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Non per scelta: perché la parete di fronte a te non ti lascia andare avanti. Occupa tutto lo spazio visivo, tutta l'attenzione, tutto l'ossigeno della stanza. È la \u003Cstrong>Maestà di Simone Martini\u003C\u002Fstrong>, e dopo quasi settecento anni fa ancora esattamente questo: \u003Cstrong>ferma chi la guarda\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Dipinta nel 1315 per commissione del \u003Cstrong>Governo dei Nove\u003C\u002Fstrong>, gli stessi che governavano Siena in uno dei suoi momenti più luminosi, e restaurata dallo stesso Martini nel \u003Cstrong>1321\u003C\u002Fstrong>, questa è la sala dove si riuniva il \u003Cstrong>Consiglio Generale della città\u003C\u002Fstrong>. Non è un caso che la Madonna stia proprio lì, su quella parete: era lì per\u003Cstrong> guardare chi decideva\u003C\u002Fstrong>, per ricordare ogni giorno ai governanti che il potere aveva un prezzo e si chiamava \u003Cstrong>giustizia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Una Madonna che fa politica\u003C\u002Fh2>\r\n\r\n\u003Cp>Al centro di tutto c'è lei: la\u003Cstrong> Madonna in trono\u003C\u002Fstrong>, circondata da una corte celeste di angeli e santi sotto un \u003Cstrong>grande baldacchino\u003C\u002Fstrong> dorato. I santi \u003Cstrong>Ansano\u003C\u002Fstrong>, \u003Cstrong>Savino\u003C\u002Fstrong>, \u003Cstrong>Crescenzio \u003C\u002Fstrong>e \u003Cstrong>Vittore\u003C\u002Fstrong>, i patroni della città, le fanno da intermediari, come ambasciatori tra il cielo e Siena. È un'immagine di potenza e dolcezza insieme, di sacro e civile che non si distinguono.\u003C\u002Fp>\r\n\r\n\u003Cp>Ma è il \u003Cstrong>Bambino Gesù\u003C\u002Fstrong> a dire la cosa più importante. Tiene in mano un cartiglio con una frase che nessun governante poteva ignorare: "\u003Cem>\u003Cstrong>Diligite Iustitiam qui iudicatis terram\u003C\u002Fstrong>\u003C\u002Fem>" — Amate la giustizia, voi che governate. Non un'esortazione generica: un \u003Cstrong>messaggio diretto\u003C\u002Fstrong>, quasi una minaccia gentile, rivolta a chi sedeva in quella sala ogni giorno a prendere decisioni che riguardavano migliaia di persone.\u003C\u002Fp>\r\n\r\n\u003Cp>La Madonna di Simone Martini non è solo una figura religiosa. È\u003Cstrong> simbolo di buon governo\u003C\u002Fstrong>, consigliera dei potenti, voce di chi non ha voce. Una presenza politica travestita da devozione, o forse una devozione così profonda da diventare politica.\u003C\u002Fp>\r\n\r\n\u003Ch2>La materia, il colore, lo stupore\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un'opera che mescola tutto\u003C\u002Fh3>\r\n\r\n\u003Cp>Guardarla da vicino è scoprire quanto sia \u003Cstrong>straordinariamente materica\u003C\u002Fstrong>. Simone Martini non si accontentò dei colori sull'intonaco: usò \u003Cstrong>cristalli di rocca\u003C\u002Fstrong> per il manto della Vergine, \u003Cstrong>inserti di vetro \u003C\u002Fstrong>nel trono, \u003Cstrong>pergamena \u003C\u002Fstrong>e \u003Cstrong>lamine metalliche\u003C\u002Fstrong> per dare profondità e sfarzo a ogni dettaglio. L'\u003Cstrong>azzurro\u003C\u002Fstrong> e l'\u003Cstrong>oro\u003C\u002Fstrong> dominano, conferendo all'opera una raffinatezza che sembra quasi impossibile per un affresco.\u003C\u002Fp>\r\n\r\n\u003Cp>Nella cornice esterna, oculi con \u003Cstrong>evangelisti \u003C\u002Fstrong>e \u003Cstrong>profeti\u003C\u002Fstrong>, e i simboli della città: la \u003Cstrong>balzana\u003C\u002Fstrong> bianca e nera, il \u003Cstrong>leone rampante\u003C\u002Fstrong>. Siena intera, racchiusa intorno alla sua Madonna.\u003C\u002Fp>\r\n\r\n\u003Ch3>Simone Martini e Duccio, un dialogo tra maestri\u003C\u002Fh3>\r\n\r\n\u003Cp>Simone Martini aveva davanti a sé un modello impossibile da ignorare: la \u003Cstrong>Maestà di Duccio di Buoninsegna\u003C\u002Fstrong>, realizzata \u003Cstrong>tra il 1308 e il 1311\u003C\u002Fstrong> e oggi custodita nel \u003Cstrong>Museo dell'Opera del Duomo\u003C\u002Fstrong>. Ne riprese la disposizione dei santi, alcune caratteristiche dei volti, la struttura del trono. Ma poi fece qualcosa di diverso: rese le figure più \u003Cstrong>eleganti\u003C\u002Fstrong>, la Madonna più \u003Cstrong>dolce \u003C\u002Fstrong>e \u003Cstrong>umana\u003C\u002Fstrong>, le decorazioni più \u003Cstrong>ricche \u003C\u002Fstrong>e \u003Cstrong>sofisticate\u003C\u002Fstrong>. E soprattutto aggiunse quella \u003Cstrong>dimensione politica e civile\u003C\u002Fstrong> che nell'opera di Duccio non c'era: trasformò un'icona sacra in un manifesto di governo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a stare di fronte a lei\u003C\u002Fh2>\r\n\r\n\u003Cp>La \u003Cstrong>Maestà di Simone Martini \u003C\u002Fstrong>si trova nella\u003Cstrong> Sala del Mappamondo \u003C\u002Fstrong>del \u003Cstrong>Museo Civico\u003C\u002Fstrong>, al Palazzo Pubblico. Non è in un museo qualsiasi: è nella stessa stanza dove i governanti di Siena si sedevano a decidere, con quella Madonna che li guardava dall'alto. Entra, alzа gli occhi, lasciati guardare. Perché certi dipinti non li guardi tu: sono loro a guardare te.\u003C\u002Fp>","\u003Cp>La Maestà di Simone Martini è uno dei capolavori assoluti della pittura gotica europea: dipinta nel 1315 nella Sala del Mappamondo del Palazzo Pubblico, racconta una Madonna che non è solo protettrice celeste, ma consigliera dei governanti e simbolo di giustizia. Un'opera che ancora oggi toglie il fiato.\u003C\u002Fp>","La Maestà di Simone Martini. Quando la Madonna governava Siena","\u003Cdiv>Acquista un biglietto sul sito ufficiale del Museo Civico e ammira questo meraviglioso affresco.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"la-maesta-di-simone-martini","\u002Fla-maesta-di-simone-martini",{"@type":1572,"@id":1582,"description":1583,"abstract":1584,"timetable":16,"title":1585,"subtitle":16,"ctaText":16,"extraInformations":16,"language":1586,"slug":1587,"slugFormatted":1588},"\u002Fapi\u002F.well-known\u002Fgenid\u002F011ec18fe1377419de57","\u003Ch2>A wall that changes everything\u003C\u002Fh2>\r\n\r\n\u003Cp>You enter the \u003Cem>Sala del Mappamondo\u003C\u002Fem> of the Palazzo Pubblico and you stop. Not by choice, but because the wall in front of you simply won't let you pass. It occupies the entire visual space, all the attention, all the oxygen in the room. It is Simone Martini's \u003Cem>Maestà\u003C\u002Fem>, and after nearly seven hundred years it still does precisely that: it stops anyone who gazes upon it.\u003C\u002Fp>\r\n\r\n\u003Cp>Painted in 1315 on commission by the Government of the Nine—the very rulers of Siena during one of its most brilliant eras—and restored by Martini himself in 1321, this is the hall where the city’s General Council assembled. It is no coincidence that the Virgin Mary sits right there, on that wall: she was there to watch over those making the decisions, reminding the rulers every day that power came with a price, and its name was justice.\u003C\u002Fp>\r\n\r\n\u003Ch2>A Virgin Mary engaged in politics\u003C\u002Fh2>\r\n\r\n\u003Cp>At the center of it all is her: the Virgin Mary enthroned, surrounded by a celestial court of angels and saints beneath a magnificent golden canopy. Saints Ansanus, Sabinus, Crescentius, and Victor, the city's patron saints, act as her intermediaries—like ambassadors between heaven and Siena. It is an image combining power and gentleness, blending the sacred and the civic until they become indistinguishable.\u003C\u002Fp>\r\n\r\n\u003Cp>Yet it is the Infant Jesus who delivers the most important message. He holds a scroll with a line no ruler could afford to ignore: \u003Cem>"Diligite Iustitiam qui iudicatis terram"\u003C\u002Fem> — "Love justice, you who judge the earth." This was no vague exhortation; it was a direct message, almost a gentle threat aimed at those who sat in that room every day making decisions affecting thousands of lives.\u003C\u002Fp>\r\n\r\n\u003Cp>Simone Martini's Virgin Mary is not merely a religious figure. She is a symbol of good governance, an advisor to the powerful, a voice for the voiceless. A political presence disguised as devotion—or perhaps a devotion so profound it becomes inherently political.\u003C\u002Fp>\r\n\r\n\u003Ch2>Materiality, color, and wonder\u003C\u002Fh2>\r\n\r\n\u003Ch3>An artwork that blends everything\u003C\u002Fh3>\r\n\r\n\u003Cp>Looking at it up close reveals how extraordinarily tactile and textured it is. Simone Martini was not satisfied with paints on plaster alone: he used rock crystals for the Virgin's mantle, glass inlays in the throne, parchment, and metallic foils to lend depth and splendor to every detail. Azure and gold dominate the scene, endowing the artwork with a level of refinement that feels almost impossible for a fresco.\u003C\u002Fp>\r\n\r\n\u003Cp>In the outer frame, roundels depict evangelists and prophets alongside the city’s emblems: the black-and-white \u003Cem>balzana\u003C\u002Fem> shield and the rampant lion. All of Siena, enclosed around its Virgin.\u003C\u002Fp>\r\n\r\n\u003Ch3>Simone Martini and Duccio, a dialogue between masters\u003C\u002Fh3>\r\n\r\n\u003Cp>Simone Martini had an undeniable model before him: Duccio di Buoninsegna's \u003Cem>Maestà\u003C\u002Fem>, created between 1308 and 1311 and housed today in the Museo dell'Opera del Duomo. Martini drew upon Duccio's arrangement of saints, facial features, and throne design. But then he ventured further: he rendered the figures more elegant, made the Virgin sweeter and more human, and crafted richer, more sophisticated ornamentation. Above all, he added a political and civic dimension absent from Duccio's work, turning a sacred icon into a manifesto of governance.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come stand before her\u003C\u002Fh2>\r\n\r\n\u003Cp>Simone Martini's \u003Cem>Maestà\u003C\u002Fem> is located in the \u003Cem>Sala del Mappamondo\u003C\u002Fem> inside the Museo Civico at Palazzo Pubblico. It is not inside just any museum: it stands in the very room where the rulers of Siena once sat to govern, with the Virgin looking down on them from above. Step inside, look up, and let yourself be observed. Because certain paintings aren't just for you to look at: they are looking at you.\u003C\u002Fp>","\u003Cp>Simone Martini's Maestà is one of the absolute masterpieces of European Gothic painting: painted in 1315 in the Sala del Mappamondo of the Palazzo Pubblico, it depicts a Madonna who is not only a celestial protector, but also an advisor to rulers and a symbol of justice. A work that still takes your breath away today.\u003C\u002Fp>","La Maestà by Simone Martini. When the Virgin Mary Ruled Siena",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"la-maesta-by-simone-martini","\u002Fen\u002Fla-maesta-by-simone-martini",[],[1591,1596],{"@type":1592,"@id":1593,"translations":1594,"position":1491,"imagePath":1595},"Gallery","\u002Fapi\u002F.well-known\u002Fgenid\u002F441d084e3424d377a45b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fla-maesta-simone-martini-6ad1d6fa90e4a808442900.jpg",{"@type":1592,"@id":1597,"translations":1598,"position":1491,"imagePath":1599},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd5abb8d1965417cd5635",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fla-maesta-simone-martini-6ad1d6fab760a201569029.jpg","Siena","SI","53100","Italia",{"@type":1605,"@id":1606,"hashParam":1607},"PoiPreview","\u002Fapi\u002F.well-known\u002Fgenid\u002F02da4106cdf3f9263e24","b730490f1856909d777e7d775153097ba526811cf71c7ab7631079f8c46b248a",95,"EMOTIONAL_2",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fpoi\u002F",[1613],{"category":1614,"tags":1620},{"@id":1527,"@type":1528,"translations":1615},[1616,1618],{"@type":1531,"@id":1532,"name":1533,"language":1617,"slug":1535,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1531,"@id":1537,"name":1533,"language":1619,"slug":1535,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},[1621,1633],{"@id":1524,"@type":1525,"tagCategory":1622,"translations":1628},{"@id":1527,"@type":1528,"translations":1623},[1624,1626],{"@type":1531,"@id":1532,"name":1533,"language":1625,"slug":1535,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1531,"@id":1537,"name":1533,"language":1627,"slug":1535,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},[1629,1631],{"@type":1541,"@id":1542,"name":1543,"language":1630,"slug":1545,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1541,"@id":1547,"name":1548,"language":1632,"slug":1550,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1552,"@type":1525,"tagCategory":1634,"translations":1640},{"@id":1527,"@type":1528,"translations":1635},[1636,1638],{"@type":1531,"@id":1532,"name":1533,"language":1637,"slug":1535,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1531,"@id":1537,"name":1533,"language":1639,"slug":1535,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},[1641,1643],{"@type":1541,"@id":1561,"name":1562,"language":1642,"slug":1564,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1541,"@id":1566,"name":1567,"language":1644,"slug":1569,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1646,"@type":1477,"name":1647,"poiType":1648,"address":1660,"latitude":1661,"longitude":1662,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1663,"translations":1664,"socials":1682,"gallery":1683,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":1688,"position":1608,"layout":1691,"otherPoiType":1692,"logoPath":1611,"poiTagsByCategory":1693},"\u002Fapi\u002Fpois\u002F019e7a76-4032-73e9-87fa-70e306a09ff1","Libreria Piccolomini",{"@id":1480,"@type":1481,"id":1482,"translations":1649,"poiCategory":1654},[1650,1652],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1651,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1653,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1655},[1656,1658],{"@type":1506,"@id":1507,"name":1508,"language":1657,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1659,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Duomo di Siena","43.3177948","11.3290896",[],[1665,1674],{"@type":1572,"@id":1666,"description":1667,"abstract":1668,"timetable":16,"title":1669,"subtitle":16,"ctaText":1670,"extraInformations":16,"language":1671,"slug":1672,"slugFormatted":1673},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffe64176720d1d6f2043a","\u003Ch2>Una storia di famiglia, potere e magnificenza\u003C\u002Fh2>\r\n\r\n\u003Ch3>Nata per celebrare, non per studiare\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel 1492 il cardinale \u003Cstrong>Francesco Piccolomini Todeschini\u003C\u002Fstrong>, arcivescovo di Siena e futuro papa Pio III, fece costruire questa sala con un obiettivo preciso: custodire il ricchissimo patrimonio librario raccolto dallo zio, \u003Cstrong>papa Pio II\u003C\u002Fstrong>, e celebrarne la grandezza. La \u003Cstrong>Libreria Piccolomini\u003C\u002Fstrong> non fu mai uno spazio di studio o raccoglimento silenzioso. Era uno spazio celebrativo, pensato per esaltare il prestigio di una delle famiglie più influenti del Rinascimento italiano. Una dichiarazione di potere scritta con colori e oro.\u003C\u002Fp>\r\n\r\n\u003Ch2>Gli affreschi di Pinturicchio: il Rinascimento in tutta la sua gloria\u003C\u002Fh2>\r\n\r\n\u003Ch3>Dieci scene, una vita intera, colori che non invecchiano\u003C\u002Fh3>\r\n\r\n\u003Cp>Tra il 1502 e il 1507, \u003Cstrong>Pinturicchio\u003C\u002Fstrong> trasformò le pareti della libreria in un racconto dipinto di straordinaria vitalità. Le dieci scene narrano la vita di \u003Cstrong>Enea Silvio Piccolomini\u003C\u002Fstrong>, il futuro papa Pio II. I personaggi si muovono tra architetture immaginarie, paesaggi luminosi e abiti riccamente decorati con una freschezza cromatica che lascia senza fiato. Tra i volti raffigurati si riconoscono personaggi reali dell'epoca: nobili, cardinali, ambasciatori. E tra loro, con orgoglio appena dissimulato, \u003Cstrong>Pinturicchio stesso\u003C\u002Fstrong>, che si ritrae tra i protagonisti della storia che sta raccontando. Un atto di presenza, quasi una firma d'autore nascosta nel colore.\u003C\u002Fp>\r\n\r\n\u003Ch3>La volta: un cielo dorato che trasforma la sala\u003C\u002Fh3>\r\n\r\n\u003Cp>Alzare gli occhi verso la volta della \u003Cstrong>Libreria Piccolomini\u003C\u002Fstrong> è un'altra esperienza ancora. Motivi dorati e azzurri si intrecciano in un cielo simbolico che illumina l'intera stanza dall'alto, creando un'atmosfera sospesa tra il sacro e il fiabesco. La luce naturale che filtra dalle finestre cambia durante il giorno, modificando i toni degli affreschi in modo quasi impercettibile: ogni visita, a seconda dell'ora, regala un'emozione diversa. In certi momenti della mattina i colori sembrano letteralmente brillare.\u003C\u002Fp>\r\n\r\n\u003Ch2>I tesori al centro della sala\u003C\u002Fh2>\r\n\r\n\u003Ch3>Il coro miniato: ogni pagina un capolavoro\u003C\u002Fh3>\r\n\r\n\u003Cp>Al centro della sala si trova un tesoro prezioso: il \u003Cstrong>coro miniato della famiglia Piccolomini\u003C\u002Fstrong>, una raccolta di antichi codici musicali splendidamente decorati. Ogni pagina è un piccolo capolavoro. Un'opera nell'opera, per chi ha la pazienza di fermarsi a guardare.\u003C\u002Fp>\r\n\r\n\u003Ch2>Perché la Libreria Piccolomini è una tappa da non perdere a Siena\u003C\u002Fh2>\r\n\r\n\u003Ch3>Cinquecento anni di bellezza intatta\u003C\u002Fh3>\r\n\r\n\u003Cp>La \u003Cstrong>Libreria Piccolomini\u003C\u002Fstrong> è considerata uno degli ambienti rinascimentali meglio conservati d'Italia e visitarla significa rendersene conto in modo diretto, fisico, immediato. Non c'è distanza tra te e quei colori: sono lì, a portata di mano, vivi come il giorno in cui \u003Cstrong>Pinturicchio\u003C\u002Fstrong> posò il pennello. Un gioiello nel cuore di una cattedrale straordinaria.\u003C\u002Fp>","\u003Cp>Ci sono luoghi che non ti aspetti. La \u003Cstrong>Libreria Piccolomini\u003C\u002Fstrong> è uno di questi: un gioiello rinascimentale celato lungo la navata sinistra del \u003Cstrong>Duomo di Siena\u003C\u002Fstrong>, che si rivela all'improvviso come un mondo a sé, sospeso, luminoso, straordinariamente intatto. Entrare nella libreria significa uscire dal gotico della Cattedrale ed immergersi in un universo di colore, luce e narrazione pittorica che da oltre cinquecento anni sorprende tutto il mondo. È infatti uno degli \u003Cstrong>ambienti rinascimentali meglio conservati d'Italia\u003C\u002Fstrong>.\u003C\u002Fp>","Libreria Piccolomini: il Rinascimento italiano nascosto nel cuore del Duomo di Siena","\u003Cdiv>Visita la Libreria Piccolomini nel Duomo di Siena: scopri orari, biglietti e come accedere a uno degli spazi rinascimentali più belli e meglio conservati d'Italia. La bellezza di cinquecento anni ti aspetta a pochi passi dal Campo.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"libreria-piccolomini","\u002Flibreria-piccolomini",{"@type":1572,"@id":1675,"description":1676,"abstract":1677,"timetable":16,"title":1678,"subtitle":16,"ctaText":1679,"extraInformations":16,"language":1680,"slug":1672,"slugFormatted":1681},"\u002Fapi\u002F.well-known\u002Fgenid\u002F256c63e58fb8f68798ab","\u003Ch2>A story of family, power, and magnificence\u003C\u002Fh2>\r\n\r\n\u003Ch3>Born to celebrate, not to study\u003C\u002Fh3>\r\n\r\n\u003Cp>In 1492, Cardinal \u003Cstrong>Francesco Piccolomini Todeschini\u003C\u002Fstrong>, Archbishop of Siena and future Pope Pius III, commissioned the construction of this hall with a specific goal: to safeguard the rich library heritage collected by his uncle, \u003Cstrong>Pope Pius II\u003C\u002Fstrong>, and to celebrate its greatness. The \u003Cstrong>Piccolomini Library\u003C\u002Fstrong> was never a space for study or silent contemplation. It was a celebratory space, designed to exalt the prestige of one of the most influential families of the Italian Renaissance. A declaration of power written with colors and gold.\u003C\u002Fp>\r\n\r\n\u003Ch2>The frescoes of Pinturicchio: the Renaissance in all its glory\u003C\u002Fh2>\r\n\r\n\u003Ch3>Ten scenes, a lifetime, colors that never age\u003C\u002Fh3>\r\n\r\n\u003Cp>Between 1502 and 1507, \u003Cstrong>Pinturicchio\u003C\u002Fstrong> transformed the walls of the library into a painted narrative of extraordinary vitality. The ten scenes depict the life of \u003Cstrong>Enea Silvio Piccolomini\u003C\u002Fstrong>, the future Pope Pius II. The characters move among imaginary architectures, luminous landscapes, and richly decorated garments with a chromatic freshness that takes your breath away. Among the depicted faces, real historical figures of the time can be recognized: nobles, cardinals, ambassadors. And among them, with barely concealed pride, \u003Cstrong>Pinturicchio himself\u003C\u002Fstrong>, who portrays himself among the protagonists of the story he is telling. An act of presence, almost a hidden author’s signature in the color.\u003C\u002Fp>\r\n\r\n\u003Ch3>The ceiling: a golden sky that transforms the room\u003C\u002Fh3>\r\n\r\n\u003Cp>Looking up at the ceiling of the \u003Cstrong>Piccolomini Library\u003C\u002Fstrong> is yet another experience. Golden and blue motifs intertwine in a symbolic sky that illuminates the entire room from above, creating an atmosphere suspended between the sacred and the fairy-tale. The natural light filtering through the windows changes throughout the day, altering the tones of the frescoes in an almost imperceptible way: each visit, depending on the hour, offers a different emotion. At certain moments in the morning, the colors seem to literally shine.\u003C\u002Fp>\r\n\r\n\u003Ch2>The treasures at the center of the room\u003C\u002Fh2>\r\n\r\n\u003Ch3>The illuminated choir: every page a masterpiece\u003C\u002Fh3>\r\n\r\n\u003Cp>At the center of the room lies a precious treasure: the \u003Cstrong>illuminated choir of the Piccolomini family\u003C\u002Fstrong>, a collection of ancient musical manuscripts beautifully decorated. Each page is a small masterpiece. A work within a work, for those who have the patience to stop and look.\u003C\u002Fp>\r\n\r\n\u003Ch2>Why the Piccolomini Library is a must-see in Siena\u003C\u002Fh2>\r\n\r\n\u003Ch3>Five hundred years of untouched beauty\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Piccolomini Library\u003C\u002Fstrong> is considered one of the best-preserved Renaissance environments in Italy, and visiting it means experiencing this directly, physically, immediately. There is no distance between you and those colors: they are there, within reach, alive as on the day \u003Cstrong>Pinturicchio\u003C\u002Fstrong> laid down his brush. A jewel in the heart of an extraordinary cathedral.\u003C\u002Fp>","\u003Cp>There are places you don't expect. The \u003Cstrong>Piccolomini Library\u003C\u002Fstrong> is one of them: a Renaissance jewel hidden along the left aisle of the \u003Cstrong>Siena Cathedral\u003C\u002Fstrong>, which suddenly reveals itself as a world of its own, suspended, luminous, extraordinarily intact. Entering the library means stepping out of the Gothic Cathedral and immersing oneself in a universe of color, light, and pictorial narrative that has amazed the world for over five hundred years. It is indeed one of the \u003Cstrong>best-preserved Renaissance environments in Italy\u003C\u002Fstrong>.\u003C\u002Fp>","Piccolomini Library: the hidden Italian Renaissance in the heart of the Siena Cathedral","\u003Cdiv>Visit the Piccolomini Library in the Siena Cathedral: discover hours, tickets, and how to access one of the most beautiful and best-preserved Renaissance spaces in Italy. The beauty of five hundred years awaits you just a few steps from the Campo.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Flibreria-piccolomini",[],[1684],{"@type":1592,"@id":1685,"translations":1686,"position":1491,"imagePath":1687},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6ac246880ce89b8ea056",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-libreria-piccolomini-foto-luca-betti-6a7485581aaf4033173823.jpg",{"@type":1605,"@id":1689,"hashParam":1690},"\u002Fapi\u002F.well-known\u002Fgenid\u002F84aa890689905810a6a3","635801f992752808547f49fdab3d21fb5e05f26d7af098e0539c6e44cc63ed78","BASIC_1",[],[],{"@id":1695,"@type":1477,"name":1696,"poiType":1697,"address":1709,"latitude":1710,"longitude":1711,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1712,"translations":1713,"socials":1731,"gallery":1732,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":1741,"position":1608,"layout":1691,"otherPoiType":1744,"logoPath":1611,"poiTagsByCategory":1745},"\u002Fapi\u002Fpois\u002F019e917b-c94a-72ab-9a62-5b74c8a9067c","Pavimento del Duomo",{"@id":1480,"@type":1481,"id":1482,"translations":1698,"poiCategory":1703},[1699,1701],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1700,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1702,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1704},[1705,1707],{"@type":1506,"@id":1507,"name":1508,"language":1706,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1708,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Piazza del Duomo","43.317361489810715","11.328550154258679",[],[1714,1723],{"@type":1572,"@id":1715,"description":1716,"abstract":1717,"timetable":16,"title":1718,"subtitle":16,"ctaText":1719,"extraInformations":16,"language":1720,"slug":1721,"slugFormatted":1722},"\u002Fapi\u002F.well-known\u002Fgenid\u002F81287bab1ddf134b4862","\u003Ch2>Cinque secoli di lavoro, un'unica visione\u003C\u002Fh2>\r\n\r\n\u003Ch3>Dal Trecento al Settecento: un'opera collettiva senza precedenti\u003C\u002Fh3>\r\n\r\n\u003Cp>Le prime tarsie risalgono al \u003Cstrong>Trecento\u003C\u002Fstrong>: motivi geometrici e figure simboliche che aprono il percorso come un prologo. Poi, tra Quattrocento e Cinquecento, il progetto esplode nella sua piena grandiosità, coinvolgendo i maggiori \u003Cstrong>artisti senesi del Rinascimento\u003C\u002Fstrong> in un'impresa che non ha paragoni nella storia dell'arte. Oltre \u003Cstrong>sessanta tarsie\u003C\u002Fstrong> realizzate con tecniche di \u003Cstrong>commesso marmoreo e graffito\u003C\u002Fstrong>, capaci di ottenere effetti quasi pittorici lavorando esclusivamente con la pietra, chiaroscuri, prospettive, movimenti che sembrano impossibili per un materiale così rigido e definitivo.\u003C\u002Fp>\r\n\r\n\u003Ch2>I grandi maestri e le scene più straordinarie\u003C\u002Fh2>\r\n\r\n\u003Ch3>Beccafumi: chiaroscuro nel marmo\u003C\u002Fh3>\r\n\r\n\u003Cp>Il genio di \u003Cstrong>Domenico Beccafumi\u003C\u002Fstrong> firma alcune delle scene più spettacolari dell'intero pavimento: \u003Cstrong>la Strage degli Innocenti, Mosè sul Sinai, Elia\u003C\u002Fstrong>\u003Cstrong>,\u003C\u002Fstrong> composizioni di potenza drammatica che usano il chiaroscuro marmoreo in modo rivoluzionario, trasformando la pietra in emozione pura.\u003C\u002Fp>\r\n\r\n\u003Ch3>Pinturicchio e il Monte della Sapienza\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Pinturicchio\u003C\u002Fstrong>, unico artista non senese coinvolto nel progetto, firma nel \u003Cstrong>1505\u003C\u002Fstrong> il celebre Monte della Sapienza: un'allegoria del cammino umano verso la conoscenza e la virtù, una delle scene più evocative e filosoficamente dense dell'intero ciclo. Accanto a lui, maestri come \u003Cstrong>Sassetta, \u003C\u002Fstrong>\u003Cstrong>Neroccio\u003C\u002Fstrong>\u003Cstrong> di Bartolomeo de' Landi e Matteo di Giovanni\u003C\u002Fstrong> arricchiscono il percorso con scene bibliche e allegoriche di straordinaria raffinatezza.\u003C\u002Fp>\r\n\r\n\u003Ch3>La Ruota della Fortuna e le Sibille: un viaggio iniziatico\u003C\u002Fh3>\r\n\r\n\u003Cp>Il percorso iconografico accompagna il visitatore dalla navata fino all'altare in un cammino simbolico preciso: si parte da figure dell'antichità come \u003Cstrong>Ermete Trismegisto\u003C\u002Fstrong> e le \u003Cstrong>Sibille\u003C\u002Fstrong>, si attraversa l'esagono centrale sotto la cupola con la \u003Cstrong>Ruota della Fortuna\u003C\u002Fstrong> e le storie del popolo ebraico, fino agli episodi dei grandi profeti biblici. Molti studiosi interpretano l'intero ciclo come un \u003Cstrong>percorso iniziatico\u003C\u002Fstrong>: un viaggio dalla conoscenza terrena alla rivelazione spirituale, scritto in marmo per chi ha occhi abbastanza lenti da leggerlo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un privilegio raro: il pavimento scoperto\u003C\u002Fh2>\r\n\r\n\u003Ch3>Solo tra fine agosto e fine ottobre\u003C\u002Fh3>\r\n\r\n\u003Cp>Per proteggerlo, il \u003Cstrong>pavimento del Duomo\u003C\u002Fstrong> rimane coperto per gran parte dell'anno. Solo per alcune settimane, \u003Cstrong>tra fine agosto e fine ottobre\u003C\u002Fstrong>, viene scoperto e restituito allo sguardo del visitatore nella sua interezza. Un appuntamento raro, quasi un evento, che rende la visita in questo periodo qualcosa di speciale e irripetibile. La cura con cui Siena lo preserva da secoli racconta meglio di qualsiasi parola il legame profondo tra questa città e il suo Duomo.\u003C\u002Fp>","\u003Cp>Immagina un libro. Non di carta, ma di marmo. Non scritto con l'inchiostro, ma intarsiato con la pazienza di generazioni di artisti che hanno lavorato per oltre cinque secoli su un unico, straordinario progetto collettivo. Il \u003Cstrong>pavimento del Duomo di Siena\u003C\u002Fstrong> è questo: un capolavoro assoluto dell'arte medievale e rinascimentale italiana, un percorso simbolico che si distende sotto i piedi del visitatore come un tappeto di storia, fede e bellezza senza eguali al mondo. Nessun altro pavimento al mondo racconta così tanto. Nessun altro chiede così tanto attenzione a chi lo calpesta.\u003C\u002Fp>","Il pavimento del Duomo di Siena: un libro di pietra unico al mondo","\u003Cdiv>Pianifica la tua visita al Duomo di Siena tra fine agosto e fine ottobre per ammirare il pavimento scoperto nella sua interezza: un'esperienza unica, disponibile solo poche settimane l'anno. Non lasciartela sfuggire.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"pavimento-del-duomo","\u002Fpavimento-del-duomo",{"@type":1572,"@id":1724,"description":1725,"abstract":1726,"timetable":16,"title":1727,"subtitle":16,"ctaText":1728,"extraInformations":16,"language":1729,"slug":1721,"slugFormatted":1730},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7a1d40a6433aaf890db0","\u003Ch2>Five centuries of work, a single vision\u003C\u002Fh2>\r\n\r\n\u003Ch3>From the Fourteenth to the Eighteenth Century: an unprecedented collective work\u003C\u002Fh3>\r\n\r\n\u003Cp>The first inlays date back to the \u003Cstrong>Fourteenth Century\u003C\u002Fstrong>: geometric patterns and symbolic figures that open the path like a prologue. Then, between the Fifteenth and Sixteenth Centuries, the project explodes in its full grandeur, involving the greatest \u003Cstrong>Sienese Renaissance artists\u003C\u002Fstrong> in an undertaking that has no comparison in the history of art. Over \u003Cstrong>sixty inlays\u003C\u002Fstrong> created with \u003Cstrong>marble inlay and graffiti techniques\u003C\u002Fstrong>, capable of achieving almost pictorial effects by working exclusively with stone, chiaroscuro, perspectives, movements that seem impossible for such a rigid and definitive material.\u003C\u002Fp>\r\n\r\n\u003Ch2>The great masters and the most extraordinary scenes\u003C\u002Fh2>\r\n\r\n\u003Ch3>Beccafumi: chiaroscuro in marble\u003C\u002Fh3>\r\n\r\n\u003Cp>The genius of \u003Cstrong>Domenico Beccafumi\u003C\u002Fstrong> signs some of the most spectacular scenes of the entire floor: \u003Cstrong>The Massacre of the Innocents, Moses on Sinai, Elijah\u003C\u002Fstrong>, compositions of dramatic power that use marble chiaroscuro in a revolutionary way, transforming stone into pure emotion.\u003C\u002Fp>\r\n\r\n\u003Ch3>Pinturicchio and the Mount of Wisdom\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Pinturicchio\u003C\u002Fstrong>, the only non-Sienese artist involved in the project, signed the famous Mount of Wisdom in \u003Cstrong>1505\u003C\u002Fstrong>: an allegory of the human journey towards knowledge and virtue, one of the most evocative and philosophically rich scenes of the entire cycle. Alongside him, masters like \u003Cstrong>Sassetta, \u003C\u002Fstrong>\u003Cstrong>Neroccio\u003C\u002Fstrong>\u003Cstrong> di Bartolomeo de' Landi and Matteo di Giovanni\u003C\u002Fstrong> enrich the path with biblical and allegorical scenes of extraordinary refinement.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Wheel of Fortune and the Sibyls: an initiatory journey\u003C\u002Fh3>\r\n\r\n\u003Cp>The iconographic path accompanies the visitor from the nave to the altar in a precise symbolic journey: it starts from figures of antiquity like \u003Cstrong>Hermes Trismegistus\u003C\u002Fstrong> and the \u003Cstrong>Sibyls\u003C\u002Fstrong>, crosses the central hexagon under the dome with the \u003Cstrong>Wheel of Fortune\u003C\u002Fstrong> and the stories of the Jewish people, up to the episodes of the great biblical prophets. Many scholars interpret the entire cycle as an \u003Cstrong>initiatory path\u003C\u002Fstrong>: a journey from earthly knowledge to spiritual revelation, written in marble for those who have eyes slow enough to read it.\u003C\u002Fp>\r\n\r\n\u003Ch2>A rare privilege: the uncovered floor\u003C\u002Fh2>\r\n\r\n\u003Ch3>Only from late August to late October\u003C\u002Fh3>\r\n\r\n\u003Cp>To protect it, the \u003Cstrong>floor of the Cathedral\u003C\u002Fstrong> remains covered for most of the year. Only for a few weeks, \u003Cstrong>from late August to late October\u003C\u002Fstrong>, it is uncovered and returned to the visitor's gaze in its entirety. A rare appointment, almost an event, that makes the visit during this period something special and unrepeatable. The care with which Siena has preserved it for centuries tells better than any word the deep bond between this city and its Cathedral.