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\u003Cstrong>Siena\u003C\u002Fstrong> in una delle stagioni più prospere e raffinate della sua storia. Ancora oggi conserva la sua funzione originaria, ospitando la sede comunale. È una continuità rara, quasi sorprendente: non un edificio consegnato soltanto alla memoria, ma un luogo che continua a vivere nel presente, fedele alla propria vocazione civile.\u003C\u002Fp>\r\n\r\n\u003Ch3>Arte, potere e bene comune nelle sale del Palazzo Pubblico\u003C\u002Fh3>\r\n\r\n\u003Cp>All’interno si aprono ambienti ampi, solenni e luminosi, pensati per accogliere decisioni, confronti e rappresentazione del potere. Nel \u003Cstrong>Museo Civico di Siena\u003C\u002Fstrong>, le opere non compaiono come semplici ornamenti, ma come strumenti di riflessione politica e civile. Gli affreschi del \u003Cstrong>Buono e Cattivo Governo\u003C\u002Fstrong> di Ambrogio Lorenzetti parlano ancora oggi di giustizia, responsabilità, equilibrio e bene comune, attraverso un linguaggio attuale, che non si limita a celebrare il potere, ma ne misura la tenuta morale.\u003C\u002Fp>\r\n\r\n\u003Cp>Nella \u003Cstrong>Sala del Mappamondo\u003C\u002Fstrong>, prosegue il dialogo tra potere e comunità: la \u003Cstrong>Maestà\u003C\u002Fstrong> di Simone Martini non è soltanto un capolavoro pittorico, ma una presenza simbolica pensata per custodire la città e accompagnare l’idea stessa di buon governo. In questo incontro tra spazi, immagini e potere civile, il \u003Cstrong>Palazzo Pubblico di Siena\u003C\u002Fstrong> restituisce il senso di una città che ha costruito la propria identità anche attraverso i luoghi del governo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un edificio che appartiene ancora al ritmo della città\u003C\u002Fh2>\r\n\r\n\u003Cp>Anche all’esterno, il palazzo non appare mai come un corpo separato dal contesto urbano. Al contrario, dialoga con \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, completandone il disegno e rafforzandone il significato. Ogni linea, ogni volume, ogni apertura sembra partecipare a un equilibrio preciso, nel quale bellezza e funzione trovano una misura comune. Anche senza approfondire la storia medievale o la vicenda politica senese, il \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong> restituisce con immediatezza l’idea di uno spazio chiaro, leggibile, profondamente vivo. Emerge il profilo di una Siena che ha saputo costruire nel tempo un equilibrio duraturo tra pubblico, istituzioni e vita quotidiana.\u003C\u002Fp>","\u003Cp>Nel profilo armonioso a conchiglia di \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, il \u003Cstrong>Palazzo Pubblico di Siena \u003C\u002Fstrong>occupa da secoli una posizione centrale, quasi inevitabile. La facciata in mattoni, severa e misurata, si inserisce nello spazio della piazza con una naturalezza ordinata. Fin dalla sua costruzione, il palazzo è stato concepito come sede del governo cittadino, collocato nel punto più vivo della città, dove la dimensione istituzionale incontra il respiro quotidiano dello spazio pubblico.\u003C\u002Fp>","Palazzo Pubblico di Siena: il cuore civile di Piazza del Campo","\u003Cdiv>Lasciati sorprendere dal \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong>, simbolo di una Siena fatta di equilibrio, visione e bellezza civile.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-pubblico","\u002Fpalazzo-pubblico",{"@type":1519,"@id":1529,"description":1530,"abstract":1531,"timetable":16,"title":1532,"subtitle":16,"ctaText":1533,"extraInformations":16,"language":1534,"slug":1526,"slugFormatted":1535},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd250da42e36daebde6f0","\u003Ch2>The palace where Siena shaped its government\u003C\u002Fh2>\r\n\r\n\u003Cp>Built between the end of the 13th century and the beginning of the 14th century, the \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong> was born as the seat of the Government of Nine, the body that led \u003Cstrong>Siena\u003C\u002Fstrong> during one of the most prosperous and refined seasons of its history. Even today, it retains its original function, hosting the municipal seat. It is a rare, almost surprising continuity: not a building handed down only to memory, but a place that continues to live in the present, faithful to its civil vocation.