Nella pugna sii altera nobile contrada dalla gente fiera&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>STEMMA:\u003C\u002Fstrong> un Bruco incoronato alla Granducale, striscia su di un ramoscello al naturale, fogliato di verde e illeggiadrito da un bocciolo di rosa. Fu scelto a ricordo dei setaioli e dei lanieri che abitavano le Coste d&#39;Ovile.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORI:\u003C\u002Fstrong> gialla e verde in parti uguali listata o arabescata di azzurro\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SIMBOLEGGIA:\u003C\u002Fstrong> industriosit&agrave;\u003C\u002Fp>\r\n\r\n\u003Ch2>LUOGHI E RIFERIMENTI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHIESA E ORATORIO:\u003C\u002Fstrong> Chiesa e Oratorio del Santissimo Nome di Ges&ugrave;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRONO E FESTA TITOLARE:\u003C\u002Fstrong> Visitazione di Maria Vergine a Santa Elisabetta, la ricorrenza &egrave; il 2 Luglio ma la festa viene celebrata la seconda domenica di Luglio\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEO:\u003C\u002Fstrong> Via del Comune, 30\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong>&nbsp;realizzata nel 1978 da Lorenzo Borgogni, ne fa parte una scultura di Angelo Canevari che ritrae Barbicone, il leggendario capopopolo del Bruco, situata davanti al sommo del Vicolo degli Orbachi.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELAZIONI E ORGANIZZAZIONE\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RAPPORTI CON ALTRE CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>alleate\u003C\u002Fem>\u003C\u002Fstrong> Istrice, Nicchio e Torre\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>nemiche\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Nessuna\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORAZIONI:\u003C\u002Fstrong> setaioli\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COMPAGNIE MILITARI:\u003C\u002Fstrong> San Pietro a Ovile di Sotto\u003C\u002Fp>\r\n\r\n\u003Ch2>STORIA DELLA CONTRADA DEL BRUCO\u003C\u002Fh2>\r\n\r\n\u003Cp>Le origini del Bruco sono strettamente legate alla\u003Cstrong> divisione amministrativa\u003C\u002Fstrong> voluta dal Comune di Siena, che scelse di scindere il territorio della parrocchia di San Pietro in due distinte circoscrizioni: \u003Cstrong>San Pietro a Ovile di sopra \u003C\u002Fstrong>e \u003Cstrong>San Pietro a Ovile di sotto\u003C\u002Fstrong>. Da questa separazione nacquero due contrade distinte, quella della Giraffa e quella del Bruco.\u003C\u002Fp>\r\n\r\n\u003Cp>Il rione d&#39;Ovile, abitato per lo pi&ugrave; da battilana e lavoratori della lana, era un quartiere \u003Cstrong>vivace e partecipe\u003C\u002Fstrong> della vita pubblica cittadina. Nel corso del XVI secolo i suoi popolani si distinsero per la frequente partecipazione a caccie e giostre, promuovendo feste che spesso si concludevano con un palio, talvolta corso persino con i somari.\u003C\u002Fp>\r\n\r\n\u003Cp>La contrada dimostr&ograve; fin da subito una solida organizzazione interna: gi&agrave; nel 1542 si era \u003Cstrong>dotata di un proprio Statuto\u003C\u002Fstrong> che ne regolava\u003Cstrong> l&#39;attivit&agrave; e la vita comunitaria\u003C\u002Fstrong>. Le adunanze si tenevano nella chiesa di San Biagio nel piano d&#39;Ovile, un luogo di riferimento per la comunit&agrave; che fu poi demolito alla fine del XVIII secolo.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII E RISULTATI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>PALII VINTI:\u003C\u002Fstrong> 41 per la Contrada | 37 per il Comune\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICOLARIT&Agrave;\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TITOLO: \u003C\u002Fstrong>Si fregia del titolo di \u003Cstrong>&quot;Nobile&quot;\u003C\u002Fstrong> per le benemerenze acquisite in difesa degli \u003Cstrong>ideali popolari\u003C\u002Fstrong> che ispirarono l&#39;antica Repubblica di Siena. In particolare per la partecipazione delle sue genti allo scontro avvenuto nel gennaio 1369 alla \u003Cstrong>Croce del Travaglio\u003C\u002Fstrong> e conseguente sconfitta delle milizie dell&#39;\u003Cstrong>Imperatore Carlo IV di Boemia\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Fiera, industriosa e orgogliosa delle proprie radici popolari, la \u003Cstrong>Nobil Contrada del Bruco\u003C\u002Fstrong> custodisce una storia secolare di indipendenza e passione. Un viaggio nel cuore del rione d&#39;Ovile, dove l&#39;anima della sua gente si fonde con i colori giallo e verde per raccontare la tradizione pi&ugrave; autentica di Siena.\u003C\u002Fp>","Nobil Contrada del Bruco","\u003Cdiv>\u003Cstrong>CURIOSITÀ\u003Cbr>\u003C\u002Fstrong>Nel 1972 fece correre il primo \u003Cstrong>fantino straniero\u003C\u002Fstrong> (Takele, ribattezzato \"Perè Golon\" detto Alì, che si trovava a Siena come venditore ambulante).\u003Cbr>\u003Cbr>Il \u003Cstrong>giornale della contrada\u003C\u002Fstrong> deve il nome al \u003Cstrong>sarto\u003C\u002Fstrong> che nel 1371 guidò i lavoratori senesi in una rivolta contro il governo, Barbicone.