\u003C\u002Fp>","\u003Cp>Imagine a book. Not made of paper, but of marble. Not written with ink, but inlaid with the patience of generations of artists who worked for over five centuries on a single, extraordinary collective project. The \u003Cstrong>floor of the Siena Cathedral\u003C\u002Fstrong> is this: an absolute masterpiece of Italian medieval and Renaissance art, a symbolic path that unfolds beneath the visitor's feet like a carpet of history, faith, and beauty unparalleled in the world. No other floor in the world tells so much. No other demands so much attention from those who tread upon it.\u003C\u002Fp>","The floor of the Siena Cathedral: a unique stone book in the world","\u003Cdiv>Plan your visit to the Siena Cathedral between late August and late October to admire the uncovered floor in its entirety: a unique experience, available only a few weeks a year. Don't miss it.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fpavimento-del-duomo",[],[1733,1737],{"@type":1592,"@id":1734,"translations":1735,"position":1491,"imagePath":1736},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fce04627c00974034340d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-pulpito-foto-luca-betti-6a7498059781b516489761.jpg",{"@type":1592,"@id":1738,"translations":1739,"position":1491,"imagePath":1740},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd9b0e2f76211a1d4b167",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fopa-luca-betti-0394-1-6a74980579903783155629.jpg",{"@type":1605,"@id":1742,"hashParam":1743},"\u002Fapi\u002F.well-known\u002Fgenid\u002F595ea1ae0781ba8c28b4","9bcebee96730a7bc3da4585c78f85ea689970971526f56ae81428a195fbe1478",[],[],{"@id":1747,"@type":1477,"name":1748,"poiType":1749,"address":347,"latitude":1761,"longitude":1762,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1763,"translations":1764,"socials":1782,"gallery":1783,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":1792,"position":1795,"layout":1691,"otherPoiType":1796,"logoPath":1611,"poiTagsByCategory":1797},"\u002Fapi\u002Fpois\u002F019e91ab-84b9-7578-ac23-e8a9ddb752cc","Cappella di Piazza",{"@id":1480,"@type":1481,"id":1482,"translations":1750,"poiCategory":1755},[1751,1753],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1752,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1754,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1756},[1757,1759],{"@type":1506,"@id":1507,"name":1508,"language":1758,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1760,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.31858392924521","11.331664407399757",[],[1765,1774],{"@type":1572,"@id":1766,"description":1767,"abstract":1768,"timetable":16,"title":1769,"subtitle":16,"ctaText":1770,"extraInformations":16,"language":1771,"slug":1772,"slugFormatted":1773},"\u002Fapi\u002F.well-known\u002Fgenid\u002F347665889d9dd422d89b","\u003Ch2>Cappella di Piazza, il miracolo artistico e spirituale della Siena medievale\u003C\u002Fh2>\r\n\r\n\u003Cp>Era il 1352. Siena si leccava ancora le ferite, dopo la devastante \u003Cstrong>Peste Nera\u003C\u002Fstrong> di quattro anni prima: decimata, ma pronta a risorgere come una fenice. Fu così fondata la \u003Cstrong>Cappella di Piazza\u003C\u002Fstrong>, come ringraziamento alla Vergine Maria per la fine della peste, come segno di speranza e rinascita, come simbolo della fusione tra potere civile e spiritualità senese. L’edificio racconta secoli di storia: dai primordi come portico a tre arcate, alla trasformazione in cappella sacra con volta a crociera tra XIII e XIV secolo, fino al posizionamento del coro ligneo per le reliquie di Costantinopoli nel 1359.\u003C\u002Fp>\r\n\r\n\u003Ch3>Architettura e scultura: un mosaico di maestria senese\u003C\u002Fh3>\r\n\r\n\u003Cp>Tra il 1461 e il 1468, \u003Cstrong>Antonio Federighi\u003C\u002Fstrong> rivoluzionò la struttura con una volta retta da archi a tutto sesto e raffinati dettagli “antichizzanti”. La facciata, completamente rifatta nel 1846 da \u003Cstrong>Enea Becheroni\u003C\u002Fstrong>, si unisce ai marmi pregiati del XIII secolo, forse provenienti dal Duomo, creando un mosaico storico e artistico unico. Le nicchie dei pilastri custodiscono imponenti statue di santi (1378-1382), realizzate da \u003Cstrong>Mariano d’Angelo Romanelli\u003C\u002Fstrong> e \u003Cstrong>Bartolomeo di Tommé\u003C\u002Fstrong>, mentre le grate in ferro battuto del XIV secolo, opera degli artigiani \u003Cstrong>Conte di Iello Orlandi\u003C\u002Fstrong> e \u003Cstrong>Pietruccio di Betto\u003C\u002Fstrong>, proteggono l’antico spazio sacro.\u003C\u002Fp>\r\n\r\n\u003Ch3>Dalla Maestà al Sodoma: arte che parla di fede\u003C\u002Fh3>\r\n\r\n\u003Cp>Tra il 1537 e il 1539, \u003Cstrong>Giovanni Antonio Bazzi\u003C\u002Fstrong>, detto \u003Cstrong>Il Sodoma\u003C\u002Fstrong>, arricchì l’altare con l’affresco della \u003Cstrong>Madonna con il Figlio e Dio Padre\u003C\u002Fstrong>. I resti di quest’opera straordinaria oggi si conservano nel Museo Civico, testimonianza tangibile della maestria della scuola senese. Ogni affresco e dettaglio narrano la devozione, l’arte e la storia di una città che sa trasformare la fede in bellezza duratura.\u003C\u002Fp>\r\n\r\n\u003Ch2>Cappella di Piazza, luogo di speranza e identità collettiva\u003C\u002Fh2>\r\n\r\n\u003Cp>La cappella mantiene il suo ruolo nella vita cittadina: ogni mattina del Palio, l’Arcivescovo celebra la \u003Cstrong>Messa del Fantino\u003C\u002Fstrong>, benedicendo i protagonisti e le Contrade. Nel 2022, illuminata di blu e giallo, ha espresso la vicinanza della città al popolo ucraino, confermando la sua vocazione di luogo simbolico di speranza, solidarietà e identità collettiva.\u003C\u002Fp>","\u003Cp> La \u003Cstrong>Cappella di Piazza\u003C\u002Fstrong> a Siena è un ambiente ricco di storia, arte e devozione tra affreschi, sculture rinascimentali e tradizioni secolari che rendono unico Palazzo Pubblico.\u003C\u002Fp>","Cappella di Piazza, il gioiello tra le mura del Palazzo Pubblico di Siena","\u003Cdiv>Rivivi la storia della \u003Cstrong>Cappella di Piazza\u003C\u002Fstrong> a Siena, dove ogni affresco, statua e dettaglio racconta secoli di devozione e tradizione senese.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"cappella-di-piazza","\u002Fcappella-di-piazza",{"@type":1572,"@id":1775,"description":1776,"abstract":1777,"timetable":16,"title":1778,"subtitle":16,"ctaText":1779,"extraInformations":16,"language":1780,"slug":1772,"slugFormatted":1781},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff43293cb933240004da9","\u003Ch2>Piazza Chapel, the artistic and spiritual miracle of medieval Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>It was 1352. Siena was still licking its wounds after the devastating \u003Cstrong>Black Death\u003C\u002Fstrong> four years earlier: decimated, but ready to rise again like a phoenix. Thus, the \u003Cstrong>Piazza Chapel\u003C\u002Fstrong> was founded as a thank you to the Virgin Mary for the end of the plague, as a sign of hope and rebirth, as a symbol of the fusion between civil power and Sienese spirituality. The building tells centuries of history: from its origins as a portico with three arches, to its transformation into a sacred chapel with a ribbed vault between the 13th and 14th centuries, up to the placement of the wooden choir for the relics of Constantinople in 1359.\u003C\u002Fp>\r\n\r\n\u003Ch3>Architecture and sculpture: a mosaic of Sienese mastery\u003C\u002Fh3>\r\n\r\n\u003Cp>Between 1461 and 1468, \u003Cstrong>Antonio Federighi\u003C\u002Fstrong> revolutionized the structure with a vault supported by semicircular arches and refined “antiquizing” details. The facade, completely redone in 1846 by \u003Cstrong>Enea Becheroni\u003C\u002Fstrong>, joins the precious marbles of the 13th century, perhaps from the Cathedral, creating a unique historical and artistic mosaic. The niches of the pillars house imposing statues of saints (1378-1382), created by \u003Cstrong>Mariano d’Angelo Romanelli\u003C\u002Fstrong> and \u003Cstrong>Bartolomeo di Tommé\u003C\u002Fstrong>, while the wrought iron grilles of the 14th century, crafted by artisans \u003Cstrong>Conte di Iello Orlandi\u003C\u002Fstrong> and \u003Cstrong>Pietruccio di Betto\u003C\u002Fstrong>, protect the ancient sacred space.\u003C\u002Fp>\r\n\r\n\u003Ch3>From the Majesty to Sodoma: art that speaks of faith\u003C\u002Fh3>\r\n\r\n\u003Cp>Between 1537 and 1539, \u003Cstrong>Giovanni Antonio Bazzi\u003C\u002Fstrong>, known as \u003Cstrong>Il Sodoma\u003C\u002Fstrong>, enriched the altar with the fresco of the \u003Cstrong>Madonna with Child and God the Father\u003C\u002Fstrong>. The remains of this extraordinary work are now preserved in the Civic Museum, a tangible testimony to the mastery of the Sienese school. Each fresco and detail narrate the devotion, art, and history of a city that knows how to transform faith into lasting beauty.\u003C\u002Fp>\r\n\r\n\u003Ch2>Piazza Chapel, a place of hope and collective identity\u003C\u002Fh2>\r\n\r\n\u003Cp>The chapel maintains its role in city life: every morning of the Palio, the Archbishop celebrates the \u003Cstrong>Mass of the Jockey\u003C\u002Fstrong>, blessing the protagonists and the Contrade. In 2022, illuminated in blue and yellow, it expressed the city's solidarity with the Ukrainian people, confirming its vocation as a symbolic place of hope, solidarity, and collective identity.\u003C\u002Fp>","\u003Cp>The\u003Cstrong> Chapel of the Piazza\u003C\u002Fstrong> in Siena is a place rich in history, art, and devotion, with frescoes, Renaissance sculptures, and centuries-old traditions that make the Palazzo Pubblico unique.\u003C\u002Fp>","Piazza Chapel, the jewel within the walls of the Palazzo Pubblico in Siena","\u003Cdiv>Relive the history of the\u003Cstrong> Piazza Chapel\u003C\u002Fstrong> in Siena, where every fresco, statue and detail tells of centuries of Sienese devotion and tradition.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fcappella-di-piazza",[],[1784,1788],{"@type":1592,"@id":1785,"translations":1786,"position":1491,"imagePath":1787},"\u002Fapi\u002F.well-known\u002Fgenid\u002F65092b4d4c113b7ad3ce",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcappella-di-piazza-dettaglio-facciata-6a8c1e81ece4a396774477.jpg",{"@type":1592,"@id":1789,"translations":1790,"position":1491,"imagePath":1791},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa4d0fadbdca66d4dd94f",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcappella-di-piazza-del-campo-dettaglio-statue-6a8c1e82193e3159444236.jpg",{"@type":1605,"@id":1793,"hashParam":1794},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3b8f895bf2f702cbb0ab","3c596fb6a2e68a8103d60f7ab0369b8de6768f98cba0f20e56398cf1e4cd8026",90,[],[],{"@id":1799,"@type":1477,"name":1800,"poiType":1801,"address":1709,"latitude":1813,"longitude":1814,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1815,"translations":1816,"socials":1834,"gallery":1835,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":1840,"position":1795,"layout":1691,"otherPoiType":1843,"logoPath":1611,"poiTagsByCategory":1844},"\u002Fapi\u002Fpois\u002F019e9766-dc70-7620-a137-7e26a5196723","Facciatone",{"@id":1480,"@type":1481,"id":1482,"translations":1802,"poiCategory":1807},[1803,1805],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1804,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1806,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1808},[1809,1811],{"@type":1506,"@id":1507,"name":1508,"language":1810,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1812,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.3171968","11.3285564",[],[1817,1826],{"@type":1572,"@id":1818,"description":1819,"abstract":1820,"timetable":16,"title":1821,"subtitle":16,"ctaText":1822,"extraInformations":16,"language":1823,"slug":1824,"slugFormatted":1825},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0f88d4c03ec7414ed93f","\u003Ch2>Il progetto del Duomo Nuovo e l’ambizione di Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>Il vento passa tra le arcate, la città si apre dall’alto, il Duomo sembra rivelare la sua forma mancata: salire sul Facciatone di Siena è come entrare in un sogno interrotto. Secondo una tradizione popolare, da quassù si sente il peso di un’ambizione enorme. Siena aveva osato troppo, e il destino sembrava presentarle il conto. Nel \u003Cstrong>1339\u003C\u002Fstrong>, Siena si immaginò il \u003Cstrong>Duomo Nuovo\u003C\u002Fstrong>: una cattedrale destinata a diventare la più grande d’Europa, più imponente di quelle di \u003Cstrong>Firenze\u003C\u002Fstrong> e \u003Cstrong>Pisa\u003C\u002Fstrong>. Non era solo fede, era il modo con cui la città voleva dire al mondo chi era. Il \u003Cstrong>Facciatone del Duomo di Siena\u003C\u002Fstrong> doveva essere la nuova facciata principale. Dove oggi c’è il panorama, sarebbe dovuta sorgere la navata centrale.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il sogno spezzato dalla peste\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel \u003Cstrong>1348\u003C\u002Fstrong>, Siena fu devastata dalla \u003Cstrong>Peste Nera\u003C\u002Fstrong>, perdendo quasi metà della popolazione. I cantieri si fermarono, senza più ripartire. Il \u003Cstrong>Facciatone\u003C\u002Fstrong> rimase lì: una facciata senza chiesa, un monumento involontario alla fragilità dei grandi sogni umani.Secondo una tradizione diffusa, anche le fondamenta non erano adatte a sostenere il peso dell’edificio. Durante i lavori sarebbero comparse crepe e assestamenti preoccupanti. Così, il sogno di una cattedrale enorme si trasformò in una presenza incompiuta.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dal fallimento alla nascita di un simbolo di Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>Per secoli, il \u003Cstrong>Facciatone\u003C\u002Fstrong> fu visto come un fallimento. Si tentò anche di abbatterlo, ma crollarono solo parti secondarie. La struttura principale restò in piedi, quasi a rifiutarsi di sparire. Solo nell’Ottocento Siena iniziò a guardarlo in modo diverso. Il \u003Cstrong>Facciatone di Siena\u003C\u002Fstrong> divenne il simbolo di una città capace di ambizione, tragedia e resilienza. Non più solo ciò che mancava, ma ciò che restava. Guardarlo oggi significa vedere, insieme, ciò che Siena ha costruito e ciò che non ha potuto finire.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il Facciatone tra racconti e leggende\u003C\u002Fh3>\r\n\r\n\u003Cp>Intorno al \u003Cstrong>Facciatone del Duomo di Siena\u003C\u002Fstrong> il racconto storico si mescola alle leggende popolari. Si dice che, salendo fin lassù, con il vento che attraversa le arcate, si possa percepire il punto esatto in cui l’ambizione di Siena ha incontrato il destino. La stessa atmosfera sospesa alimenta anche storie più oscure: secondo la tradizione, le anime di alcuni operai morti durante i lavori o a causa della peste sarebbero rimaste legate all’edificio incompiuto. Nelle notti di vento forte, qualcuno racconta di sentire passi e colpi di scalpello tra le arcate.\u003C\u002Fp>\r\n\r\n\u003Cp>C’è poi una credenza secondo cui il \u003Cstrong>Facciatone\u003C\u002Fstrong> avrebbe accompagnato la sorte della città: ogni volta che veniva trascurato o danneggiato, Siena avrebbe attraversato periodi difficili, tra guerre, carestie ed epidemie.\u003C\u002Fp>\r\n\r\n\u003Ch2>Salire sul Facciatone: la Siena che poteva essere\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi il \u003Cstrong>Facciatone di Siena\u003C\u002Fstrong> è uno dei punti panoramici più suggestivi della città. Da lassù si capisce quanto il Duomo attuale sarebbe stato solo una parte del progetto originario. Guardarlo oggi significa vedere, insieme, ciò che Siena ha costruito e ciò che non ha potuto finire.\u003C\u002Fp>","\u003Cp>Il Facciatone del Duomo di Siena racconta il grande progetto del Duomo Nuovo: un sogno ambizioso fermato dalla storia, oggi tra i luoghi più suggestivi della città.\u003C\u002Fp>","Facciatone del Duomo di Siena: l’incompiuto che domina la città","\u003Cdiv>Lasciati guidare fino al \u003Cstrong>Facciatone del Duomo di Siena\u003C\u002Fstrong>, il lato audace sospeso nel tempo della città.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"facciatone","\u002Ffacciatone",{"@type":1572,"@id":1827,"description":1828,"abstract":1829,"timetable":16,"title":1830,"subtitle":16,"ctaText":1831,"extraInformations":16,"language":1832,"slug":1824,"slugFormatted":1833},"\u002Fapi\u002F.well-known\u002Fgenid\u002F270b6920e7b4defae336","\u003Ch2>The project of the New Cathedral and Siena's ambition\u003C\u002Fh2>\r\n\r\n\u003Cp>The wind passes through the arches, the city opens up from above, the Cathedral seems to reveal its unfulfilled shape: climbing the Facciatone of Siena is like entering an interrupted dream. According to a popular tradition, from up here one can feel the weight of a tremendous ambition. Siena had dared too much, and fate seemed to present the bill. In \u003Cstrong>1339\u003C\u002Fstrong>, Siena envisioned the \u003Cstrong>New Cathedral\u003C\u002Fstrong>: a cathedral destined to become the largest in Europe, more imposing than those of \u003Cstrong>Florence\u003C\u002Fstrong> and \u003Cstrong>Pisa\u003C\u002Fstrong>. It was not just faith; it was the way the city wanted to tell the world who it was. The \u003Cstrong>Facciatone of the Siena Cathedral\u003C\u002Fstrong> was meant to be the new main façade. Where today there is a panorama, the central nave was supposed to rise.\u003C\u002Fp>\r\n\r\n\u003Ch3>The dream shattered by the plague\u003C\u002Fh3>\r\n\r\n\u003Cp>In \u003Cstrong>1348\u003C\u002Fstrong>, Siena was devastated by the \u003Cstrong>Black Death\u003C\u002Fstrong>, losing almost half of its population. The construction sites stopped, never to restart. The \u003Cstrong>Facciatone\u003C\u002Fstrong> remained there: a façade without a church, an unintentional monument to the fragility of great human dreams. According to a widespread tradition, even the foundations were not suitable to support the weight of the building. During the works, cracks and concerning settlements would have appeared. Thus, the dream of a huge cathedral turned into an unfinished presence.\u003C\u002Fp>\r\n\r\n\u003Ch2>From failure to the birth of a symbol of Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>For centuries, the \u003Cstrong>Facciatone\u003C\u002Fstrong> was seen as a failure. There were even attempts to demolish it, but only secondary parts collapsed. The main structure stood firm, almost refusing to disappear. Only in the 19th century did Siena begin to look at it differently. The \u003Cstrong>Facciatone of Siena\u003C\u002Fstrong> became the symbol of a city capable of ambition, tragedy, and resilience. No longer just what was missing, but what remained. To look at it today means to see, together, what Siena has built and what it could not finish.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Facciatone among stories and legends\u003C\u002Fh3>\r\n\r\n\u003Cp>Around the \u003Cstrong>Facciatone of the Siena Cathedral\u003C\u002Fstrong>, historical narrative blends with popular legends. It is said that, climbing up there, with the wind passing through the arches, one can perceive the exact point where Siena's ambition met fate. The same suspended atmosphere also fuels darker stories: according to tradition, the souls of some workers who died during the construction or due to the plague would have remained bound to the unfinished building. On nights of strong wind, some claim to hear footsteps and the sound of chiseling among the arches.\u003C\u002Fp>\r\n\r\n\u003Cp>There is also a belief that the \u003Cstrong>Facciatone\u003C\u002Fstrong> has accompanied the fate of the city: whenever it was neglected or damaged, Siena would go through difficult times, marked by wars, famines, and epidemics.\u003C\u002Fp>\r\n\r\n\u003Ch2>Climbing the Facciatone: the Siena that could have been\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the \u003Cstrong>Facciatone of Siena\u003C\u002Fstrong> is one of the most evocative viewpoints in the city. From up there, one understands how the current Cathedral would have been only a part of the original project. To look at it today means to see, together, what Siena has built and what it could not finish.\u003C\u002Fp>","\u003Cp>The Facciatone of the Siena Cathedral tells the grand project of the New Cathedral: an ambitious dream halted by history, now one of the most evocative places in the city.\u003C\u002Fp>","Facciatone of the Siena Cathedral: the unfinished masterpiece that dominates the city","\u003Cdiv>Let yourself be guided to the \u003Cstrong>Facciatone of the Siena Cathedral\u003C\u002Fstrong>, the bold side suspended in time of the city.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Ffacciatone",[],[1836],{"@type":1592,"@id":1837,"translations":1838,"position":1491,"imagePath":1839},"\u002Fapi\u002F.well-known\u002Fgenid\u002F22c445b20218f2d752d9",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Ffacciatone-foto-luca-betti-6a7487a99375a770674258.jpg",{"@type":1605,"@id":1841,"hashParam":1842},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0ee30ae870f12200a442","538a18a1816ae64beca684bba3ae7f7c125dd6b56a48e07e80f98f211755b1ba",[],[],{"@id":1846,"@type":1477,"name":1847,"poiType":1848,"address":1660,"latitude":1661,"longitude":1662,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1860,"translations":1861,"socials":1879,"gallery":1880,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":1889,"position":1795,"layout":1691,"otherPoiType":1892,"logoPath":1611,"poiTagsByCategory":1893},"\u002Fapi\u002Fpois\u002F019e9184-013f-7b7d-9b14-2ff13caab311","Porta del Cielo",{"@id":1480,"@type":1481,"id":1482,"translations":1849,"poiCategory":1854},[1850,1852],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1851,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1853,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1855},[1856,1858],{"@type":1506,"@id":1507,"name":1508,"language":1857,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1859,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},[],[1862,1871],{"@type":1572,"@id":1863,"description":1864,"abstract":1865,"timetable":16,"title":1866,"subtitle":16,"ctaText":1867,"extraInformations":16,"language":1868,"slug":1869,"slugFormatted":1870},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5f6f5b276cf126e1651b","\u003Ch2>Un’ascesa verso la parte nascosta della Cattedrale\u003C\u002Fh2>\r\n\r\n\u003Cp>Il nome Porta del Cielo richiama la scala del sogno di Giacobbe, descritta nella \u003Cstrong>Genesi\u003C\u002Fstrong>, simbolo di un’ascesa verso il divino. Un’immagine che accompagna perfettamente un percorso capace di portare il visitatore oltre la chiesa visibile, dentro la sua struttura più nascosta.\u003C\u002Fp>\r\n\r\n\u003Cp>L’apertura al pubblico è recente ed è stata resa possibile grazie a un importante progetto di \u003Cstrong>restauro \u003C\u002Fstrong>e messa in sicurezza, che ha valorizzato questi spazi senza alterarne la struttura storica.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il Duomo visto dall’alto\u003C\u002Fh2>\r\n\r\n\u003Cp>Il percorso consente di camminare sopra le volte stellate della navata e osservare da vicino la complessa architettura gotica che sostiene la Cattedrale.\u003C\u002Fp>\r\n\r\n\u003Cp>Gli affacci interni permettono di ammirare dall’alto il \u003Cstrong>pavimento marmoreo\u003C\u002Fstrong>, la \u003Cstrong>Libreria Piccolomini\u003C\u002Fstrong>, la \u003Cstrong>cupola\u003C\u002Fstrong> e le \u003Cstrong>navate\u003C\u002Fstrong>, offrendo una prospettiva unica sull’intero edificio. Durante il periodo in cui il pavimento del Duomo è scoperto, la vista diventa ancora più suggestiva e permette di osservare l’intero ciclo marmoreo in un solo colpo d’occhio.\u003C\u002Fp>\r\n\r\n\u003Ch2>Camminamenti, dettagli e panorami su Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>Dai camminamenti esterni si aprono viste spettacolari su \u003Cstrong>Siena\u003C\u002Fstrong>, sul \u003Cstrong>campanile\u003C\u002Fstrong>, sul \u003Cstrong>Facciatone \u003C\u002Fstrong>e sulle \u003Cstrong>colline\u003C\u002Fstrong> circostanti, trasformando la visita in un’esperienza panoramica indimenticabile.\u003C\u002Fp>\r\n\r\n\u003Cp>Le strutture medievali originali, tra travi, scale, corridoi e passaggi, mostrano da vicino l’ingegneria e le tecniche costruttive che hanno reso possibile la realizzazione del Duomo. Anche dettagli normalmente invisibili dal basso, come capitelli, decorazioni scolpite e motivi gotici, diventano osservabili da pochi centimetri di distanza.\u003C\u002Fp>\r\n\r\n\u003Ch3>Una visita rara e preziosa\u003C\u002Fh3>\r\n\r\n\u003Cp>Per secoli questo luogo è rimasto sconosciuto: solo gli addetti ai lavori potevano accedervi. Oggi la Porta del Cielo rappresenta un’ esperienza magica, grazie alla combinazione di storia, architettura, panorami e atmosfere uniche.\u003C\u002Fp>\r\n\r\n\u003Cp>La visita è regolata da ingressi contingentati ed è accompagnata da personale specializzato, per garantire sicurezza e tutela degli ambienti. Il percorso è aperto soltanto in determinati periodi dell’anno, con orari stagionali specifici.\u003C\u002Fp>","\u003Cp>Ammirare \u003Cstrong>Siena\u003C\u002Fstrong> dal cielo non è un sogno: con la \u003Cstrong>Porta del Cielo\u003C\u002Fstrong> puoi salire sopra le volte del \u003Cstrong>Duomo \u003C\u002Fstrong>e guardare la città da una prospettiva rimasta nascosta per centinaia d’anni. E’ un percorso esclusivo che permette di accedere alle sommità della \u003Cstrong>Cattedrale di Siena\u003C\u002Fstrong>, tra sottotetti, camminamenti e affacci panoramici rimasti chiusi al pubblico per secoli.\u003C\u002Fp>\r\n\r\n\u003Cp>Questi ambienti erano utilizzati soltanto dalle maestranze e dagli architetti che hanno costruito e mantenuto nel tempo il \u003Cstrong>Duomo di Siena\u003C\u002Fstrong>, e non erano mai stati pensati per essere accessibili a tutti.\u003C\u002Fp>","Porta del Cielo: il percorso panoramico sopra il Duomo di Siena","\u003Cdiv>Scopri la Porta del Cielo e vivi il Duomo di Siena da una prospettiva unica, tra camminamenti nascosti, affacci panoramici e dettagli architettonici rimasti invisibili per secoli.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"porta-del-cielo","\u002Fporta-del-cielo",{"@type":1572,"@id":1872,"description":1873,"abstract":1874,"timetable":16,"title":1875,"subtitle":16,"ctaText":1876,"extraInformations":16,"language":1877,"slug":1869,"slugFormatted":1878},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd947094e90b4932e52dd","\u003Ch2>An ascent to the hidden part of the Cathedral\u003C\u002Fh2>\r\n\r\n\u003Cp>The name Gateway to Heaven evokes Jacob's dream ladder, described in the \u003Cstrong>Genesis\u003C\u002Fstrong>, a symbol of an ascent to the divine. An image that perfectly accompanies a path capable of taking the visitor beyond the visible church, into its most hidden structure.\u003C\u002Fp>\r\n\r\n\u003Cp>The opening to the public is recent and has been made possible thanks to an important \u003Cstrong>restoration\u003C\u002Fstrong> and safety project, which has enhanced these spaces without altering their historical structure.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Cathedral seen from above\u003C\u002Fh2>\r\n\r\n\u003Cp>The path allows you to walk above the starry vaults of the nave and closely observe the complex Gothic architecture that supports the Cathedral.\u003C\u002Fp>\r\n\r\n\u003Cp>The internal views allow you to admire from above the \u003Cstrong>marble floor\u003C\u002Fstrong>, the \u003Cstrong>Piccolomini Library\u003C\u002Fstrong>, the \u003Cstrong>dome\u003C\u002Fstrong>, and the \u003Cstrong>naves\u003C\u002Fstrong>, offering a unique perspective on the entire building. During the period when the Cathedral's floor is uncovered, the view becomes even more evocative and allows you to see the entire marble cycle in one glance.\u003C\u002Fp>\r\n\r\n\u003Ch2>Walkways, details, and views of Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>From the external walkways, spectacular views open up on \u003Cstrong>Siena\u003C\u002Fstrong>, the \u003Cstrong>bell tower\u003C\u002Fstrong>, the \u003Cstrong>Facciatone\u003C\u002Fstrong>, and the surrounding \u003Cstrong>hills\u003C\u002Fstrong>, transforming the visit into an unforgettable panoramic experience.\u003C\u002Fp>\r\n\r\n\u003Cp>The original medieval structures, among beams, stairs, corridors, and passages, closely show the engineering and construction techniques that made the realization of the Cathedral possible. Even details normally invisible from below, such as capitals, sculpted decorations, and Gothic motifs, become observable from just a few centimeters away.\u003C\u002Fp>\r\n\r\n\u003Ch3>A rare and precious visit\u003C\u002Fh3>\r\n\r\n\u003Cp>For centuries this place remained unknown: only those in the know could access it. Today, the Gateway to Heaven represents a magical experience, thanks to the combination of history, architecture, views, and unique atmospheres.\u003C\u002Fp>\r\n\r\n\u003Cp>The visit is regulated by limited entries and is accompanied by specialized personnel, to ensure safety and protection of the environments. The path is open only during certain periods of the year, with specific seasonal hours.\u003C\u002Fp>","\u003Cp>Admiring \u003Cstrong>Siena\u003C\u002Fstrong> from the sky is not a dream: with the \u003Cstrong>Gateway to Heaven\u003C\u002Fstrong> you can climb above the vaults of the \u003Cstrong>Cathedral\u003C\u002Fstrong> and view the city from a perspective that has remained hidden for hundreds of years. It is an exclusive path that allows access to the heights of the \u003Cstrong>Siena Cathedral\u003C\u002Fstrong>, among attics, walkways, and panoramic views that have been closed to the public for centuries.\u003C\u002Fp>\r\n\r\n\u003Cp>These spaces were used only by the craftsmen and architects who built and maintained the \u003Cstrong>Siena Cathedral\u003C\u002Fstrong> over time, and they were never intended to be accessible to everyone.\u003C\u002Fp>","Gateway to Heaven: the panoramic path above the Siena Cathedral","\u003Cdiv>Discover the Gateway to Heaven and experience the Siena Cathedral from a unique perspective, among hidden walkways, panoramic views, and architectural details that have remained invisible for centuries.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fporta-del-cielo",[],[1881,1885],{"@type":1592,"@id":1882,"translations":1883,"position":1491,"imagePath":1884},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd77ad811e2e3fa24261f",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fscorcio-percorso-porta-del-cielo-foto-luca-betti-6a749a7cc6953347959180.jpg",{"@type":1592,"@id":1886,"translations":1887,"position":1491,"imagePath":1888},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3ea2c2a220cc6257548c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-sottotetti-foto-luca-betti-6a749a7ca6a65071611849.jpg",{"@type":1605,"@id":1890,"hashParam":1891},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdc4382820d5ef54f8113","1b1af8e68c48652962fdeab9145250f6dd292f554ccc8091c66a975f715375cd",[],[],{"@id":1895,"@type":1477,"name":1896,"poiType":1897,"address":1909,"latitude":1910,"longitude":1911,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1912,"translations":1913,"socials":1931,"gallery":1932,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":1945,"position":1795,"layout":1948,"otherPoiType":1949,"logoPath":1611,"poiTagsByCategory":1950},"\u002Fapi\u002Fpois\u002F019e9176-1973-7149-8fbd-bc1d98b03733","Sala del Pellegrinaio",{"@id":1480,"@type":1481,"id":1482,"translations":1898,"poiCategory":1903},[1899,1901],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1900,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1902,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1904},[1905,1907],{"@type":1506,"@id":1507,"name":1508,"language":1906,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1908,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Piazza del Duomo, 1","43.317132320281814","11.328934211930354",[],[1914,1923],{"@type":1572,"@id":1915,"description":1916,"abstract":1917,"timetable":16,"title":1918,"subtitle":16,"ctaText":1919,"extraInformations":16,"language":1920,"slug":1921,"slugFormatted":1922},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7b6e871c33fe35ce470b","\u003Ch2>Sala del Pellegrinaio, dove arte, storia e accoglienza si incontrano\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel cuore di Siena, di fronte al \u003Cstrong>Duomo\u003C\u002Fstrong>, esiste una sala che racconta la storia della cura, lmolto prima che diventasse un gesto di accoglienza e solidarietà. La \u003Cstrong>Sala del Pellegrinaio\u003C\u002Fstrong>, all’interno del \u003Cstrong>Complesso Museale di Santa Maria della Scala\u003C\u002Fstrong>, nacque tra il \u003Cstrong>1320 e il 1380\u003C\u002Fstrong> come grande corsia ospedaliera destinata ad accogliere pellegrini, malati, poveri e viandanti.\u003C\u002Fp>\r\n\r\n\u003Cp>Il nome \u003Cstrong>Pellegrinaio\u003C\u002Fstrong> deriva proprio dalla sua funzione originaria: uno spazio ampio, luminoso ospitale, dove chi percorreva la \u003Cstrong>Via Francigena\u003C\u002Fstrong> poteva trovare riposo e assistenza gratuita. Un luogo nato per dare risposta ai bisogni concreti delle persone, dentro uno dei più antichi ospedali d’Europa.