\u003C\u002Fp>\r\n\r\n\u003Ch3>Art, power, and the common good in the halls of the Palazzo Pubblico\u003C\u002Fh3>\r\n\r\n\u003Cp>Inside, spacious, solemn, and bright environments open up, designed to accommodate decisions, discussions, and the representation of power. In the \u003Cstrong>Civic Museum of Siena\u003C\u002Fstrong>, the works do not appear as mere ornaments, but as tools for political and civil reflection. The frescoes of \u003Cstrong>Good and Bad Government\u003C\u002Fstrong> by Ambrogio Lorenzetti still speak today of justice, responsibility, balance, and the common good, through a contemporary language that does not merely celebrate power but measures its moral standing.\u003C\u002Fp>\r\n\r\n\u003Cp>In the \u003Cstrong>Hall of the World Map\u003C\u002Fstrong>, the dialogue between power and community continues: the \u003Cstrong>Maestà\u003C\u002Fstrong> by Simone Martini is not just a pictorial masterpiece, but a symbolic presence designed to safeguard the city and accompany the very idea of good governance. In this meeting of spaces, images, and civil power, the \u003Cstrong>Palazzo Pubblico of Siena\u003C\u002Fstrong> conveys the sense of a city that has built its identity also through the places of government.\u003C\u002Fp>\r\n\r\n\u003Ch2>A building that still belongs to the rhythm of the city\u003C\u002Fh2>\r\n\r\n\u003Cp>Even outside, the palace never appears as a body separate from the urban context. On the contrary, it dialogues with \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, completing its design and reinforcing its meaning. Every line, every volume, every opening seems to participate in a precise balance, in which beauty and function find a common measure. Even without delving into medieval history or the political events of Siena, the \u003Cstrong>Palazzo Pubblico\u003C\u002Fstrong> immediately conveys the idea of a clear, readable, deeply alive space. The profile of a Siena that has managed to build over time a lasting balance between the public, institutions, and daily life emerges.\u003C\u002Fp>\r\n\r\n\u003Cp>WORD COUNT: 473\u003C\u002Fp>","\u003Cp>In the harmonious shell-like profile of \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, the \u003Cstrong>Palazzo Pubblico of Siena\u003C\u002Fstrong> has occupied a central, almost inevitable position for centuries. The brick facade, severe and measured, fits into the space of the square with an orderly naturalness. Since its construction, the palace has been conceived as the seat of the city government, located at the liveliest point of the city, where the institutional dimension meets the everyday breath of public space.\u003C\u002Fp>","Palazzo Pubblico of Siena: the civil heart of Piazza del Campo","\u003Cdiv>Let yourself be surprised by the Palazzo Pubblico, a symbol of a Siena made of balance, vision, and civil beauty.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-pubblico",[],[1538,1543,1547],{"@type":1539,"@id":1540,"translations":1541,"position":1490,"imagePath":1542},"Gallery","\u002Fapi\u002F.well-known\u002Fgenid\u002F7211f7e996975ad9b6cd",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-pubblico-con-sole-6a760dcd35913326411788.jpg",{"@type":1539,"@id":1544,"translations":1545,"position":1490,"imagePath":1546},"\u002Fapi\u002F.well-known\u002Fgenid\u002F09f2aa6dca1300860ab6",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-pubblico-dettaglio-bandiera-6a760dcd53a3e921878559.jpg",{"@type":1539,"@id":1548,"translations":1549,"position":1490,"imagePath":1550},"\u002Fapi\u002F.well-known\u002Fgenid\u002F10f2b13cfe5535cf10ee",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-pubblico-dettaglio-facciata-di-notte-1-6a760dcd5eae4306658993.jpg","Siena","SI","53100","Italia",{"@type":1556,"@id":1557,"hashParam":1558},"PoiPreview","\u002Fapi\u002F.well-known\u002Fgenid\u002F54ca5bc103d6a998c4f4","9c13032256930ac8dee79629afcdd0eee4cf5f967780f1ad4c44bfe7ff4fa50f",95,"BASIC_1",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fpoi\u002F",[],{"@id":1565,"@type":1476,"name":1566,"poiType":1567,"address":1579,"latitude":1580,"longitude":1581,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1582,"translations":1583,"socials":1602,"gallery":1603,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1616,"position":1619,"layout":1560,"otherPoiType":1620,"logoPath":1562,"poiTagsByCategory":1621},"\u002Fapi\u002Fpois\u002F019f8f29-9747-70d4-ad7f-b7d2ef87582c","Casa della Sapienza (Biblioteca degli Intronati)",{"@id":1479,"@type":1480,"id":1481,"translations":1568,"poiCategory":1573},[1569,1571],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1570,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1572,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1574},[1575,1577],{"@type":1503,"@id":1504,"name":1505,"language":1576,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1578,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via