\u003C\u002Fdiv>",{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},"bruco","\u002Fbruco",{"@type":1498,"@id":1690,"description":1691,"abstract":1692,"timetable":16,"title":1684,"subtitle":16,"ctaText":1693,"extraInformations":16,"language":1694,"slug":1687,"slugFormatted":1695},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa5f6e0497a8a0af8a3f8","\u003Ch2>GENERAL INFORMATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>HEADQUARTERS:\u003C\u002Fstrong> Via del Comune, 44 - Terzo di Camollia\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIETY:\u003C\u002Fstrong> &quot;L&#39;Alba&quot; - Via del Comune, 44\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NAME OF THE CONTRADA MEMBERS:\u003C\u002Fstrong> Brucaioli\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;In the struggle, a noble contrada is altered by proud people&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COAT OF ARMS:\u003C\u002Fstrong> a Caterpillar crowned in the Grand Ducal style, striped on a natural branch, leafed in green and adorned with a rose bud. It was chosen in memory of the silk workers and wool workers who lived in the Coste d&#39;Ovile.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORS:\u003C\u002Fstrong> yellow and green in equal parts striped or arabesqued with light blue\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SYMBOLIZES:\u003C\u002Fstrong> diligence\u003C\u002Fp>\r\n\r\n\u003Ch2>PLACES AND REFERENCES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHURCH AND ORATORY:\u003C\u002Fstrong> Church and Oratory of the Most Holy Name of Jesus\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRON AND TITLE FESTIVAL:\u003C\u002Fstrong>&nbsp;Visitation of the Virgin Mary to Saint Elizabeth, the anniversary is on July 2 but the feast is celebrated on the second Sunday of July\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEUM:\u003C\u002Fstrong> Via del Comune, 30\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FOUNTAIN:\u003C\u002Fstrong>&nbsp;created in 1978 by Lorenzo Borgogni, it includes a sculpture by Angelo Canevari depicting Barbicone, the legendary leader of the Bruco, located in front of the top of Vicolo degli Orbachi.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELATIONS AND ORGANIZATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RELATIONS WITH OTHER CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>allies\u003C\u002Fem>\u003C\u002Fstrong> Istrice, Nicchio and Torre\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>enemies\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;None\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORATIONS:\u003C\u002Fstrong> silk workers\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MILITARY COMPANIES:\u003C\u002Fstrong> San Pietro a Ovile di Sotto\u003C\u002Fp>\r\n\r\n\u003Ch2>HISTORY OF THE CONTRADA DEL BRUCO\u003C\u002Fh2>\r\n\r\n\u003Cp>The origins of the Bruco are closely linked to the\u003Cstrong> administrative division\u003C\u002Fstrong> desired by the Municipality of Siena, which chose to split the territory of the parish of San Pietro into two distinct districts: \u003Cstrong>San Pietro a Ovile di sopra \u003C\u002Fstrong>and \u003Cstrong>San Pietro a Ovile di sotto\u003C\u002Fstrong>. From this separation, two distinct contrade were born, that of the Giraffa and that of the Bruco.\u003C\u002Fp>\r\n\r\n\u003Cp>The district of Ovile, mostly inhabited by battilana and wool workers, was a \u003Cstrong>lively neighborhood\u003C\u002Fstrong> participating in the public life of the city. During the 16th century, its inhabitants distinguished themselves by frequently participating in hunts and jousts, promoting festivities that often concluded with a palio, sometimes even raced with donkeys.\u003C\u002Fp>\r\n\r\n\u003Cp>The contrada immediately demonstrated a solid internal organization: as early as 1542, it had established \u003Cstrong>its own Statute\u003C\u002Fstrong> regulating its\u003Cstrong> activities and community life\u003C\u002Fstrong>. Meetings were held in the church of San Biagio in the plain of Ovile, a reference point for the community that was later demolished at the end of the 18th century.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII AND RESULTS\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>PALII WON:\u003C\u002Fstrong> 41 for the Contrada | 37 for the Municipality\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICULARITIES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TITLE:\u003C\u002Fstrong> It bears the title of \u003Cstrong>&quot;Noble&quot;\u003C\u002Fstrong> for the merits acquired in defense of the \u003Cstrong>popular ideals\u003C\u002Fstrong> that inspired the ancient Republic of Siena. In particular for the participation of its people in the clash that took place in January 1369 at the \u003Cstrong>Cross of Labor\u003C\u002Fstrong> and the consequent defeat of the troops of \u003Cstrong>Emperor Charles IV of Bohemia\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Fierce, industrious, and proud of its working-class roots, the \u003Cstrong>Nobil Contrada del Bruco\u003C\u002Fstrong> safeguards a centuries-old history of independence and passion. A journey into the heart of the Ovile district, where the spirit of its people blends with the yellow and green colors of Siena&#39;s most authentic tradition.