\u003C\u002Fp>\r\n\r\n\u003Ch3>Gli affreschi che raccontano la sanità medievale\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel Quattrocento, la sala venne decorata con un ciclo di affreschi unico nel suo genere, realizzato da importanti artisti senesi come \u003Cstrong>Domenico di Bartolo\u003C\u002Fstrong>, \u003Cstrong>Priamo della Quercia\u003C\u002Fstrong> e \u003Cstrong>Lorenzo Vecchietta\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Le scene raccontano con sorprendente realismo la vita quotidiana dell’ospedale: l’accoglienza dei pellegrini, la cura dei malati, la distribuzione del cibo ai poveri e la gestione dei \u003Cstrong>gettatelli\u003C\u002Fstrong>, i bambini abbandonati. Strumenti medici, abiti, arredi e pratiche assistenziali sono rappresentati con grande precisione, offrendo una testimonianza visiva rarissima dell’avanguardia della \u003Cstrong>sanità medievale\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Sala del Pellegrinaio: un ambiente solenne, pensato come un racconto\u003C\u002Fh2>\r\n\r\n\u003Cp>La \u003Cstrong>Sala del Pellegrinaio\u003C\u002Fstrong> conserva ancora oggi la sua architettura originaria: uno spazio ampio e maestoso, con copertura a capriate lignee e una luce naturale che valorizza gli affreschi.\u003C\u002Fp>\r\n\r\n\u003Cp>Il ciclo pittorico è pensato come un racconto continuo, da leggere da sinistra verso destra. Ogni scena illustra la missione caritativa dell’ospedale e il ruolo che il \u003Cstrong>Santa Maria della Scala\u003C\u002Fstrong> aveva nella società senese.\u003C\u002Fp>\r\n\r\n\u003Ch3>Santa Maria della Scala, un ospedale lungo secoli\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>Santa Maria della Scala\u003C\u002Fstrong> è rimasto attivo come ospedale fino al \u003Cstrong>1998\u003C\u002Fstrong>, un dato che rende ancora più forte il valore storico della sala. Qui la memoria dell’assistenza non è astratta: si legge nei muri, negli affreschi, nella funzione stessa dello spazio.\u003C\u002Fp>\r\n\r\n\u003Cp>Anche la costruzione del Pellegrinaio maschile, nel \u003Cstrong>1328\u003C\u002Fstrong>, racconta l’importanza del progetto: per realizzarlo furono demoliti edifici circostanti e superato un forte dislivello, con un intervento ingegneristico notevole per l’epoca.\u003C\u002Fp>\r\n\r\n\u003Ch2>Visitare la Sala del Pellegrinaio oggi\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi la \u003Cstrong>Sala del Pellegrinaio a Siena\u003C\u002Fstrong> è uno degli ambienti più visitati del complesso museale. È un luogo in cui \u003Cstrong>arte\u003C\u002Fstrong>, \u003Cstrong>storia\u003C\u002Fstrong> e solidarietà medievale si intrecciano in modo potente, restituendo il volto più umano del Santa Maria della Scala.\u003C\u002Fp>\r\n\r\n\u003Cp>Visita la \u003Cstrong>Sala del Pellegrinaio\u003C\u002Fstrong> e scopri uno degli spazi più emozionanti di Siena: un luogo dove la bellezza degli affreschi racconta secoli di cura, accoglienza e memoria.\u003C\u002Fp>\r\n\r\n\u003Cp>Crediti:\u003C\u002Fp>\r\n\r\n\u003Cp>- Luca Deravignone\u003C\u002Fp>\r\n\r\n\u003Cp>- Roberto Testi\u003C\u002Fp>","\u003Cp>Scopri la \u003Cstrong>Sala del Pellegrinaio\u003C\u002Fstrong> a Siena, nel Complesso Museale di Santa Maria della Scala: affreschi, sanità medievale e storia dell’accoglienza.\u003C\u002Fp>","Sala del Pellegrinaio e gli affreschi che raccontano la cura a Siena","\u003Cdiv>Visita la Sala del Pellegrinaio e scopri uno degli spazi più emozionanti di Siena: un luogo dove la bellezza degli affreschi racconta secoli di cura, accoglienza e memoria.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"sala-del-pellegrinaio","\u002Fsala-del-pellegrinaio",{"@type":1572,"@id":1924,"description":1925,"abstract":1926,"timetable":16,"title":1927,"subtitle":16,"ctaText":1928,"extraInformations":16,"language":1929,"slug":1921,"slugFormatted":1930},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd4a9b13db13f8bec90b8","\u003Ch2>Pellegrinaio Hall, where art, history, and hospitality meet\u003C\u002Fh2>\r\n\r\n\u003Cp>In the heart of Siena, in front of the \u003Cstrong>Cathedral\u003C\u002Fstrong>, there is a hall that tells the story of care, long before it became an act of hospitality and solidarity. The \u003Cstrong>Pellegrinaio Hall\u003C\u002Fstrong>, within the \u003Cstrong>Santa Maria della Scala Museum Complex\u003C\u002Fstrong>, was created between \u003Cstrong>1320 and 1380\u003C\u002Fstrong> as a large hospital corridor intended to welcome pilgrims, the sick, the poor, and travelers.\u003C\u002Fp>\r\n\r\n\u003Cp>The name \u003Cstrong>Pellegrinaio\u003C\u002Fstrong> comes from its original function: a spacious, bright, hospitable area where those traveling the \u003Cstrong>Via Francigena\u003C\u002Fstrong> could find rest and free assistance. A place born to respond to the concrete needs of people, within one of the oldest hospitals in Europe.\u003C\u002Fp>\r\n\r\n\u003Ch3>The frescoes that tell the story of medieval healthcare\u003C\u002Fh3>\r\n\r\n\u003Cp>In the fifteenth century, the hall was decorated with a unique cycle of frescoes, created by important Sienese artists such as \u003Cstrong>Domenico di Bartolo\u003C\u002Fstrong>, \u003Cstrong>Priamo della Quercia\u003C\u002Fstrong>, and \u003Cstrong>Lorenzo Vecchietta\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The scenes depict with surprising realism the daily life of the hospital: the welcoming of pilgrims, the care of the sick, the distribution of food to the poor, and the management of \u003Cstrong>gettatelli\u003C\u002Fstrong>, the abandoned children. Medical instruments, clothing, furnishings, and care practices are represented with great precision, offering a rare visual testimony of the forefront of \u003Cstrong>medieval healthcare\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Pellegrinaio Hall: a solemn environment, designed as a narrative\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Pellegrinaio Hall\u003C\u002Fstrong> still preserves its original architecture today: a spacious and majestic area, with wooden truss roofing and natural light that enhances the frescoes.\u003C\u002Fp>\r\n\r\n\u003Cp>The pictorial cycle is designed as a continuous narrative, to be read from left to right. Each scene illustrates the charitable mission of the hospital and the role that \u003Cstrong>Santa Maria della Scala\u003C\u002Fstrong> had in Sienese society.\u003C\u002Fp>\r\n\r\n\u003Ch3>Santa Maria della Scala, a hospital for centuries\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Santa Maria della Scala\u003C\u002Fstrong> remained active as a hospital until \u003Cstrong>1998\u003C\u002Fstrong>, a fact that further strengthens the historical value of the hall. Here, the memory of assistance is not abstract: it is read in the walls, in the frescoes, in the very function of the space.\u003C\u002Fp>\r\n\r\n\u003Cp>Even the construction of the male Pellegrinaio, in \u003Cstrong>1328\u003C\u002Fstrong>, tells the importance of the project: to realize it, surrounding buildings were demolished and a significant height difference was overcome, with a remarkable engineering intervention for the time.\u003C\u002Fp>\r\n\r\n\u003Ch2>Visiting Pellegrinaio Hall today\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the \u003Cstrong>Pellegrinaio Hall in Siena\u003C\u002Fstrong> is one of the most visited areas of the museum complex. It is a place where \u003Cstrong>art\u003C\u002Fstrong>, \u003Cstrong>history\u003C\u002Fstrong>, and medieval solidarity intertwine powerfully, restoring the most human face of Santa Maria della Scala.\u003C\u002Fp>\r\n\r\n\u003Cp>Visit the \u003Cstrong>Pellegrinaio Hall\u003C\u002Fstrong> and discover one of the most exciting spaces in Siena: a place where the beauty of the frescoes tells centuries of care, hospitality, and memory.\u003C\u002Fp>\r\n\r\n\u003Cp>Credits:\u003C\u002Fp>\r\n\r\n\u003Cp>- Luca Deravignone\u003C\u002Fp>\r\n\r\n\u003Cp>- Roberto Testi\u003C\u002Fp>","\u003Cp>Discover the \u003Cstrong>Sala del Pellegrinaio\u003C\u002Fstrong> in Siena, in the Santa Maria della Scala Museum Complex: frescoes, medieval healthcare, and the history of hospitality.\u003C\u002Fp>","Pellegrinaio Hall and the Frescoes that Tell the Story of Care in Siena","\u003Cdiv>Visit the Sala del Pellegrinaio and discover one of Siena's most moving spaces: a place where the beauty of the frescoes recounts centuries of care, hospitality, and memory.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fsala-del-pellegrinaio",[],[1933,1937,1941],{"@type":1592,"@id":1934,"translations":1935,"position":1491,"imagePath":1936},"\u002Fapi\u002F.well-known\u002Fgenid\u002F798f41c59560836f2b8a",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fluca-deravignone-pellegrinaio-6a75ceae71721145118446.jpg",{"@type":1592,"@id":1938,"translations":1939,"position":1491,"imagePath":1940},"\u002Fapi\u002F.well-known\u002Fgenid\u002F1ce6662144f20ae09495",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsanta-maria-della-scala-sala-del-pellegrinaio-4-6a75cf663ad0b325521486.jpg",{"@type":1592,"@id":1942,"translations":1943,"position":1491,"imagePath":1944},"\u002Fapi\u002F.well-known\u002Fgenid\u002F32eb23a6b45054b796f9",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsanta-maria-della-scala-sala-del-pellegrinaio-dettaglio-affreschi-2-6a75cf661af12124762153.jpg",{"@type":1605,"@id":1946,"hashParam":1947},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdee5768e4e968b6d46a8","520c3f0842f8b60bd4a1af5910964532cefe09387bc9037becbdd1e3bd99c352","EMOTIONAL_1",[],[],{"@id":1952,"@type":1477,"name":1953,"poiType":1954,"address":1966,"latitude":1967,"longitude":1968,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1969,"translations":1970,"socials":1988,"gallery":1989,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2002,"position":1410,"layout":1691,"otherPoiType":2005,"logoPath":1611,"poiTagsByCategory":2006},"\u002Fapi\u002Fpois\u002F019e6426-2e87-75a3-bda1-45deda315d30","Bottini",{"@id":1480,"@type":1481,"id":1482,"translations":1955,"poiCategory":1960},[1956,1958],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":1957,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":1959,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":1961},[1962,1964],{"@type":1506,"@id":1507,"name":1508,"language":1963,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":1965,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"via della Sapienza, 5","43.3206400758693","11.329109823178213",[],[1971,1980],{"@type":1572,"@id":1972,"description":1973,"abstract":1974,"timetable":16,"title":1975,"subtitle":16,"ctaText":1976,"extraInformations":16,"language":1977,"slug":1978,"slugFormatted":1979},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffb7fd0188f012cdd8a99","\u003Ch2>Un sistema sotterraneo nato per l’acqua\u003C\u002Fh2>\r\n\r\n\u003Cp>Il nome Bottini deriva da “botte”, il barile, per la forma tondeggiante delle gallerie. Una curiosità semplice, ma capace di raccontarne la funzione: raccogliere, custodire e portare l’acqua fino alla città, la risorsa più preziosa.\u003C\u002Fp>\r\n\r\n\u003Cp>La luce che filtra dalle piccole aperture crea giochi di ombre e riflessi sull’acqua limpida. L’atmosfera è sospesa, quasi surreale: sembra di camminare dentro un racconto antico, dove ogni passo risuona come un’eco lontana.\u003C\u002Fp>\r\n\r\n\u003Ch2>I bottinai e le leggende sotterranee\u003C\u002Fh2>\r\n\r\n\u003Cp>Gli antichi \u003Cstrong>bottinai\u003C\u002Fstrong>, custodi di questo mondo sotterraneo, erano figure quasi leggendarie. Si dice che riconoscessero un’infiltrazione solo dal suono di una goccia e che sapessero orientarsi nel buio grazie al ritmo dell’acqua.\u003C\u002Fp>\r\n\r\n\u003Cp>Attorno ai Bottini di Siena sono nate anche storie ricche di mistero: quella del \u003Cstrong>folletto dei Bottini\u003C\u002Fstrong>, \u003Cstrong>spirito\u003C\u002Fstrong> benevolo che avrebbe protetto le acque e guidato i bottinai nei momenti di difficoltà, e quella di alcuni tratti considerati “acque miracolose” o evitati per timore di spiriti inquieti. Un intreccio di memoria e\u003Cstrong> leggenda \u003C\u002Fstrong>che rende questo luogo ancora più suggestivo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Simboli, incisioni e memoria\u003C\u002Fh2>\r\n\r\n\u003Cp>Lungo il percorso compaiono incisioni, simboli delle \u003Cstrong>Contrade\u003C\u002Fstrong>, nicchie scolpite e piccoli dettagli che parlano di devozione e cura. Ogni segno è un frammento di memoria lasciato da chi ha custodito questi spazi nei secoli.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un’esperienza nella Siena più autentica\u003C\u002Fh3>\r\n\r\n\u003Cp>Visitare i Bottini di Siena significa vivere un’esperienza sensoriale: il fresco della pietra, il suono dell’acqua, il silenzio che avvolge tutto. È un viaggio nella Siena più autentica, quella che non si vede in superficie ma che sostiene la città da sempre.\u003C\u002Fp>\r\n\r\n\u003Cp>Crediti:\u003C\u002Fp>\r\n\r\n\u003Cp>- Associazione La Diana\u003C\u002Fp>","\u003Cp>Sotto le strade di \u003Cstrong>Siena\u003C\u002Fstrong> esiste un’altra città: silenziosa, fresca, attraversata dall’acqua e dalla memoria. I \u003Cstrong>Bottini \u003C\u002Fstrong>di Siena sono il volto nascosto del centro storico, un mondo sotterraneo dove l’acqua scorre da secoli come un sussurro antico.\u003C\u002Fp>\r\n\r\n\u003Cp>Entrarvi significa scoprire una Siena segreta e sorprendentemente viva. Le gallerie, scavate a mano nel tufo a partire dal \u003Cstrong>Medioevo\u003C\u002Fstrong>, sono un capolavoro di \u003Cstrong>ingegneria idraulica\u003C\u002Fstrong>, costruito dai senesi con pazienza e ingegno.\u003C\u002Fp>","Bottini di Siena: il cuore nascosto della città","\u003Cdiv>Scendi nel cuore nascosto di Siena e \u003Cstrong>lasciati \u003C\u002Fstrong>accompagnare dal suono dell’acqua, tra gallerie medievali, leggende e tracce di una città segreta.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"bottini","\u002Fbottini",{"@type":1572,"@id":1981,"description":1982,"abstract":1983,"timetable":16,"title":1984,"subtitle":16,"ctaText":1985,"extraInformations":16,"language":1986,"slug":1978,"slugFormatted":1987},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0eb068dacf20f6639af3","\u003Ch2>An underground system born for water\u003C\u002Fh2>\r\n\r\n\u003Cp>The name Bottini comes from “botte,” the barrel, due to the rounded shape of the galleries. A simple curiosity, but one that tells of its function: to collect, store, and bring water to the city, the most precious resource.\u003C\u002Fp>\r\n\r\n\u003Cp>The light filtering through the small openings creates plays of shadows and reflections on the clear water. The atmosphere is suspended, almost surreal: it feels like walking inside an ancient tale, where every step resonates like a distant echo.\u003C\u002Fp>\r\n\r\n\u003Ch2>The bottinai and underground legends\u003C\u002Fh2>\r\n\r\n\u003Cp>The ancient \u003Cstrong>bottinai\u003C\u002Fstrong>, guardians of this underground world, were almost legendary figures. It is said that they could recognize a leak just by the sound of a drop and that they could navigate in the dark thanks to the rhythm of the water.\u003C\u002Fp>\r\n\r\n\u003Cp>Around the Bottini of Siena, stories rich in mystery have also emerged: that of the \u003Cstrong>goblin of the Bottini\u003C\u002Fstrong>, a benevolent \u003Cstrong>spirit\u003C\u002Fstrong> that would protect the waters and guide the bottinai in times of difficulty, and that of certain stretches considered “miraculous waters” or avoided for fear of restless spirits. A weave of memory and \u003Cstrong>legend\u003C\u002Fstrong> that makes this place even more evocative.\u003C\u002Fp>\r\n\r\n\u003Ch2>Symbols, engravings, and memory\u003C\u002Fh2>\r\n\r\n\u003Cp>Along the path, engravings appear, symbols of the \u003Cstrong>Contrade\u003C\u002Fstrong>, carved niches, and small details that speak of devotion and care. Every mark is a fragment of memory left by those who have guarded these spaces over the centuries.\u003C\u002Fp>\r\n\r\n\u003Ch3>An experience in the most authentic Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>Visiting the Bottini of Siena means experiencing a sensory journey: the coolness of the stone, the sound of water, the silence that envelops everything. It is a journey into the most authentic Siena, the one that is not seen on the surface but has always supported the city.\u003C\u002Fp>\r\n\r\n\u003Cp>Credits:\u003C\u002Fp>\r\n\r\n\u003Cp>- Associazione La Diana\u003C\u002Fp>","\u003Cp>Under the streets of \u003Cstrong>Siena\u003C\u002Fstrong> lies another city: silent, cool, traversed by water and memory. The \u003Cstrong>Bottini\u003C\u002Fstrong> of Siena are the hidden face of the historic center, an underground world where water has flowed for centuries like an ancient whisper.\u003C\u002Fp>\r\n\r\n\u003Cp>Entering them means discovering a secret and surprisingly vibrant Siena. The galleries, hand-carved in tuff since the \u003Cstrong>Middle Ages\u003C\u002Fstrong>, are a masterpiece of \u003Cstrong>hydraulic engineering\u003C\u002Fstrong>, built by the Sienese with patience and ingenuity.\u003C\u002Fp>","Siena's Bottini: the hidden heart of the city","\u003Cdiv>Descend into the hidden heart of Siena and let yourself be guided by the sound of water, through medieval galleries, legends, and traces of a secret city.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fbottini",[],[1990,1994,1998],{"@type":1592,"@id":1991,"translations":1992,"position":1491,"imagePath":1993},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7a80b3f057dd7510361c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbottini-4-6a749bf535796305992699.jpg",{"@type":1592,"@id":1995,"translations":1996,"position":1491,"imagePath":1997},"\u002Fapi\u002F.well-known\u002Fgenid\u002F08a15e48e308f9df5218",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbottini-5-6a749bf554dad663176373.jpg",{"@type":1592,"@id":1999,"translations":2000,"position":1491,"imagePath":2001},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdd4ec2aff068a3a68535",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbottini-3-6a749bf55dea9865408203.jpg",{"@type":1605,"@id":2003,"hashParam":2004},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd4db0660077f825eb8c7","26ddc8fe97d5e1101c287c515608a17d36729dcf4be2ae49c6d5d10cfb6f4da8",[],[],{"@id":2008,"@type":1477,"name":2009,"poiType":2010,"address":1709,"latitude":2022,"longitude":2023,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2024,"translations":2025,"socials":2043,"gallery":2044,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2057,"position":2060,"layout":2061,"otherPoiType":2062,"logoPath":1611,"poiTagsByCategory":2063},"\u002Fapi\u002Fpois\u002F019e91a5-fdc1-79fc-b00d-994738528545","Altare Maggiore",{"@id":1480,"@type":1481,"id":1482,"translations":2011,"poiCategory":2016},[2012,2014],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2013,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2015,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2017},[2018,2020],{"@type":1506,"@id":1507,"name":1508,"language":2019,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2021,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.31789701782599","11.328992927273758",[],[2026,2035],{"@type":1572,"@id":2027,"description":2028,"abstract":2029,"timetable":16,"title":2030,"subtitle":16,"ctaText":2031,"extraInformations":16,"language":2032,"slug":2033,"slugFormatted":2034},"\u002Fapi\u002F.well-known\u002Fgenid\u002F69e30878b2aeca5250ed","\u003Ch2>L’Altare Maggiore: capolavoro rinascimentale tra arte e fede\u003C\u002Fh2>\r\n\r\n\u003Cp>Marmo lucente, bronzi vibranti, storia plurisecolare. L’\u003Cstrong>Altare Maggiore del Duomo di Siena\u003C\u002Fstrong> si rivela così alla città. Progettato da \u003Cstrong>Baldassarre Peruzzi\u003C\u002Fstrong> tra il 1530 e il 1541, l’altare accoglieva la \u003Cstrong>Maestà di Duccio di Buoninsegna\u003C\u002Fstrong> e, nei decenni successivi, fu arricchito da sculture bronzee di \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> e \u003Cstrong>Giovanni di Stefano\u003C\u002Fstrong>, creando un dialogo perfetto tra architettura, scultura e teologia.\u003C\u002Fp>\r\n\r\n\u003Ch3>Dal Cinquecento a oggi: l’Altare Maggiore, un capolavoro in trasformazione\u003C\u002Fh3>\r\n\r\n\u003Cp>Originariamente, la \u003Cstrong>Maestà\u003C\u002Fstrong> era affiancata da angeli lignei oggi perduti, testimoni di un’epoca passata. Nel 1488, \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> e \u003Cstrong>Giovanni di Stefano\u003C\u002Fstrong> realizzarono i primi bronzi reggi-candelabro, dando nuova vita alla composizione. Poi, nel 1506, il \u003Cstrong>ciborio del Vecchietta\u003C\u002Fstrong> prese il posto della Maestà, ponendo al centro l’\u003Cstrong>Eucaristia\u003C\u002Fstrong> e il miracolo della transustanziazione. Peruzzi concepì un podio marmoreo che unisse armoniosamente il ciborio, i bronzi laterali e gli spiritelli aggiunti in seguito, creando un equilibrio perfetto tra sacro e arte rinascimentale, dove ogni elemento dialoga con l’altro in un’armonia senza tempo.\u003C\u002Fp>\r\n\r\n\u003Ch3>Ciborio del Vecchietta: l’anima dell’altare\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>Ciborio\u003C\u002Fstrong> custodisce l’ostia e celebra la Redenzione: Cristo Risorto versa il sangue nel calice sorretto dagli angeli, mentre spiritelli, musicanti e volute decorano la base con energia e vitalità. La struttura richiama Brunelleschi con la cupola a squame e le colonne corinzie, mentre le figure ricordano la potenza espressiva di Donatello. Ogni dettaglio è un piccolo capolavoro di \u003Cstrong>arte sacra\u003C\u002Fstrong> e precisione rinascimentale.\u003C\u002Fp>\r\n\r\n\u003Ch2>L’Altare che è diventato oggetto di studio\u003C\u002Fh2>\r\n\r\n\u003Cp>L’\u003Cstrong>Altare a tre urne sovrapposte\u003C\u002Fstrong>, completato nel 1541 divenne un esempio replicato a Siena e Cortona. I documenti confermano l’impegno, la cura dei marmi policromi e delle iscrizioni bibliche (“Hic est panis vivus…”) che sottolineano il valore eucaristico e la bellezza senza tempo della struttura.\u003C\u002Fp>\r\n\r\n\u003Cp>Lasciati stupire dall’\u003Cstrong>Altare Maggiore del Duomo di Siena\u003C\u002Fstrong>, dove \u003Cstrong>arte, storia e devozione\u003C\u002Fstrong> si incontrano. Ammira i bronzi, il ciborio e i dettagli rinascimentali che rendono il Duomo un luogo di emozioni indimenticabili.\u003C\u002Fp>","\u003Cp>Scopri l’\u003Cstrong>Altare Maggiore del Duomo di Siena\u003C\u002Fstrong>, capolavoro rinascimentale di Peruzzi, Martini e Vecchietta: bronzi, marmo e storia sacra in un’esperienza indimenticabile.\u003C\u002Fp>","Altare Maggiore del Duomo di Siena e la maestria dei grandi artisti senesi","\u003Cdiv>Lasciati stupire dall’Altare Maggiore del Duomo di Siena, dove arte, storia e devozione si incontrano. Ammira i bronzi, il ciborio e i dettagli rinascimentali che rendono il Duomo un luogo di emozioni indimenticabili.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"altare-maggiore","\u002Faltare-maggiore",{"@type":1572,"@id":2036,"description":2037,"abstract":2038,"timetable":16,"title":2039,"subtitle":16,"ctaText":2040,"extraInformations":16,"language":2041,"slug":2033,"slugFormatted":2042},"\u002Fapi\u002F.well-known\u002Fgenid\u002F57c4e017e6cc9aa0b98e","\u003Ch2>The Main Altar: A Renaissance Masterpiece Between Art and Faith\u003C\u002Fh2>\r\n\r\n\u003Cp>Shiny marble, vibrant bronzes, centuries-old history. The \u003Cstrong>Main Altar of the Siena Cathedral\u003C\u002Fstrong> reveals itself to the city. Designed by \u003Cstrong>Baldassarre Peruzzi\u003C\u002Fstrong> between 1530 and 1541, the altar originally housed the \u003Cstrong>Maestà by Duccio di Buoninsegna\u003C\u002Fstrong> and, in the following decades, was enriched with bronze sculptures by \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> and \u003Cstrong>Giovanni di Stefano\u003C\u002Fstrong>, creating a perfect dialogue between architecture, sculpture, and theology.\u003C\u002Fp>\r\n\r\n\u003Ch3>From the Sixteenth Century to Today: The Main Altar, a Masterpiece in Transformation\u003C\u002Fh3>\r\n\r\n\u003Cp>Originally, the \u003Cstrong>Maestà\u003C\u002Fstrong> was flanked by wooden angels now lost, witnesses of a bygone era. In 1488, \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> and \u003Cstrong>Giovanni di Stefano\u003C\u002Fstrong> created the first bronze candle holders, giving new life to the composition. Then, in 1506, the \u003Cstrong>ciborium by Vecchietta\u003C\u002Fstrong> replaced the Maestà, placing the \u003Cstrong>Eucharist\u003C\u002Fstrong> and the miracle of transubstantiation at the center. Peruzzi conceived a marble podium that harmoniously united the ciborium, the side bronzes, and the little spirits added later, creating a perfect balance between the sacred and Renaissance art, where each element dialogues with the other in a timeless harmony.\u003C\u002Fp>\r\n\r\n\u003Ch3>Ciborium by Vecchietta: The Soul of the Altar\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Ciborium\u003C\u002Fstrong> holds the host and celebrates Redemption: the Risen Christ pours blood into the chalice held by angels, while little spirits, musicians, and scrolls decorate the base with energy and vitality. The structure recalls Brunelleschi with its scale dome and Corinthian columns, while the figures evoke the expressive power of Donatello. Every detail is a small masterpiece of \u003Cstrong>sacred art\u003C\u002Fstrong> and Renaissance precision.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Altar That Became an Object of Study\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Altar with Three Superimposed Urns\u003C\u002Fstrong>, completed in 1541, became a replicated example in Siena and Cortona. Documents confirm the commitment, the care of the polychrome marbles, and the biblical inscriptions (“Hic est panis vivus…”) that emphasize the Eucharistic value and the timeless beauty of the structure.\u003C\u002Fp>\r\n\r\n\u003Cp>Let yourself be amazed by the \u003Cstrong>Main Altar of the Siena Cathedral\u003C\u002Fstrong>, where \u003Cstrong>art, history, and devotion\u003C\u002Fstrong> meet. Admire the bronzes, the ciborium, and the Renaissance details that make the Cathedral a place of unforgettable emotions.\u003C\u002Fp>","\u003Cp>Discover the High\u003Cstrong> Altar of Siena Cathedral\u003C\u002Fstrong>, a Renaissance masterpiece by Peruzzi, Martini, and Vecchietta: bronzes, marble, and sacred history in an unforgettable experience.\u003C\u002Fp>","Main Altar of the Siena Cathedral and the Mastery of Great Sienese Artists","\u003Cdiv>Be amazed by the High Altar of Siena Cathedral, where art, history, and devotion meet. Admire the bronzes, ciborium, and Renaissance details that make the Cathedral a place of unforgettable emotions.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Faltare-maggiore",[],[2045,2049,2053],{"@type":1592,"@id":2046,"translations":2047,"position":1491,"imagePath":2048},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fad558b271bf5b31f576f",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fopa-luca-betti-0394-2-6a75d1fd35085059799565.jpg",{"@type":1592,"@id":2050,"translations":2051,"position":1491,"imagePath":2052},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff4cd6614df14d8b1d648",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-pulpito-foto-luca-betti-1-6a75d1fd71419971934583.jpg",{"@type":1592,"@id":2054,"translations":2055,"position":1491,"imagePath":2056},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7904c651ea41ff6fedb6",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-pavimento-duomo-foto-luca-betti-6a75d1fd5eb76207495344.jpg",{"@type":1605,"@id":2058,"hashParam":2059},"\u002Fapi\u002F.well-known\u002Fgenid\u002F32e167cf0bb4d4a576df","b46dd86142b75bf2278aa5d82d962db5e4ea1bae8287522e792521da7739225b",80,"CONVERSION",[],[],{"@id":2065,"@type":1477,"name":2066,"poiType":2067,"address":2079,"latitude":2080,"longitude":2081,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2082,"translations":2083,"socials":2101,"gallery":2102,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2111,"position":2060,"layout":2061,"otherPoiType":2114,"logoPath":1611,"poiTagsByCategory":2115},"\u002Fapi\u002Fpois\u002F019e91b2-2f3b-74a5-9421-696556dc6407","Archi della Galluzza",{"@id":1480,"@type":1481,"id":1482,"translations":2068,"poiCategory":2073},[2069,2071],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2070,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2072,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2074},[2075,2077],{"@type":1506,"@id":1507,"name":1508,"language":2076,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2078,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Via della Galluzza","43.31951777860315","11.329472825422899",[],[2084,2093],{"@type":1572,"@id":2085,"description":2086,"abstract":2087,"timetable":16,"title":2088,"subtitle":16,"ctaText":2089,"extraInformations":16,"language":2090,"slug":2091,"slugFormatted":2092},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fce006e02cba2a7f581df","\u003Ch2>Archi della Galluzza: un vicolo, un racconto senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Nella città delle Contrade, basta svoltare per scoprire un angolo nascosto dove Siena mostra la sua anima più autentica. Gli \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong>, lungo la ripida Via della Galluzza che scende da via di Diacceto accanto al \u003Cstrong>Santuario di Santa Caterina\u003C\u002Fstrong>, a pochi passi da \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, sono un tesoro sospeso tra passato e presente. Una sequenza di archi in mattoni attraversa la carreggiata, collegando le abitazioni, creando prospettive ravvicinate, giochi di luce e ombra e un’atmosfera senza tempo, dove la storia si percepisce in ogni dettaglio.\u003C\u002Fp>\r\n\r\n\u003Ch3>Bellezza e funzionalità degli Archi della Galluzza\u003C\u002Fh3>\r\n\r\n\u003Cp>Contrariamente a quanto possa suggerire l’aspetto dantesco degli archi, la maggior parte di essi non è medievale. Risalgono infatti ai primi anni dell’Ottocento, nati come soluzione ingegneristica per puntellare case danneggiate dal terremoto del 1798. Questo intervento antisismico, geniale per l’epoca, trasformò un dramma in un capolavoro urbano, ridisegnando il vicolo e arricchendone l’estetica, senza compromettere l’anima storica.\u003C\u002Fp>\r\n\r\n\u003Ch3>Archi della Galluzza: tracce di un passato lontano\u003C\u002Fh3>\r\n\r\n\u003Cp>Tra gli archi, uno spicca per grandezza e maestosità: una testimonianza superstite della \u003Cstrong>cinta muraria duecentesca\u003C\u002Fstrong> o di un’antica porta della città. Questa stratificazione storica rende il vicolo un piccolo museo a cielo aperto, dove ogni pietra racconta storie di Siena e dei suoi abitanti. Il nome Galluzza deriva probabilmente dall’antica famiglia dei \u003Cstrong>Gallerani\u003C\u002Fstrong>, ma per i senesi il vicolo è soprattutto il cuore della \u003Cstrong>Nobile Contrada dell’Oca\u003C\u002Fstrong>. Passeggiando sotto gli archi, è possibile percepire l’eco dei tamburi, i canti dei contradaioli e il profumo delle cene estive all’aperto.\u003C\u002Fp>\r\n\r\n\u003Ch2>Archi della Galluzza e la Siena da scoprire\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi gli \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong> sono uno degli scorci più fotografati e amati della città. Breve nel percorso, ma intenso nell’esperienza, questo vicolo permette di allontanarsi dai flussi turistici principali e di scoprire una Siena più autentica: semplice, silenziosa, fiera e sorprendentemente magnetica. Ogni arco racconta la capacità della città di trasformare la necessità in bellezza, la storia in poesia e l’ordinario in straordinario.\u003C\u002Fp>\r\n\r\n\u003Cp>Percorri gli \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong>, l’angolo segreto di Siena, dove architettura e tradizione delle \u003Cstrong>Contrade\u003C\u002Fstrong> si uniscono per dare vita a un’esperienza unica.\u003C\u002Fp>","\u003Cp>Gli \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong> sono un angolo unico tra archi ottocenteschi, tracce medievali e atmosfera autentica a Siena.\u003C\u002Fp>","Archi della Galluzza, il vicolo segreto tra storia e poesia a Siena","\u003Cdiv>\u003Cbr>Percorri gli \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong>, l’angolo segreto di Siena, dove architettura e tradizione delle \u003Cstrong>Contrade\u003C\u002Fstrong> si uniscono per dare vita a un’esperienza unica.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"archi-della-galluzza","\u002Farchi-della-galluzza",{"@type":1572,"@id":2094,"description":2095,"abstract":2096,"timetable":16,"title":2097,"subtitle":16,"ctaText":2098,"extraInformations":16,"language":2099,"slug":2091,"slugFormatted":2100},"\u002Fapi\u002F.well-known\u002Fgenid\u002F552ff8a03eb30fbda007","\u003Ch2>Archi della Galluzza: an alley, a Sienese tale\u003C\u002Fh2>\r\n\r\n\u003Cp>In the city of the Contrade, just turn a corner to discover a hidden corner where Siena shows its most authentic soul. The \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong>, along the steep Via della Galluzza that descends from via di Diacceto next to the \u003Cstrong>Santuario di Santa Caterina\u003C\u002Fstrong>, just a few steps from \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, are a treasure suspended between past and present. A sequence of brick arches crosses the roadway, connecting the houses, creating close-up perspectives, plays of light and shadow, and a timeless atmosphere, where history can be felt in every detail.