della Sapienza, 1-5","43.3204263","11.3284603",[],[1584,1593],{"@type":1519,"@id":1585,"description":1586,"abstract":1587,"timetable":16,"title":1588,"subtitle":16,"ctaText":1589,"extraInformations":16,"language":1590,"slug":1591,"slugFormatted":1592},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8e3e19711e6071d221d1","\u003Ch2>Dalle origini medievali allo Studio Senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Le \u003Cstrong>prime strutture del complesso\u003C\u002Fstrong> risalgono al XIII secolo, quando quest’area era destinata ad \u003Cstrong>attività religiose e assistenziali\u003C\u002Fstrong>. In particolare, ospitava la \u003Cstrong>Domus Misericordiae\u003C\u002Fstrong>, fondata per iniziativa di Andrea Gallerani, \u003Cstrong>luogo di accoglienza\u003C\u002Fstrong> per \u003Cstrong>orfani\u003C\u002Fstrong>, \u003Cstrong>poveri\u003C\u002Fstrong>, \u003Cstrong>malati\u003C\u002Fstrong> e \u003Cstrong>pellegrini\u003C\u002Fstrong>. Questa \u003Cstrong>vocazione sociale\u003C\u002Fstrong>, sostenuta dal Comune e dalle autorità religiose, si integrava con altre istituzioni cittadine come il vicino Santa Maria della Scala, creando un tessuto urbano di solidarietà e cultura. Nel XIV secolo, il complesso divenne sede dello \u003Cstrong>Studio Senese\u003C\u002Fstrong>, una delle \u003Cstrong>prime università italiane\u003C\u002Fstrong>, consolidando il ruolo della zona come centro intellettuale di riferimento.\u003C\u002Fp>\r\n\r\n\u003Ch3>Ampliamenti e sviluppo rinascimentale\u003C\u002Fh3>\r\n\r\n\u003Cp>Tra il \u003Cstrong>XV e il XVI secolo\u003C\u002Fstrong> la Casa della Sapienza fu \u003Cstrong>progressivamente ampliata\u003C\u002Fstrong> e \u003Cstrong>riorganizzata\u003C\u002Fstrong>, incorporando case vicine ottenute tramite donazioni e acquisti, e assumendo in gran parte l’aspetto rinascimentale che conserva ancora oggi. Nel \u003Cstrong>1280\u003C\u002Fstrong> fu inoltre \u003Cstrong>costruita\u003C\u002Fstrong> una \u003Cstrong>chiesa interna\u003C\u002Fstrong>, completando la struttura che \u003Cstrong>combinava istruzione\u003C\u002Fstrong>, \u003Cstrong>spiritualità\u003C\u002Fstrong> e \u003Cstrong>accoglienza\u003C\u002Fstrong>. Il palazzo non fu realizzato in un unico momento, ma \u003Cstrong>si sviluppò nel corso dei secoli\u003C\u002Fstrong>, riflettendo le \u003Cstrong>necessità civili\u003C\u002Fstrong>, \u003Cstrong>culturali\u003C\u002Fstrong> e \u003Cstrong>assistenziali\u003C\u002Fstrong> della città.\u003C\u002Fp>\r\n\r\n\u003Ch2>La Biblioteca degli Intronati oggi\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi la \u003Cstrong>Biblioteca comunale degli Intronati\u003C\u002Fstrong> rappresenta un punto di \u003Cstrong>riferimento culturale\u003C\u002Fstrong> e di \u003Cstrong>ricerca\u003C\u002Fstrong> per Siena. Le sale custodiscono \u003Cstrong>libri antichi\u003C\u002Fstrong>, \u003Cstrong>manoscritti\u003C\u002Fstrong>, \u003Cstrong>archivi storici\u003C\u002Fstrong> e \u003Cstrong>ambienti di studio\u003C\u002Fstrong> moderni. La biblioteca continua a incarnare la tradizione di conoscenza e accesso alla cultura che ha caratterizzato il complesso fin dalla sua origine, offrendo \u003Cstrong>un’esperienza unica per studenti\u003C\u002Fstrong>, \u003Cstrong>ricercatori\u003C\u002Fstrong> e \u003Cstrong>visitatori\u003C\u002Fstrong> curiosi.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>Crediti:\u003C\u002Fp>\r\n\r\n\u003Cp>- Antonio Cinotti\u003C\u002Fp>","\u003Cp>Nel cuore di Siena, tra \u003Cstrong>via della Sapienza\u003C\u002Fstrong>, \u003Cstrong>via delle Terme\u003C\u002Fstrong>, \u003Cstrong>via dei Pittori\u003C\u002Fstrong> e la \u003Cstrong>costa di Sant’Antonio\u003C\u002Fstrong>, si trova la \u003Cstrong>Casa della Sapienza\u003C\u002Fstrong>, oggi \u003Cstrong>sede della Biblioteca comunale degli Intronati\u003C\u002Fstrong>. Un luogo dove il tempo sembra stratificarsi in ogni pietra, in ogni sala, raccontando oltre \u003Cstrong>otto secoli di vita culturale\u003C\u002Fstrong>, \u003Cstrong>universitaria\u003C\u002Fstrong> e \u003Cstrong>assistenziale\u003C\u002Fstrong> della città. Camminare tra i suoi cortili e i corridoi significa percepire la storia di \u003Cstrong>una Siena che ha sempre posto al centro la conoscenza\u003C\u002Fstrong>, la \u003Cstrong>solidarietà\u003C\u002Fstrong> e la \u003Cstrong>crescita della comunità\u003C\u002Fstrong>.