\u003C\u002Fp>","\u003Cdiv>\u003Cstrong>CURIOSITIES\u003Cbr>\u003C\u002Fstrong>In 1972, it ran the first \u003Cstrong>foreign jockey \u003C\u002Fstrong>(Takele, nicknamed \"Perè Golon\" known as Ali, who was in Siena as a street vendor).\u003Cbr>\u003Cbr>The \u003Cstrong>periodical of the contrada\u003C\u002Fstrong> is named after the \u003Cstrong>tailor\u003C\u002Fstrong> who in 1371 led the Sienese workers in a revolt against the government, Barbicone.\u003C\u002Fdiv>",{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"\u002Fen\u002Fbruco",[],[1698],{"@type":1515,"@id":1699,"translations":1700,"position":1466,"imagePath":1701},"\u002Fapi\u002F.well-known\u002Fgenid\u002F43a5b2d1a62c88de9766",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbruco2-6adb80cdf3535824639682.jpg",{"@type":1524,"@id":1703,"hashParam":1704},"\u002Fapi\u002F.well-known\u002Fgenid\u002F024aff237adf48e9ad62","3e305cb342704e33b21ba3464c2c45f9f4592c39bd7d64344a3fc49aec41d9ef",16,[],[],{"@id":1709,"@type":1450,"name":1710,"poiType":1711,"address":1723,"latitude":1724,"longitude":1725,"phone":1726,"mobile":16,"email":1727,"website":1728,"stars":16,"poiTag":1729,"translations":1730,"socials":1747,"gallery":1748,"city":1519,"province":1520,"postalCode":1521,"country":1522,"poiPreview":1753,"position":1756,"layout":1528,"otherPoiType":1757,"logoPath":1530,"poiTagsByCategory":1758},"\u002Fapi\u002Fpois\u002F019e6ef3-150c-7dd4-9245-7de41df27c5a","Chiocciola",{"@id":1453,"@type":1454,"id":1455,"translations":1712,"poiCategory":1717},[1713,1715],{"@type":1458,"@id":1609,"name":1460,"backUrl":1461,"language":1714,"slug":1461,"slugFormatted":1467},{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},{"@type":1458,"@id":1612,"name":1460,"backUrl":1461,"language":1716,"slug":1461,"slugFormatted":1474},{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},{"@id":1476,"@type":1477,"translations":1718},[1719,1721],{"@type":1480,"@id":1617,"name":1482,"language":1720,"slug":1484,"slugFormatted":16},{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},{"@type":1480,"@id":1620,"name":1487,"language":1722,"slug":1489,"slugFormatted":16},{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"Via San Marco, 31","43.3123374","11.3264852","0577 45455","cancelleria@contradadellachiocciola.it","https:\u002F\u002Fwww.contradadellachiocciola.it\u002F",[],[1731,1740],{"@type":1498,"@id":1732,"description":1733,"abstract":1734,"timetable":16,"title":1735,"subtitle":16,"ctaText":1736,"extraInformations":16,"language":1737,"slug":1738,"slugFormatted":1739},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6aa97a538381d01faf8f","\u003Ch2>INFORMAZIONI GENERALI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>SEDE:\u003C\u002Fstrong> Via San Marco, 31 - Terzo di Citt&agrave;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIET&Agrave;:\u003C\u002Fstrong> &quot;San Marco&quot; - Via San Marco, 77\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NOME DEI CONTRADAIOLI:\u003C\u002Fstrong> Chiocciolini\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;Con lento passo e grave, nel Campo a trionfar Chiocciola scende&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>STEMMA: \u003C\u002Fstrong>di bianco, alla Chiocciola passante, seminato di rose di Cipro partite di bianco e di rosso, alternate dalle lettere romane &ldquo;U&rdquo; e &ldquo;M&rdquo; di azzurro.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORI:\u003C\u002Fstrong>&nbsp;giallo e rosso in parti uguali con liste azzurre\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SIMBOLEGGIA:\u003C\u002Fstrong> prudenza\u003C\u002Fp>\r\n\r\n\u003Ch2>LUOGHI E RIFERIMENTI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHIESA E ORATORIO:\u003C\u002Fstrong> Chiesa dei Santi Pietro e Paolo\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRONO E FESTA TITOLARE:\u003C\u002Fstrong> Santi Apostoli Pietro e Paolo - 29 giugno\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEO:\u003C\u002Fstrong> Via San Marco, 31\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong>&nbsp;opera dello scultore Fulvio Corsini, fu la prima ad essere installata nel 1947. Sul basamento la scritta augurale: &quot;Quando alla Chiocciola vittoria arrider&agrave; questa fontana buon vino getter&agrave;&quot;. Si trova davanti all&#39;Oratorio della Contrada.