\u003C\u002Fp>\r\n\r\n\u003Ch3>Beauty and functionality of the Archi della Galluzza\u003C\u002Fh3>\r\n\r\n\u003Cp>Contrary to what the Dante-esque appearance of the arches might suggest, most of them are not medieval. They actually date back to the early 19th century, born as an engineering solution to support houses damaged by the earthquake of 1798. This seismic intervention, ingenious for its time, transformed a drama into an urban masterpiece, redesigning the alley and enriching its aesthetics without compromising its historical soul.\u003C\u002Fp>\r\n\r\n\u003Ch3>Archi della Galluzza: traces of a distant past\u003C\u002Fh3>\r\n\r\n\u003Cp>Among the arches, one stands out for its size and majesty: a surviving testimony of the \u003Cstrong>13th-century city walls\u003C\u002Fstrong> or an ancient city gate. This historical stratification makes the alley a small open-air museum, where every stone tells stories of Siena and its inhabitants. The name Galluzza probably derives from the ancient family of the \u003Cstrong>Gallerani\u003C\u002Fstrong>, but for the Sienese, the alley is above all the heart of the \u003Cstrong>Noble Contrada dell’Oca\u003C\u002Fstrong>. Walking under the arches, one can perceive the echo of drums, the songs of the contradaioli, and the scent of summer dinners outdoors.\u003C\u002Fp>\r\n\r\n\u003Ch2>Archi della Galluzza and the Siena to discover\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong> are one of the most photographed and loved views of the city. Short in distance but intense in experience, this alley allows one to step away from the main tourist flows and discover a more authentic Siena: simple, silent, proud, and surprisingly magnetic. Each arch tells of the city's ability to transform necessity into beauty, history into poetry, and the ordinary into the extraordinary.\u003C\u002Fp>\r\n\r\n\u003Cp>Walk through the \u003Cstrong>Archi della Galluzza\u003C\u002Fstrong>, the secret corner of Siena, where architecture and the tradition of the \u003Cstrong>Contrade\u003C\u002Fstrong> come together to create a unique experience.\u003C\u002Fp>","\u003Cp>The\u003Cstrong> Galluzza Arches\u003C\u002Fstrong> are a unique corner of Siena, nestled among 19th-century arches, medieval traces, and an authentic atmosphere.\u003C\u002Fp>","Archi della Galluzza, the secret alley between history and poetry in Siena","\u003Cdiv>\u003Cbr>Walk through the \u003Cstrong>Galluzza Arches\u003C\u002Fstrong>, the secret corner of Siena, where the architecture and tradition of the Contrade come together to create a unique experience.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Farchi-della-galluzza",[],[2103,2107],{"@type":1592,"@id":2104,"translations":2105,"position":1491,"imagePath":2106},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fee60df170203d1ea8610",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fvia-della-galluzza-dettaglio-archi-6a8c508a89ba6116626934.jpg",{"@type":1592,"@id":2108,"translations":2109,"position":1491,"imagePath":2110},"\u002Fapi\u002F.well-known\u002Fgenid\u002F65af83210b261dcc7929",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fvia-della-galluzza-6a8c508a6afe8797979630.jpg",{"@type":1605,"@id":2112,"hashParam":2113},"\u002Fapi\u002F.well-known\u002Fgenid\u002F1f56fa6b561cf2228048","9ce783bdff7e817aa0fb231915d6bab0a23f4ef3bf60d3c794046f07543db2dc",[],[],{"@id":2117,"@type":1477,"name":2118,"poiType":2119,"address":2131,"latitude":2132,"longitude":2133,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2134,"translations":2135,"socials":2153,"gallery":2154,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2163,"position":2060,"layout":1691,"otherPoiType":2166,"logoPath":1611,"poiTagsByCategory":2167},"\u002Fapi\u002Fpois\u002F019e97de-851b-7b6b-9eac-4731ef2176a0","Cortile del Podestà",{"@id":1480,"@type":1481,"id":1482,"translations":2120,"poiCategory":2125},[2121,2123],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2122,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2124,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2126},[2127,2129],{"@type":1506,"@id":1507,"name":1508,"language":2128,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2130,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Palazzo Pubblico","43.3179970","11.3320130",[],[2136,2145],{"@type":1572,"@id":2137,"description":2138,"abstract":2139,"timetable":16,"title":2140,"subtitle":16,"ctaText":2141,"extraInformations":16,"language":2142,"slug":2143,"slugFormatted":2144},"\u002Fapi\u002F.well-known\u002Fgenid\u002F621452c8b6db87d3636f","\u003Ch2>Un palcoscenico di potere e vita civica\u003C\u002Fh2>\r\n\r\n\u003Ch3>Dal Podestà al Governo dei Nove: secoli di cerimonie e giuramenti\u003C\u002Fh3>\r\n\r\n\u003Cp>Il cortile prende il nome dal \u003Cstrong>Podestà\u003C\u002Fstrong>, la massima autorità cittadina prima dell'istituzione del \u003Cstrong>Governo dei Nove\u003C\u002Fstrong>, l'epoca d'oro della Repubblica di Siena, quando Palazzo Pubblico era il centro pulsante della vita politica e artistica della città. Tra queste mura si svolgevano cerimonie ufficiali, giuramenti solenni, momenti cruciali che decidevano il destino della Repubblica. Podestà, ambasciatori, mercanti, capitani di ventura e semplici cittadini in cerca di giustizia: tutti hanno attraversato questo cortile, tutti hanno lasciato qui qualcosa di sé. Le proporzioni studiate dello spazio, la luce che filtra tra le arcate disegnando ombre che cambiano con le ore del giorno, il senso di equilibrio e accoglienza, tutto parla dell'armonia architettonica tipica della \u003Cstrong>Siena trecentesca\u003C\u002Fstrong>, dove ogni dettaglio aveva un significato civico e simbolico preciso.\u003C\u002Fp>\r\n\r\n\u003Ch3>La lapide e i maestri campionesi: una curiosità nella pietra\u003C\u002Fh3>\r\n\r\n\u003Cp>Nascosta tra i dettagli architettonici del cortile, una \u003Cstrong>lapide\u003C\u002Fstrong> ricorda l'inizio della costruzione della Torre del Mangia, con i nomi dei \u003Cstrong>maestri campionesi\u003C\u002Fstrong> che la realizzarono nel XIV secolo. Un piccolo documento di pietra che restituisce volti e identità a chi ha costruito uno dei simboli più amati d'Italia. Vale la pena fermarsi a cercarla.\u003C\u002Fp>\r\n\r\n\u003Ch2>Durante il Palio: l'Entrone si trasforma\u003C\u002Fh2>\r\n\r\n\u003Ch3>Tufo, cavalli e adrenalina pura\u003C\u002Fh3>\r\n\r\n\u003Cp>Se vuoi capire cosa significa il \u003Cstrong>Palio di Siena\u003C\u002Fstrong> nel profondo, entra nell’Entrone nei giorni della corsa. Il Cortile del Podestà diventa qualcosa di completamente diverso: anche qui, come nella \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> il pavimento si ricopre di \u003Cstrong>tufo\u003C\u002Fstrong>. Prima di ogni prova e del Palio i cavalli stazionano all'interno dell'Entrone, in attesa dell'inizio, insieme ai Barbareschi, ai Capitani e ai Tenenti delle \u003Cstrong>Contrade, \u003C\u002Fstrong>che lo attraversano con passo solenne carico di tensione e orgoglio antico. L'atmosfera è elettrica, quasi irreale. Storia e adrenalina si mescolano in un modo che nessun altro luogo al mondo sa replicare.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il preludio alle meraviglie di Palazzo Pubblico\u003C\u002Fh2>\r\n\r\n\u003Ch3>Da qui parte tutto: la Torre, gli affreschi, la città\u003C\u002Fh3>\r\n\r\n\u003Cp>Il Cortile del Podestà è anche il punto di partenza per due delle esperienze più straordinarie che Siena offre: la salita alla \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>, da cui la città si apre come un ventaglio di tetti e colline, e l'ingresso alle sale affrescate di \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, con il celebre \u003Cstrong>Effetto del Buon Governo\u003C\u002Fstrong> di Ambrogio Lorenzetti. Un preludio perfetto, intimo, silenzioso, carico di significato, per tutto ciò che aspetta oltre quella soglia.\u003C\u002Fp>","\u003Cp>Ci sono luoghi che sembrano fermi nel tempo ma vibrano di storia ad ogni passo. Il \u003Cstrong>Cortile del Podestà\u003C\u002Fstrong>, detto anche \u003Cstrong>Entrone\u003C\u002Fstrong>, è uno di questi: il cuore interno di \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, uno spazio raccolto e quasi intimo che sorprende chi lo raggiunge per la prima volta. Sopra di lui, imponente e silenziosa, si innalza la \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>, come un guardiano di pietra che veglia da sette secoli. Intorno, le arcate eleganti, i mattoni caldi, le pietre scolpite di una Siena che sapeva fare della bellezza civica una forma di potere. Qui, sotto queste arcate, è passata la storia di una città intera.\u003C\u002Fp>","Cortile del Podestà: il cuore nascosto di Siena che pulsa ancora","\u003Cdiv>Visita il Cortile del Podestà e sali sulla Torre del Mangia: scopri il cuore civico di Siena, la sua storia millenaria e la vista più bella sulla città. Un luogo che si visita una volta e non si dimentica mai.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"cortile-del-podesta","\u002Fcortile-del-podesta",{"@type":1572,"@id":2146,"description":2147,"abstract":2148,"timetable":16,"title":2149,"subtitle":16,"ctaText":2150,"extraInformations":16,"language":2151,"slug":2143,"slugFormatted":2152},"\u002Fapi\u002F.well-known\u002Fgenid\u002F99fbd0dead6ee558a535","\u003Ch2>A stage of power and civic life\u003C\u002Fh2>\r\n\r\n\u003Ch3>From the Podestà to the Government of Nine: centuries of ceremonies and oaths\u003C\u002Fh3>\r\n\r\n\u003Cp>The courtyard takes its name from the \u003Cstrong>Podestà\u003C\u002Fstrong>, the highest civic authority before the establishment of the \u003Cstrong>Government of Nine\u003C\u002Fstrong>, the golden age of the Republic of Siena, when Palazzo Pubblico was the pulsating center of the city's political and artistic life. Within these walls, official ceremonies, solemn oaths, crucial moments that decided the fate of the Republic took place. Podestà, ambassadors, merchants, condottieri, and simple citizens seeking justice: all have crossed this courtyard, all have left something of themselves here. The studied proportions of the space, the light filtering through the arches casting shadows that change with the hours of the day, the sense of balance and welcome, all speak of the architectural harmony typical of \u003Cstrong>14th-century Siena\u003C\u002Fstrong>, where every detail had a precise civic and symbolic meaning.\u003C\u002Fp>\r\n\r\n\u003Ch3>The plaque and the master builders: a curiosity in stone\u003C\u002Fh3>\r\n\r\n\u003Cp>Hidden among the architectural details of the courtyard, a \u003Cstrong>plaque\u003C\u002Fstrong> commemorates the beginning of the construction of the Torre del Mangia, with the names of the \u003Cstrong>master builders\u003C\u002Fstrong> who created it in the 14th century. A small stone document that restores faces and identities to those who built one of Italy's most beloved symbols. It is worth stopping to look for it.\u003C\u002Fp>\r\n\r\n\u003Ch2>During the Palio: the Entrone transforms\u003C\u002Fh2>\r\n\r\n\u003Ch3>Tuff, horses, and pure adrenaline\u003C\u002Fh3>\r\n\r\n\u003Cp>If you want to understand what the \u003Cstrong>Palio di Siena\u003C\u002Fstrong> truly means, enter the Entrone on race days. The Cortile del Podestà becomes something completely different: here too, as in the \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, the floor is covered with \u003Cstrong>tuff\u003C\u002Fstrong>. Before each trial and the Palio, the horses wait inside the Entrone, anticipating the start, along with the Barbareschi, the Captains, and the Lieutenants of the \u003Cstrong>Contrade\u003C\u002Fstrong>, who cross it with a solemn step filled with tension and ancient pride. The atmosphere is electric, almost unreal. History and adrenaline mix in a way that no other place in the world can replicate.\u003C\u002Fp>\r\n\r\n\u003Ch2>The prelude to the wonders of Palazzo Pubblico\u003C\u002Fh2>\r\n\r\n\u003Ch3>Everything starts here: the Tower, the frescoes, the city\u003C\u002Fh3>\r\n\r\n\u003Cp>The Cortile del Podestà is also the starting point for two of the most extraordinary experiences that Siena offers: the climb to the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>, from which the city unfolds like a fan of roofs and hills, and the entrance to the frescoed rooms of \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, with the famous \u003Cstrong>Effect of Good Government\u003C\u002Fstrong> by Ambrogio Lorenzetti. A perfect, intimate, silent prelude, full of meaning, for all that awaits beyond that threshold.\u003C\u002Fp>","\u003Cp>There are places that seem frozen in time but vibrate with history at every step. The \u003Cstrong>Cortile del Podestà\u003C\u002Fstrong>, also known as \u003Cstrong>Entrone\u003C\u002Fstrong>, is one of these: the inner heart of \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, a cozy and almost intimate space that surprises those who reach it for the first time. Above it, imposing and silent, rises the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>, like a stone guardian watching over for seven centuries. Around it, the elegant arches, the warm bricks, the carved stones of a Siena that knew how to make civic beauty a form of power. Here, under these arches, the history of an entire city has passed.\u003C\u002Fp>","Cortile del Podestà: the hidden heart of Siena that still beats","\u003Cdiv>Visit the Cortile del Podestà and climb the Torre del Mangia: discover the civic heart of Siena, its millennia-old history, and the most beautiful view of the city. A place that you visit once and never forget.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fcortile-del-podesta",[],[2155,2159],{"@type":1592,"@id":2156,"translations":2157,"position":1491,"imagePath":2158},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb38a7fba1ca9cbbb7c57",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcortile-del-podesta-interno-6a8c05314266f004371342.jpg",{"@type":1592,"@id":2160,"translations":2161,"position":1491,"imagePath":2162},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8b1047952d3ac87e219c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcortile-del-podesta-vista-torre-1-6a8c0531603bf903143050.jpg",{"@type":1605,"@id":2164,"hashParam":2165},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6ea88a7104d18e090fdd","742b4dcd0561c8e6ce98cf970648585dc46ccc4acf5ff5fd2897ba1d8f8d16e2",[],[],{"@id":2169,"@type":1477,"name":2170,"poiType":2171,"address":2183,"latitude":2184,"longitude":2185,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2186,"translations":2187,"socials":2205,"gallery":2206,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2211,"position":2060,"layout":1691,"otherPoiType":2214,"logoPath":1611,"poiTagsByCategory":2215},"\u002Fapi\u002Fpois\u002F019e7a81-297b-7ede-8a5c-5371ea6ebba3","La Maestà",{"@id":1480,"@type":1481,"id":1482,"translations":2172,"poiCategory":2177},[2173,2175],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2174,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2176,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2178},[2179,2181],{"@type":1506,"@id":1507,"name":1508,"language":2180,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2182,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Piazza del Duomo, 8","43.3177688","11.3285988",[],[2188,2197],{"@type":1572,"@id":2189,"description":2190,"abstract":2191,"timetable":16,"title":2192,"subtitle":16,"ctaText":2193,"extraInformations":16,"language":2194,"slug":2195,"slugFormatted":2196},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8b005a4a75721030f5fb","\u003Ch2>Duccio di Buoninsegna: l'uomo che cambiò la pittura senese\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un ponte tra Bisanzio e il Gotico, tra tradizione e modernità\u003C\u002Fh3>\r\n\r\n\u003Cp>La \u003Cstrong>Maestà\u003C\u002Fstrong> fu realizzata tra il \u003Cstrong>1308 e il 1311\u003C\u002Fstrong> per l'altare maggiore del Duomo di Siena: un'opera monumentale, dipinta su entrambi i lati, pensata per essere vista da tutta la città durante le celebrazioni solenni. \u003Cstrong>Duccio di Buoninsegna\u003C\u002Fstrong> era il maestro indiscusso della \u003Cstrong>scuola pittorica senese\u003C\u002Fstrong>, e in quest'opera raggiunse il vertice di tutta la sua arte. Quello che rende la Maestà rivoluzionaria non è solo la grandiosità, è la dolcezza. Duccio introduce nei volti una tenerezza nuova, nei gesti una delicatezza che la pittura medievale non aveva ancora osato. I suoi blu intensi, i rossi profondi, gli ori luminosi, ottenuti con \u003Cstrong>pigmenti preziosi\u003C\u002Fstrong> che costavano quanto le spezie, non sono semplici colori: sono simboli della grandezza spirituale e politica di una città al culmine della sua potenza. Con la Maestà, Duccio apre la strada a una pittura più narrativa, più intima, più vicina all'uomo. È il confine tra il mondo bizantino e quello gotico, e lui lo attraversa con una grazia che lascia ancora senza fiato.\u003C\u002Fp>\r\n\r\n\u003Ch2>La Vergine, Regina di Siena: molto più di un'immagine sacra\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un simbolo identitario che ha protetto la città per secoli\u003C\u002Fh3>\r\n\r\n\u003Cp>La \u003Cstrong>Vergine\u003C\u002Fstrong> è rappresentata seduta in trono con il Bambino, circondata da una corte di angeli e santi che sembrano muoversi in un silenzio sacro e sospeso. Ma non è solo la Madre di Dio: è la \u003Cstrong>Regina di Siena\u003C\u002Fstrong>, la protettrice della città, il simbolo dell'identità collettiva di un popolo intero. Per secoli i senesi hanno creduto che la Maestà vegliasse su di loro e in quella fede collettiva si custodisce qualcosa che nessuna analisi stilistica potrà mai spiegare del tutto. Duccio firmò l'opera con una frase che è quasi una preghiera: un atto di devozione e di orgoglio artistico insieme, come se sapesse di aver creato qualcosa che lo avrebbe sopravvissuto per sempre. "Madre Santa di Dio, sii causa di riposo per Siena, sii vita per Duccio, poiché ti ha dipinto così".\u003C\u002Fp>\r\n\r\n\u003Ch2>Il retro della pala: la Passione di Cristo in piccole scene umane\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un ciclo narrativo di straordinaria intensità emotiva\u003C\u002Fh3>\r\n\r\n\u003Cp>Sul retro della pala, oggi visibile al \u003Cstrong>Museo dell'Opera del Duomo\u003C\u002Fstrong>, si dispiega un ciclo narrativo dedicato alla \u003Cstrong>Passione di Cristo\u003C\u002Fstrong>: piccole scene dense di dettagli, emozione e umanità sorprendente. Storie dipinte con la stessa cura e la stessa intensità del fronte, in un formato intimo che costringe a fermarsi, avvicinarsi, guardare. È qui che la grandezza di Duccio si rivela in tutta la sua misura umana. Oggi, al Museo dell'Opera, è possibile ammirare la Maestà da una distanza impossibile in Duomo: vedere da vicino la finezza dei dettagli, leggere i volti, percepire la qualità dei pigmenti. Un privilegio che i senesi medievali non hanno mai avuto e che rende questa visita ancora più preziosa.\u003C\u002Fp>","\u003Cp>Il 9 giugno 1311 Siena si fermò. Le botteghe chiusero, le campane suonarono, la gente scese in strada. Una folla commossa, mercanti, nobili, frati, bambini, formò una processione che attraversò la città come un fiume lento e solenne. Al centro di tutto, portata a spalle come una regina, c'era lei: la \u003Cstrong>Maestà di Duccio di Buoninsegna\u003C\u002Fstrong>. Un dipinto che entrava in Duomo e nella storia. Per sempre. Quel giorno non si inaugurava semplicemente un'opera d'arte. Si consacrava un'identità.\u003C\u002Fp>","La Maestà di Duccio: il giorno in cui Siena si fermò per un dipinto","\u003Cdiv>Visita la Maestà di Duccio al \u003Cstrong>Museo dell'Opera del Duomo di Siena\u003C\u002Fstrong>: un'opera che non si guarda soltanto, si sente.\u003Cbr>Acquista il tuo biglietto e lasciati portare nel cuore pulsante dell'arte e dell'anima senese.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"la-maesta","\u002Fla-maesta",{"@type":1572,"@id":2198,"description":2199,"abstract":2200,"timetable":16,"title":2201,"subtitle":16,"ctaText":2202,"extraInformations":16,"language":2203,"slug":2195,"slugFormatted":2204},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd97c52033227f7483e3b","\u003Ch2>Duccio di Buoninsegna: the man who changed Sienese painting\u003C\u002Fh2>\r\n\r\n\u003Ch3>A bridge between Byzantium and Gothic, between tradition and modernity\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Maestà\u003C\u002Fstrong> was created between \u003Cstrong>1308 and 1311\u003C\u002Fstrong> for the main altar of the Cathedral of Siena: a monumental work, painted on both sides, designed to be seen by the entire city during solemn celebrations. \u003Cstrong>Duccio di Buoninsegna\u003C\u002Fstrong> was the undisputed master of the \u003Cstrong>Sienese painting school\u003C\u002Fstrong>, and in this work, he reached the pinnacle of his art. What makes the Maestà revolutionary is not just its grandeur, but its sweetness. Duccio introduces a new tenderness in the faces, a delicacy in the gestures that medieval painting had not yet dared to explore. His intense blues, deep reds, and luminous golds, obtained with \u003Cstrong>precious pigments\u003C\u002Fstrong> that cost as much as spices, are not just colors: they are symbols of the spiritual and political greatness of a city at the height of its power. With the Maestà, Duccio paves the way for a more narrative, more intimate, and more human painting. It is the boundary between the Byzantine and Gothic worlds, and he crosses it with a grace that still takes one's breath away.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Virgin, Queen of Siena: much more than a sacred image\u003C\u002Fh2>\r\n\r\n\u003Ch3>An identity symbol that has protected the city for centuries\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Virgin\u003C\u002Fstrong> is depicted seated on a throne with the Child, surrounded by a court of angels and saints who seem to move in a sacred and suspended silence. But she is not just the Mother of God: she is the \u003Cstrong>Queen of Siena\u003C\u002Fstrong>, the protector of the city, the symbol of the collective identity of an entire people. For centuries, the Sienese believed that the Maestà watched over them, and in that collective faith lies something that no stylistic analysis can ever fully explain. Duccio signed the work with a phrase that is almost a prayer: an act of devotion and artistic pride together, as if he knew he had created something that would outlive him forever. "Holy Mother of God, be the cause of rest for Siena, be life for Duccio, for he has painted you thus".\u003C\u002Fp>\r\n\r\n\u003Ch2>The back of the altarpiece: the Passion of Christ in small human scenes\u003C\u002Fh2>\r\n\r\n\u003Ch3>A narrative cycle of extraordinary emotional intensity\u003C\u002Fh3>\r\n\r\n\u003Cp>On the back of the altarpiece, now visible at the \u003Cstrong>Museum of the Opera del Duomo\u003C\u002Fstrong>, unfolds a narrative cycle dedicated to the \u003Cstrong>Passion of Christ\u003C\u002Fstrong>: small scenes rich in detail, emotion, and surprising humanity. Stories painted with the same care and intensity as the front, in an intimate format that compels one to stop, draw closer, and look. It is here that Duccio's greatness reveals itself in all its human measure. Today, at the Museum of the Opera, it is possible to admire the Maestà from a distance impossible in the Cathedral: to see up close the fineness of the details, to read the faces, to perceive the quality of the pigments. A privilege that medieval Sienese never had, making this visit even more precious.\u003C\u002Fp>","\u003Cp>On June 9, 1311, Siena stopped. The shops closed, the bells rang, and people took to the streets. A moved crowd of merchants, nobles, friars, and children formed a procession that flowed through the city like a slow and solemn river. At the center of it all, carried on shoulders like a queen, was she: the \u003Cstrong>Maestà by Duccio di Buoninsegna\u003C\u002Fstrong>. A painting that entered the Cathedral and into history. Forever. That day was not simply the inauguration of a work of art. It was the consecration of an identity.\u003C\u002Fp>","The Maestà by Duccio: the day Siena stopped for a painting","\u003Cdiv>Visit the Maestà by Duccio at the Museum of the Opera del Duomo in Siena: a work that is not just looked at, it is felt. Buy your ticket and let yourself be taken into the beating heart of Sienese art and soul.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fla-maesta",[],[2207],{"@type":1592,"@id":2208,"translations":2209,"position":1491,"imagePath":2210},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5fabf41c3dc6199dcdfe",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fmaesta-duccio-foto-andrea-lensini-6accb20761ca5704054319.jpg",{"@type":1605,"@id":2212,"hashParam":2213},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2532c5c31ae0a0ea1ef2","1898a3e6b8f937805bb5ae121c06cb6e264879011b56c77fe98d2befaa4be65e",[],[],{"@id":2217,"@type":1477,"name":2218,"poiType":2219,"address":2231,"latitude":2232,"longitude":2233,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2234,"translations":2235,"socials":2251,"gallery":2252,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2265,"position":2060,"layout":1691,"otherPoiType":2268,"logoPath":1611,"poiTagsByCategory":2269},"\u002Fapi\u002Fpois\u002F019e9195-7167-72bd-8cb3-67c0463d4b5d","Loggia dei nove",{"@id":1480,"@type":1481,"id":1482,"translations":2220,"poiCategory":2225},[2221,2223],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2222,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2224,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2226},[2227,2229],{"@type":1506,"@id":1507,"name":1508,"language":2228,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2230,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"La loggia dei Nove","43.318092347002626","11.33199351007943",[],[2236,2244],{"@type":1572,"@id":2237,"description":2238,"abstract":2239,"timetable":16,"title":2240,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2241,"slug":2242,"slugFormatted":2243},"\u002Fapi\u002F.well-known\u002Fgenid\u002F70c04d61dea725bc86dd","\u003Ch2>Un balcone sul tempo\u003C\u002Fh2>\r\n\r\n\u003Cp>Immaginate di essere governanti di una delle città più potenti del Medioevo. Le riunioni sono finite, le decisioni prese, il peso del comando si allenta per un momento. Vi alzate, percorrete un corridoio, e vi affacciate su uno dei panorami più belli che occhio umano possa vedere. Sotto di voi, \u003Cstrong>Piazza del \u003C\u002Fstrong>\u003Cstrong>Mercato\u003C\u002Fstrong>. All'orizzonte, le \u003Cstrong>colline delle Crete Senesi\u003C\u002Fstrong>. Accanto, la \u003Cstrong>Torre del Mangia\u003C\u002Fstrong> che sale verso il cielo.\u003C\u002Fp>\r\n\r\n\u003Cp>Questo era il privilegio dei \u003Cstrong>Nove\u003C\u002Fstrong>, la magistratura che guidò Siena nel suo periodo più luminoso. E la \u003Cstrong>Loggia dei Nove\u003C\u002Fstrong>, costruita tra la \u003Cstrong>fine del XIII e l'inizio del XIV secolo\u003C\u002Fstrong>, era il loro spazio privato: un luogo di \u003Cstrong>quiete\u003C\u002Fstrong>, di \u003Cstrong>riflessione\u003C\u002Fstrong>, di contemplazione silenziosa della città che amministravano.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un luogo di potere e devozione\u003C\u002Fh2>\r\n\r\n\u003Cp>La loggia porta anche un altro nome: \u003Cstrong>Loggia della Vergine\u003C\u002Fstrong>. Perché i Nove vi si recavano per \u003Cstrong>affidare Siena alla protezione della Madonna\u003C\u002Fstrong>, figura centrale nella spiritualità cittadina, presenza invisibile ma costante nelle scelte politiche della Repubblica.\u003C\u002Fp>\r\n\r\n\u003Cp>Era anche un punto \u003Cstrong>strategico\u003C\u002Fstrong>: da quelle arcate i governanti potevano \u003Cstrong>osservare la vita cittadina\u003C\u002Fstrong> senza essere visti, seguire ciò che accadeva nella piazza e nelle strade, leggere il polso della città in tempo reale. Uno sguardo sul mondo che era insieme \u003Cstrong>politico\u003C\u002Fstrong>, \u003Cstrong>spirituale\u003C\u002Fstrong> e \u003Cstrong>umano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>L'architettura, la luce, il panorama\u003C\u002Fh2>\r\n\r\n\u003Ch3>Arcate gotiche sospese nel cielo\u003C\u002Fh3>\r\n\r\n\u003Cp>Le \u003Cstrong>arcate gotiche\u003C\u002Fstrong> della loggia sono un esempio raffinato di \u003Cstrong>architettura civile medievale\u003C\u002Fstrong>: sobrie ma eleganti, leggere eppure solide, perfettamente integrate con il resto del \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>. Una struttura che non cerca di stupire con eccessi, ma che sa esattamente cosa fare: \u003Cstrong>incorniciare la bellezza\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>La vista più emozionante di Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>Affacciarsi dalla Loggia dei Nove significa abbracciare con un solo sguardo i \u003Cstrong>tetti medievali\u003C\u002Fstrong> del centro storico, la \u003Cstrong>Torre del Mangia\u003C\u002Fstrong> svettante accanto e le \u003Cstrong>colline morbide\u003C\u002Fstrong> della Val d'Arbia all'orizzonte. Al mattino la loggia è \u003Cstrong>luminosa e ariosa\u003C\u002Fstrong>, al tramonto diventa un luogo \u003Cstrong>sospeso e quasi mistico\u003C\u002Fstrong>, perfetto per fotografie che nessun filtro potrebbe migliorare.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a contemplarla\u003C\u002Fh2>\r\n\r\n\u003Cp>Nei secoli la Loggia dei Nove ha accolto \u003Cstrong>ambasciatori\u003C\u002Fstrong>, \u003Cstrong>ospiti illustri\u003C\u002Fstrong> e \u003Cstrong>viaggiatori\u003C\u002Fstrong> che ne hanno celebrato la bellezza. Oggi tocca a te.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Sali al Palazzo Pubblico, attraversa le sale, affacciati.\u003C\u002Fstrong> Certi panorami non si descrivono: si respirano.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Palazzo Pubblico, Piazza del Campo\u003C\u002Fstrong>, Siena.\u003C\u002Fp>","\u003Cp> La Loggia dei Nove è uno degli angoli più emozionanti del Palazzo Pubblico di Siena: arcate gotiche, vista su Piazza del Mercato e le colline toscane, storia e silenzio. Un luogo sospeso tra il potere medievale e la bellezza eterna.\u003C\u002Fp>","Loggia dei Nove, lo sguardo di Siena sul mondo",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"loggia-dei-nove","\u002Floggia-dei-nove",{"@type":1572,"@id":2245,"description":2246,"abstract":2247,"timetable":16,"title":2248,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2249,"slug":2242,"slugFormatted":2250},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff82064296c1f97e1414f","\u003Ch2>A balcony over time\u003C\u002Fh2>\r\n\r\n\u003Cp>Imagine being the rulers of one of the most powerful cities of the Middle Ages. The meetings are over, decisions made, the weight of command lightens for a moment. You rise, walk down a corridor, and look out over one of the most beautiful views the human eye can see. Below you, \u003Cstrong>Piazza del \u003C\u002Fstrong>\u003Cstrong>Mercato\u003C\u002Fstrong>. On the horizon, the \u003Cstrong>Crete Senesi hills\u003C\u002Fstrong>. Next to you, the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong> rising towards the sky.\u003C\u002Fp>\r\n\r\n\u003Cp>This was the privilege of the \u003Cstrong>Nine\u003C\u002Fstrong>, the magistracy that led Siena during its brightest period. And the \u003Cstrong>Loggia dei Nove\u003C\u002Fstrong>, built between the \u003Cstrong>late 13th and early 14th century\u003C\u002Fstrong>, was their private space: a place of \u003Cstrong>calm\u003C\u002Fstrong>, \u003Cstrong>reflection\u003C\u002Fstrong>, and silent contemplation of the city they governed.\u003C\u002Fp>\r\n\r\n\u003Ch2>A place of power and devotion\u003C\u002Fh2>\r\n\r\n\u003Cp>The loggia also goes by another name: \u003Cstrong>Loggia della Vergine\u003C\u002Fstrong>. Because the Nine would go there to \u003Cstrong>entrust Siena to the protection of the Madonna\u003C\u002Fstrong>, a central figure in the city's spirituality, an invisible yet constant presence in the political choices of the Republic.\u003C\u002Fp>\r\n\r\n\u003Cp>It was also a \u003Cstrong>strategic\u003C\u002Fstrong> point: from those arches, the rulers could \u003Cstrong>observe city life\u003C\u002Fstrong> without being seen, follow what was happening in the square and the streets, read the pulse of the city in real time. A gaze on the world that was both \u003Cstrong>political\u003C\u002Fstrong>, \u003Cstrong>spiritual\u003C\u002Fstrong>, and \u003Cstrong>human\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The architecture, the light, the panorama\u003C\u002Fh2>\r\n\r\n\u003Ch3>Gothic arches suspended in the sky\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>gothic arches\u003C\u002Fstrong> of the loggia are a refined example of \u003Cstrong>medieval civil architecture\u003C\u002Fstrong>: sober yet elegant, light yet solid, perfectly integrated with the rest of the \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>. A structure that does not seek to amaze with excesses, but knows exactly what to do: \u003Cstrong>frame beauty\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>The most thrilling view of Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>Looking out from the Loggia dei Nove means embracing with a single glance the \u003Cstrong>medieval rooftops\u003C\u002Fstrong> of the historic center, the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong> towering beside you and the \u003Cstrong>gentle hills\u003C\u002Fstrong> of the Val d'Arbia on the horizon. In the morning, the loggia is \u003Cstrong>bright and airy\u003C\u002Fstrong>, at sunset it becomes a \u003Cstrong>suspended and almost mystical\u003C\u002Fstrong> place, perfect for photographs that no filter could enhance.