\u003C\u002Fp>","Casa della Sapienza, Biblioteca degli Intronati: otto secoli di storia culturale a Siena","\u003Cdiv>Esplora la Casa della Sapienza e la Biblioteca degli Intronati, cammina tra cortili e sale cariche di storia, scopri manoscritti antichi e immergiti nella memoria culturale di Siena.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"casa-della-sapienza-biblioteca-degli-intronati","\u002Fcasa-della-sapienza-biblioteca-degli-intronati",{"@type":1519,"@id":1594,"description":1595,"abstract":1596,"timetable":16,"title":1597,"subtitle":16,"ctaText":1598,"extraInformations":16,"language":1599,"slug":1600,"slugFormatted":1601},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb4a165900b14d6e55390","\u003Ch2>From medieval origins to the Senese Study\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>first structures of the complex\u003C\u002Fstrong> date back to the 13th century, when this area was designated for \u003Cstrong>religious and assistance activities\u003C\u002Fstrong>. In particular, it housed the \u003Cstrong>Domus Misericordiae\u003C\u002Fstrong>, founded by Andrea Gallerani, a \u003Cstrong>place of welcome\u003C\u002Fstrong> for \u003Cstrong>orphans\u003C\u002Fstrong>, \u003Cstrong>the poor\u003C\u002Fstrong>, \u003Cstrong>the sick\u003C\u002Fstrong>, and \u003Cstrong>pilgrims\u003C\u002Fstrong>. This \u003Cstrong>social vocation\u003C\u002Fstrong>, supported by the Municipality and religious authorities, integrated with other city institutions like the nearby Santa Maria della Scala, creating an urban fabric of solidarity and culture. In the 14th century, the complex became the seat of the \u003Cstrong>Senese Study\u003C\u002Fstrong>, one of the \u003Cstrong>first Italian universities\u003C\u002Fstrong>, consolidating the area's role as an intellectual reference center.\u003C\u002Fp>\r\n\r\n\u003Ch3>Expansions and Renaissance development\u003C\u002Fh3>\r\n\r\n\u003Cp>Between the \u003Cstrong>15th and 16th centuries\u003C\u002Fstrong>, the House of Wisdom was \u003Cstrong>progressively expanded\u003C\u002Fstrong> and \u003Cstrong>reorganized\u003C\u002Fstrong>, incorporating nearby houses obtained through donations and purchases, and largely assuming the Renaissance appearance it still retains today. In \u003Cstrong>1280\u003C\u002Fstrong>, an \u003Cstrong>internal church\u003C\u002Fstrong> was also \u003Cstrong>built\u003C\u002Fstrong>, completing the structure that \u003Cstrong>combined education\u003C\u002Fstrong>, \u003Cstrong>spirituality\u003C\u002Fstrong>, and \u003Cstrong>welcome\u003C\u002Fstrong>. The palace was not built in a single moment, but \u003Cstrong>developed over the centuries\u003C\u002Fstrong>, reflecting the \u003Cstrong>civil\u003C\u002Fstrong>, \u003Cstrong>cultural\u003C\u002Fstrong>, and \u003Cstrong>assistance\u003C\u002Fstrong> needs of the city.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Library of the Intronati today\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the \u003Cstrong>municipal Library of the Intronati\u003C\u002Fstrong> represents a point of \u003Cstrong>cultural\u003C\u002Fstrong> and \u003Cstrong>research\u003C\u002Fstrong> reference for Siena. The rooms house \u003Cstrong>ancient books\u003C\u002Fstrong>, \u003Cstrong>manuscripts\u003C\u002Fstrong>, \u003Cstrong>historical archives\u003C\u002Fstrong>, and \u003Cstrong>modern study environments\u003C\u002Fstrong>. The library continues to embody the tradition of knowledge and access to culture that has characterized the complex since its origin, offering \u003Cstrong>a unique experience for students\u003C\u002Fstrong>, \u003Cstrong>researchers\u003C\u002Fstrong>, and \u003Cstrong>curious visitors\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>Credits:\u003C\u002Fp>\r\n\r\n\u003Cp>- Antonio Cinotti\u003C\u002Fp>","\u003Cp>In the heart of Siena, between \u003Cstrong>via della Sapienza\u003C\u002Fstrong>, \u003Cstrong>via delle Terme\u003C\u002Fstrong>, \u003Cstrong>via dei Pittori\u003C\u002Fstrong>, and \u003Cstrong>costa di Sant’Antonio\u003C\u002Fstrong>, lies the \u003Cstrong>House of Wisdom\u003C\u002Fstrong>, now the \u003Cstrong>headquarters of the municipal Library of the Intronati\u003C\u002Fstrong>. A place where time seems to layer in every stone, in every hall, telling over \u003Cstrong>eight centuries of cultural\u003C\u002Fstrong>, \u003Cstrong>university\u003C\u002Fstrong>, and \u003Cstrong>assistance\u003C\u002Fstrong> life of the city. Walking through its courtyards and corridors means perceiving the history of \u003Cstrong>a Siena that has always placed knowledge\u003C\u002Fstrong>, \u003Cstrong>solidarity\u003C\u002Fstrong>, and \u003Cstrong>community growth\u003C\u002Fstrong> at its center.