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELAZIONI E ORGANIZZAZIONE\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RAPPORTI CON ALTRE CONTRADE:\u003Cbr \u002F>\r\n\u003Cem>alleate\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Istrice, Pantera, Selva\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>nemiche\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Tartuca\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORAZIONI:\u003C\u002Fstrong>&nbsp;cuoiai\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COMPAGNIE MILITARI:\u003C\u002Fstrong> San Marco, San Quirico, Monistero\u003C\u002Fp>\r\n\r\n\u003Ch2>STORIA DELLA CONTRADA DELLA CHIOCCIOLA\u003C\u002Fh2>\r\n\r\n\u003Cp>La Contrada della Chiocciola &egrave;\u003Cstrong> tra le pi&ugrave; antiche\u003C\u002Fstrong> di Siena, una leggenda fa risalire il simbolo della chiocciola addirittura all&#39;\u003Cstrong>epoca etrusca\u003C\u002Fstrong>, sostenendo che gli antichi abitanti della zona attribuissero a questo animale un significato religioso particolare.\u003C\u002Fp>\r\n\r\n\u003Cp>Il primo riferimento storico documentato risale al&nbsp;1466, quando gli abitanti del \u003Cstrong>borgo di San Marco\u003C\u002Fstrong> donarono alcune propriet&agrave; al Monastero di Santa Marta, dimostrando che la Contrada possedeva gi&agrave; beni propri. Una data fondamentale &egrave; il&nbsp;1482, quando la Chiocciola e la Giraffa costruirono, durante un \u003Cstrong>Gioco delle Pugna\u003C\u002Fstrong>, due carri lignei raffiguranti i propri animali simbolo. &Egrave; la prima testimonianza documentata delle contrade associate ai loro nomi e simboli attuali.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII E RISULTATI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>PALII VINTI:&nbsp;\u003C\u002Fstrong>54 per la Contrada | 51 per il Comune\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICOLARIT&Agrave;\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>GEMELLAGGI: \u003C\u002Fstrong>Venezia\u003C\u002Fp>","\u003Cp>Tra le pi&ugrave; antiche di Siena e guidata dal valore della prudenza, la \u003Cstrong>Contrada della Chiocciola \u003C\u002Fstrong>custodisce una storia leggendaria e un profondo senso identitario. Un viaggio suggestivo nel rione di San Marco, dove i colori rosso e giallo raccontano un&#39;epopea di antiche radici e storici trionfi sul Campo.\u003C\u002Fp>\r\n\r\n\u003Cp>&nbsp;\u003C\u002Fp>","Contrada della Chiocciola","\u003Cdiv>\u003Cstrong>CURIOSITÀ\u003C\u002Fstrong>\u003Cbr>Nel corso dei secoli la Chiocciola incorporò la scomparsa \u003Cstrong>Contrada della Quercia\u003C\u002Fstrong> e il bando della Principessa Violante di Baviera ne fissò i confini definitivi a Porta San Marco. \u003Cbr>\u003Cbr>Un segno tangibile dei legami intessuti dalla contrada nel tempo è il \u003Cstrong>leone in travertino\u003C\u002Fstrong> collocato in cima a Via San Marco, posto lì nel 1954 in occasione del \u003Cstrong>gemellaggio\u003C\u002Fstrong> con la \u003Cstrong>città di Venezia\u003C\u002Fstrong>.&nbsp;\u003C\u002Fdiv>",{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},"chiocciola","\u002Fchiocciola",{"@type":1498,"@id":1741,"description":1742,"abstract":1743,"timetable":16,"title":1735,"subtitle":16,"ctaText":1744,"extraInformations":16,"language":1745,"slug":1738,"slugFormatted":1746},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6ee8d4c68eea8f305a3a","\u003Ch2>GENERAL INFORMATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>HEADQUARTERS:\u003C\u002Fstrong> Via San Marco, 31 - Terzo di Citt&agrave;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIETY:\u003C\u002Fstrong> &quot;San Marco&quot; - Via San Marco, 77\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NAME OF THE CONTRADA MEMBERS:\u003C\u002Fstrong>&nbsp;Chiocciolini\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;With slow step and solemn in the field, Chiocciola descends to triumph.&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COAT OF ARMS:\u003C\u002Fstrong> of silver, seeded with the letters U and M of blue (Umberto I and Margherita of Savoy), alternated by roses of Cyprus parted in red and white, snail in its natural state passing on green mantle.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORS: \u003C\u002Fstrong>white, featuring a snail in motion, decorated with Cypriot roses in shades of white and red, alternating with the Roman letters &ldquo;U&rdquo; and &ldquo;M&rdquo; in light blue.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SYMBOLIZES:\u003C\u002Fstrong> prudence\u003C\u002Fp>\r\n\r\n\u003Ch2>PLACES AND REFERENCES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHURCH AND ORATORY:\u003C\u002Fstrong> Church of Saints Peter and Paul\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRON AND TITLE FESTIVAL:\u003C\u002Fstrong> Saints Apostles Peter and Paul - June 29\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEUM:\u003C\u002Fstrong> Via San Marco, 31\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FOUNTAIN:\u003C\u002Fstrong>&nbsp;work of the sculptor Fulvio Corsini, it was the first to be installed in 1947. On the base the congratulatory inscription: &quot;When victory smiles upon the Chiocciola, this fountain will pour good wine.&quot; It is located in front of the Oratory of the Contrada.