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come to contemplate it\u003C\u002Fh2>\r\n\r\n\u003Cp>Over the centuries, the Loggia dei Nove has welcomed \u003Cstrong>ambassadors\u003C\u002Fstrong>, \u003Cstrong>illustrious guests\u003C\u002Fstrong>, and \u003Cstrong>travelers\u003C\u002Fstrong> who have celebrated its beauty. Today it is your turn.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Climb to the Palazzo Pubblico, walk through the halls, look out.\u003C\u002Fstrong> Certain views cannot be described: they must be breathed in.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Palazzo Pubblico, Piazza del Campo\u003C\u002Fstrong>, Siena.\u003C\u002Fp>","\u003Cp>The Loggia dei Nove is one of the most breathtaking corners of Siena's Palazzo Pubblico: Gothic arches, a view of Piazza del Mercato and the Tuscan hills, history, and silence. A place suspended between medieval power and eternal beauty.\u003C\u002Fp>","Loggia dei Nove, Siena's gaze on the world",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Floggia-dei-nove",[],[2253,2257,2261],{"@type":1592,"@id":2254,"translations":2255,"position":1491,"imagePath":2256},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0a8ba22ff7cfa9dbe7c7",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpanorama-loggia-dei-nove-focus-basilica-dei-servi-6a75d45178aac819634316.jpg",{"@type":1592,"@id":2258,"translations":2259,"position":1491,"imagePath":2260},"\u002Fapi\u002F.well-known\u002Fgenid\u002F10e9eb1195d4d15a1263",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Floggia-dei-nove-dettaglio-6a75d45141acc035929347.jpg",{"@type":1592,"@id":2262,"translations":2263,"position":1491,"imagePath":2264},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4b1dbf43ec12d776822e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Floggia-dei-nove-dettaglio-soffitto-6a75d4515cb11633509743.jpg",{"@type":1605,"@id":2266,"hashParam":2267},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb3e694bbc42077bb17a1","dadf3df2345785842489c2dfeb2aaeb1e625df862a026054909dbae09e91879c",[],[],{"@id":2271,"@type":1477,"name":2272,"poiType":2273,"address":2285,"latitude":2286,"longitude":2287,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2288,"translations":2289,"socials":2307,"gallery":2308,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2313,"position":2060,"layout":2061,"otherPoiType":2316,"logoPath":1611,"poiTagsByCategory":2317},"\u002Fapi\u002Fpois\u002F019e97e9-18af-75af-aaf8-eedb88464d38","Oratorio di San Bernardino",{"@id":1480,"@type":1481,"id":1482,"translations":2274,"poiCategory":2279},[2275,2277],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2276,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2278,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2280},[2281,2283],{"@type":1506,"@id":1507,"name":1508,"language":2282,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2284,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Piazza San Francesco, 9","43.3218961","11.3347517",[],[2290,2299],{"@type":1572,"@id":2291,"description":2292,"abstract":2293,"timetable":16,"title":2294,"subtitle":16,"ctaText":2295,"extraInformations":16,"language":2296,"slug":2297,"slugFormatted":2298},"\u002Fapi\u002F.well-known\u002Fgenid\u002F51460bc06735e83ed42e","\u003Ch2>Un oratorio nato per comunicare valori\u003C\u002Fh2>\r\n\r\n\u003Cp>L’Oratorio non era pensato come una chiesa parrocchiale, ma come un luogo di propaganda spirituale. Le decorazioni servivano a insegnare visivamente i valori predicati dal santo, soprattutto ai fedeli analfabeti.\u003C\u002Fp>\r\n\r\n\u003Cp>Gli \u003Cstrong>affreschi\u003C\u002Fstrong> raccontano la vita e i \u003Cstrong>miracoli\u003C\u002Fstrong> di San Bernardino come una storia illustrata, con una disposizione narrativa precisa.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura, affreschi e decorazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>La facciata a capanna in mattoni è arricchita da un portale in travertino datato 1574 e, nella parte alta, da un disco raggiato con il trigramma bernardiniano JHS.\u003C\u002Fp>\r\n\r\n\u003Cp>L’Oratorio è organizzato su due livelli: il piano superiore, il più antico, conserva un soffitto a cassettoni decorato da teste con cherubini e pareti in legno con decorazioni a stucco di \u003Cstrong>Ventura Turapilli\u003C\u002Fstrong>, realizzate tra il 1496 e il 1512.\u003C\u002Fp>\r\n\r\n\u003Cp>Tra i pilastri si sviluppa il celebre ciclo di affreschi con \u003Cstrong>Storie della Vergine\u003C\u002Fstrong>, realizzato tra il 1518 e il 1532 da \u003Cstrong>Sodoma\u003C\u002Fstrong>, \u003Cstrong>Girolamo del Pacchia\u003C\u002Fstrong> e \u003Cstrong>Beccafumi\u003C\u002Fstrong>. In queste opere sono evidenti i richiami alle esperienze romane di \u003Cstrong>Michelangelo\u003C\u002Fstrong> e \u003Cstrong>Raffaello\u003C\u002Fstrong>, in particolare alla volta della \u003Cstrong>Cappella Sistina\u003C\u002Fstrong> e alle \u003Cstrong>Stanze Vaticane\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Opere d’arte e Museo Diocesano\u003C\u002Fh2>\r\n\r\n\u003Cp>Accanto agli affreschi, l’Oratorio custodisce opere di grande rilievo come l’\u003Cstrong>Icona bizantina della Madonna del Carmine\u003C\u002Fstrong>, la tavola duecentesca di \u003Cstrong>Guido di Graziano\u003C\u002Fstrong>, la \u003Cstrong>Madonna di Vignano\u003C\u002Fstrong> di \u003Cstrong>Bartolo di Fredi\u003C\u002Fstrong>, la \u003Cstrong>Madonna di Molli\u003C\u002Fstrong> del \u003Cstrong>Sassetta\u003C\u002Fstrong> e la \u003Cstrong>Madonna del Latte\u003C\u002Fstrong> di \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Dal 1999, nelle sale attigue, è stato allestito il \u003Cstrong>Museo Diocesano di Arte Sacra\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Storia della Confraternita\u003C\u002Fh2>\r\n\r\n\u003Cp>La Confraternita, detta di \u003Cstrong>Santa Maria e San Francesco\u003C\u002Fstrong> nel 1273 e poi della \u003Cstrong>Madonna della Veste Nera di San Francesco\u003C\u002Fstrong> nel XIV secolo, assunse il titolo di San Bernardino nel 1450, dopo la canonizzazione del santo senese.\u003C\u002Fp>\r\n\r\n\u003Cp>Nella seconda metà del XV secolo decise di costruire l’Oratorio. Entro la fine del secolo l’edificio era già terminato; seguirono gli stucchi e le decorazioni lignee, poi la decorazione a fresco del piano superiore nella prima metà del XVI secolo e quella del piano inferiore tra la fine del XVI e gli inizi del XVII secolo.\u003C\u002Fp>\r\n\r\n\u003Ch3>Curiosità e devozione popolare\u003C\u002Fh3>\r\n\r\n\u003Cp>Durante le sue prediche, Bernardino invitava a bruciare carte da gioco, specchi, cosmetici e libri ritenuti immorali. Si dice che le cataste fossero enormi, vere anticipazioni dei “\u003Cstrong>falò delle vanità\u003C\u002Fstrong>” fiorentini.\u003C\u002Fp>\r\n\r\n\u003Cp>Molte madri portavano i bambini malati davanti all’Oratorio, convinte che San Bernardino avesse un potere speciale di protezione dell’infanzia.\u003C\u002Fp>\r\n\r\n\u003Cp>L’Oratorio è aperto dal \u003Cstrong>01\u002F04 al 31\u002F10\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Ci sono luoghi in cui la fede non resta silenziosa, ma diventa racconto, immagine e memoria civile. L’\u003Cstrong>Oratorio di San Bernardino\u003C\u002Fstrong> nasce per custodire proprio questa voce: il messaggio di pace civile portato dal \u003Cstrong>santo\u003C\u002Fstrong> senese, che predicava nelle piazze mostrando la tavoletta con il trigramma \u003Cstrong>JHS\u003C\u002Fstrong>, il nome di \u003Cstrong>Gesù\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Si racconta che, dopo le sue prediche, famiglie rivali e fazioni politiche deponessero simbolicamente armi e rancori. Per \u003Cstrong>Siena\u003C\u002Fstrong>, San Bernardino non è solo un santo: è un simbolo civico, legato all’idea di una città guidata da valori morali condivisi.\u003C\u002Fp>","Oratorio di San Bernardino: arte, fede e pace civile a Siena","\u003Cdiv>Entra nell’Oratorio di San Bernardino e lasciati sorprendere da un luogo in cui la fede diventa immagine, storia e memoria condivisa.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"oratorio-di-san-bernardino","\u002Foratorio-di-san-bernardino",{"@type":1572,"@id":2300,"description":2301,"abstract":2302,"timetable":16,"title":2303,"subtitle":16,"ctaText":2304,"extraInformations":16,"language":2305,"slug":2297,"slugFormatted":2306},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6aad0a846a3e3fd419dd","\u003Ch2>An oratory born to communicate values\u003C\u002Fh2>\r\n\r\n\u003Cp>The Oratory was not conceived as a parish church, but as a place of spiritual propaganda. The decorations served to visually teach the values preached by the saint, especially to illiterate believers.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>frescoes\u003C\u002Fstrong> depict the life and \u003Cstrong>miracles\u003C\u002Fstrong> of San Bernardino as an illustrated story, with a precise narrative arrangement.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture, frescoes, and decorations\u003C\u002Fh2>\r\n\r\n\u003Cp>The gabled brick facade is enriched by a travertine portal dated 1574 and, at the top, by a radiating disc with the bernardin trigram JHS.\u003C\u002Fp>\r\n\r\n\u003Cp>The Oratory is organized on two levels: the upper floor, the oldest, retains a coffered ceiling decorated with heads of cherubs and wooden walls with stucco decorations by \u003Cstrong>Ventura Turapilli\u003C\u002Fstrong>, created between 1496 and 1512.\u003C\u002Fp>\r\n\r\n\u003Cp>Between the pillars unfolds the famous cycle of frescoes with \u003Cstrong>Stories of the Virgin\u003C\u002Fstrong>, created between 1518 and 1532 by \u003Cstrong>Sodoma\u003C\u002Fstrong>, \u003Cstrong>Girolamo del Pacchia\u003C\u002Fstrong>, and \u003Cstrong>Beccafumi\u003C\u002Fstrong>. In these works, references to the Roman experiences of \u003Cstrong>Michelangelo\u003C\u002Fstrong> and \u003Cstrong>Raphael\u003C\u002Fstrong> are evident, particularly to the ceiling of the \u003Cstrong>Sistine Chapel\u003C\u002Fstrong> and the \u003Cstrong>Vatican Rooms\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Artworks and Diocesan Museum\u003C\u002Fh2>\r\n\r\n\u003Cp>Alongside the frescoes, the Oratory houses significant works such as the \u003Cstrong>Byzantine Icon of Our Lady of Mount Carmel\u003C\u002Fstrong>, the 13th-century panel by \u003Cstrong>Guido di Graziano\u003C\u002Fstrong>, the \u003Cstrong>Madonna of Vignano\u003C\u002Fstrong> by \u003Cstrong>Bartolo di Fredi\u003C\u002Fstrong>, the \u003Cstrong>Madonna of Molli\u003C\u002Fstrong> by \u003Cstrong>Sassetta\u003C\u002Fstrong>, and the \u003Cstrong>Madonna of Milk\u003C\u002Fstrong> by \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Since 1999, in the adjacent rooms, the \u003Cstrong>Diocesan Museum of Sacred Art\u003C\u002Fstrong> has been set up.\u003C\u002Fp>\r\n\r\n\u003Ch2>History of the Confraternity\u003C\u002Fh2>\r\n\r\n\u003Cp>The Confraternity, known as \u003Cstrong>Santa Maria e San Francesco\u003C\u002Fstrong> in 1273 and later as the \u003Cstrong>Madonna della Veste Nera di San Francesco\u003C\u002Fstrong> in the 14th century, took the title of San Bernardino in 1450, after the canonization of the saint from Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>In the second half of the 15th century, it decided to build the Oratory. By the end of the century, the building was already completed; followed by the stuccos and wooden decorations, then the fresco decoration of the upper floor in the first half of the 16th century and that of the lower floor between the end of the 16th and the beginning of the 17th century.\u003C\u002Fp>\r\n\r\n\u003Ch3>Curiosities and popular devotion\u003C\u002Fh3>\r\n\r\n\u003Cp>During his sermons, Bernardino invited people to burn playing cards, mirrors, cosmetics, and books deemed immoral. It is said that the piles were enormous, true anticipations of the “\u003Cstrong>bonfires of vanities\u003C\u002Fstrong>” in Florence.\u003C\u002Fp>\r\n\r\n\u003Cp>Many mothers brought sick children in front of the Oratory, convinced that San Bernardino had a special power to protect childhood.\u003C\u002Fp>\r\n\r\n\u003Cp>The Oratory is open from \u003Cstrong>04\u002F01 to 10\u002F31\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>There are places where faith does not remain silent, but becomes narrative, image, and civil memory. The \u003Cstrong>Oratory of San Bernardino\u003C\u002Fstrong> was born to safeguard this voice: the message of civil peace brought by the \u003Cstrong>saint\u003C\u002Fstrong> from Siena, who preached in the squares showing the tablet with the trigram \u003Cstrong>JHS\u003C\u002Fstrong>, the name of \u003Cstrong>Jesus\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>It is said that after his sermons, rival families and political factions symbolically laid down their arms and grudges. For \u003Cstrong>Siena\u003C\u002Fstrong>, San Bernardino is not just a saint: he is a civic symbol, linked to the idea of a city guided by shared moral values.\u003C\u002Fp>","Oratory of San Bernardino: art, faith, and civil peace in Siena","\u003Cdiv>Enter the Oratory of San Bernardino and let yourself be surprised by a place where faith becomes image, history, and shared memory.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Foratorio-di-san-bernardino",[],[2309],{"@type":1592,"@id":2310,"translations":2311,"position":1491,"imagePath":2312},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffb3ece0e5732ca8c65cd",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Foratorio-di-san-bernardino-5-6abe69da01f78487126910.jpg",{"@type":1605,"@id":2314,"hashParam":2315},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd189b79da65764c00bf0","f20161690c52e73bca03a269a2d131fbd9a41d256058594604723d076083a8dc",[],[],{"@id":2319,"@type":1477,"name":2320,"poiType":2321,"address":1709,"latitude":1813,"longitude":1814,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2333,"translations":2334,"socials":2352,"gallery":2353,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2358,"position":2060,"layout":1691,"otherPoiType":2361,"logoPath":1611,"poiTagsByCategory":2362},"\u002Fapi\u002Fpois\u002F019e92c9-5ba1-7797-9d33-3908da421174","Oratorio di Santa Caterina della Notte",{"@id":1480,"@type":1481,"id":1482,"translations":2322,"poiCategory":2327},[2323,2325],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2324,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2326,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2328},[2329,2331],{"@type":1506,"@id":1507,"name":1508,"language":2330,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2332,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},[],[2335,2344],{"@type":1572,"@id":2336,"description":2337,"abstract":2338,"timetable":16,"title":2339,"subtitle":16,"ctaText":2340,"extraInformations":16,"language":2341,"slug":2342,"slugFormatted":2343},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe90b271fadeedb8b4ef1","\u003Ch2>Un luogo che si scende a trovare\u003C\u002Fh2>\r\n\r\n\u003Cp>Ci sono luoghi che si raggiungono scendendo. Non solo fisicamente, ma dentro se stessi. L'\u003Cstrong>Oratorio di Santa Caterina della Notte\u003C\u002Fstrong> si trova nei \u003Cstrong>sotterranei del Santa Maria della Scala\u003C\u002Fstrong>, uno dei più antichi ospedali d'Europa, e già questo dice qualcosa: è un luogo che chiede di abbassarsi, di rallentare, di portare rispetto.\u003C\u002Fp>\r\n\r\n\u003Cp>Il nome racconta tutto: secondo la tradizione, \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong> trascorreva qui le \u003Cstrong>ore notturne\u003C\u002Fstrong>, pregando, meditando, riposando brevemente tra un turno e l'altro di assistenza ai malati. La notte era il suo tempo, il silenzio era il suo spazio. E qualcosa di quel silenzio è rimasto, sospeso tra le pietre e gli affreschi, ancora palpabile dopo \u003Cstrong>sette secoli\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>La storia dell'oratorio\u003C\u002Fh2>\r\n\r\n\u003Cp>L'ambiente ha origine nel \u003Cstrong>XIV secolo\u003C\u002Fstrong>, lo stesso periodo in cui Caterina frequentava lo Spedale. Era allora sede della \u003Cstrong>Confraternita di San Michele Arcangelo\u003C\u002Fstrong>, impegnata nella pietà verso i defunti e nell'assistenza ai bisognosi. Nel \u003Cstrong>Seicento\u003C\u002Fstrong> l'oratorio fu rinnovato con l'aggiunta di \u003Cstrong>decorazioni barocche\u003C\u002Fstrong>, nuovi affreschi, stucchi e arredi più ricchi, opera di artisti senesi vicini allo stile di maestri come \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong> e \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Le decorazioni più antiche appartengono alla \u003Cstrong>scuola senese del XIV secolo\u003C\u002Fstrong>, lo stesso ambiente artistico di \u003Cstrong>Simone Martini\u003C\u002Fstrong>, \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> e \u003Cstrong>Lippo Memmi\u003C\u002Fstrong>: non firmate, ma riconoscibili per \u003Cstrong>eleganza\u003C\u002Fstrong> e \u003Cstrong>spiritualità\u003C\u002Fstrong>. Le pareti raccontano \u003Cstrong>episodi di carità\u003C\u002Fstrong>, \u003Cstrong>guarigioni\u003C\u002Fstrong> e \u003Cstrong>visioni mistiche\u003C\u002Fstrong>, creando un percorso spirituale che accompagna il visitatore in un viaggio nella fede e nella storia.\u003C\u002Fp>\r\n\r\n\u003Ch2>La celletta di riposo\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra le testimonianze più toccanti c'è la \u003Cstrong>celletta di riposo\u003C\u002Fstrong>: un piccolo spazio dove Caterina dormiva per pochi minuti, simbolo concreto della sua vita di \u003Cstrong>sacrificio\u003C\u002Fstrong> e \u003Cstrong>dedizione totale\u003C\u002Fstrong>. Non un letto, non un rifugio: appena un angolo di pietra dove il corpo cedeva per qualche istante, prima di tornare ai malati. Sostare davanti a questo spazio è un'esperienza che non ha bisogno di spiegazioni.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un'atmosfera senza tempo\u003C\u002Fh2>\r\n\r\n\u003Cp>L'oratorio conserva ancora oggi un'\u003Cstrong>atmosfera intensa e raccolta\u003C\u002Fstrong>: luci soffuse, \u003Cstrong>legno antico\u003C\u002Fstrong>, affreschi consumati dal tempo, un silenzio che sembra \u003Cstrong>sospeso\u003C\u002Fstrong>. Come se Caterina fosse appena uscita dalla stanza. Ancora oggi è sede della \u003Cstrong>Confraternita di Santa Caterina della Notte\u003C\u002Fstrong>, che mantiene viva la memoria della Santa e la tradizione di preghiera.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a scenderci\u003C\u002Fh2>\r\n\r\n\u003Cp>Se vuoi incontrare la \u003Cstrong>Siena più intima e mistica\u003C\u002Fstrong>, quella lontana dai grandi spazi monumentali, scendi nell'Oratorio di Santa Caterina della Notte.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Santa Maria della Scala\u003C\u002Fstrong>, Piazza del Duomo, Siena.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>Crediti:\u003C\u002Fp>\r\n\r\n\u003Cp>- Roberto Testi\u003C\u002Fp>","\u003Cp> L'Oratorio di Santa Caterina della Notte è uno dei luoghi più intensi e misteriosi di Siena: nascosto nei sotterranei del Santa Maria della Scala, custodisce affreschi medievali, arredi barocchi e la memoria viva di Santa Caterina. Un luogo che si sente prima ancora di capirlo.\u003C\u002Fp>","Oratorio di Santa Caterina della Notte. Dove il Silenzio Ha una Storia","\u003Cdiv>\u003Cstrong>Entra in silenzio, guarda le pareti, fermati nella celletta.\u003C\u002Fstrong> \u003Cbr>Certi luoghi non si visitano: si ascoltano.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"oratorio-di-santa-caterina-della-notte","\u002Foratorio-di-santa-caterina-della-notte",{"@type":1572,"@id":2345,"description":2346,"abstract":2347,"timetable":16,"title":2348,"subtitle":16,"ctaText":2349,"extraInformations":16,"language":2350,"slug":2342,"slugFormatted":2351},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8cc62a92464a11d41af1","\u003Ch2>A place to be discovered\u003C\u002Fh2>\r\n\r\n\u003Cp>There are places that are reached by descending. Not only physically, but within oneself. The \u003Cstrong>Oratory of Santa Caterina della Notte\u003C\u002Fstrong> is located in the \u003Cstrong>basements of Santa Maria della Scala\u003C\u002Fstrong>, one of the oldest hospitals in Europe, and this alone says something: it is a place that asks to be lowered, to slow down, to be respected.\u003C\u002Fp>\r\n\r\n\u003Cp>The name tells it all: according to tradition, \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong> spent her \u003Cstrong>night hours\u003C\u002Fstrong> here, praying, meditating, resting briefly between shifts caring for the sick. Night was her time, silence was her space. And something of that silence remains, suspended between the stones and the frescoes, still palpable after \u003Cstrong>seven centuries\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The history of the oratory\u003C\u002Fh2>\r\n\r\n\u003Cp>The environment originated in the \u003Cstrong>14th century\u003C\u002Fstrong>, the same period when Catherine frequented the Hospital. It was then the seat of the \u003Cstrong>Confraternity of San Michele Arcangelo\u003C\u002Fstrong>, engaged in piety towards the deceased and in assistance to the needy. In the \u003Cstrong>17th century\u003C\u002Fstrong>, the oratory was renewed with the addition of \u003Cstrong>baroque decorations\u003C\u002Fstrong>, new frescoes, stuccos, and richer furnishings, the work of Sienese artists close to the style of masters like \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong> and \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The oldest decorations belong to the \u003Cstrong>Sienese school of the 14th century\u003C\u002Fstrong>, the same artistic environment of \u003Cstrong>Simone Martini\u003C\u002Fstrong>, \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong>, and \u003Cstrong>Lippo Memmi\u003C\u002Fstrong>: unsigned, but recognizable for their \u003Cstrong>elegance\u003C\u002Fstrong> and \u003Cstrong>spirituality\u003C\u002Fstrong>. The walls tell \u003Cstrong>episodes of charity\u003C\u002Fstrong>, \u003Cstrong>healings\u003C\u002Fstrong>, and \u003Cstrong>mystical visions\u003C\u002Fstrong>, creating a spiritual path that accompanies the visitor on a journey through faith and history.\u003C\u002Fp>\r\n\r\n\u003Ch2>The resting cell\u003C\u002Fh2>\r\n\r\n\u003Cp>Among the most touching testimonies is the \u003Cstrong>resting cell\u003C\u002Fstrong>: a small space where Catherine slept for a few minutes, a concrete symbol of her life of \u003Cstrong>sacrifice\u003C\u002Fstrong> and \u003Cstrong>total dedication\u003C\u002Fstrong>. Not a bed, not a refuge: just a corner of stone where the body yielded for a moment, before returning to the sick. Pausing in front of this space is an experience that needs no explanation.\u003C\u002Fp>\r\n\r\n\u003Ch2>A timeless atmosphere\u003C\u002Fh2>\r\n\r\n\u003Cp>The oratory still preserves a \u003Cstrong>deep and intimate atmosphere\u003C\u002Fstrong>: soft lights, \u003Cstrong>ancient wood\u003C\u002Fstrong>, frescoes worn by time, a silence that seems \u003Cstrong>suspended\u003C\u002Fstrong>. As if Catherine had just left the room. It is still home to the \u003Cstrong>Confraternity of Santa Caterina della Notte\u003C\u002Fstrong>, which keeps the memory of the Saint alive and the tradition of prayer.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come and discover it\u003C\u002Fh2>\r\n\r\n\u003Cp>If you want to encounter the \u003Cstrong>most intimate and mystical Siena\u003C\u002Fstrong>, the one far from the grand monumental spaces, descend into the Oratory of Santa Caterina della Notte.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Santa Maria della Scala\u003C\u002Fstrong>, Piazza del Duomo, Siena.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>Credits:\u003C\u002Fp>\r\n\r\n\u003Cp>- Roberto Testi\u003C\u002Fp>","\u003Cp>The Oratory of Santa Caterina della Notte is one of the most intense and mysterious places in Siena: hidden in the basement of Santa Maria della Scala, it houses medieval frescoes, Baroque furnishings, and the living memory of Saint Catherine. A place you sense before you even understand.\u003C\u002Fp>","Oratory of Santa Caterina della Notte. Where Silence Has a Story","\u003Cdiv>\u003Cstrong>Enter in silence, look at the walls, pause in the cell.\u003Cbr>\u003C\u002Fstrong>Certain places are not visited: they are listened to.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Foratorio-di-santa-caterina-della-notte",[],[2354],{"@type":1592,"@id":2355,"translations":2356,"position":1491,"imagePath":2357},"\u002Fapi\u002F.well-known\u002Fgenid\u002F643660f12d2bac5f9e7d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Froberto-testi-oratorio-s-caterina-della-notte-6a75d038a45d8667674100.jpg",{"@type":1605,"@id":2359,"hashParam":2360},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdea66d5136d6f77860bd","5dccd451d1d4189a077896b8d384078e1a3e64579ea14557ceaa466a26814373",[],[],{"@id":2364,"@type":1477,"name":2365,"poiType":2366,"address":1709,"latitude":2378,"longitude":2379,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2380,"translations":2381,"socials":2399,"gallery":2400,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2409,"position":2060,"layout":1691,"otherPoiType":2412,"logoPath":1611,"poiTagsByCategory":2413},"\u002Fapi\u002Fpois\u002F019e92d5-c14d-70bd-9e25-a54752f09db8","Pulpito del Duomo",{"@id":1480,"@type":1481,"id":1482,"translations":2367,"poiCategory":2372},[2368,2370],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2369,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2371,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2373},[2374,2376],{"@type":1506,"@id":1507,"name":1508,"language":2375,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2377,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.31785010822318","11.328960726270644",[],[2382,2391],{"@type":1572,"@id":2383,"description":2384,"abstract":2385,"timetable":16,"title":2386,"subtitle":16,"ctaText":2387,"extraInformations":16,"language":2388,"slug":2389,"slugFormatted":2390},"\u002Fapi\u002F.well-known\u002Fgenid\u002F97bd8e3ed84692aae00c","\u003Ch2>Una commissione che cambiò la storia dell'arte\u003C\u002Fh2>\r\n\r\n\u003Cp>Il \u003Cstrong>29 settembre 1265\u003C\u002Fstrong>, l'\u003Cstrong>Opera del Duomo di Siena\u003C\u002Fstrong> affidò a \u003Cstrong>Nicola Pisano\u003C\u002Fstrong> un compito straordinario: realizzare un pulpito degno della Cattedrale più ambiziosa d'Italia. Nicola non era solo: con lui lavorarono il figlio \u003Cstrong>Giovanni Pisano\u003C\u002Fstrong>, l'allievo \u003Cstrong>Arnolfo di Cambio\u003C\u002Fstrong>, futuro architetto di \u003Cstrong>Santa Maria del Fiore\u003C\u002Fstrong> a Firenze, e \u003Cstrong>Lapo\u003C\u002Fstrong>. Tre anni dopo, nel \u003Cstrong>1268\u003C\u002Fstrong>, il pulpito era compiuto.\u003C\u002Fp>\r\n\r\n\u003Cp>Quello che nacque non era semplicemente un manufatto liturgico. Era una \u003Cstrong>rivoluzione\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Una Bibbia scolpita nel marmo\u003C\u002Fh2>\r\n\r\n\u003Cp>Il pulpito ha \u003Cstrong>pianta ottagonale\u003C\u002Fstrong>, con colonne di marmo su cui poggiano \u003Cstrong>leoni stilofori\u003C\u002Fstrong>, simbolo di forza, vigilanza e difesa della fede. Al posto delle colonnine agli angoli si trovano \u003Cstrong>statue a tutto tondo\u003C\u002Fstrong> che donano dinamicità e vita a tutta la struttura.\u003C\u002Fp>\r\n\r\n\u003Cp>Ma il cuore dell'opera sono i \u003Cstrong>pannelli narrativi\u003C\u002Fstrong>: una \u003Cstrong>Bibbia di marmo\u003C\u002Fstrong> pensata per raccontare la storia della salvezza a tutti i fedeli, compresi gli \u003Cstrong>analfabeti\u003C\u002Fstrong>. Le scene raffigurate, \u003Cstrong>Visitazione e Natività\u003C\u002Fstrong>, \u003Cstrong>Adorazione dei Magi\u003C\u002Fstrong>, \u003Cstrong>Strage degli Innocenti\u003C\u002Fstrong>, \u003Cstrong>Crocifissione\u003C\u002Fstrong> e \u003Cstrong>Giudizio Universale,\u003C\u002Fstrong> sono popolate da oltre \u003Cstrong>300 figure\u003C\u002Fstrong> che interagiscono tra loro con una \u003Cstrong>profondità\u003C\u002Fstrong> e un'\u003Cstrong>umanità\u003C\u002Fstrong> mai viste prima.\u003C\u002Fp>\r\n\r\n\u003Ch2>I rilievi più iconici\u003C\u002Fh2>\r\n\r\n\u003Ch3>La Crocifissione e la Strage degli Innocenti\u003C\u002Fh3>\r\n\r\n\u003Cp>Tra tutti i pannelli, due si impongono con forza particolare. La \u003Cstrong>Crocifissione\u003C\u002Fstrong>: Nicola Pisano porta qui una \u003Cstrong>profondità emotiva\u003C\u002Fstrong> e una \u003Cstrong>dinamicità\u003C\u002Fstrong> della scena che anticipano di decenni la grande stagione gotica. La \u003Cstrong>Strage degli Innocenti\u003C\u002Fstrong>: la \u003Cstrong>drammaticità\u003C\u002Fstrong> delle madri, dei corpi, del dolore rappresentato senza filtri è qualcosa che ancora oggi colpisce e commuove. Marmo che piange, in qualche modo.\u003C\u002Fp>\r\n\r\n\u003Ch3>Le Sette Arti Liberali\u003C\u002Fh3>\r\n\r\n\u003Cp>Alla base della scultura sono scolpite le \u003Cstrong>Sette Arti Liberali\u003C\u002Fstrong>, \u003Cstrong>Grammatica\u003C\u002Fstrong>, \u003Cstrong>Retorica\u003C\u002Fstrong>, \u003Cstrong>Dialettica\u003C\u002Fstrong>, \u003Cstrong>Aritmetica\u003C\u002Fstrong>, \u003Cstrong>Geometria\u003C\u002Fstrong>, \u003Cstrong>Musica\u003C\u002Fstrong> e \u003Cstrong>Astronomia,\u003C\u002Fstrong> insieme alla \u003Cstrong>Filosofia\u003C\u002Fstrong>. Un messaggio preciso: la \u003Cstrong>conoscenza umana\u003C\u002Fstrong> non è in contrasto con la fede, ma può aiutare l'uomo ad \u003Cstrong>avvicinarsi a Dio\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>I colori ritrovati e lo spostamento rinascimentale\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi il pulpito appare tutto \u003Cstrong>bianco\u003C\u002Fstrong>, ma non è sempre stato così. Durante il \u003Cstrong>restauro concluso nel 2018\u003C\u002Fstrong>, che ha eliminato secoli di polvere e affumicamento da candele votive, sono riaffiorate tracce di \u003Cstrong>colori e dorature\u003C\u002Fstrong> originali: un'opera che in origine doveva essere ancora più sontuosa e sorprendente.\u003C\u002Fp>\r\n\r\n\u003Cp>Il pulpito si trova oggi nella \u003Cstrong>navata sinistra del Duomo\u003C\u002Fstrong>, ma originariamente era posizionato \u003Cstrong>sotto la cupola\u003C\u002Fstrong>. Nel \u003Cstrong>Cinquecento\u003C\u002Fstrong> fu spostato e venne aggiunta una \u003Cstrong>scala rinascimentale\u003C\u002Fstrong>, probabilmente su progettazione di \u003Cstrong>Baldassarre Peruzzi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a vederlo\u003C\u002Fh2>\r\n\r\n\u003Cp>Entrare nel Duomo di Siena e fermarsi davanti al \u003Cstrong>Pulpito di Nicola Pisano\u003C\u002Fstrong> significa stare di fronte a uno dei momenti fondativi della \u003Cstrong>scultura italiana\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Cattedrale di Santa Maria Assunta\u003C\u002Fstrong>, Piazza del Duomo, Siena.\u003C\u002Fp>","\u003Cp> Il Pulpito del Duomo di Siena è uno dei capolavori assoluti della scultura italiana del Duecento: commissionato nel 1265 a Nicola Pisano, con oltre 300 figure scolpite racconta in marmo la storia della salvezza. Un'opera che cambiò per sempre l'arte italiana.\u003C\u002Fp>","Il Pulpito del Duomo. La Bibbia di Marmo di Nicola Pisano","\u003Cdiv>\u003Cstrong>Prenditi il tempo di guardarlo davvero\u003C\u002Fstrong>, pannello per pannello, figura per figura. Ogni dettaglio ha qualcosa da raccontare.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"pulpito-del-duomo","\u002Fpulpito-del-duomo",{"@type":1572,"@id":2392,"description":2393,"abstract":2394,"timetable":16,"title":2395,"subtitle":16,"ctaText":2396,"extraInformations":16,"language":2397,"slug":2389,"slugFormatted":2398},"\u002Fapi\u002F.well-known\u002Fgenid\u002F406bdacd6f447b308431","\u003Ch2>A commission that changed the history of art\u003C\u002Fh2>\r\n\r\n\u003Cp>On \u003Cstrong>September 29, 1265\u003C\u002Fstrong>, the \u003Cstrong>Opera del Duomo di Siena\u003C\u002Fstrong> entrusted \u003Cstrong>Nicola Pisano\u003C\u002Fstrong> with an extraordinary task: to create a pulpit worthy of the most ambitious Cathedral in Italy. Nicola was not alone: he was joined by his son \u003Cstrong>Giovanni Pisano\u003C\u002Fstrong>, the pupil \u003Cstrong>Arnolfo di Cambio\u003C\u002Fstrong>, future architect of \u003Cstrong>Santa Maria del Fiore\u003C\u002Fstrong> in Florence, and \u003Cstrong>Lapo\u003C\u002Fstrong>. Three years later, in \u003Cstrong>1268\u003C\u002Fstrong>, the pulpit was completed.