\u003C\u002Fp>","House of Wisdom, Library of the Intronati: eight centuries of cultural history in Siena","\u003Cdiv>Explore the House of Wisdom and the Library of the Intronati, walk through courtyards and halls rich in history, discover ancient manuscripts, and immerse yourself in the cultural memory of Siena.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"house-of-wisdom-library-of-the-intronati","\u002Fen\u002Fhouse-of-wisdom-library-of-the-intronati",[],[1604,1608,1612],{"@type":1539,"@id":1605,"translations":1606,"position":1490,"imagePath":1607},"\u002Fapi\u002F.well-known\u002Fgenid\u002F786a7d7f5321b185161b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbiblioteca-degli-intronati-sala-storica-4-6a75da5517ae2838079519.jpg",{"@type":1539,"@id":1609,"translations":1610,"position":1490,"imagePath":1611},"\u002Fapi\u002F.well-known\u002Fgenid\u002F660c871661b75a4cb54b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbiblioteca-degli-intronati-gabinetto-disegni-e-stampe-1-6a75da55428c6505552738.jpg",{"@type":1539,"@id":1613,"translations":1614,"position":1490,"imagePath":1615},"\u002Fapi\u002F.well-known\u002Fgenid\u002F03baa85f02edc98fecde",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbiblioteca-degli-intronati-deposito-rari-e-manoscritti-4-6a75da5535650109945069.jpg",{"@type":1556,"@id":1617,"hashParam":1618},"\u002Fapi\u002F.well-known\u002Fgenid\u002F69d9856a4f0a51fa0f54","0af8b1dafb8d6d989fd7ca46f44074b5c3604b2c0117f26a421417403f46cd9e",80,[],[],{"@id":1623,"@type":1476,"name":1624,"poiType":1625,"address":1637,"latitude":1638,"longitude":1639,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1640,"translations":1641,"socials":1659,"gallery":1660,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1681,"position":1619,"layout":1560,"otherPoiType":1684,"logoPath":1562,"poiTagsByCategory":1685},"\u002Fapi\u002Fpois\u002F019e9752-7288-76c9-af87-855ddf655945","Palazzo Chigi Saracini",{"@id":1479,"@type":1480,"id":1481,"translations":1626,"poiCategory":1631},[1627,1629],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1628,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1630,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1632},[1633,1635],{"@type":1503,"@id":1504,"name":1505,"language":1634,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1636,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via di Città, 89","43.3172163","11.3308923",[],[1642,1651],{"@type":1519,"@id":1643,"description":1644,"abstract":1645,"timetable":16,"title":1646,"subtitle":16,"ctaText":1647,"extraInformations":16,"language":1648,"slug":1649,"slugFormatted":1650},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fbd389520cb1f8d834da6","\u003Ch2>Palazzo Chigi Saracini: il gotico nel cuore della memoria senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Era il 4 settembre. Correva l’anno 1260. Siena aveva appena vinto la battaglia di Montaperti. Dalle finestre del Palazzo Chigi Saracini i governanti senesi appresero la notizia del successo: secondo la tradizione, dall’alto della torre del Palazzo, un giovane tamburino seguì le fasi dello scontro e le riferì al popolo raccolto sotto, come in una radiocronaca medievale attraversata da paura, attesa, speranza. \u003Cstrong>Palazzo Chigi Saracini\u003C\u002Fstrong> diventa così uno dei luoghi in cui Siena trattiene e racconta la propria storia.\u003C\u002Fp>\r\n\r\n\u003Cp>La sua origine affonda nello \u003Cstrong>stile gotico senese\u003C\u002Fstrong> e nel vecchio \u003Cstrong>Palazzo Marescotti\u003C\u002Fstrong>, risalente alla metà del Duecento. Nel tempo l’edificio subì ampliamenti e trasformazioni, fino a diventare una delle presenze più riconoscibili del centro storico.\u003C\u002Fp>\r\n\r\n\u003Ch3>Dai Piccolomini ai Saracini, tra ampliamenti e committenze\u003C\u002Fh3>\r\n\r\n\u003Cp>Nei primi del Cinquecento il palazzo fu acquistato dai \u003Cstrong>Piccolomini del Mandolo\u003C\u002Fstrong>, ai quali si devono le decorazioni in stile raffaellesco del loggiato esterno, i fregi istoriati e alcuni affreschi ancora visibili.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel \u003Cstrong>1770\u003C\u002Fstrong> passò alla famiglia \u003Cstrong>Saracini\u003C\u002Fstrong>, che lo ampliò nuovamente e vi raccolse una grande collezione di capolavori artistici. La raccolta fu aperta al pubblico nel \u003Cstrong>1806\u003C\u002Fstrong>, diventando un museo privato. Al centro del cortile fu collocato un antico pozzo, sul quale si affaccia la cappella dedicata a \u003Cstrong>San Galgano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>La nascita dell’Accademia Musicale Chigiana\u003C\u002Fh2>\r\n\r\n\u003Cp>Alla fine dell’Ottocento il palazzo fu ereditato da \u003Cstrong>Fabio Chigi\u003C\u002Fstrong>, con l’obbligo di aggiungere al proprio nome quello dei Saracini. Dopo la sua morte, l’edificio passò al nipote \u003Cstrong>Guido Chigi Saracini\u003C\u002Fstrong>, figura decisiva per la sua nuova vita culturale.