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELATIONS AND ORGANIZATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RELATIONS WITH OTHER CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>allies\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Istrice, Pantera, Selva\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>enemies\u003C\u002Fem>\u003C\u002Fstrong>&nbsp;Tartuca\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORATIONS:\u003C\u002Fstrong> Leatherworkers\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MILITARY COMPANIES:\u003C\u002Fstrong> San Marco, San Quirico, Monistero\u003C\u002Fp>\r\n\r\n\u003Ch2>HISTORY OF THE CONTRADA DELLA CHIOCCIOLA\u003C\u002Fh2>\r\n\r\n\u003Cp>The Contrada della Chiocciola is \u003Cstrong>one of the oldest\u003C\u002Fstrong> in Siena. According to legend, the snail symbol dates back to \u003Cstrong>Etruscan times\u003C\u002Fstrong>, when the ancient inhabitants of the area are said to have attributed a particular religious significance to this animal.\u003C\u002Fp>\r\n\r\n\u003Cp>The first documented historical reference dates back to 1466, when the residents of the \u003Cstrong>village of San Marco\u003C\u002Fstrong> donated several properties to the Monastery of Santa Marta, demonstrating that the Contrada already owned property of its own.\u003Cbr \u002F>\r\nA key date is 1482, when the Chiocciola and the Giraffa built two wooden carts depicting their respective symbolic animals during a \u003Cstrong>Gioco delle Pugna\u003C\u002Fstrong>. This is considered the first documented evidence of the contrade being associated with their current names and animal symbols.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII AND RESULTS\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>WON PALII:\u003C\u002Fstrong>&nbsp;54 for the Contrada | 51 for the Municipality\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICULARITIES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TWINNINGS: \u003C\u002Fstrong>Venice\u003C\u002Fp>","\u003Cp>Among the oldest in Siena and guided by the value of prudence, the\u003Cstrong> Contrada del Chiocciola\u003C\u002Fstrong> safeguards a legendary history and a deep sense of identity. An evocative journey through the San Marco district, where the red and yellow colors tell an epic of ancient roots and historic triumphs on the Campo.\u003C\u002Fp>","\u003Cdiv>\u003Cstrong>CURIOSITIES\u003Cbr>\u003C\u002Fstrong>Over the centuries, the Chiocciola absorbed the now-defunct \u003Cstrong>Contrada della Quercia\u003C\u002Fstrong>. A decree issued by Princess Violante of Bavaria later established its definitive boundaries at Porta San Marco.\u003Cbr>\u003Cbr>A tangible symbol of the bonds forged by the Contrada over time is the \u003Cstrong>travertine lion \u003C\u002Fstrong>at the top of Via San Marco. It was placed there in 1954 to commemorate the \u003Cstrong>twinning \u003C\u002Fstrong>with the \u003Cstrong>city of Venice\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"\u002Fen\u002Fchiocciola",[],[1749],{"@type":1515,"@id":1750,"translations":1751,"position":1466,"imagePath":1752},"\u002Fapi\u002F.well-known\u002Fgenid\u002F63cc4f52afc0b64dab79",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiocciola-6adb80e08a196970979822.jpg",{"@type":1524,"@id":1754,"hashParam":1755},"\u002Fapi\u002F.well-known\u002Fgenid\u002F230f46c3710dbf435643","b65e0d020f62409306561b92123c028ba50ed566fc678257a5afdb0cc40d0df1",15,[],[],{"@id":1760,"@type":1450,"name":1761,"poiType":1762,"address":1774,"latitude":1775,"longitude":1776,"phone":16,"mobile":16,"email":1777,"website":1778,"stars":16,"poiTag":1779,"translations":1780,"socials":1797,"gallery":1798,"city":1519,"province":1520,"postalCode":1521,"country":1522,"poiPreview":1803,"position":1806,"layout":1528,"otherPoiType":1807,"logoPath":1530,"poiTagsByCategory":1808},"\u002Fapi\u002Fpois\u002F019e6f5d-37bc-7f2c-b240-6eb3d7335503","Civetta",{"@id":1453,"@type":1454,"id":1455,"translations":1763,"poiCategory":1768},[1764,1766],{"@type":1458,"@id":1609,"name":1460,"backUrl":1461,"language":1765,"slug":1461,"slugFormatted":1467},{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},{"@type":1458,"@id":1612,"name":1460,"backUrl":1461,"language":1767,"slug":1461,"slugFormatted":1474},{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},{"@id":1476,"@type":1477,"translations":1769},[1770,1772],{"@type":1480,"@id":1617,"name":1482,"language":1771,"slug":1484,"slugFormatted":16},{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},{"@type":1480,"@id":1620,"name":1487,"language":1773,"slug":1489,"slugFormatted":16},{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"Via Cecco Angiolieri, 16","43.3198208","11.3320931","cancelleria@contradadellacivetta.it","https:\u002F\u002Fwww.contradadellacivetta.it\u002F",[],[1781,1790],{"@type":1498,"@id":1782,"description":1783,"abstract":1784,"timetable":16,"title":1785,"subtitle":16,"ctaText":1786,"extraInformations":16,"language":1787,"slug":1788,"slugFormatted":1789},"\u002Fapi\u002F.well-known\u002Fgenid\u002F95a2dc356af3e8dd6fcf","\u003Ch2>INFORMAZIONI