\u003C\u002Fp>\r\n\r\n\u003Cp>What was born was not simply a liturgical artifact. It was a \u003Cstrong>revolution\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>A Bible carved in marble\u003C\u002Fh2>\r\n\r\n\u003Cp>The pulpit has an \u003Cstrong>octagonal shape\u003C\u002Fstrong>, with marble columns supporting \u003Cstrong>stylophore lions\u003C\u002Fstrong>, symbols of strength, vigilance, and defense of the faith. Instead of small columns at the corners, there are \u003Cstrong>full-round statues\u003C\u002Fstrong> that give dynamism and life to the entire structure.\u003C\u002Fp>\r\n\r\n\u003Cp>But the heart of the work is the \u003Cstrong>narrative panels\u003C\u002Fstrong>: a \u003Cstrong>marble Bible\u003C\u002Fstrong> designed to tell the story of salvation to all the faithful, including the \u003Cstrong>illiterate\u003C\u002Fstrong>. The depicted scenes, \u003Cstrong>Visitation and Nativity\u003C\u002Fstrong>, \u003Cstrong>Adoration of the Magi\u003C\u002Fstrong>, \u003Cstrong>Massacre of the Innocents\u003C\u002Fstrong>, \u003Cstrong>Crucifixion\u003C\u002Fstrong>, and \u003Cstrong>Last Judgment,\u003C\u002Fstrong> are populated by over \u003Cstrong>300 figures\u003C\u002Fstrong> that interact with each other with a \u003Cstrong>depth\u003C\u002Fstrong> and \u003Cstrong>humanity\u003C\u002Fstrong> never seen before.\u003C\u002Fp>\r\n\r\n\u003Ch2>The most iconic reliefs\u003C\u002Fh2>\r\n\r\n\u003Ch3>The Crucifixion and the Massacre of the Innocents\u003C\u002Fh3>\r\n\r\n\u003Cp>Among all the panels, two stand out with particular strength. The \u003Cstrong>Crucifixion\u003C\u002Fstrong>: Nicola Pisano brings here an \u003Cstrong>emotional depth\u003C\u002Fstrong> and a \u003Cstrong>dynamism\u003C\u002Fstrong> of the scene that anticipate decades of the great Gothic season. The \u003Cstrong>Massacre of the Innocents\u003C\u002Fstrong>: the \u003Cstrong>drama\u003C\u002Fstrong> of the mothers, the bodies, the pain represented without filters is something that still strikes and moves today. Marble that weeps, in some way.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Seven Liberal Arts\u003C\u002Fh3>\r\n\r\n\u003Cp>At the base of the sculpture are carved the \u003Cstrong>Seven Liberal Arts\u003C\u002Fstrong>, \u003Cstrong>Grammar\u003C\u002Fstrong>, \u003Cstrong>Rhetoric\u003C\u002Fstrong>, \u003Cstrong>Dialectic\u003C\u002Fstrong>, \u003Cstrong>Arithmetic\u003C\u002Fstrong>, \u003Cstrong>Geometry\u003C\u002Fstrong>, \u003Cstrong>Music\u003C\u002Fstrong>, and \u003Cstrong>Astronomy,\u003C\u002Fstrong>  along with \u003Cstrong>Philosophy\u003C\u002Fstrong>. A precise message: \u003Cstrong>human knowledge\u003C\u002Fstrong> is not in contrast with faith, but can help man to \u003Cstrong>approach God\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The rediscovered colors and the Renaissance shift\u003C\u002Fh2>\r\n\r\n\u003Cp>Today the pulpit appears all \u003Cstrong>white\u003C\u002Fstrong>, but it has not always been this way. During the \u003Cstrong>restoration completed in 2018\u003C\u002Fstrong>, which removed centuries of dust and soot from votive candles, traces of original \u003Cstrong>colors and gilding\u003C\u002Fstrong> resurfaced: a work that originally was meant to be even more sumptuous and surprising.\u003C\u002Fp>\r\n\r\n\u003Cp>The pulpit is now located in the \u003Cstrong>left nave of the Cathedral\u003C\u002Fstrong>, but it was originally positioned \u003Cstrong>under the dome\u003C\u002Fstrong>. In the \u003Cstrong>1500s\u003C\u002Fstrong> it was moved and a \u003Cstrong>Renaissance staircase\u003C\u002Fstrong> was added, probably designed by \u003Cstrong>Baldassarre Peruzzi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come see it\u003C\u002Fh2>\r\n\r\n\u003Cp>Entering the Cathedral of Siena and stopping in front of the \u003Cstrong>Pulpit of Nicola Pisano\u003C\u002Fstrong> means standing before one of the founding moments of \u003Cstrong>Italian sculpture\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Cathedral of Santa Maria Assunta\u003C\u002Fstrong>, Piazza del Duomo, Siena.\u003C\u002Fp>","\u003Cp>The Pulpit of Siena Cathedral is one of the absolute masterpieces of 13th-century Italian sculpture: commissioned in 1265 from Nicola Pisano, it tells the story of salvation in marble with over 300 sculpted figures. A work that changed Italian art forever.\u003C\u002Fp>","The Pulpit of the Cathedral. The Marble Bible by Nicola Pisano","\u003Cdiv>\u003Cstrong>Take the time to really look at it\u003C\u002Fstrong>, panel by panel, figure by figure.\u003Cbr>Every detail has something to tell.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fpulpito-del-duomo",[],[2401,2405],{"@type":1592,"@id":2402,"translations":2403,"position":1491,"imagePath":2404},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9bbfe58e8597702c3025",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fopa-luca-betti-0394-2-6a75d690cbe58057831636.jpg",{"@type":1592,"@id":2406,"translations":2407,"position":1491,"imagePath":2408},"\u002Fapi\u002F.well-known\u002Fgenid\u002F85f14bcfa0215070553a",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-pulpito-foto-luca-betti-1-6a75d690a5024427770273.jpg",{"@type":1605,"@id":2410,"hashParam":2411},"\u002Fapi\u002F.well-known\u002Fgenid\u002F1228f0987e98ffd41acd","1a07e09343c79422776e0394639e4e1493c0eabbe908713ceca4f701c48bb910",[],[],{"@id":2415,"@type":1477,"name":2416,"poiType":2417,"address":2429,"latitude":2430,"longitude":2431,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2432,"translations":2433,"socials":2451,"gallery":2452,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2461,"position":2060,"layout":1691,"otherPoiType":2464,"logoPath":1611,"poiTagsByCategory":2465},"\u002Fapi\u002Fpois\u002F019ecb9a-9050-72bd-9be9-001a1fabf25d","Teatro dei Rinnovati",{"@id":1480,"@type":1481,"id":1482,"translations":2418,"poiCategory":2423},[2419,2421],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2420,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2422,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2424},[2425,2427],{"@type":1506,"@id":1507,"name":1508,"language":2426,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2428,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Piazza Il Campo 1,","43.318448669607136","11.33222105425871",[],[2434,2443],{"@type":1572,"@id":2435,"description":2436,"abstract":2437,"timetable":16,"title":2438,"subtitle":16,"ctaText":2439,"extraInformations":16,"language":2440,"slug":2441,"slugFormatted":2442},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6608e51e5939f799ffdc","\u003Ch2>Un teatro nato nel cuore del potere\u003C\u002Fh2>\r\n\r\n\u003Cp>Pochi teatri al mondo possono vantare una simile origine. Il \u003Cstrong>Teatro dei Rinnovati\u003C\u002Fstrong> non sorge in un edificio qualsiasi: nasce all'interno del \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, affacciato sulla più bella piazza medievale d'Europa, \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>. Un luogo dove la storia di Siena si è scritta per secoli, e dove ancora oggi si alza il sipario.\u003C\u002Fp>\r\n\r\n\u003Cp>Tutto inizia nel \u003Cstrong>1343\u003C\u002Fstrong>, quando viene costruita la \u003Cstrong>Sala del Consiglio Maggiore\u003C\u002Fstrong>. Ma è nel \u003Cstrong>1560\u003C\u002Fstrong>, in occasione della visita di \u003Cstrong>Cosimo I de' Medici\u003C\u002Fstrong>, che la sala si trasforma in \u003Cstrong>teatro stabile\u003C\u002Fstrong>: l'allestimento è curato da \u003Cstrong>Bartolomeo Neroni\u003C\u002Fstrong> detto \u003Cstrong>"il Riccio"\u003C\u002Fstrong>, e va in scena l'Hortensius di \u003Cstrong>Alessandro Piccolomini\u003C\u002Fstrong>. Un esordio degno di una città che sapeva fare le cose in grande.\u003C\u002Fp>\r\n\r\n\u003Ch2>Secoli di storia, incendi e rinascite\u003C\u002Fh2>\r\n\r\n\u003Ch3>Rivalità, fusioni e palchi in muratura\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel \u003Cstrong>Seicento\u003C\u002Fstrong> il teatro divenne teatro di rivalità culturali: gli \u003Cstrong>Intronati\u003C\u002Fstrong>, dopo quasi cinquant'anni di interdizione, ripresero l'attività nel \u003Cstrong>1603\u003C\u002Fstrong>, trovandosi a competere con l'\u003Cstrong>Accademia dei \u003C\u002Fstrong>\u003Cstrong>Filomati\u003C\u002Fstrong>. Nel \u003Cstrong>1654\u003C\u002Fstrong>, per ordine di \u003Cstrong>Mattias de' Medici\u003C\u002Fstrong>, le due accademie furono fuse e il teatro tornò agli Intronati. Nel \u003Cstrong>1667\u003C\u002Fstrong> arrivò una nuova ricostruzione con \u003Cstrong>palchi in muratura\u003C\u002Fstrong> su quattro ordini a pianta a U, inaugurata nel \u003Cstrong>1670\u003C\u002Fstrong> con l'opera L'Argia.\u003C\u002Fp>\r\n\r\n\u003Ch3>Gli incendi e Antonio Galli Bibbiena\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>Settecento\u003C\u002Fstrong> fu un secolo di fuoco, letteralmente. Un primo incendio il \u003Cstrong>7 settembre 1742\u003C\u002Fstrong> distrusse il teatro; un secondo il \u003Cstrong>31 luglio 1751\u003C\u002Fstrong>, durante la rappresentazione dell'Antigone. Fu allora che entrò in scena il genio di \u003Cstrong>Antonio Galli Bibbiena\u003C\u002Fstrong>, incaricato nel \u003Cstrong>1752\u003C\u002Fstrong> della ricostruzione. Il suo progetto, \u003Cstrong>pianta a campana\u003C\u002Fstrong>, \u003Cstrong>proscenio con doppio fusto di colonne corinzie giganti\u003C\u002Fstrong>, raccordo curvo con i palchi, è ancora oggi riconoscibile. L'\u003Cstrong>8 luglio 1753\u003C\u002Fstrong> il teatro riaprì con il Tito Manlio, tra grandi applausi per \u003Cstrong>scenografie\u003C\u002Fstrong>, \u003Cstrong>illuminazione\u003C\u002Fstrong> e \u003Cstrong>architettura\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>I Rinnovati e il nuovo secolo\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel \u003Cstrong>1798\u003C\u002Fstrong> un terremoto danneggiò gravemente il teatro. Le difficoltà economiche costrinsero l'\u003Cstrong>Accademia degli Intronati\u003C\u002Fstrong> a vendere i palchi. Nel \u003Cstrong>1802\u003C\u002Fstrong> nacque l'\u003Cstrong>Accademia dei Rinnovati\u003C\u002Fstrong>, con il motto \u003Cstrong>"cangio la vecchia e nuova spoglia prendo"\u003C\u002Fstrong> e uno stemma con una \u003Cstrong>serpe\u003C\u002Fstrong>: un nome, un simbolo e una promessa di continuità.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il teatro oggi\u003C\u002Fh2>\r\n\r\n\u003Cp>Dopo la dichiarazione di inagibilità nel \u003Cstrong>1927\u003C\u002Fstrong> e il passaggio al \u003Cstrong>Comune nel 1935\u003C\u002Fstrong>, il teatro attraversò anni difficili interrotti dalla guerra. La riapertura nel \u003Cstrong>settembre 1950\u003C\u002Fstrong> per la \u003Cstrong>Settimana Musicale Senese\u003C\u002Fstrong> segnò il ritorno alla vita.\u003C\u002Fp>\r\n\r\n\u003Cp>Il capitolo più recente è la grande \u003Cstrong>ristrutturazione 2004-2009\u003C\u002Fstrong>, diretta dall'architetto \u003Cstrong>Ettore Vio\u003C\u002Fstrong>: oltre \u003Cstrong>600 posti\u003C\u002Fstrong>, \u003Cstrong>88 palchi\u003C\u002Fstrong>, foyer ampliato, nuovi ingressi accessibili, palcoscenico adattato alla danza, \u003Cstrong>golfo mistico\u003C\u002Fstrong> ampliato e decorazioni ottocentesche restaurate. Il \u003Cstrong>3 giugno 2009\u003C\u002Fstrong> la riapertura con Gli Ingannati, simbolo del teatro senese cinquecentesco, ha chiuso un cerchio lungo quasi cinque secoli.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni ad ascoltare\u003C\u002Fh2>\r\n\r\n\u003Cp>Il \u003Cstrong>Teatro dei Rinnovati\u003C\u002Fstrong> è uno dei luoghi più straordinari in cui vivere uno spettacolo in Italia: storia, bellezza e acustica in un abbraccio unico.\u003Cbr \u002F>\r\n\u003Cstrong>Palazzo Pubblico, Piazza del Campo\u003C\u002Fstrong>, Siena.\u003C\u002Fp>","\u003Cp>Il Teatro dei Rinnovati sorge all'interno del Palazzo Pubblico, affacciato su Piazza del Campo. Secoli di storia, incendi, restauri e grandi inaugurazioni: uno dei teatri storici più affascinanti d'Italia, ancora vivo e pulsante.\u003C\u002Fp>","Teatro dei Rinnovati, il teatro nel cuore di Siena","\u003Cdiv>\u003Cstrong>Consulta il programma e prenota il tuo posto.\u003C\u002Fstrong> Certi teatri non si visitano: si abitano. \u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"teatro-dei-rinnovati","\u002Fteatro-dei-rinnovati",{"@type":1572,"@id":2444,"description":2445,"abstract":2446,"timetable":16,"title":2447,"subtitle":16,"ctaText":2448,"extraInformations":16,"language":2449,"slug":2441,"slugFormatted":2450},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6bb68cd084f77325df11","\u003Ch2>A theatre born in the heart of power\u003C\u002Fh2>\r\n\r\n\u003Cp>Few theatres in the world can boast such an origin. The \u003Cstrong>Teatro dei Rinnovati\u003C\u002Fstrong> does not rise in just any building: it is born within the \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, overlooking the most beautiful medieval square in Europe, \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>. A place where the history of Siena has been written for centuries, and where the curtain still rises today.\u003C\u002Fp>\r\n\r\n\u003Cp>It all begins in \u003Cstrong>1343\u003C\u002Fstrong>, when the \u003Cstrong>Sala del Consiglio Maggiore\u003C\u002Fstrong> is built. But it is in \u003Cstrong>1560\u003C\u002Fstrong>, during the visit of \u003Cstrong>Cosimo I de' Medici\u003C\u002Fstrong>, that the hall transforms into a \u003Cstrong>permanent theatre\u003C\u002Fstrong>: the setup is curated by \u003Cstrong>Bartolomeo Neroni\u003C\u002Fstrong> known as \u003Cstrong>"il Riccio"\u003C\u002Fstrong>, and the Hortensius by \u003Cstrong>Alessandro Piccolomini\u003C\u002Fstrong> is staged. A debut worthy of a city that knew how to do things grandly.\u003C\u002Fp>\r\n\r\n\u003Ch2>Centuries of history, fires, and rebirths\u003C\u002Fh2>\r\n\r\n\u003Ch3>Rivalries, mergers, and masonry stages\u003C\u002Fh3>\r\n\r\n\u003Cp>In the \u003Cstrong>Seventeenth Century\u003C\u002Fstrong>, the theatre became a stage for cultural rivalries: the \u003Cstrong>Intronati\u003C\u002Fstrong>, after almost fifty years of prohibition, resumed activity in \u003Cstrong>1603\u003C\u002Fstrong>, finding themselves competing with the \u003Cstrong>Accademia dei \u003C\u002Fstrong>\u003Cstrong>Filomati\u003C\u002Fstrong>. In \u003Cstrong>1654\u003C\u002Fstrong>, by order of \u003Cstrong>Mattias de' Medici\u003C\u002Fstrong>, the two academies were merged and the theatre returned to the Intronati. In \u003Cstrong>1667\u003C\u002Fstrong>, a new reconstruction arrived with \u003Cstrong>masonry stages\u003C\u002Fstrong> in four tiers in a U-shape, inaugurated in \u003Cstrong>1670\u003C\u002Fstrong> with the opera L'Argia.\u003C\u002Fp>\r\n\r\n\u003Ch3>The fires and Antonio Galli Bibbiena\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Eighteenth Century\u003C\u002Fstrong> was a century of fire, literally. A first fire on \u003Cstrong>September 7, 1742\u003C\u002Fstrong> destroyed the theatre; a second on \u003Cstrong>July 31, 1751\u003C\u002Fstrong>, during the performance of Antigone. It was then that the genius of \u003Cstrong>Antonio Galli Bibbiena\u003C\u002Fstrong> came into play, commissioned in \u003Cstrong>1752\u003C\u002Fstrong> for the reconstruction. His project, \u003Cstrong>bell-shaped plan\u003C\u002Fstrong>, \u003Cstrong>proscenium with double trunk of giant Corinthian columns\u003C\u002Fstrong>, curved connection with the boxes,  is still recognizable today. On \u003Cstrong>July 8, 1753\u003C\u002Fstrong>, the theatre reopened with Tito Manlio, amidst great applause for \u003Cstrong>scenographies\u003C\u002Fstrong>, \u003Cstrong>lighting\u003C\u002Fstrong>, and \u003Cstrong>architecture\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Rinnovati and the new century\u003C\u002Fh3>\r\n\r\n\u003Cp>In \u003Cstrong>1798\u003C\u002Fstrong>, an earthquake severely damaged the theatre. Economic difficulties forced the \u003Cstrong>Accademia degli Intronati\u003C\u002Fstrong> to sell the boxes. In \u003Cstrong>1802\u003C\u002Fstrong>, the \u003Cstrong>Accademia dei Rinnovati\u003C\u002Fstrong> was born, with the motto \u003Cstrong>"I change the old and take the new mantle"\u003C\u002Fstrong> and a coat of arms with a \u003Cstrong>serpent\u003C\u002Fstrong>: a name, a symbol, and a promise of continuity.\u003C\u002Fp>\r\n\r\n\u003Ch2>The theatre today\u003C\u002Fh2>\r\n\r\n\u003Cp>After the declaration of uninhabitability in \u003Cstrong>1927\u003C\u002Fstrong> and the transfer to the \u003Cstrong>Municipality in 1935\u003C\u002Fstrong>, the theatre went through difficult years interrupted by war. The reopening in \u003Cstrong>September 1950\u003C\u002Fstrong> for the \u003Cstrong>Settimana Musicale Senese\u003C\u002Fstrong> marked the return to life.\u003C\u002Fp>\r\n\r\n\u003Cp>The most recent chapter is the major \u003Cstrong>renovation 2004-2009\u003C\u002Fstrong>, directed by architect \u003Cstrong>Ettore Vio\u003C\u002Fstrong>: over \u003Cstrong>600 seats\u003C\u002Fstrong>, \u003Cstrong>88 boxes\u003C\u002Fstrong>, expanded foyer, new accessible entrances, stage adapted for dance, \u003Cstrong>mystical gulf\u003C\u002Fstrong> expanded, and restored nineteenth-century decorations. On \u003Cstrong>June 3, 2009\u003C\u002Fstrong>, the reopening with Gli Ingannati, symbol of the sixteenth-century Sienese theatre, closed a circle lasting almost five centuries.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come listen\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Teatro dei Rinnovati\u003C\u002Fstrong> is one of the most extraordinary places to experience a show in Italy: history, beauty, and acoustics in a unique embrace.\u003Cbr \u002F>\r\n\u003Cstrong>Palazzo Pubblico, Piazza del Campo\u003C\u002Fstrong>, Siena.\u003C\u002Fp>","\u003Cp>The Teatro dei Rinnovati is located inside the Palazzo Pubblico, overlooking Piazza del Campo. Centuries of history, fires, restorations, and grand openings: one of Italy's most fascinating historic theaters, still alive and breathing.\u003C\u002Fp>","Teatro dei Rinnovati, the theatre in the heart of Siena","\u003Cdiv>\u003Cstrong>Check the program and book your seat.\u003C\u002Fstrong> Certain theatres are not visited: they are inhabited. \u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fteatro-dei-rinnovati",[],[2453,2457],{"@type":1592,"@id":2454,"translations":2455,"position":1491,"imagePath":2456},"\u002Fapi\u002F.well-known\u002Fgenid\u002F408ce9c57bcf29ead394",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fteatro-dei-rinnovati-sala-6-6a74be608f350894259386.jpg",{"@type":1592,"@id":2458,"translations":2459,"position":1491,"imagePath":2460},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff1d1a718d0719a4f7a37",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fteatro-dei-rinnovati-dettaglio-lampadario-1-6a74be60b07af354718638.jpg",{"@type":1605,"@id":2462,"hashParam":2463},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe42b341afeb12dc35bfa","af74e2129379d1e1fb5cc78de7a83b9897518291562a74c725cbb04aa29dcea6",[],[],{"@id":2467,"@type":1477,"name":2468,"poiType":2469,"address":2481,"latitude":2482,"longitude":2483,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2484,"translations":2485,"socials":2503,"gallery":2504,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2513,"position":2060,"layout":1691,"otherPoiType":2516,"logoPath":1611,"poiTagsByCategory":2517},"\u002Fapi\u002Fpois\u002F019ecb95-f0a4-7210-a07e-437d68bf7397","Teatro dei Rozzi",{"@id":1480,"@type":1481,"id":1482,"translations":2470,"poiCategory":2475},[2471,2473],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2472,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2474,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2476},[2477,2479],{"@type":1506,"@id":1507,"name":1508,"language":2478,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2480,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Piazza Indipendenza, 15","43.31919850793284","11.330362698437991",[],[2486,2495],{"@type":1572,"@id":2487,"description":2488,"abstract":2489,"timetable":16,"title":2490,"subtitle":16,"ctaText":2491,"extraInformations":16,"language":2492,"slug":2493,"slugFormatted":2494},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5924582d13a1fed55293","\u003Ch2>Una storia nata dal basso\u003C\u002Fh2>\r\n\r\n\u003Cp>C'è qualcosa di profondamente bello nell'idea che uno dei teatri più prestigiosi di Siena sia nato da un gruppo di \u003Cstrong>artigiani\u003C\u002Fstrong>. Non nobili, non accademici: artigiani. Uomini delle botteghe e dei rioni che nel \u003Cstrong>1531\u003C\u002Fstrong> fondarono la \u003Cstrong>Congrega dei Rozzi\u003C\u002Fstrong> con un obiettivo paradossale e geniale: \u003Cstrong>perdere la rozzezza diventando rozzi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Lo dice chiaramente il loro emblema: una \u003Cstrong>pianta di sughero secca\u003C\u002Fstrong> che getta un \u003Cstrong>pollone fresco dalla radice\u003C\u002Fstrong>, con il motto \u003Cstrong>"Chi qui soggiorna acquista quel che perde"\u003C\u002Fstrong>. Vieni qui grezzo, e la cultura ti trasforma. Un messaggio di straordinaria modernità, nato in pieno Cinquecento.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dalla Congrega all'Accademia\u003C\u002Fh2>\r\n\r\n\u003Cp>La Congrega si dedicò fin dall'inizio a \u003Cstrong>raffinare le forme d'arte popolari\u003C\u002Fstrong>, teatro e poesia, trasformandole in qualcosa di più cittadino, senza tradirne l'anima. Nacquero autori e testi volutamente \u003Cstrong>antiletterari\u003C\u002Fstrong>: \u003Cstrong>Niccolò Campani\u003C\u002Fstrong> detto lo \u003Cstrong>Strascino\u003C\u002Fstrong>, \u003Cstrong>Francesco Mariani\u003C\u002Fstrong> detto l'\u003Cstrong>Appuntato\u003C\u002Fstrong>, \u003Cstrong>Angelo Cenni\u003C\u002Fstrong> detto il \u003Cstrong>Resoluto\u003C\u002Fstrong>, autore della celebre Tognia, e \u003Cstrong>Ascanio \u003C\u002Fstrong>\u003Cstrong>Cacciaconti\u003C\u002Fstrong> detto lo \u003Cstrong>Strafalcione\u003C\u002Fstrong>. Nomi che sembrano personaggi di una commedia, e in fondo lo erano.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel \u003Cstrong>1690\u003C\u002Fstrong> la Congrega si trasformò in \u003Cstrong>Accademia\u003C\u002Fstrong>, la produzione si fece più colta pur mantenendo vivo il legame tra \u003Cstrong>teatro rusticano e teatro cittadino\u003C\u002Fstrong>. Fu in particolare nel \u003Cstrong>XIX secolo\u003C\u002Fstrong> che divenne una delle \u003Cstrong>istituzioni culturali più prestigiose di Siena\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>La costruzione del Teatro\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un progetto, una visione\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel \u003Cstrong>1807\u003C\u002Fstrong> l'Accademia decise di costruire un teatro vero e proprio, affidando il progetto all'architetto \u003Cstrong>Alessandro Doveri\u003C\u002Fstrong>. Il primo piano non convinse, e i Rozzi scelsero di acquistare alcuni locali confinanti, situati nell'attuale \u003Cstrong>Piazza Indipendenza\u003C\u002Fstrong>. I lavori iniziarono nel \u003Cstrong>1815\u003C\u002Fstrong> con un progetto rinnovato.\u003C\u002Fp>\r\n\r\n\u003Ch3>L'inaugurazione\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>1817\u003C\u002Fstrong> segnò la nascita ufficiale del teatro: prima un \u003Cstrong>ballo per i soci\u003C\u002Fstrong>, poi l'apertura al pubblico con il libretto semiserio \u003Cstrong>L'Agnese di \u003C\u002Fstrong>\u003Cstrong>Fitzenry\u003C\u002Fstrong> di \u003Cstrong>Ferdinando \u003C\u002Fstrong>\u003Cstrong>Paer\u003C\u002Fstrong>. Da quel momento, per tutto l'Ottocento, il Teatro dei Rozzi ospitò le più grandi \u003Cstrong>Compagnie di giro\u003C\u002Fstrong> nazionali, diventando un punto di riferimento per la vita culturale cittadina.\u003C\u002Fp>\r\n\r\n\u003Ch2>Garibaldi, Carducci e i banchetti celebri\u003C\u002Fh2>\r\n\r\n\u003Cp>Il teatro fu anche luogo di \u003Cstrong>conviti memorabili\u003C\u002Fstrong>. Quando \u003Cstrong>Giuseppe Garibaldi\u003C\u002Fstrong> arrivò a Siena l'\u003Cstrong>11 agosto 1867\u003C\u002Fstrong>, fu organizzato in suo onore un banchetto rimasto celebre per una sorta di \u003Cstrong>"messaggio cifrato"\u003C\u002Fstrong> che ancora oggi alimenta la curiosità degli storici. Anche la visita di \u003Cstrong>Giosuè Carducci\u003C\u002Fstrong> nel \u003Cstrong>1894\u003C\u002Fstrong> fu celebrata con un grande banchetto: perché i Rozzi sapevano che la cultura si nutre anche di tavola, di vino e di parole condivise.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il restauro e oggi\u003C\u002Fh2>\r\n\r\n\u003Cp>Il teatro rimase attivo fino al \u003Cstrong>1945\u003C\u002Fstrong>, quando la \u003Cstrong>Seconda Guerra Mondiale\u003C\u002Fstrong> lo lasciò inagibile. Dopo decenni di silenzio, il \u003Cstrong>29 maggio 1998\u003C\u002Fstrong> riaprì le porte completamente restaurato, restituendo alla città uno spazio di \u003Cstrong>499 posti\u003C\u002Fstrong>, \u003Cstrong>tre ordini di palchi\u003C\u002Fstrong> e una \u003Cstrong>balconata aperta\u003C\u002Fstrong>, oggi sede di attività \u003Cstrong>teatrali\u003C\u002Fstrong>, \u003Cstrong>musicali\u003C\u002Fstrong> e \u003Cstrong>convegni\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni ad ascoltare\u003C\u002Fh2>\r\n\r\n\u003Cp>Il \u003Cstrong>Teatro dei Rozzi\u003C\u002Fstrong> non è solo un edificio storico: è un luogo vivo, che ancora oggi risuona di voci, musica e applausi.\u003Cbr \u002F>\r\n\u003Cstrong>Piazza Indipendenza\u003C\u002Fstrong>, Siena.\u003C\u002Fp>","\u003Cp>Il Teatro dei Rozzi di Siena ha una storia straordinaria: nato da una congrega di artigiani nel 1531, è oggi uno dei teatri storici più affascinanti della Toscana. Tre ordini di palchi, 499 posti e secoli di cultura, musica e teatro.\u003C\u002Fp>","Teatro dei Rozzi, dove la rozzezza diventa arte","\u003Cdiv>\u003Cstrong>Consulta il programma, scegli uno spettacolo, vieni.\u003C\u002Fstrong> Perché certi teatri non si visitano: si vivono. \u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"teatro-dei-rozzi","\u002Fteatro-dei-rozzi",{"@type":1572,"@id":2496,"description":2497,"abstract":2498,"timetable":16,"title":2499,"subtitle":16,"ctaText":2500,"extraInformations":16,"language":2501,"slug":2493,"slugFormatted":2502},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc3290e375bedf76ac94c","\u003Ch2>A story born from the bottom\u003C\u002Fh2>\r\n\r\n\u003Cp>There is something profoundly beautiful in the idea that one of the most prestigious theaters in Siena was born from a group of \u003Cstrong>artisans\u003C\u002Fstrong>. Not nobles, not academics: artisans. Men from the workshops and neighborhoods who in \u003Cstrong>1531\u003C\u002Fstrong> founded the \u003Cstrong>Congregation of the Rozzi\u003C\u002Fstrong> with a paradoxical and brilliant goal: \u003Cstrong>to lose roughness by becoming rough\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Their emblem clearly states it: a \u003Cstrong>dried cork plant\u003C\u002Fstrong> that throws a \u003Cstrong>fresh shoot from the root\u003C\u002Fstrong>, with the motto \u003Cstrong>"Whoever stays here gains what they lose"\u003C\u002Fstrong>. Come here raw, and culture transforms you. A message of extraordinary modernity, born in the midst of the Sixteenth century.\u003C\u002Fp>\r\n\r\n\u003Ch2>From the Congregation to the Academy\u003C\u002Fh2>\r\n\r\n\u003Cp>The Congregation dedicated itself from the beginning to \u003Cstrong>refining popular art forms\u003C\u002Fstrong>, theater and poetry, transforming them into something more urban, without betraying their soul. Authors and texts intentionally \u003Cstrong>anti-literary\u003C\u002Fstrong> were born: \u003Cstrong>Niccolò Campani\u003C\u002Fstrong> known as \u003Cstrong>lo Strascino\u003C\u002Fstrong>, \u003Cstrong>Francesco Mariani\u003C\u002Fstrong> known as \u003Cstrong>l'Appuntato\u003C\u002Fstrong>, \u003Cstrong>Angelo Cenni\u003C\u002Fstrong> known as \u003Cstrong>il Resoluto\u003C\u002Fstrong>, author of the famous Tognia, and \u003Cstrong>Ascanio \u003C\u002Fstrong>\u003Cstrong>Cacciaconti\u003C\u002Fstrong> known as \u003Cstrong>lo Strafalcione\u003C\u002Fstrong>. Names that seem like characters from a comedy, and in essence, they were.\u003C\u002Fp>\r\n\r\n\u003Cp>In \u003Cstrong>1690\u003C\u002Fstrong>, the Congregation transformed into an \u003Cstrong>Academy\u003C\u002Fstrong>, the production became more cultured while maintaining the link between \u003Cstrong>rustic theater and urban theater\u003C\u002Fstrong>. It was particularly in the \u003Cstrong>19th century\u003C\u002Fstrong> that it became one of the \u003Cstrong>most prestigious cultural institutions in Siena\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The construction of the Theater\u003C\u002Fh2>\r\n\r\n\u003Ch3>A project, a vision\u003C\u002Fh3>\r\n\r\n\u003Cp>In \u003Cstrong>1807\u003C\u002Fstrong>, the Academy decided to build a proper theater, entrusting the project to architect \u003Cstrong>Alessandro Doveri\u003C\u002Fstrong>. The first design did not convince, and the Rozzi chose to purchase some adjoining premises, located in the current \u003Cstrong>Piazza Indipendenza\u003C\u002Fstrong>. The works began in \u003Cstrong>1815\u003C\u002Fstrong> with a renewed project.\u003C\u002Fp>\r\n\r\n\u003Ch3>The inauguration\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>1817\u003C\u002Fstrong> marked the official birth of the theater: first a \u003Cstrong>ball for the members\u003C\u002Fstrong>, then the opening to the public with the semi-serious libretto \u003Cstrong>L'Agnese di \u003C\u002Fstrong>\u003Cstrong>Fitzenry\u003C\u002Fstrong> by \u003Cstrong>Ferdinando \u003C\u002Fstrong>\u003Cstrong>Paer\u003C\u002Fstrong>. From that moment, throughout the 19th century, the Teatro dei Rozzi hosted the greatest national \u003Cstrong>touring companies\u003C\u002Fstrong>, becoming a reference point for the city's cultural life.\u003C\u002Fp>\r\n\r\n\u003Ch2>Garibaldi, Carducci and the famous banquets\u003C\u002Fh2>\r\n\r\n\u003Cp>The theater was also the place of \u003Cstrong>memorable feasts\u003C\u002Fstrong>. When \u003Cstrong>Giuseppe Garibaldi\u003C\u002Fstrong> arrived in Siena on \u003Cstrong>August 11, 1867\u003C\u002Fstrong>, a banquet was organized in his honor, famous for a sort of \u003Cstrong>"coded message"\u003C\u002Fstrong> that still fuels historians' curiosity today. The visit of \u003Cstrong>Giosuè Carducci\u003C\u002Fstrong> in \u003Cstrong>1894\u003C\u002Fstrong> was also celebrated with a grand banquet: because the Rozzi knew that culture is also nourished by the table, wine, and shared words.\u003C\u002Fp>\r\n\r\n\u003Ch2>The restoration and today\u003C\u002Fh2>\r\n\r\n\u003Cp>The theater remained active until \u003Cstrong>1945\u003C\u002Fstrong>, when \u003Cstrong>World War II\u003C\u002Fstrong> left it uninhabitable. After decades of silence, on \u003Cstrong>May 29, 1998\u003C\u002Fstrong>, it reopened its doors completely restored, returning to the city a space of \u003Cstrong>499 seats\u003C\u002Fstrong>, \u003Cstrong>three tiers of boxes\u003C\u002Fstrong>, and a \u003Cstrong>open balcony\u003C\u002Fstrong>, now home to \u003Cstrong>theatrical\u003C\u002Fstrong>, \u003Cstrong>musical\u003C\u002Fstrong>, and \u003Cstrong>conference\u003C\u002Fstrong> activities.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come and listen\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Teatro dei Rozzi\u003C\u002Fstrong> is not just a historic building: it is a living place, still resonating with voices, music, and applause.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Indipendenza\u003C\u002Fstrong>, Siena.\u003C\u002Fp>","\u003Cp>Siena's Teatro dei Rozzi has an extraordinary history: founded by a congregation of artisans in 1531, it is today one of Tuscany's most fascinating historic theaters. Three tiers of boxes, 499 seats, and centuries of culture, music, and theater.\u003C\u002Fp>","Teatro dei Rozzi, where roughness becomes art","\u003Cdiv>\u003Cstrong>Check the program, choose a show, come.\u003C\u002Fstrong> Because certain theaters are not visited: they are lived. \u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fteatro-dei-rozzi",[],[2505,2509],{"@type":1592,"@id":2506,"translations":2507,"position":1491,"imagePath":2508},"\u002Fapi\u002F.well-known\u002Fgenid\u002Feca7d334ab1efca09200",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fteatro-dei-rozzi-sala-14-6a74bdccf2001543687712.jpg",{"@type":1592,"@id":2510,"translations":2511,"position":1491,"imagePath":2512},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff8ea551d36ac951fa6d2",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fteatro-dei-rozzi-sala-11-6a74bdcd1d14d175511180.jpg",{"@type":1605,"@id":2514,"hashParam":2515},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd89047df776304cbe14f","32d86b784d9a9c6523c81297a349794639c8a480c041f7db125a30deff58c0b2",[],[],{"@id":2519,"@type":1477,"name":2520,"poiType":2521,"address":2533,"latitude":2534,"longitude":2535,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2536,"translations":2537,"socials":2553,"gallery":2554,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2559,"position":353,"layout":1691,"otherPoiType":2562,"logoPath":1611,"poiTagsByCategory":2563},"\u002Fapi\u002Fpois\u002F019e97ec-a02a-7758-8a7d-13e0ce25ff45","Porta Camollia",{"@id":1480,"@type":1481,"id":1482,"translations":2522,"poiCategory":2527},[2523,2525],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2524,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2526,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2528},[2529,2531],{"@type":1506,"@id":1507,"name":1508,"language":2530,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2532,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Porta Cammolia","43.3278254872035","11.326410168237162",[],[2538,2546],{"@type":1572,"@id":2539,"description":2540,"abstract":2541,"timetable":16,"title":2542,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2543,"slug":2544,"slugFormatted":2545},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa49f453a0ed6818f2627","\u003Ch2>Siena ti apre un cuore più grande\u003C\u002Fh2>\r\n\r\n\u003Cp>Ci sono soglie che si attraversano e si dimenticano. E poi c'è \u003Cstrong>Porta Camollia\u003C\u002Fstrong>: quella non si dimentica. Sull'arco esterno, incise nella pietra come una promessa, campeggiano le parole più belle che una città abbia mai rivolto a un viaggiatore: \u003Cstrong>"Cor magis tibi Sena pandit"\u003C\u002Fstrong> — Siena ti apre un cuore più grande della porta che stai attraversando.