\u003C\u002Fp>\r\n\r\n\u003Cp>Fu lui ad avviare il restauro dell’edificio, a progettare il \u003Cstrong>Salone dei Concerti\u003C\u002Fstrong> in stile settecentesco veneziano e un piccolo teatro. Da questa visione nacque, nel \u003Cstrong>1932\u003C\u002Fstrong>, l’\u003Cstrong>Accademia Musicale Chigiana\u003C\u002Fstrong>, ancora oggi legata all’identità musicale del palazzo.\u003C\u002Fp>\r\n\r\n\u003Ch3>Arte, biblioteca e collezioni interne\u003C\u002Fh3>\r\n\r\n\u003Cp>La galleria interna conserva opere di artisti senesi dal Duecento al Novecento. Tra queste figurano la \u003Cstrong>Madonna del Maestro di Tressa\u003C\u002Fstrong>, una \u003Cstrong>Madonna e Due Angeli\u003C\u002Fstrong> di \u003Cstrong>Matteo di Giovanni,\u003C\u002Fstrong> una \u003Cstrong>Pietà\u003C\u002Fstrong> \u003Cstrong>del Riccio\u003C\u002Fstrong> e lo \u003Cstrong>Sposalizio mistico di Santa Caterina da Siena\u003C\u002Fstrong> di \u003Cstrong>Beccafumi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Tra le sculture spicca la \u003Cstrong>Discordia\u003C\u002Fstrong> di \u003Cstrong>Francesco di Giorgio\u003C\u002Fstrong>, mentre tra le maioliche si distinguono i piatti dell’artista senese \u003Cstrong>Ferdinando Maria Campani\u003C\u002Fstrong>. Il palazzo ospita inoltre una biblioteca di circa \u003Cstrong>75.000 volumi\u003C\u002Fstrong>, articolata in diverse sezioni.\u003C\u002Fp>\r\n\r\n\u003Ch2>ChigianArtCafé e visite al Palazzo Chigi Saracini\u003C\u002Fh2>\r\n\r\n\u003Cp>Dal \u003Cstrong>2018\u003C\u002Fstrong>, il cortile ospita il \u003Cstrong>ChigianArtCafé\u003C\u002Fstrong>, con installazioni multimediali, opere della collezione Chigi-Saracini e uno schermo digitale interattivo dedicato alla storia dell’Accademia e dei suoi concerti. Lo spazio accoglie anche performance degli \u003Cstrong>Aperitivi Musicali LIVE\u003C\u002Fstrong> e mostre temporanee.\u003C\u002Fp>","\u003Cp>Visita \u003Cstrong>Palazzo Chigi Saracini\u003C\u002Fstrong> a Siena: un percorso tra arte, musica e memoria, dalla storia di Montaperti all’\u003Cstrong>Accademia Musicale Chigiana\u003C\u002Fstrong>.\u003C\u002Fp>","Palazzo Chigi Saracini: dove la storia di Siena incontra la musica","\u003Cdiv>Prenota la visita al \u003Cstrong>Palazzo Chigi Saracini\u003C\u002Fstrong> e lasciati accompagnare tra sale, cortili e collezioni dove la storia di Siena incontra la musica.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-chigi-saracini","\u002Fpalazzo-chigi-saracini",{"@type":1519,"@id":1652,"description":1653,"abstract":1654,"timetable":16,"title":1655,"subtitle":16,"ctaText":1656,"extraInformations":16,"language":1657,"slug":1649,"slugFormatted":1658},"\u002Fapi\u002F.well-known\u002Fgenid\u002F61c9951e9df5a00317bf","\u003Ch2>Palazzo Chigi Saracini: the Gothic in the heart of Sienese memory\u003C\u002Fh2>\r\n\r\n\u003Cp>It was September 4th. The year was 1260. Siena had just won the battle of Montaperti. From the windows of Palazzo Chigi Saracini, the Sienese rulers learned of the success: according to tradition, from the top of the palace tower, a young drummer followed the phases of the battle and reported them to the gathered people below, like a medieval radio commentary filled with fear, anticipation, and hope. \u003Cstrong>Palazzo Chigi Saracini\u003C\u002Fstrong> thus becomes one of the places where Siena retains and tells its own story.\u003C\u002Fp>\r\n\r\n\u003Cp>Its origins lie in the \u003Cstrong>Sienese Gothic style\u003C\u002Fstrong> and the old \u003Cstrong>Palazzo Marescotti\u003C\u002Fstrong>, dating back to the mid-13th century. Over time, the building underwent expansions and transformations, until it became one of the most recognizable presences in the historic center.\u003C\u002Fp>\r\n\r\n\u003Ch3>From the Piccolomini to the Saracini, between expansions and commissions\u003C\u002Fh3>\r\n\r\n\u003Cp>In the early 1500s, the palace was purchased by the \u003Cstrong>Piccolomini del Mandolo\u003C\u002Fstrong>, who are responsible for the Raffaelesque decorations of the external loggia, the historiated friezes, and some frescoes still visible today.