GENERALI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>SEDE:\u003C\u002Fstrong> Via Cecco Angiolieri, 16 - Terzo di San Martino\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIET&Agrave;:\u003C\u002Fstrong> &quot;Cecco Angiolieri&quot; - Via Cecco Angiolieri, 16\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NOME DEI CONTRADAIOLI:\u003C\u002Fstrong> Civettini\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;Vedo nella notte&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>STEMMA:\u003C\u002Fstrong> d&#39;argento, alla civetta in maest&agrave;, posata su un ramo di olivo fruttato, sormontata da una corona all&#39;antica d&#39;oro, accompagnata da due scudetti d&#39;azzurro, caricati delle lettere U e M d&#39;oro (Umberto I e Margherita di Savoia). (Concessione Sovrana del 9 febbraio 1889)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORI:\u003C\u002Fstrong> rossa e nera in parti uguali listata o arabescata di bianco\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SIMBOLEGGIA:\u003C\u002Fstrong> astuzia\u003C\u002Fp>\r\n\r\n\u003Ch2>LUOGHI E RIFERIMENTI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHIESA E ORATORIO:\u003C\u002Fstrong> Chiesa e Oratorio di Sant&#39;Antonio da Padova -&nbsp;Via Tommaso Pendola\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRONO E FESTA TITOLARE:\u003C\u002Fstrong> Sant&#39;Antonio da Padova e San Bernardo Tolomei - 13 giugno\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEO:\u003C\u002Fstrong> all&#39;interno del Castellare degli Ugurgeri - Via Cecco Angiolieri, 41\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FONTANINA:\u003C\u002Fstrong>&nbsp;inaugurata il 25 settembre 2005, insieme alla nuova sede della Societ&agrave; Cecco Angiolieri, ideata e realizzata da Fabio Belleschi.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELAZIONI E ORGANIZZAZIONE\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RAPPORTI CON ALTRE CONTRADE:\u003Cbr \u002F>\r\n\u003Cem>alleate\u003C\u002Fem> \u003C\u002Fstrong>Aquila, Giraffa, Istrice, Pantera\u003Cbr \u002F>\r\n\u003Cstrong>\u003Cem>nemiche\u003C\u002Fem>&nbsp;\u003C\u002Fstrong>Leocorno\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORAZIONI:\u003C\u002Fstrong> Calzolai\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COMPAGNIE MILITARI:\u003C\u002Fstrong> San Vigilio, San Pietro alle Scale in Banchi, San Cristoforo\u003C\u002Fp>\r\n\r\n\u003Ch2>STORIA DELLA CONTRADA PRIORA DELLA CIVETTA\u003C\u002Fh2>\r\n\r\n\u003Cp>La Contrada della Civetta fu costituita da alcuni uomini delle \u003Cstrong>Compagnie Militari di San Pietro in Banchi\u003C\u002Fstrong> e di \u003Cstrong>San Vigilio\u003C\u002Fstrong>. Solo in un secondo momento assorb&igrave; il popolo del rione di \u003Cstrong>San Cristoforo\u003C\u002Fstrong>, che nel XVI secolo si era presentato sotto l&#39;insegna di un \u003Cstrong>orso\u003C\u002Fstrong> in alcune cacce di tori.\u003C\u002Fp>\r\n\r\n\u003Cp>La prima vittoria in un \u003Cstrong>Palio vero e proprio\u003C\u002Fstrong> risale al \u003Cstrong>2 luglio 1664\u003C\u002Fstrong>, data che segna l&#39;ingresso ufficiale della Civetta nella storia paliesca. Nel 1699 la Contrada fu ospitata dal parroco \u003Cstrong>Antonio Perpignani\u003C\u002Fstrong> nella chiesa di \u003Cstrong>San Pietro in Banchi\u003C\u002Fstrong>, edificio sorto sulle basi di un tempio dedicato a Giove e noto come \u003Cstrong>&quot;San Pietro Buio&quot;\u003C\u002Fstrong> per la scarsa luminosit&agrave; dell&#39;interno. Proprio in quell&#39;anno la Civetta vinse il palio del 2 luglio, e il drappellone fu donato alla chiesa; la famiglia Perpignani fece costruire un altare appositamente assegnato alla Contrada.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel \u003Cstrong>1761\u003C\u002Fstrong> la Civetta fu la \u003Cstrong>prima contrada a conseguire un &quot;cappotto&quot;\u003C\u002Fstrong>, ovvero la vittoria sia a luglio che ad agosto nello stesso anno. Un secondo cappotto arriv&ograve; nel \u003Cstrong>1778\u003C\u002Fstrong>, anno in cui tuttavia la Contrada dovette abbandonare la chiesa di San Pietro in Banchi, venduta a privati. Da allora trov&ograve; ospitalit&agrave; nella chiesa di \u003Cstrong>San Cristoforo\u003C\u002Fstrong>, allora di propriet&agrave; dei \u003Cstrong>Tolomei\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Alla fine del \u003Cstrong>XIX secolo\u003C\u002Fstrong> la Civetta si distinse per un gesto di grande rilevanza istituzionale: ospit&ograve; le riunioni di tutti i \u003Cstrong>Priori delle contrade\u003C\u002Fstrong>, indette a difesa delle secolari tradizioni paliesche, minacciate da alcune decisioni dell&#39;autorit&agrave; comunale. Da questo episodio deriva il titolo onorifico di \u003Cstrong>&quot;Contrada Priora&quot;\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII E RISULTATI\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>PALII