\u003C\u002Fp>\r\n\r\n\u003Cp>Non è solo un'iscrizione. È una \u003Cstrong>dichiarazione di carattere\u003C\u002Fstrong>, un invito che dura da secoli, rivolto a pellegrini, mercanti, ambasciatori e turisti di ogni epoca. Perché Porta Camollia è da sempre la \u003Cstrong>porta di rappresentanza\u003C\u002Fstrong> di Siena: l'ingresso principale per chi arrivava da \u003Cstrong>Firenze\u003C\u002Fstrong> lungo la \u003Cstrong>via Cassia\u003C\u002Fstrong>, il primo sguardo sulla città per chi percorreva la \u003Cstrong>Via Francigena\u003C\u002Fstrong> verso Roma.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un nome che viene dal mito\u003C\u002Fh2>\r\n\r\n\u003Cp>Il nome della porta affonda le radici nella \u003Cstrong>leggenda fondativa\u003C\u002Fstrong> di Siena. Si dice derivi da \u003Cstrong>Camulio\u003C\u002Fstrong>, leggendario inviato di \u003Cstrong>Romolo\u003C\u002Fstrong>, che nel \u003Cstrong>VII secolo a.C.\u003C\u002Fstrong> avrebbe stabilito il suo accampamento proprio qui, durante l'inseguimento di \u003Cstrong>Senio e Ascanio\u003C\u002Fstrong>, i figli di Remo e mitici fondatori della città. Un'origine che lega Siena a Roma con un filo antico, sottolineando quella connessione profonda con le radici più nobili della civiltà italica.\u003C\u002Fp>\r\n\r\n\u003Ch2>Storia, battaglie e monumenti\u003C\u002Fh2>\r\n\r\n\u003Ch3>La porta che rinacque dalle macerie\u003C\u002Fh3>\r\n\r\n\u003Cp>L'attuale struttura risale al \u003Cstrong>1604\u003C\u002Fstrong>, ricostruita su progetto di \u003Cstrong>Alessandro Casolani\u003C\u002Fstrong> dopo che la porta medievale era stata gravemente danneggiata durante il \u003Cstrong>devastante assedio di Siena del 1554-1555\u003C\u002Fstrong>. Un'architettura \u003Cstrong>monumentale e riccamente decorata\u003C\u002Fstrong>, ben diversa dall'austerità militare di altre porte cittadine: pensata per accogliere, non solo per difendere.\u003C\u002Fp>\r\n\r\n\u003Ch3>La Battaglia di Camollia e la Colonna del Portogallo\u003C\u002Fh3>\r\n\r\n\u003Cp>L'area ha vissuto momenti di storia intensa. Il più celebre è la \u003Cstrong>Battaglia di Camollia del 1526\u003C\u002Fstrong>: l'esercito senese, in netta inferiorità numerica, riuscì a sconfiggere clamorosamente le truppe \u003Cstrong>pontificie e fiorentine\u003C\u002Fstrong>, difendendo l'indipendenza della Repubblica con un coraggio che ancora oggi i senesi ricordano con orgoglio.\u003C\u002Fp>\r\n\r\n\u003Cp>Poco fuori dalla porta si trova la \u003Cstrong>Colonna del Portogallo\u003C\u002Fstrong>, monumento che ricorda l'incontro del \u003Cstrong>1451\u003C\u002Fstrong> tra l'imperatore \u003Cstrong>Federico III d'Asburgo\u003C\u002Fstrong> e la sua promessa sposa \u003Cstrong>Eleonora di Portogallo\u003C\u002Fstrong>, alla presenza di \u003Cstrong>Enea Silvio Piccolomini\u003C\u002Fstrong>, il futuro \u003Cstrong>Papa Pio II\u003C\u002Fstrong>. Storia grande, custodita in uno spazio piccolo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Oggi, tra Palio e vita quotidiana\u003C\u002Fh2>\r\n\r\n\u003Cp>Porta Camollia è oggi l'ingresso principale al \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong> e sorge nel cuore del territorio della \u003Cstrong>Contrada Sovrana dell'Istrice\u003C\u002Fstrong>. Durante il \u003Cstrong>Palio\u003C\u002Fstrong>, si addobba di \u003Cstrong>bandiere\u003C\u002Fstrong> e luci. \u003Cstrong>Porta Camollia\u003C\u002Fstrong> svolge un ruolo che le appartiene da sempre, quello di \u003Cstrong>soglia tra il mondo e Siena\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Attraversala\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Vieni a Porta Camollia, leggi quelle parole sull'arco, entra in città.\u003C\u002Fstrong> Perché certi inviti, dopo quattrocento anni, sono ancora validi.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Estremità settentrionale delle mura\u003C\u002Fstrong>, Siena, nel territorio della Contrada dell'Istrice.\u003C\u002Fp>","\u003Cp>Porta Camollia è l'ingresso più celebre di Siena: costruita nel 1604, porta incisa la famosa iscrizione "Cor magis tibi Sena pandit". Porta della Via Francigena, teatro di battaglie storiche e simbolo dell'ospitalità senese. Un luogo da attraversare almeno una volta.\u003C\u002Fp>","Porta Camollia. Il Cuore Aperto di Siena",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"porta-camollia","\u002Fporta-camollia",{"@type":1572,"@id":2547,"description":2548,"abstract":2549,"timetable":16,"title":2550,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2551,"slug":2544,"slugFormatted":2552},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2b261a0aa23c9cd5b492","\u003Ch2>Siena opens a bigger heart for you\u003C\u002Fh2>\r\n\r\n\u003Cp>There are thresholds that you cross and forget. And then there is \u003Cstrong>Porta Camollia\u003C\u002Fstrong>: that one you never forget. On the outer arch, engraved in stone like a promise, stand the most beautiful words a city has ever addressed to a traveler: \u003Cstrong>"Cor magis tibi Sena pandit"\u003C\u002Fstrong> — Siena opens a heart bigger than the door you are crossing.\u003C\u002Fp>\r\n\r\n\u003Cp>It is not just an inscription. It is a \u003Cstrong>statement of character\u003C\u002Fstrong>, an invitation that has lasted for centuries, addressed to pilgrims, merchants, ambassadors, and tourists of every era. Because Porta Camollia has always been the \u003Cstrong>representative door\u003C\u002Fstrong> of Siena: the main entrance for those arriving from \u003Cstrong>Florence\u003C\u002Fstrong> along the \u003Cstrong>via Cassia\u003C\u002Fstrong>, the first glimpse of the city for those traveling the \u003Cstrong>Via Francigena\u003C\u002Fstrong> towards Rome.\u003C\u002Fp>\r\n\r\n\u003Ch2>A name that comes from myth\u003C\u002Fh2>\r\n\r\n\u003Cp>The name of the door has roots in the \u003Cstrong>foundational legend\u003C\u002Fstrong> of Siena. It is said to derive from \u003Cstrong>Camulio\u003C\u002Fstrong>, the legendary envoy of \u003Cstrong>Romulus\u003C\u002Fstrong>, who in the \u003Cstrong>7th century BC\u003C\u002Fstrong> would have established his camp right here, during the pursuit of \u003Cstrong>Senio and Ascanio\u003C\u002Fstrong>, the sons of Remus and mythical founders of the city. An origin that ties Siena to Rome with an ancient thread, emphasizing that deep connection with the noblest roots of Italic civilization.\u003C\u002Fp>\r\n\r\n\u003Ch2>History, battles, and monuments\u003C\u002Fh2>\r\n\r\n\u003Ch3>The door that rose from the ruins\u003C\u002Fh3>\r\n\r\n\u003Cp>The current structure dates back to \u003Cstrong>1604\u003C\u002Fstrong>, rebuilt according to the design of \u003Cstrong>Alessandro Casolani\u003C\u002Fstrong> after the medieval door was severely damaged during the \u003Cstrong>devastating siege of Siena in 1554-1555\u003C\u002Fstrong>. A \u003Cstrong>monumental and richly decorated\u003C\u002Fstrong> architecture, quite different from the military austerity of other city gates: designed to welcome, not just to defend.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Battle of Camollia and the Column of Portugal\u003C\u002Fh3>\r\n\r\n\u003Cp>The area has experienced moments of intense history. The most famous is the \u003Cstrong>Battle of Camollia in 1526\u003C\u002Fstrong>: the Sienese army, at a clear numerical disadvantage, managed to dramatically defeat the \u003Cstrong>papal and Florentine troops\u003C\u002Fstrong>, defending the independence of the Republic with a courage that the Sienese still remember with pride today.\u003C\u002Fp>\r\n\r\n\u003Cp>Just outside the door stands the \u003Cstrong>Column of Portugal\u003C\u002Fstrong>, a monument that commemorates the meeting in \u003Cstrong>1451\u003C\u002Fstrong> between Emperor \u003Cstrong>Frederick III of Habsburg\u003C\u002Fstrong> and his betrothed \u003Cstrong>Leonora of Portugal\u003C\u002Fstrong>, in the presence of \u003Cstrong>Enea Silvio Piccolomini\u003C\u002Fstrong>, the future \u003Cstrong>Pope Pius II\u003C\u002Fstrong>. Great history, preserved in a small space.\u003C\u002Fp>\r\n\r\n\u003Ch2>Today, between Palio and daily life\u003C\u002Fh2>\r\n\r\n\u003Cp>Porta Camollia is now the main entrance to the \u003Cstrong>Third of Camollia\u003C\u002Fstrong> and stands in the heart of the territory of the \u003Cstrong>Sovereign Contrada of the Porcupine\u003C\u002Fstrong>. During the \u003Cstrong>Palio\u003C\u002Fstrong>, it is adorned with \u003Cstrong>flags\u003C\u002Fstrong> and lights. \u003Cstrong>Porta Camollia\u003C\u002Fstrong> plays a role that has always belonged to it, that of being the \u003Cstrong>threshold between the world and Siena\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Cross it\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Come to Porta Camollia, read those words on the arch, enter the city.\u003C\u002Fstrong> Because certain invitations, after four hundred years, are still valid.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Northern extremity of the walls\u003C\u002Fstrong>, Siena, in the territory of the Contrada of the Porcupine.\u003C\u002Fp>","\u003Cp>Porta Camollia is the most famous entrance to Siena: built in 1604, it bears the famous inscription "Cor magis tibi Sena pandit". Gateway of the Via Francigena, stage of historic battles and a symbol of Sienese hospitality. A place to cross at least once.\u003C\u002Fp>","Porta Camollia. The Open Heart of Siena",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fporta-camollia",[],[2555],{"@type":1592,"@id":2556,"translations":2557,"position":1491,"imagePath":2558},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8b4c32fed11276e52b21",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fporta-camollia-6a8c70c0f33a6159941321.jpg",{"@type":1605,"@id":2560,"hashParam":2561},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7fbb00ee8c2adb557e41","fa462540ec8d3cd8c03106992a1963e389be36c59b05754f61a347e6a2b57dbb",[],[],{"@id":2565,"@type":1477,"name":2566,"poiType":2567,"address":2566,"latitude":2579,"longitude":2580,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2581,"translations":2582,"socials":2600,"gallery":2601,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2606,"position":353,"layout":2061,"otherPoiType":2609,"logoPath":1611,"poiTagsByCategory":2610},"\u002Fapi\u002Fpois\u002F019e9818-8906-744d-8f3a-98e4ce411c4a","Porta Romana",{"@id":1480,"@type":1481,"id":1482,"translations":2568,"poiCategory":2573},[2569,2571],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2570,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2572,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2574},[2575,2577],{"@type":1506,"@id":1507,"name":1508,"language":2576,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2578,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.3132032","11.3392999",[],[2583,2592],{"@type":1572,"@id":2584,"description":2585,"abstract":2586,"timetable":16,"title":2587,"subtitle":16,"ctaText":2588,"extraInformations":16,"language":2589,"slug":2590,"slugFormatted":2591},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9955c15a74ff9af78791","\u003Ch2>Una porta monumentale e maestosa\u003C\u002Fh2>\r\n\r\n\u003Cp>Porta Romana veniva considerata la più bella porta mai costruita anche per le sue notevoli dimensioni: nel punto più alto raggiunge i trenta metri.\u003C\u002Fp>\r\n\r\n\u003Cp>La sua monumentalità colpì anche \u003Cstrong>Agnolo di Tura del Grasso\u003C\u002Fstrong>, autore della Cronaca senese, che intorno alla metà del XIV secolo la definì “grande e bella, di gran difitio più che porta che sia in Italia”.\u003C\u002Fp>\r\n\r\n\u003Cp>L’interno contiene locali ampi, praticabili e muniti di scale che conducono sul tetto dell’edificio. La porta fu collegata alle mura della città solo dopo la sua costruzione.\u003C\u002Fp>\r\n\r\n\u003Ch2>L’affresco dell’Incoronazione della Vergine\u003C\u002Fh2>\r\n\r\n\u003Cp>Per accrescere la sua bellezza, Porta Romana venne decorata con l’\u003Cstrong>affresc\u003C\u002Fstrong>o posto sulla grande edicola del torrione, raffigurante \u003Cstrong>L’Incoronazione della Vergine\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>L’opera fu commissionata e iniziata da \u003Cstrong>Stefano di Giovanni\u003C\u002Fstrong>, detto il \u003Cstrong>Sassetta\u003C\u002Fstrong>, e, dopo la sua morte, portata a compimento da \u003Cstrong>Sano di Pietro\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Stemmi, epigrafi e tracce storiche\u003C\u002Fh2>\r\n\r\n\u003Cp>Porta Romana si trova sul percorso dell’antica \u003Cstrong>via Cassia\u003C\u002Fstrong> ed era munita di merli e di un antemurale di difesa. A destra della porta si scorge il frammento di una tavola in travertino con parte di un’epigrafe di\u003Cstrong> età romana\u003C\u002Fstrong> e, sotto, una lapide con una lunga iscrizione in latino, dettata nel 1734.\u003C\u002Fp>\r\n\r\n\u003Cp>La targa più antica fu individuata dal senese \u003Cstrong>Teofilo Gallaccini\u003C\u002Fstrong> nel 1606, vicino a Porta Romana, sulla cinta muraria che da qui scendeva verso \u003Cstrong>Porta Pispini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Sulla parte destra dell’antemurale si trova un grande stemma in marmo della famiglia \u003Cstrong>Medici\u003C\u002Fstrong>, con la scritta “Cosmus Medices Florentiae Et Senarum Dux II”. Insieme allo stemma posto sul prospetto del Palazzo comunale nel 1560, fu collocato su uno dei complessi ritenuti più significativi della città.\u003C\u002Fp>\r\n\r\n\u003Ch3>Porta Romana e la Via Francigena\u003C\u002Fh3>\r\n\r\n\u003Cp>I viaggiatori e i pellegrini che entravano a Siena da \u003Cstrong>Porta Camollia\u003C\u002Fstrong>, lungo la \u003Cstrong>Via Francigena\u003C\u002Fstrong>, lasciavano la città da Porta Romana, spesso chiamata nei documenti anche Porta “Nuova”.\u003C\u002Fp>\r\n\r\n\u003Cp>Per chi lasciava Siena in direzione di Roma, questa porta era una soglia solenne, capace di racchiudere l’eleganza e la forza della città.\u003C\u002Fp>","\u003Cp>C’è una porta che sembra già raccontare il viaggio prima ancora di attraversarla: \u003Cstrong>Porta Romana\u003C\u002Fstrong> è uno degli ingressi più monumentali di Siena, rivolta verso la \u003Cstrong>Val d’Arbia\u003C\u002Fstrong>, la \u003Cstrong>Val d’Orcia\u003C\u002Fstrong> e idealmente verso \u003Cstrong>Roma\u003C\u002Fstrong>, da cui prende il nome.\u003C\u002Fp>\r\n\r\n\u003Cp>Esempio di \u003Cstrong>fortificazione medievale\u003C\u002Fstrong>, fu inserita nel piano di ampliamento delle mura urbane progettato dal \u003Cstrong>Governo dei Nove\u003C\u002Fstrong> all’inizio del \u003Cstrong>Trecento\u003C\u002Fstrong>. Completata nel 1329, come conferma la lapide con la \u003Cstrong>Balzana\u003C\u002Fstrong> murata a sinistra, è una delle porte più antiche a forma di grande torrione a base quadrata.\u003C\u002Fp>","Porta Romana: il grande ingresso medievale verso Roma","\u003Cdiv>Attraversa Porta Romana e ritrova il fascino di una Siena medievale che guarda verso Roma, tra mura, stemmi, affreschi e memorie di pellegrini.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"porta-romana","\u002Fporta-romana",{"@type":1572,"@id":2593,"description":2594,"abstract":2595,"timetable":16,"title":2596,"subtitle":16,"ctaText":2597,"extraInformations":16,"language":2598,"slug":2590,"slugFormatted":2599},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6e7fef48f999063538e1","\u003Ch2>A monumental and majestic gate\u003C\u002Fh2>\r\n\r\n\u003Cp>Porta Romana was considered the most beautiful gate ever built also for its remarkable dimensions: at its highest point, it reaches thirty meters.\u003C\u002Fp>\r\n\r\n\u003Cp>Its monumentality impressed \u003Cstrong>Agnolo di Tura del Grasso\u003C\u002Fstrong>, author of the Sienese Chronicle, who around the mid-14th century described it as "great and beautiful, of great difficulty more than any gate in Italy."\u003C\u002Fp>\r\n\r\n\u003Cp>The interior contains spacious, accessible rooms equipped with stairs leading to the roof of the building. The gate was connected to the city walls only after its construction.\u003C\u002Fp>\r\n\r\n\u003Ch2>The fresco of the Coronation of the Virgin\u003C\u002Fh2>\r\n\r\n\u003Cp>To enhance its beauty, Porta Romana was decorated with the \u003Cstrong>fresco\u003C\u002Fstrong> placed on the large niche of the tower, depicting \u003Cstrong>The Coronation of the Virgin\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The work was commissioned and started by \u003Cstrong>Stefano di Giovanni\u003C\u002Fstrong>, known as \u003Cstrong>Sassetta\u003C\u002Fstrong>, and, after his death, completed by \u003Cstrong>Sano di Pietro\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Coats of arms, inscriptions, and historical traces\u003C\u002Fh2>\r\n\r\n\u003Cp>Porta Romana is located on the route of the ancient \u003Cstrong>Via Cassia\u003C\u002Fstrong> and was equipped with battlements and a defensive antemural. To the right of the gate, one can see a fragment of a travertine slab with part of a \u003Cstrong>Roman-era\u003C\u002Fstrong> inscription and, below, a plaque with a long inscription in Latin, dictated in 1734.\u003C\u002Fp>\r\n\r\n\u003Cp>The oldest plaque was identified by the Sienese \u003Cstrong>Teofilo Gallaccini\u003C\u002Fstrong> in 1606, near Porta Romana, on the city wall that descended towards \u003Cstrong>Porta Pispini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>On the right side of the antemural, there is a large marble coat of arms of the \u003Cstrong>Medici\u003C\u002Fstrong> family, with the inscription "Cosmus Medices Florentiae Et Senarum Dux II". Together with the coat of arms placed on the facade of the Town Hall in 1560, it was placed on one of the complexes considered most significant in the city.\u003C\u002Fp>\r\n\r\n\u003Ch3>Porta Romana and the Via Francigena\u003C\u002Fh3>\r\n\r\n\u003Cp>Travelers and pilgrims entering Siena from \u003Cstrong>Porta Camollia\u003C\u002Fstrong>, along the \u003Cstrong>Via Francigena\u003C\u002Fstrong>, would leave the city through Porta Romana, often referred to in documents as Porta "Nuova".\u003C\u002Fp>\r\n\r\n\u003Cp>For those leaving Siena towards Rome, this gate was a solemn threshold, capable of encapsulating the elegance and strength of the city.\u003C\u002Fp>","\u003Cp>There is a gate that seems to tell the journey even before crossing it: \u003Cstrong>Porta Romana\u003C\u002Fstrong> is one of the most monumental entrances of Siena, facing towards the \u003Cstrong>Val d'Arbia\u003C\u002Fstrong>, the \u003Cstrong>Val d'Orcia\u003C\u002Fstrong>, and ideally towards \u003Cstrong>Rome\u003C\u002Fstrong>, from which it takes its name.\u003C\u002Fp>\r\n\r\n\u003Cp>An example of \u003Cstrong>medieval fortification\u003C\u002Fstrong>, it was included in the plan to expand the city walls designed by the \u003Cstrong>Government of the Nine\u003C\u002Fstrong> at the beginning of the \u003Cstrong>14th century\u003C\u002Fstrong>. Completed in 1329, as confirmed by the plaque with the \u003Cstrong>Balzana\u003C\u002Fstrong> embedded on the left, it is one of the oldest gates in the shape of a large square-based tower.\u003C\u002Fp>","Porta Romana: the great medieval entrance to Rome","\u003Cdiv>Cross Porta Romana and rediscover the charm of a medieval Siena looking towards Rome, among walls, coats of arms, frescoes, and memories of pilgrims.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fporta-romana",[],[2602],{"@type":1592,"@id":2603,"translations":2604,"position":1491,"imagePath":2605},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3d7ecc2a527d97632d4c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fporta-romana-6a8c165eb4378353080258.jpg",{"@type":1605,"@id":2607,"hashParam":2608},"\u002Fapi\u002F.well-known\u002Fgenid\u002F26a0a8d841435b5fc92a","1769f8f96e50672e5c4f3d91d3d4e7452e8aff65e61834012a5603fd41888717",[],[],{"@id":2612,"@type":1477,"name":2613,"poiType":2614,"address":16,"latitude":16,"longitude":16,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2626,"translations":2627,"socials":2645,"gallery":2646,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2651,"position":2654,"layout":1691,"otherPoiType":2655,"logoPath":1611,"poiTagsByCategory":2656},"\u002Fapi\u002Fpois\u002F019e9190-b868-743f-b5a2-485dba1a46c7","Balzana",{"@id":1480,"@type":1481,"id":1482,"translations":2615,"poiCategory":2620},[2616,2618],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2617,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2619,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2621},[2622,2624],{"@type":1506,"@id":1507,"name":1508,"language":2623,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2625,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},[],[2628,2637],{"@type":1572,"@id":2629,"description":2630,"abstract":2631,"timetable":16,"title":2632,"subtitle":16,"ctaText":2633,"extraInformations":16,"language":2634,"slug":2635,"slugFormatted":2636},"\u002Fapi\u002F.well-known\u002Fgenid\u002F221d2f5d151c2e7a3f52","\u003Ch2>Origini e leggende della Balzana\u003C\u002Fh2>\r\n\r\n\u003Cp>La leggenda più amata racconta che i due colori derivino dal fumo nero e dalla cenere bianca dei sacrifici offerti da \u003Cstrong>Senio e Ascanio\u003C\u002Fstrong>, i mitici fondatori della città, durante il viaggio dopo la fuga da \u003Cstrong>Roma\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Un’altra tradizione collega la Balzana alla \u003Cstrong>lupa capitolina\u003C\u002Fstrong>: Senio e Ascanio, figli di \u003Cstrong>Remo\u003C\u002Fstrong>, portarono con sé il simbolo della lupa e scelsero il bianco e il nero come richiamo alle loro origini romane.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il significato dei colori\u003C\u002Fh2>\r\n\r\n\u003Cp>La versione storica interpreta la Balzana come un simbolo politico e morale. Il bianco richiama la pace, la purezza e la giustizia; il\u003Cstrong> \u003C\u002Fstrong>nero\u003Cstrong> \u003C\u002Fstrong>rappresenta la forza, la memoria delle difficoltà e la determinazione del popolo senese.\u003C\u002Fp>\r\n\r\n\u003Cp>La sua forza sta proprio nella \u003Cstrong>dualità\u003C\u002Fstrong>: luce e ombra, armonia e contrasto, passato e futuro. Due colori che convivono senza confondersi, come due anime capaci di formare un’unica identità.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un simbolo rimasto immutato nei secoli\u003C\u002Fh2>\r\n\r\n\u003Cp>La Balzana compare negli stemmi comunali già nel XIII secolo, diventando rapidamente il marchio ufficiale della città e delle sue istituzioni. È uno dei rarissimi simboli medievali rimasti immutati nei secoli, capace di attraversare guerre, rivoluzioni e rinascite senza perdere il suo significato.\u003C\u002Fp>\r\n\r\n\u003Cp>Ancora oggi è il simbolo ufficiale del \u003Cstrong>Comune di Siena\u003C\u002Fstrong>, riconosciuto in tutto il mondo come emblema della città.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dove vedere la Balzana a Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>Chi visita Siena incontra la Balzana ovunque: sulle porte medievali che accolgono chi entra in città, sui palazzi storici, nelle decorazioni del \u003Cstrong>Duomo\u003C\u002Fstrong>, sulle bandiere del \u003Cstrong>Palio\u003C\u002Fstrong>, nei marmi delle fontane e persino nelle pietre delle strade.\u003C\u002Fp>\r\n\r\n\u003Cp>Durante il Palio, la Balzana domina \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>: sventola sui vessilli del corteo storico, sui costumi e sulle armature e ricorda a tutti l’appartenenza a una storia e un’identità comuni.\u003C\u002Fp>\r\n\r\n\u003Ch3>La Balzana e l’identità senese\u003C\u002Fh3>\r\n\r\n\u003Cp>Per i senesi non è solo uno stemma: è un segno di identità profonda, un legame emotivo con la propria terra, con la propria storia e con la propria comunità.\u003C\u002Fp>\r\n\r\n\u003Cp>Chi visita Siena la incontra ovunque, ma soprattutto la sente: nel ritmo dei vicoli, nel rosso dei mattoni, nel silenzio delle chiese e nel canto delle Contrade.\u003C\u002Fp>","\u003Cp>In una città divisa in \u003Cstrong>Contrade\u003C\u002Fstrong>, esiste un simbolo che unisce tutti: la \u003Cstrong>Balzana\u003C\u002Fstrong>, uno scudo\u003Cstrong> bianco \u003C\u002Fstrong>e \u003Cstrong>nero\u003C\u002Fstrong> che racconta la storia di \u003Cstrong>Siena\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La Balzana, lo scudo diviso in bianco e nero, è il simbolo più antico e riconoscibile di Siena. Un emblema semplice, essenziale e potentissimo, nato nel \u003Cstrong>Medioevo\u003C\u002Fstrong>, quando la città era una repubblica autonoma, fiera della propria identità civica.\u003C\u002Fp>","Balzana: il simbolo bianco e nero di Siena","\u003Cdiv>Lasciati guidare dalla Balzana, il simbolo bianco e nero che racconta l’identità, la storia e l’anima più profonda di Siena.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"balzana","\u002Fbalzana",{"@type":1572,"@id":2638,"description":2639,"abstract":2640,"timetable":16,"title":2641,"subtitle":16,"ctaText":2642,"extraInformations":16,"language":2643,"slug":2635,"slugFormatted":2644},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8e1ec6c9e3549c90a632","\u003Ch2>Origins and legends of the Balzana\u003C\u002Fh2>\r\n\r\n\u003Cp>The most beloved legend tells that the two colors derive from the black smoke and the white ash of the sacrifices offered by \u003Cstrong>Senio and Ascanio\u003C\u002Fstrong>, the mythical founders of the city, during their journey after fleeing from \u003Cstrong>Rome\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Another tradition links the Balzana to the \u003Cstrong>Capitoline wolf\u003C\u002Fstrong>: Senio and Ascanio, sons of \u003Cstrong>Remus\u003C\u002Fstrong>, brought with them the symbol of the wolf and chose black and white as a reference to their Roman origins.\u003C\u002Fp>\r\n\r\n\u003Ch2>The meaning of the colors\u003C\u002Fh2>\r\n\r\n\u003Cp>The historical version interprets the Balzana as a political and moral symbol. The white represents peace, purity, and justice; the black represents strength, the memory of difficulties, and the determination of the Sienese people.\u003C\u002Fp>\r\n\r\n\u003Cp>Its strength lies precisely in the \u003Cstrong>duality\u003C\u002Fstrong>: light and shadow, harmony and contrast, past and future. Two colors that coexist without blending, like two souls capable of forming a single identity.\u003C\u002Fp>\r\n\r\n\u003Ch2>A symbol that has remained unchanged over the centuries\u003C\u002Fh2>\r\n\r\n\u003Cp>The Balzana appears in municipal coats of arms as early as the 13th century, quickly becoming the official mark of the city and its institutions. It is one of the very few medieval symbols that have remained unchanged over the centuries, capable of crossing wars, revolutions, and renaissances without losing its meaning.\u003C\u002Fp>\r\n\r\n\u003Cp>Even today, it is the official symbol of the \u003Cstrong>Municipality of Siena\u003C\u002Fstrong>, recognized worldwide as the emblem of the city.\u003C\u002Fp>\r\n\r\n\u003Ch2>Where to see the Balzana in Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>Those who visit Siena encounter the Balzana everywhere: on the medieval doors welcoming those entering the city, on historic buildings, in the decorations of the \u003Cstrong>Cathedral\u003C\u002Fstrong>, on the flags of the \u003Cstrong>Palio\u003C\u002Fstrong>, in the marbles of the fountains, and even in the stones of the streets.\u003C\u002Fp>\r\n\r\n\u003Cp>During the Palio, the Balzana dominates \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>: it waves on the banners of the historical parade, on costumes and armor, reminding everyone of the belonging to a common history and identity.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Balzana and Sienese identity\u003C\u002Fh3>\r\n\r\n\u003Cp>For the Sienese, it is not just a coat of arms: it is a sign of deep identity, an emotional bond with their land, their history, and their community.\u003C\u002Fp>\r\n\r\n\u003Cp>Those who visit Siena encounter it everywhere, but above all, they feel it: in the rhythm of the alleys, in the red of the bricks, in the silence of the churches, and in the song of the Contrade.\u003C\u002Fp>","\u003Cp>In a city divided into \u003Cstrong>Contrade\u003C\u002Fstrong>, there is a symbol that unites everyone: the \u003Cstrong>Balzana\u003C\u002Fstrong>, a \u003Cstrong>white\u003C\u002Fstrong> and \u003Cstrong>black\u003C\u002Fstrong> shield that tells the story of \u003Cstrong>Siena\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The Balzana, the shield divided in black and white, is the oldest and most recognizable symbol of Siena. A simple, essential, and powerful emblem, born in the \u003Cstrong>Middle Ages\u003C\u002Fstrong>, when the city was an autonomous republic, proud of its civic identity.\u003C\u002Fp>","Balzana: the black and white symbol of Siena","\u003Cdiv>Let yourself be guided by the Balzana, the black and white symbol that tells the identity, history, and deepest soul of Siena.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fbalzana",[],[2647],{"@type":1592,"@id":2648,"translations":2649,"position":1491,"imagePath":2650},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8267f0a6370a33b4293f",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-pubblico-dettaglio-balzana-6a8c069ababb7981824351.jpg",{"@type":1605,"@id":2652,"hashParam":2653},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8b770e034fcc87ab6c1a","b8a476ab706c234d7fa6c494f058fc7e173f847e1414cca744b79104a22f15e9",70,[],[],{"@id":2658,"@type":1477,"name":2659,"poiType":2660,"address":2672,"latitude":2673,"longitude":2674,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2675,"translations":2676,"socials":2694,"gallery":2695,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2700,"position":2654,"layout":2061,"otherPoiType":2703,"logoPath":1611,"poiTagsByCategory":2704},"\u002Fapi\u002Fpois\u002F019eacb9-9272-716f-8ec7-68ec3bef1472","Castelvecchio",{"@id":1480,"@type":1481,"id":1482,"translations":2661,"poiCategory":2666},[2662,2664],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2663,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2665,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2667},[2668,2670],{"@type":1506,"@id":1507,"name":1508,"language":2669,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2671,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"Vicolo di Castelvecchio","43.3148875","11.3289528",[],[2677,2686],{"@type":1572,"@id":2678,"description":2679,"abstract":2680,"timetable":16,"title":2681,"subtitle":16,"ctaText":2682,"extraInformations":16,"language":2683,"slug":2684,"slugFormatted":2685},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8653bbac76a437c81066","\u003Ch2>Il nucleo originario della città\u003C\u002Fh2>\r\n\r\n\u003Cp>Diversi elementi collocano qui il primo nucleo urbano di \u003Cstrong>Siena\u003C\u002Fstrong>: i ritrovamenti archeologici, la posizione strategica sul punto più alto della città, il tracciato delle strade che circondano l’area e la conformazione dell’antico \u003Cstrong>castrum\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Numerosi rinvenimenti testimoniano la presenza \u003Cstrong>etrusca \u003C\u002Fstrong>e indicano Castelvecchio come \u003Cstrong>oppidum\u003C\u002Fstrong>, ovvero piazza pubblica. La tesi più accreditata riconduce il nome di Siena a una famiglia gentilizia etrusca, \u003Cstrong>Seina\u003C\u002Fstrong> o \u003Cstrong>Saina\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dagli etruschi ai romani\u003C\u002Fh2>\r\n\r\n\u003Cp>Con l’imperatore \u003Cstrong>Augusto\u003C\u002Fstrong>, nella prima metà del I secolo, Siena divenne \u003Cstrong>colonia romana\u003C\u002Fstrong> con il nome di \u003Cstrong>Saena Julia\u003C\u002Fstrong>. I romani potenziarono le fortificazioni etrusche, trasformandole nella prima \u003Cstrong>cinta muraria\u003C\u002Fstrong> della città.\u003C\u002Fp>\r\n\r\n\u003Cp>Secondo la tradizione, a Castelvecchio si trovavano le sedi delle \u003Cstrong>magistrature\u003C\u002Fstrong> della colonia romana, poi del gastaldo longobardo e infine del conte franco. Sempre qui avrebbero avuto la propria dimora anche i primi \u003Cstrong>vescovi \u003C\u002Fstrong>di Siena.\u003C\u002Fp>\r\n\r\n\u003Ch2>Le tracce ancora visibili\u003C\u002Fh2>\r\n\r\n\u003Cp>Nonostante i cambiamenti avvenuti nei secoli, Castelvecchio conserva ancora la memoria del suo impianto antico. Lo raccontano le strade interne, come \u003Cstrong>Via e Vicolo di Castelvecchio\u003C\u002Fstrong> e \u003Cstrong>Via San Quirico\u003C\u002Fstrong>, la corte sopraelevata perfettamente conservata e i resti delle torri, tra cui la \u003Cstrong>Torre Voltaia\u003C\u002Fstrong>, dietro Piazza del Conte.