\u003C\u002Fp>\r\n\r\n\u003Cp>In \u003Cstrong>1770\u003C\u002Fstrong>, it passed to the \u003Cstrong>Saracini\u003C\u002Fstrong> family, who expanded it again and gathered a large collection of artistic masterpieces. The collection was opened to the public in \u003Cstrong>1806\u003C\u002Fstrong>, becoming a private museum. In the center of the courtyard, an ancient well was placed, overlooking the chapel dedicated to \u003Cstrong>San Galgano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The birth of the Chigiana Musical Academy\u003C\u002Fh2>\r\n\r\n\u003Cp>At the end of the 19th century, the palace was inherited by \u003Cstrong>Fabio Chigi\u003C\u002Fstrong>, with the obligation to add the name of the Saracini to his own. After his death, the building passed to his nephew \u003Cstrong>Guido Chigi Saracini\u003C\u002Fstrong>, a decisive figure for its new cultural life.\u003C\u002Fp>\r\n\r\n\u003Cp>He initiated the restoration of the building, designed the \u003Cstrong>Concert Hall\u003C\u002Fstrong> in Venetian 18th-century style, and a small theater. From this vision, in \u003Cstrong>1932\u003C\u002Fstrong>, the \u003Cstrong>Chigiana Musical Academy\u003C\u002Fstrong> was born, still linked to the musical identity of the palace today.\u003C\u002Fp>\r\n\r\n\u003Ch3>Art, library, and internal collections\u003C\u002Fh3>\r\n\r\n\u003Cp>The internal gallery preserves works by Sienese artists from the 13th to the 20th century. Among these are the \u003Cstrong>Madonna by the Master of Tressa\u003C\u002Fstrong>, a \u003Cstrong>Madonna and Two Angels\u003C\u002Fstrong> by \u003Cstrong>Matteo di Giovanni\u003C\u002Fstrong>, a \u003Cstrong>Pietà\u003C\u002Fstrong> \u003Cstrong>del Riccio\u003C\u002Fstrong>, and the \u003Cstrong>Mystical Marriage of Saint Catherine of Siena\u003C\u002Fstrong> by \u003Cstrong>Beccafumi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Among the sculptures stands the \u003Cstrong>Discordia\u003C\u002Fstrong> by \u003Cstrong>Francesco di Giorgio\u003C\u002Fstrong>, while among the maiolica, the plates by the Sienese artist \u003Cstrong>Ferdinando Maria Campani\u003C\u002Fstrong> stand out. The palace also houses a library of about \u003Cstrong>75,000 volumes\u003C\u002Fstrong>, organized into various sections.\u003C\u002Fp>\r\n\r\n\u003Ch2>ChigianArtCafé and visits to Palazzo Chigi Saracini\u003C\u002Fh2>\r\n\r\n\u003Cp>Since \u003Cstrong>2018\u003C\u002Fstrong>, the courtyard has hosted the \u003Cstrong>ChigianArtCafé\u003C\u002Fstrong>, with multimedia installations, works from the Chigi-Saracini collection, and an interactive digital screen dedicated to the history of the Academy and its concerts. The space also hosts performances of \u003Cstrong>MUSICAL APERITIFS LIVE\u003C\u002Fstrong> and temporary exhibitions.\u003C\u002Fp>","\u003Cp>Visit \u003Cstrong>Palazzo Chigi Saracini\u003C\u002Fstrong> in Siena: a journey through art, music, and memory, from the history of Montaperti to the \u003Cstrong>Chigiana Musical Academy\u003C\u002Fstrong>.\u003C\u002Fp>","Palazzo Chigi Saracini: where the history of Siena meets music","\u003Cdiv>Book a visit to \u003Cstrong>Palazzo Chigi Saracini\u003C\u002Fstrong> and let yourself be guided through rooms, courtyards, and collections where the history of Siena meets music.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-chigi-saracini",[],[1661,1665,1669,1673,1677],{"@type":1539,"@id":1662,"translations":1663,"position":1490,"imagePath":1664},"\u002Fapi\u002F.well-known\u002Fgenid\u002F96e94017b9014aa52e3b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Faccademia-chigiana-interni-11-6ac8af68c1efd888224274.jpg",{"@type":1539,"@id":1666,"translations":1667,"position":1490,"imagePath":1668},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2b9ca6da1e29874c9166",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Faccademia-chigiana-interni-14-6ac8af68cc81b359663646.jpg",{"@type":1539,"@id":1670,"translations":1671,"position":1490,"imagePath":1672},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa05c6cbd1c6ee037a2b6",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Faccademia-chigiana-interni-21-6ac8af68d5b0a512724223.jpg",{"@type":1539,"@id":1674,"translations":1675,"position":1490,"imagePath":1676},"\u002Fapi\u002F.well-known\u002Fgenid\u002F504d58dde7bd59ffb403",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Faccademia-chigiana-interni-4-6ac8af689bd4e187617025.jpg",{"@type":1539,"@id":1678,"translations":1679,"position":1490,"imagePath":1680},"\u002Fapi\u002F.well-known\u002Fgenid\u002F09820a4b0bd2088568b8",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Faccademia-chigiana-interni-2-6ac8af68b5862275751288.jpg",{"@type":1556,"@id":1682,"hashParam":1683},"\u002Fapi\u002F.well-known\u002Fgenid\u002F55f69771260250d7978f","9dfeb666e929ed8203c2e45873456082803fb9507299c43b6b8ec97b5b220824",[],[],{"@id":1687,"@type":1476,"name":1688,"poiType":1689,"address":1701,"latitude":1702,"longitude":1703,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1704,"translations":1705,"socials":1723,"gallery":1724,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1729,"position":1619,"layout":1732,"otherPoiType":1733,"logoPath":1562,"poiTagsByCategory":1734},"\u002Fapi\u002Fpois\u002F019f8f46-327f-7a6e-8d3d-2ce98ca5ef81","Palazzo