VINTI:\u003C\u002Fstrong> 39 per la Contrada | 33 per il Comune\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICOLARIT&Agrave;\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TITOLO: \u003C\u002Fstrong>ha il titolo di \u003Cstrong>&quot;Priora&quot;\u003C\u002Fstrong> per aver ospitato la \u003Cstrong>prima riunione\u003C\u002Fstrong> di tutti i \u003Cstrong>Priori delle 17 Contrade\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Orgogliosa del suo titolo di &quot;Priora&quot; e guidata dal valore dell&#39;astuzia, la \u003Cstrong>Contrada della Civetta \u003C\u002Fstrong>racchiude una storia secolare di indipendenza e fierezza. Un viaggio suggestivo nel cuore del Castellare degli Ugurgeri, dove i colori rosso e nero celebrano un popolo capace di &quot;vedere nella notte&quot; e custodire l&#39;anima pi&ugrave; autentica di Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>&nbsp;\u003C\u002Fp>","Contrada Priora della Civetta","\u003Cdiv>\u003Cstrong>CURIOSITÀ\u003Cbr>\u003C\u002Fstrong>Ha incorporato i territori della \u003Cstrong>Contrada soppressa dell'Orso\u003C\u002Fstrong> e parte di quella del \u003Cstrong>Gallo\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1463,"@id":1464,"locale":10,"name":1465,"position":1466},"civetta","\u002Fcivetta",{"@type":1498,"@id":1791,"description":1792,"abstract":1793,"timetable":16,"title":1785,"subtitle":16,"ctaText":1794,"extraInformations":16,"language":1795,"slug":1788,"slugFormatted":1796},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0b20d5675589cc162545","\u003Ch2>GENERAL INFORMATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>HEADQUARTERS:\u003C\u002Fstrong> Via Cecco Angiolieri, 16 - Terzo di San Martino\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SOCIETY:\u003C\u002Fstrong> &quot;Cecco Angiolieri&quot; - Via Cecco Angiolieri\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>NAME OF THE CONTRADA MEMBERS:\u003C\u002Fstrong> Civettini\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MOTTO:\u003C\u002Fstrong> &quot;I see in the night&quot;\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COAT OF ARMS:\u003C\u002Fstrong>&nbsp;silver, with a owl in majesty, perched on a fruitful olive branch, topped by an ancient gold crown, accompanied by two blue shields, charged with the letters U and M in gold (Umberto I and Margherita di Savoia). (Sovereign concession of February 9, 1889)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>COLORS:\u003C\u002Fstrong> red and black in equal parts striped or arabesqued with white\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>SYMBOLIZES:\u003C\u002Fstrong> cunning\u003C\u002Fp>\r\n\r\n\u003Ch2>PLACES AND REFERENCES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>CHURCH AND ORATORY:\u003C\u002Fstrong> Church and Oratory of Saint Anthony of Padua -&nbsp;Via Tommaso Pendola\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>PATRON AND TITLE FESTIVAL:\u003C\u002Fstrong> Saint Anthony of Padua and Saint Bernardo Tolomei - June 13\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MUSEUM:\u003C\u002Fstrong> inside the Castellare degli Ugurgeri - Via Cecco Angiolieri, 41\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>FOUNTAIN:\u003C\u002Fstrong> Inaugurated on September 25, 2005, along with the new headquarters of the Cecco Angiolieri Society, designed and created by Fabio Belleschi.\u003C\u002Fp>\r\n\r\n\u003Ch2>RELATIONS AND ORGANIZATION\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>RELATIONS WITH OTHER CONTRADE:\u003C\u002Fstrong>\u003Cbr \u002F>\r\n\u003Cem>\u003Cstrong>allies\u003C\u002Fstrong> \u003C\u002Fem>Aquila, Giraffa, Istrice, Pantera\u003Cbr \u002F>\r\n\u003Cem>\u003Cstrong>enemies\u003C\u002Fstrong>&nbsp;\u003C\u002Fem>Leocorno\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>CORPORATIONS:\u003C\u002Fstrong> shoemakers\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>MILITARY COMPANIES:\u003C\u002Fstrong> San Vigilio, San Pietro alle Scale in Banchi, San Cristoforo\u003C\u002Fp>\r\n\r\n\u003Ch2>HISTORY OF THE CONTRADA PRIORA DELLA CIVETTA\u003C\u002Fh2>\r\n\r\n\u003Cp>The Contrada della Civetta was established by some men from the \u003Cstrong>Military Companies of San Pietro in Banchi\u003C\u002Fstrong> and \u003Cstrong>San Vigilio\u003C\u002Fstrong>. Only later did it absorb the people of the district of \u003Cstrong>San Cristoforo\u003C\u002Fstrong>, which in the 16th century had presented itself under the banner of a \u003Cstrong>bear\u003C\u002Fstrong> in some bull hunts.\u003C\u002Fp>\r\n\r\n\u003Cp>The first victory in a \u003Cstrong>real Palio\u003C\u002Fstrong> dates back to \u003Cstrong>July 2, 1664\u003C\u002Fstrong>, a date that marks the official entry of the Civetta into the history of the Palio. In 1699, the Contrada was hosted by the parish priest \u003Cstrong>Antonio Perpignani\u003C\u002Fstrong> in the church of \u003Cstrong>San Pietro in Banchi\u003C\u002Fstrong>, a building that arose on the foundations of a temple dedicated to Jupiter and known as \u003Cstrong>&quot;San Pietro Buio&quot;\u003C\u002Fstrong> due to the poor lighting of the interior. That same year, the Civetta won the Palio on July 2, and the banner was donated to the church; the Perpignani family had an altar built specifically assigned to the Contrada.