\u003C\u002Fp>\r\n\r\n\u003Ch2>La leggenda di Senio e Ascanio\u003C\u002Fh2>\r\n\r\n\u003Cp>Secondo la \u003Cstrong>leggenda\u003C\u002Fstrong>, Castelvecchio fu il luogo di approdo dei gemelli \u003Cstrong>Senio\u003C\u002Fstrong> e \u003Cstrong>Ascanio\u003C\u002Fstrong> o \u003Cstrong>Aschio\u003C\u002Fstrong>, figli di \u003Cstrong>Remo\u003C\u002Fstrong>, fuggiti dopo l’uccisione del padre da parte di \u003Cstrong>Romolo\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>I gemelli, in sella a due destrieri, uno bianchissimo e uno nerissimo, giunsero a Siena e costruirono un tempio dedicato ad \u003Cstrong>Apollo\u003C\u002Fstrong> per custodire il sacrario della \u003Cstrong>Lupa capitolina\u003C\u002Fstrong> trafugato allo zio. La comunità li elesse come capi e costruì un castello chiamato \u003Cstrong>Castelsenio\u003C\u002Fstrong>, termine poi trasformato in Castelvecchio.\u003C\u002Fp>\r\n\r\n\u003Ch3>Una curiosità in via Castelvecchio\u003C\u002Fh3>\r\n\r\n\u003Cp>All’inizio di via Castelvecchio si trova una\u003Cstrong> targa\u003C\u002Fstrong> del 1704 contro le meretrici, con l’iscrizione: “nissuna meretrice ben che maritata descritta o non descritta puol habitare in questa strada sotto pena di scudi dieci”.\u003C\u002Fp>","\u003Cp>Prima delle torri, delle piazze e dei palazzi, Siena aveva un cuore antico: \u003Cstrong>Castelvecchio\u003C\u002Fstrong>, il nucleo da cui la città ha iniziato a raccontarsi.\u003C\u002Fp>\r\n\r\n\u003Cp>Situato tra \u003Cstrong>via San Pietro\u003C\u002Fstrong> e \u003Cstrong>via di Stalloreggi\u003C\u002Fstrong>, nel territorio della \u003Cstrong>Contrada della Tartuca\u003C\u002Fstrong>, Castelvecchio conserva ancora oggi tracce della sua forma originaria, simile a un \u003Cstrong>castello\u003C\u002Fstrong> di andamento quadrilatero.\u003C\u002Fp>","Castelvecchio: alle origini più antiche di Siena","\u003Cdiv>Passeggia tra le strade di Castelvecchio e lasciati condurre nella Siena più antica, tra strade raccolte, memorie etrusche, tracce romane e leggende che ancora abitano la città.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"castelvecchio","\u002Fcastelvecchio",{"@type":1572,"@id":2687,"description":2688,"abstract":2689,"timetable":16,"title":2690,"subtitle":16,"ctaText":2691,"extraInformations":16,"language":2692,"slug":2684,"slugFormatted":2693},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fabe4669691f6741af4fa","\u003Ch2>The original nucleus of the city\u003C\u002Fh2>\r\n\r\n\u003Cp>Several elements place here the first urban nucleus of \u003Cstrong>Siena\u003C\u002Fstrong>: archaeological finds, the strategic position at the highest point of the city, the layout of the roads surrounding the area, and the configuration of the ancient \u003Cstrong>castrum\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Numerous discoveries testify to the \u003Cstrong>Etruscan\u003C\u002Fstrong> presence and indicate Castelvecchio as an \u003Cstrong>oppidum\u003C\u002Fstrong>, or public square. The most accredited theory traces the name of Siena to an Etruscan noble family, \u003Cstrong>Seina\u003C\u002Fstrong> or \u003Cstrong>Saina\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>From the Etruscans to the Romans\u003C\u002Fh2>\r\n\r\n\u003Cp>With Emperor \u003Cstrong>Augustus\u003C\u002Fstrong>, in the first half of the 1st century, Siena became a \u003Cstrong>Roman colony\u003C\u002Fstrong> under the name of \u003Cstrong>Saena Julia\u003C\u002Fstrong>. The Romans enhanced the Etruscan fortifications, transforming them into the first \u003Cstrong>walled enclosure\u003C\u002Fstrong> of the city.\u003C\u002Fp>\r\n\r\n\u003Cp>According to tradition, Castelvecchio housed the offices of the \u003Cstrong>magistrates\u003C\u002Fstrong> of the Roman colony, then of the Lombard gastald, and finally of the Frankish count. Here, the first \u003Cstrong>bishops\u003C\u002Fstrong> of Siena would also have had their residence.\u003C\u002Fp>\r\n\r\n\u003Ch2>The still visible traces\u003C\u002Fh2>\r\n\r\n\u003Cp>Despite the changes that have occurred over the centuries, Castelvecchio still retains the memory of its ancient layout. This is told by the internal streets, such as \u003Cstrong>Via e Vicolo di Castelvecchio\u003C\u002Fstrong> and \u003Cstrong>Via San Quirico\u003C\u002Fstrong>, the perfectly preserved raised courtyard, and the remains of the towers, including the \u003Cstrong>Torre Voltaia\u003C\u002Fstrong>, behind Piazza del Conte.\u003C\u002Fp>\r\n\r\n\u003Ch2>The legend of Senio and Ascanio\u003C\u002Fh2>\r\n\r\n\u003Cp>According to the \u003Cstrong>legend\u003C\u002Fstrong>, Castelvecchio was the landing place of the twins \u003Cstrong>Senio\u003C\u002Fstrong> and \u003Cstrong>Ascanio\u003C\u002Fstrong> or \u003Cstrong>Aschio\u003C\u002Fstrong>, sons of \u003Cstrong>Remus\u003C\u002Fstrong>, who fled after their father's murder by \u003Cstrong>Romulus\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The twins, riding two steeds, one very white and one very black, arrived in Siena and built a temple dedicated to \u003Cstrong>Apollo\u003C\u002Fstrong> to guard the shrine of the \u003Cstrong>Capitoline Wolf\u003C\u002Fstrong> stolen from their uncle. The community elected them as leaders and built a castle called \u003Cstrong>Castelsenio\u003C\u002Fstrong>, a term later transformed into Castelvecchio.\u003C\u002Fp>\r\n\r\n\u003Ch3>A curiosity on via Castelvecchio\u003C\u002Fh3>\r\n\r\n\u003Cp>At the beginning of via Castelvecchio, there is a \u003Cstrong>plaque\u003C\u002Fstrong> from 1704 against prostitutes, with the inscription: “no prostitute, whether married or unmarried, may dwell in this street under penalty of ten scudi.”\u003C\u002Fp>","\u003Cp>Before the towers, squares, and palaces, Siena had an ancient heart: \u003Cstrong>Castelvecchio\u003C\u002Fstrong>, the nucleus from which the city began to tell its story.\u003C\u002Fp>\r\n\r\n\u003Cp>Located between \u003Cstrong>via San Pietro\u003C\u002Fstrong> and \u003Cstrong>via di Stalloreggi\u003C\u002Fstrong>, in the territory of the \u003Cstrong>Contrada della Tartuca\u003C\u002Fstrong>, Castelvecchio still preserves traces of its original shape, similar to a \u003Cstrong>castle\u003C\u002Fstrong> with a quadrilateral layout.\u003C\u002Fp>","Castelvecchio: the oldest origins of Siena","\u003Cdiv>Stroll through the streets of Castelvecchio and let yourself be guided into the oldest Siena, among narrow streets, Etruscan memories, Roman traces, and legends that still inhabit the city.\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fcastelvecchio",[],[2696],{"@type":1592,"@id":2697,"translations":2698,"position":1491,"imagePath":2699},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffafb51086d4b26c4212f",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcastelvecchio-dettaglio-con-archi-6a8c17830fa81897505973.jpg",{"@type":1605,"@id":2701,"hashParam":2702},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc331cc2a7264289b71a1","240213d02f87122eb6b208e12fb34321cdab7995a39987ad78c59cd4c3119b03",[],[],{"@id":2706,"@type":1477,"name":2707,"poiType":2708,"address":2131,"latitude":2720,"longitude":2721,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2722,"translations":2723,"socials":2740,"gallery":2741,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2746,"position":2654,"layout":1691,"otherPoiType":2749,"logoPath":1611,"poiTagsByCategory":2750},"\u002Fapi\u002Fpois\u002F019e92cf-0e75-741f-8ebf-2abacac5b8c8","Guidoriccio",{"@id":1480,"@type":1481,"id":1482,"translations":2709,"poiCategory":2714},[2710,2712],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2711,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2713,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2715},[2716,2718],{"@type":1506,"@id":1507,"name":1508,"language":2717,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2719,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.31813137614732","11.332079341320537",[],[2724,2733],{"@type":1572,"@id":2725,"description":2726,"abstract":2727,"timetable":16,"title":2728,"subtitle":16,"ctaText":2729,"extraInformations":16,"language":2730,"slug":2731,"slugFormatted":2732},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd90127bdd6d0d5f7cba7","\u003Ch2>Un cavaliere che non si dimentica\u003C\u002Fh2>\r\n\r\n\u003Cp>C'è un momento, entrando nella \u003Cstrong>Sala del Mappamondo\u003C\u002Fstrong> del \u003Cstrong>Palazzo Pubblico di Siena\u003C\u002Fstrong>, in cui ci si ferma. Non per una scelta consapevole, ma perché qualcosa ti blocca gli occhi e non te li restituisce subito. È lui: \u003Cstrong>Guidoriccio da Fogliano\u003C\u002Fstrong>, solo, solenne, che avanza su un cavallo dal passo fiero attraverso un paesaggio che sembra sospeso fuori dal tempo.\u003C\u002Fp>\r\n\r\n\u003Cp>Tradizionalmente attribuito a \u003Cstrong>Simone Martini\u003C\u002Fstrong> e datato \u003Cstrong>1330\u003C\u002Fstrong>, l'affresco rappresenta il condottiero \u003Cstrong>Guidoriccio da Fogliano\u003C\u002Fstrong> durante la \u003Cstrong>conquista del castello di Montemassi\u003C\u002Fstrong>, vittoria militare della \u003Cstrong>Repubblica di Siena\u003C\u002Fstrong>. Un'immagine diventata nel tempo \u003Cstrong>simbolo visivo della città\u003C\u002Fstrong>: elegante, misteriosa, irripetibile.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un capolavoro di propaganda medievale\u003C\u002Fh2>\r\n\r\n\u003Cp>Il Guidoriccio non è solo un dipinto bello. È un \u003Cstrong>atto politico\u003C\u002Fstrong>. Un messaggio potente che la \u003Cstrong>Repubblica di Siena\u003C\u002Fstrong> volle affidare all'arte per celebrare le proprie \u003Cstrong>vittorie militari\u003C\u002Fstrong> e l'abilità dei suoi \u003Cstrong>capitani di ventura\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Il cavaliere, con il \u003Cstrong>mantello riccamente decorato\u003C\u002Fstrong> e il portamento solenne, incarna l'ideale del \u003Cstrong>condottiero fedele e valoroso\u003C\u002Fstrong>, al servizio totale della città. Alle sue spalle, un paesaggio di \u003Cstrong>castelli\u003C\u002Fstrong>, \u003Cstrong>torri\u003C\u002Fstrong>, \u003Cstrong>tende militari\u003C\u002Fstrong> e \u003Cstrong>colline geometriche\u003C\u002Fstrong> che rappresenta una delle prime descrizioni \u003Cstrong>topografiche\u003C\u002Fstrong> della storia dell'arte: precisa, riconoscibile, quasi cartografica.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il mistero dell'attribuzione\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un affresco sotto l'affresco\u003C\u002Fh3>\r\n\r\n\u003Cp>Uno degli aspetti più affascinanti del Guidoriccio è che non tutti sono certi di chi lo abbia dipinto. Il \u003Cstrong>dibattito attributivo\u003C\u002Fstrong> è acceso da decenni: alcuni studiosi hanno ipotizzato che l'opera non sia di \u003Cstrong>Simone Martini\u003C\u002Fstrong>, ma di un artista successivo, forse del \u003Cstrong>XV secolo\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La discussione si è intensificata dopo la scoperta, \u003Cstrong>sotto l'affresco\u003C\u002Fstrong>, di un'altra scena più antica: la \u003Cstrong>conquista di Arcidosso\u003C\u002Fstrong>, probabilmente opera di Simone Martini stesso. Un dipinto nascosto sotto un dipinto, come un segreto che la parete ha custodito per secoli.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il fascino del dubbio\u003C\u002Fh3>\r\n\r\n\u003Cp>Nonostante il dibattito — o forse proprio grazie a esso — il Guidoriccio continua a esercitare un fascino straordinario. La sua figura \u003Cstrong>solitaria ed elegante\u003C\u002Fstrong>, il paesaggio stilizzato, l'\u003Cstrong>atmosfera sospesa\u003C\u002Fstrong> che ricorda i romanzi cavallereschi: tutto contribuisce a renderlo qualcosa di più di un'opera d'arte. È una \u003Cstrong>leggenda dipinta sulla parete\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a vederlo\u003C\u002Fh2>\r\n\r\n\u003Cp>Guardare il Guidoriccio dal vivo nella \u003Cstrong>Sala del Mappamondo\u003C\u002Fstrong> significa immergersi nella \u003Cstrong>Siena del Trecento\u003C\u002Fstrong>: guerre, alleanze, splendore artistico e la consapevolezza orgogliosa di una città che sapeva raccontare se stessa con una potenza visiva straordinaria.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Sala del Mappamondo, Palazzo Pubblico\u003C\u002Fstrong>, Piazza del Campo, Siena.\u003C\u002Fp>","\u003Cp>Il Guidoriccio da Fogliano è uno degli affreschi più celebri d'Italia: un cavaliere solitario, un paesaggio sospeso nel tempo, un capolavoro gotico che da quasi sette secoli domina la Sala del Mappamondo del Palazzo Pubblico di Siena.\u003C\u002Fp>","Guidoriccio da Fogliano, il cavaliere che attraversa i secoli","\u003Cdiv>\u003Cstrong>Entra nel Palazzo Pubblico, alza gli occhi e lasciati fermare.\u003Cbr>\u003C\u002Fstrong>Certi dipinti non si guardano: ti guardano.\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"guidoriccio","\u002Fguidoriccio",{"@type":1572,"@id":2734,"description":2735,"abstract":2736,"timetable":16,"title":2737,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2738,"slug":2731,"slugFormatted":2739},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2735b4989599b510d4fa","\u003Ch2>A knight who is not forgotten\u003C\u002Fh2>\r\n\r\n\u003Cp>There is a moment, upon entering the \u003Cstrong>Hall of the World Map\u003C\u002Fstrong> of the \u003Cstrong>Palazzo Pubblico of Siena\u003C\u002Fstrong>, when one stops. Not by a conscious choice, but because something catches your eyes and does not release them immediately. It is he: \u003Cstrong>Guidoriccio da Fogliano\u003C\u002Fstrong>, alone, solemn, advancing on a horse with a proud stride through a landscape that seems suspended outside of time.\u003C\u002Fp>\r\n\r\n\u003Cp>Traditionally attributed to \u003Cstrong>Simone Martini\u003C\u002Fstrong> and dated \u003Cstrong>1330\u003C\u002Fstrong>, the fresco depicts the leader \u003Cstrong>Guidoriccio da Fogliano\u003C\u002Fstrong> during the \u003Cstrong>conquest of the castle of Montemassi\u003C\u002Fstrong>, a military victory of the \u003Cstrong>Republic of Siena\u003C\u002Fstrong>. An image that has become over time a \u003Cstrong>visual symbol of the city\u003C\u002Fstrong>: elegant, mysterious, unrepeatable.\u003C\u002Fp>\r\n\r\n\u003Ch2>A masterpiece of medieval propaganda\u003C\u002Fh2>\r\n\r\n\u003Cp>The Guidoriccio is not just a beautiful painting. It is a \u003Cstrong>political act\u003C\u002Fstrong>. A powerful message that the \u003Cstrong>Republic of Siena\u003C\u002Fstrong> wanted to entrust to art to celebrate its \u003Cstrong>military victories\u003C\u002Fstrong> and the skill of its \u003Cstrong>condottieri\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The knight, with his \u003Cstrong>richly decorated cloak\u003C\u002Fstrong> and solemn bearing, embodies the ideal of the \u003Cstrong>faithful and valiant leader\u003C\u002Fstrong>, in total service to the city. Behind him, a landscape of \u003Cstrong>castles\u003C\u002Fstrong>, \u003Cstrong>towers\u003C\u002Fstrong>, \u003Cstrong>military tents\u003C\u002Fstrong>, and \u003Cstrong>geometric hills\u003C\u002Fstrong> that represents one of the first \u003Cstrong>topographical\u003C\u002Fstrong> descriptions in the history of art: precise, recognizable, almost cartographic.\u003C\u002Fp>\r\n\r\n\u003Ch2>The mystery of attribution\u003C\u002Fh2>\r\n\r\n\u003Ch3>A fresco beneath the fresco\u003C\u002Fh3>\r\n\r\n\u003Cp>One of the most fascinating aspects of the Guidoriccio is that not everyone is certain of who painted it. The \u003Cstrong>attribution debate\u003C\u002Fstrong> has been heated for decades: some scholars have hypothesized that the work is not by \u003Cstrong>Simone Martini\u003C\u002Fstrong>, but by a later artist, perhaps from the \u003Cstrong>15th century\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The discussion intensified after the discovery, \u003Cstrong>beneath the fresco\u003C\u002Fstrong>, of another older scene: the \u003Cstrong>conquest of Arcidosso\u003C\u002Fstrong>, likely the work of Simone Martini himself. A painting hidden beneath a painting, like a secret that the wall has kept for centuries.\u003C\u002Fp>\r\n\r\n\u003Ch3>The charm of doubt\u003C\u002Fh3>\r\n\r\n\u003Cp>Despite the debate — or perhaps precisely because of it — the Guidoriccio continues to exert extraordinary charm. Its \u003Cstrong>solitary and elegant\u003C\u002Fstrong> figure, the stylized landscape, the \u003Cstrong>suspended atmosphere\u003C\u002Fstrong> reminiscent of chivalric novels: all contribute to making it something more than a work of art. It is a \u003Cstrong>legend painted on the wall\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come see it\u003C\u002Fh2>\r\n\r\n\u003Cp>To see the Guidoriccio in person in the \u003Cstrong>Hall of the World Map\u003C\u002Fstrong> means to immerse oneself in \u003Cstrong>14th-century Siena\u003C\u002Fstrong>: wars, alliances, artistic splendor, and the proud awareness of a city that knew how to tell its own story with extraordinary visual power.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Enter the Palazzo Pubblico, raise your eyes, and let yourself be stopped.\u003C\u002Fstrong> Certain paintings are not looked at: they look at you.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Hall of the World Map, Palazzo Pubblico\u003C\u002Fstrong>, Piazza del Campo, Siena.\u003C\u002Fp>","\u003Cp>Guidoriccio da Fogliano is one of the most famous frescoes in Italy: a lone knight, a landscape suspended in time, a Gothic masterpiece that has dominated the Sala del Mappamondo of Siena's Palazzo Pubblico for almost seven centuries.\u003C\u002Fp>","Guidoriccio da Fogliano, the knight who crosses the centuries",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fguidoriccio",[],[2742],{"@type":1592,"@id":2743,"translations":2744,"position":1491,"imagePath":2745},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb004b2bb56e87d44911f",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fmuseo-civico-guidoriccio-6a75d2a0596ed062104165.jpg",{"@type":1605,"@id":2747,"hashParam":2748},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffb3ad2dcb26d154265a3","0d503d5889c14f10ba97699338e94e3fe25813ea44899f5600abc14ef4ee675f",[],[],{"@id":2752,"@type":1477,"name":2753,"poiType":2754,"address":1709,"latitude":2766,"longitude":2767,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2768,"translations":2769,"socials":2787,"gallery":2788,"city":1600,"province":1601,"postalCode":1602,"country":1603,"poiPreview":2793,"position":2654,"layout":1691,"otherPoiType":2796,"logoPath":1611,"poiTagsByCategory":2797},"\u002Fapi\u002Fpois\u002F019e92d9-3dc0-7184-ab34-1ec7237683f7","Sator",{"@id":1480,"@type":1481,"id":1482,"translations":2755,"poiCategory":2760},[2756,2758],{"@type":1485,"@id":1486,"name":136,"backUrl":137,"language":2757,"slug":1492,"slugFormatted":1493},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1485,"@id":1495,"name":120,"backUrl":121,"language":2759,"slug":1499,"slugFormatted":1500},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},{"@id":1502,"@type":1503,"translations":2761},[2762,2764],{"@type":1506,"@id":1507,"name":1508,"language":2763,"slug":1510,"slugFormatted":16},{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},{"@type":1506,"@id":1512,"name":1513,"language":2765,"slug":1515,"slugFormatted":16},{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"43.31787352580385","11.328949997435119",[],[2770,2779],{"@type":1572,"@id":2771,"description":2772,"abstract":2773,"timetable":16,"title":2774,"subtitle":16,"ctaText":2775,"extraInformations":16,"language":2776,"slug":2777,"slugFormatted":2778},"\u002Fapi\u002F.well-known\u002Fgenid\u002F40cdeb2cd2204bf3cc5f","\u003Ch2>Un enigma nascosto nel marmo\u003C\u002Fh2>\r\n\r\n\u003Cp>C'è qualcosa di strano sulla parete esterna del \u003Cstrong>Duomo di Siena\u003C\u002Fstrong>, sul lato rivolto verso il \u003Cstrong>Palazzo Arcivescovile\u003C\u002Fstrong>. Una piccola lastra di pietra chiara, inserita nel paramento marmoreo della cattedrale, porta incise cinque parole che da secoli affascinano studiosi, mistici e semplici curiosi. Cinque parole latine, venticinque lettere, disposte in un quadrato perfetto. È il \u003Cstrong>quadrato del SATOR\u003C\u002Fstrong>: uno degli \u003Cstrong>enigmi epigrafici più antichi e diffusi del mondo occidentale\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come funziona\u003C\u002Fh2>\r\n\r\n\u003Cp>Le cinque parole sono: \u003Cstrong>SATOR\u003C\u002Fstrong>, \u003Cstrong>AREPO\u003C\u002Fstrong>, \u003Cstrong>TENET\u003C\u002Fstrong>, \u003Cstrong>OPERA\u003C\u002Fstrong>, \u003Cstrong>ROTAS\u003C\u002Fstrong>. Disposte in un quadrato di \u003Cstrong>5×5 lettere\u003C\u002Fstrong>, formano un testo \u003Cstrong>palindromo\u003C\u002Fstrong> straordinario: si legge uguale da \u003Cstrong>sinistra a destra\u003C\u002Fstrong>, da \u003Cstrong>destra a sinistra\u003C\u002Fstrong>, \u003Cstrong>dall'alto verso il basso\u003C\u002Fstrong> e \u003Cstrong>dal basso verso l'alto\u003C\u002Fstrong>. In qualunque direzione si percorra, la sequenza rimane identica.\u003C\u002Fp>\r\n\r\n\u003Cp>Al centro del quadrato campeggia la parola \u003Cstrong>TENET\u003C\u002Fstrong>, che forma una \u003Cstrong>croce\u003C\u002Fstrong> leggibile sia in senso verticale che orizzontale. Nel pensiero medievale, questa \u003Cstrong>perfezione geometrica\u003C\u002Fstrong> non era casuale: l'ordine simmetrico era considerato un \u003Cstrong>riflesso dell'ordine divino\u003C\u002Fstrong>, un segno che qualcosa di sacro si nascondeva tra quelle lettere.\u003C\u002Fp>\r\n\r\n\u003Ch2>Cosa significa?\u003C\u002Fh2>\r\n\r\n\u003Ch3>L'interpretazione letterale\u003C\u002Fh3>\r\n\r\n\u003Cp>La traduzione più diffusa propone: \u003Cstrong>SATOR\u003C\u002Fstrong> come "seminatore" o "creatore", \u003Cstrong>TENET\u003C\u002Fstrong> come "mantiene", \u003Cstrong>OPERA\u003C\u002Fstrong> come "opere" o "lavori", \u003Cstrong>ROTAS\u003C\u002Fstrong> come "ruote". Il termine \u003Cstrong>AREPO\u003C\u002Fstrong> rimane di \u003Cstrong>significato incerto\u003C\u002Fstrong>, e forse è proprio questa parola misteriosa a tenere vivo il fascino dell'intero enigma.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il simbolo cristiano nascosto\u003C\u002Fh3>\r\n\r\n\u003Cp>Una delle interpretazioni più suggestive lega il quadrato alle \u003Cstrong>prime comunità cristiane\u003C\u002Fstrong>. Riorganizzando le lettere, si ottengono le parole \u003Cstrong>PATER NOSTER\u003C\u002Fstrong>, disposte a croce, con due lettere \u003Cstrong>A\u003C\u002Fstrong> e \u003Cstrong>O\u003C\u002Fstrong> rimaste ai margini: \u003Cstrong>Alfa e Omega\u003C\u002Fstrong>, simboli di Cristo presenti nell'Apocalisse. Un messaggio nascosto, visibile solo a chi sapeva cercarlo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un enigma che attraversa il tempo\u003C\u002Fh2>\r\n\r\n\u003Cp>Il quadrato del SATOR non appartiene solo a Siena. Lo si trova a \u003Cstrong>Pompei\u003C\u002Fstrong>, la testimonianza più antica, precedente all'eruzione del \u003Cstrong>79 d.C.\u003C\u002Fstrong>, in \u003Cstrong>manoscritti medievali\u003C\u002Fstrong>, su \u003Cstrong>papiri copti\u003C\u002Fstrong>, su \u003Cstrong>amuleti etiopici\u003C\u002Fstrong> e su \u003Cstrong>edifici religiosi\u003C\u002Fstrong> in tutta Europa. Un segno che ha viaggiato attraverso culture, secoli e continenti, cambiando significato senza perdere il suo potere di attrazione.\u003C\u002Fp>\r\n\r\n\u003Cp>Perché sia inciso proprio sul \u003Cstrong>Duomo di Siena\u003C\u002Fstrong> rimane un mistero aperto: forse una \u003Cstrong>protezione divina\u003C\u002Fstrong> sull'edificio sacro, forse un invito al \u003Cstrong>raccoglimento spirituale\u003C\u002Fstrong>, forse semplicemente un enigma che qualcuno volle lasciare lì, sapendo che sarebbe rimasto senza risposta.\u003C\u002Fp>\r\n\r\n\u003Ch2>Cercalo tu stesso\u003C\u002Fh2>\r\n\r\n\u003Cp>La prossima volta che sei davanti al Duomo di Siena, gira sul lato sinistro, verso il \u003Cstrong>Palazzo Arcivescovile\u003C\u002Fstrong>, e cercalo. È piccolo, discreto, quasi timido rispetto alla grandiosità della cattedrale.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Parete esterna sinistra del Duomo\u003C\u002Fstrong>, lato del Palazzo Arcivescovile, Siena.\u003C\u002Fp>","\u003Cp>Il quadrato del SATOR è uno degli enigmi epigrafici più antichi e affascinanti del mondo occidentale, visibile sulla parete esterna del Duomo di Siena. Cinque parole, cinque lettere, infinite interpretazioni. Un mistero che dura da duemila anni.\u003C\u002Fp>","Il Quadrato del SATOR. L'Enigma Inciso nel Duomo di Siena","\u003Cdiv>\u003Cstrong>Trovarlo è già un'avventura!\u003C\u002Fstrong>\u003C\u002Fdiv>",{"@type":1488,"@id":1489,"locale":141,"name":1490,"position":1491},"sator","\u002Fsator",{"@type":1572,"@id":2780,"description":2781,"abstract":2782,"timetable":16,"title":2783,"subtitle":16,"ctaText":2784,"extraInformations":16,"language":2785,"slug":2777,"slugFormatted":2786},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe79768d49511fa463cee","\u003Ch2>A hidden enigma in marble\u003C\u002Fh2>\r\n\r\n\u003Cp>There is something strange on the outer wall of the \u003Cstrong>Siena Cathedral\u003C\u002Fstrong>, on the side facing the \u003Cstrong>Archbishop's Palace\u003C\u002Fstrong>. A small slab of light stone, set into the marble cladding of the cathedral, bears five words that have fascinated scholars, mystics, and simple curious minds for centuries. Five Latin words, twenty-five letters, arranged in a perfect square. It is the \u003Cstrong>SATOR square\u003C\u002Fstrong>: one of the \u003Cstrong>oldest and most widespread epigraphic enigmas in the Western world\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>How it works\u003C\u002Fh2>\r\n\r\n\u003Cp>The five words are: \u003Cstrong>SATOR\u003C\u002Fstrong>, \u003Cstrong>AREPO\u003C\u002Fstrong>, \u003Cstrong>TENET\u003C\u002Fstrong>, \u003Cstrong>OPERA\u003C\u002Fstrong>, \u003Cstrong>ROTAS\u003C\u002Fstrong>. Arranged in a \u003Cstrong>5×5 letter\u003C\u002Fstrong> square, they form an extraordinary \u003Cstrong>palindromic\u003C\u002Fstrong> text: it reads the same \u003Cstrong>left to right\u003C\u002Fstrong>, \u003Cstrong>right to left\u003C\u002Fstrong>, \u003Cstrong>top to bottom\u003C\u002Fstrong>, and \u003Cstrong>bottom to top\u003C\u002Fstrong>. In any direction you go, the sequence remains identical.\u003C\u002Fp>\r\n\r\n\u003Cp>At the center of the square stands the word \u003Cstrong>TENET\u003C\u002Fstrong>, which forms a \u003Cstrong>cross\u003C\u002Fstrong> readable both vertically and horizontally. In medieval thought, this \u003Cstrong>geometric perfection\u003C\u002Fstrong> was not accidental: the symmetrical order was considered a \u003Cstrong>reflection of divine order\u003C\u002Fstrong>, a sign that something sacred was hidden among those letters.\u003C\u002Fp>\r\n\r\n\u003Ch2>What does it mean?\u003C\u002Fh2>\r\n\r\n\u003Ch3>The literal interpretation\u003C\u002Fh3>\r\n\r\n\u003Cp>The most common translation suggests: \u003Cstrong>SATOR\u003C\u002Fstrong> as "sower" or "creator", \u003Cstrong>TENET\u003C\u002Fstrong> as "holds", \u003Cstrong>OPERA\u003C\u002Fstrong> as "works" or "labor", \u003Cstrong>ROTAS\u003C\u002Fstrong> as "wheels". The term \u003Cstrong>AREPO\u003C\u002Fstrong> remains of \u003Cstrong>uncertain meaning\u003C\u002Fstrong>, and perhaps it is this mysterious word that keeps the entire enigma alive.\u003C\u002Fp>\r\n\r\n\u003Ch3>The hidden Christian symbol\u003C\u002Fh3>\r\n\r\n\u003Cp>One of the most suggestive interpretations links the square to the \u003Cstrong>early Christian communities\u003C\u002Fstrong>. By rearranging the letters, the words \u003Cstrong>PATER NOSTER\u003C\u002Fstrong> are obtained, arranged in a cross, with two letters \u003Cstrong>A\u003C\u002Fstrong> and \u003Cstrong>O\u003C\u002Fstrong> remaining at the edges: \u003Cstrong>Alpha and Omega\u003C\u002Fstrong>, symbols of Christ present in the Apocalypse. A hidden message, visible only to those who knew how to seek it.\u003C\u002Fp>\r\n\r\n\u003Ch2>An enigma that transcends time\u003C\u002Fh2>\r\n\r\n\u003Cp>The SATOR square does not belong only to Siena. It can be found in \u003Cstrong>Pompeii\u003C\u002Fstrong>, the oldest testimony, predating the eruption of \u003Cstrong>79 AD\u003C\u002Fstrong>, in \u003Cstrong>medieval manuscripts\u003C\u002Fstrong>, on \u003Cstrong>Coptic papyri\u003C\u002Fstrong>, on \u003Cstrong>Ethiopian amulets\u003C\u002Fstrong>, and on \u003Cstrong>religious buildings\u003C\u002Fstrong> throughout Europe. A sign that has traveled through cultures, centuries, and continents, changing meaning without losing its power of attraction.\u003C\u002Fp>\r\n\r\n\u003Cp>Why it is inscribed on the \u003Cstrong>Siena Cathedral\u003C\u002Fstrong> remains an open mystery: perhaps a \u003Cstrong>divine protection\u003C\u002Fstrong> over the sacred building, perhaps an invitation to \u003Cstrong>spiritual reflection\u003C\u002Fstrong>, or perhaps simply an enigma that someone wanted to leave there, knowing it would remain unanswered.\u003C\u002Fp>\r\n\r\n\u003Ch2>Find it yourself\u003C\u002Fh2>\r\n\r\n\u003Cp>The next time you are in front of the Siena Cathedral, turn to the left side, towards the \u003Cstrong>Archbishop's Palace\u003C\u002Fstrong>, and look for it. It is small, discreet, almost shy compared to the grandeur of the cathedral.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Left outer wall of the Cathedral\u003C\u002Fstrong>, side of the Archbishop's Palace, Siena.\u003C\u002Fp>","\u003Cp>The SATOR Square is one of the Western world's oldest and most fascinating epigraphic enigmas, visible on the exterior wall of Siena Cathedral. Five words, five letters, infinite interpretations. A mystery that has endured for two thousand years.\u003C\u002Fp>","The SATOR Square. The Enigma Inscribed in the Siena Cathedral","\u003Cdiv>\u003Cstrong>Finding it is already an adventure!\u003C\u002Fstrong>\u003C\u002Fdiv>",{"@type":1488,"@id":1497,"locale":10,"name":1498,"position":166},"\u002Fen\u002Fsator",[],[2789],{"@type":1592,"@id":2790,"translations":2791,"position":1491,"imagePath":2792},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4975cca0c3dd3d99eb51",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsator-6a8c183a0567d439779714.jpg",{"@type":1605,"@id":2794,"hashParam":2795},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdba8d1f64ef425a471c3","4523335533833dfd7a3372614e9280e1ff9f9bff6b5640c881f9546212cd5b4a",[],[],{"@id":2799,"@type":2800,"first":2799,"last":2801,"next":2801},"\u002Fapi\u002Fpois?itemsPerPage=24&poiType.translations.name%5B%5D=Arte%20e%20patrimonio&page=1","PartialCollectionView","\u002Fapi\u002Fpois?itemsPerPage=24&poiType.translations.name%5B%5D=Arte%20e%20patrimonio&page=2",{"@type":2803,"template":2804,"variableRepresentation":2805,"mapping":2806},"IriTemplate","\u002Fapi\u002Fpois{?poiType.poiCategory,poiType.poiCategory[],poiType,poiType[],poiTag,poiTag[],poiTag.tagCategory,poiTag.tagCategory[],name,translations.slug,translations.slug[],translations.slugFormatted,translations.slugFormatted[],poiType.poiCategory.translations.slug,poiType.poiCategory.translations.slug[],stars,stars[],poiType.translations.name,poiType.translations.name[],poiType.translations.slug,poiType.translations.slug[],poiPreview.hashParam,poiPreview.hashParam[],orderByPosition,orderByName}","BasicRepresentation",[2807,2810,2812,2814,2816,2818,2820,2822,2824,2826,2828,2830,2832,2834,2836,2838,2840,2842,2844,2846,2848,2850,2852,2854,2857],{"@type":2808,"variable":2809,"property":2809,"required":28},"IriTemplateMapping","poiType.poiCategory",{"@type":2808,"variable":2811,"property":2809,"required":28},"poiType.poiCategory[]",{"@type":2808,"variable":2813,"property":2813,"required":28},"poiType",{"@type":2808,"variable":2815,"property":2813,"required":28},"poiType[]",{"@type":2808,"variable":2817,"property":2817,"required":28},"poiTag",{"@type":2808,"variable":2819,"property":2817,"required":28},"poiTag[]",{"@type":2808,"variable":2821,"property":2821,"required":28},"poiTag.tagCategory",{"@type":2808,"variable":2823,"property":2821,"required":28},"poiTag.tagCategory[]",{"@type":2808,"variable":2825,"property":2825,"required":28},"name",{"@type":2808,"variable":2827,"property":2827,"required":28},"translations.slug",{"@type":2808,"variable":2829,"property":2827,"required":28},"translations.slug[]",{"@type":2808,"variable":2831,"property":2831,"required":28},"translations.slugFormatted",{"@type":2808,"variable":2833,"property":2831,"required":28},"translations.slugFormatted[]",{"@type":2808,"variable":2835,"property":2835,"required":28},"poiType.poiCategory.translations.slug",{"@type":2808,"variable":2837,"property":2835,"required":28},"poiType.poiCategory.translations.slug[]",{"@type":2808,"variable":2839,"property":2839,"required":28},"stars",{"@type":2808,"variable":2841,"property":2839,"required":28},"stars[]",{"@type":2808,"variable":2843,"property":2843,"required":28},"poiType.translations.name",{"@type":2808,"variable":2845,"property":2843,"required":28},"poiType.translations.name[]",{"@type":2808,"variable":2847,"property":2847,"required":28},"poiType.translations.slug",{"@type":2808,"variable":2849,"property":2847,"required":28},"poiType.translations.slug[]",{"@type":2808,"variable":2851,"property":2851,"required":28},"poiPreview.hashParam",{"@type":2808,"variable":2853,"property":2851,"required":28},"poiPreview.hashParam[]",{"@type":2808,"variable":2855,"property":2856},"orderByPosition","position",{"@type":2808,"variable":2858,"property":2825},"orderByName"]