\u003C\u002Fp>\r\n\r\n\u003Cp>In \u003Cstrong>1761\u003C\u002Fstrong>, the Civetta was the \u003Cstrong>first contrada to achieve a &quot;capotto&quot;\u003C\u002Fstrong>, meaning victory in both July and August in the same year. A second capotto came in \u003Cstrong>1778\u003C\u002Fstrong>, a year in which, however, the Contrada had to leave the church of San Pietro in Banchi, sold to private individuals. Since then, it found hospitality in the church of \u003Cstrong>San Cristoforo\u003C\u002Fstrong>, then owned by the \u003Cstrong>Tolomei\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>At the end of the \u003Cstrong>19th century\u003C\u002Fstrong>, the Civetta distinguished itself for a gesture of great institutional significance: it hosted the meetings of all the \u003Cstrong>Priori of the contrade\u003C\u002Fstrong>, called to defend the centuries-old Palio traditions, threatened by some decisions of the municipal authorities. From this episode derives the honorary title of \u003Cstrong>&quot;Contrada Priora&quot;\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>PALII AND RESULTS\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>WON PALII:&nbsp;\u003C\u002Fstrong>39&nbsp;for the Contrada |&nbsp;33&nbsp;for the Municipality\u003C\u002Fp>\r\n\r\n\u003Ch2>PARTICULARITIES\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>TITLE:\u003C\u002Fstrong> it has the title of \u003Cstrong>&quot;Priora&quot;\u003C\u002Fstrong> for having hosted the \u003Cstrong>first meeting\u003C\u002Fstrong> of all the \u003Cstrong>Priori of the 17 Contrade\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Proud of its title of &quot;Priora&quot; and guided by the value of astuteness, the\u003Cstrong> Contrada della Civetta\u003C\u002Fstrong> embodies a centuries-old history of independence and pride. An evocative journey into the heart of the Castellare degli Ugurgeri, where the red and black colors celebrate a people capable of &quot;seeing in the night&quot; and safeguarding the most authentic soul of Siena.\u003C\u002Fp>","\u003Cdiv>\u003Cstrong>CURIOSITIES\u003Cbr>\u003C\u002Fstrong>It incorporated the territories of the \u003Cstrong>suppressed Contrada of the Bear\u003C\u002Fstrong> and part of that of the \u003Cstrong>Rooster\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1463,"@id":1471,"locale":1472,"name":1473,"position":116},"\u002Fen\u002Fcivetta",[],[1799],{"@type":1515,"@id":1800,"translations":1801,"position":1466,"imagePath":1802},"\u002Fapi\u002F.well-known\u002Fgenid\u002F1fe8e85adfd002043583",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcivetta-6adb80ee0ff4f037038884.jpg",{"@type":1524,"@id":1804,"hashParam":1805},"\u002Fapi\u002F.well-known\u002Fgenid\u002F405a5c8b98b422172be3","47f1818c42e540e621e2249c6e2352a9db4df3892e5980347988c96837bde958",14,[],[],{"@id":1810,"@type":1534,"first":1810,"last":1811,"next":1812},"\u002Fapi\u002Fpois?itemsPerPage=4&poiType.translations.name=Contrade&page=1","\u002Fapi\u002Fpois?itemsPerPage=4&poiType.translations.name=Contrade&page=5","\u002Fapi\u002Fpois?itemsPerPage=4&poiType.translations.name=Contrade&page=2",{"@type":1536,"template":1537,"variableRepresentation":1538,"mapping":1814},[1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839],{"@type":1541,"variable":1542,"property":1542,"required":28},{"@type":1541,"variable":1544,"property":1542,"required":28},{"@type":1541,"variable":1546,"property":1546,"required":28},{"@type":1541,"variable":1548,"property":1546,"required":28},{"@type":1541,"variable":1550,"property":1550,"required":28},{"@type":1541,"variable":1552,"property":1550,"required":28},{"@type":1541,"variable":1554,"property":1554,"required":28},{"@type":1541,"variable":1556,"property":1554,"required":28},{"@type":1541,"variable":1558,"property":1558,"required":28},{"@type":1541,"variable":1560,"property":1560,"required":28},{"@type":1541,"variable":1562,"property":1560,"required":28},{"@type":1541,"variable":1564,"property":1564,"required":28},{"@type":1541,"variable":1566,"property":1564,"required":28},{"@type":1541,"variable":1568,"property":1568,"required":28},{"@type":1541,"variable":1570,"property":1568,"required":28},{"@type":1541,"variable":1572,"property":1572,"required":28},{"@type":1541,"variable":1574,"property":1572,"required":28},{"@type":1541,"variable":1576,"property":1576,"required":28},{"@type":1541,"variable":1578,"property":1576,"required":28},{"@type":1541,"variable":1580,"property":1580,"required":28},{"@type":1541,"variable":1582,"property":1580,"required":28},{"@type":1541,"variable":1584,"property":1584,"required":28},{"@type":1541,"variable":1586,"property":1584,"required":28},{"@type":1541,"variable":1588,"property":1589},{"@type":1541,"variable":1591,"property":1558}]