Chigi Zondadari",{"@id":1479,"@type":1480,"id":1481,"translations":1690,"poiCategory":1695},[1691,1693],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1692,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1694,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1696},[1697,1699],{"@type":1503,"@id":1504,"name":1505,"language":1698,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1700,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Il Campo, 69","43.3189490","11.3323661",[],[1706,1715],{"@type":1519,"@id":1707,"description":1708,"abstract":1709,"timetable":16,"title":1710,"subtitle":16,"ctaText":1711,"extraInformations":16,"language":1712,"slug":1713,"slugFormatted":1714},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6e1048051a512653a578","\u003Ch2>Nascita e progetto\u003C\u002Fh2>\r\n\r\n\u003Cp>Costruito all’inizio del Settecento per la nobile famiglia Chigi Zondadari, legata a Papa Alessandro VII, il palazzo rappresenta uno dei più significativi esempi di \u003Cstrong>architettura barocca\u003C\u002Fstrong> a Siena. La progettazione viene generalmente attribuita all’architetto romano Antonio Valeri, che ideò una facciata sobria ma scenografica. Le grandi finestre regolari, le linee ordinate e la raffinata composizione architettonica riflettono il gusto romano settecentesco pur restando radicati nella tradizione senese.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interni che raccontano prestigio e arte\u003C\u002Fh2>\r\n\r\n\u003Cp>All’interno, il palazzo custodisce \u003Cstrong>saloni decorati\u003C\u002Fstrong>, soffitti affrescati e arredi storici di grande fascino. Alcune sale conservano dipinti e dettagli ornamentali che parlano del prestigio della famiglia e del ruolo che essa ebbe nella vita politica e culturale della città. Passeggiando tra queste stanze si percepisce il dialogo tra storia e arte, tra eleganza discreta e monumentalità, tipico del barocco senese.\u003C\u002Fp>\r\n\r\n\u003Ch3>Una vista privilegiata sul cuore di Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>La posizione del palazzo è una delle sue curiosità più affascinanti: occupa uno dei punti più scenografici di Piazza del Campo e offre una vista privilegiata sul Palazzo Pubblico. Ancora oggi, durante il \u003Cstrong>Palio\u003C\u002Fstrong>, le finestre e i balconi del palazzo diventano uno dei luoghi più esclusivi per osservare la corsa, testimoniando il legame tra spazio nobiliare e vita cittadina.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un gioiello discreto nel tessuto medievale\u003C\u002Fh2>\r\n\r\n\u003Cp>Nonostante la sua presenza aristocratica, Palazzo Chigi Zondadari conserva un’eleganza sobria e raffinata, lontana dagli eccessi decorativi del barocco romano. Questo equilibrio tra monumentalità e sobrietà lo rende uno degli edifici più affascinanti di Siena, capace di raccontare la storia nobiliare e artistica della città senza mai sopraffarla.\u003C\u002Fp>","\u003Cp>Affacciato sull’angolo sud-est di \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, \u003Cstrong>Palazzo Chigi Zondadari\u003C\u002Fstrong> cattura lo sguardo per il suo equilibrio tra armonia barocca e tradizione senese. Camminando attorno alla piazza, si percepisce il dialogo che l’edificio instaura con i palazzi medievali circostanti: una conversazione silenziosa tra epoche diverse, tra linee gotiche e proporzioni settecentesche.\u003C\u002Fp>","Palazzo Chigi Zondadari: Eleganza barocca e storia nobiliare a Siena","\u003Cdiv>Scopri \u003Cstrong>Palazzo Chigi Zondadari\u003C\u002Fstrong> e lasciati sorprendere dall’armonia tra barocco e tradizione medievale. Un itinerario \u003Cstrong>culturale\u003C\u002Fstrong> nel cuore di Siena ti aspetta tra arte, storia e viste privilegiate sulla piazza più famosa della città.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-chigi-zondadari","\u002Fpalazzo-chigi-zondadari",{"@type":1519,"@id":1716,"description":1717,"abstract":1718,"timetable":16,"title":1719,"subtitle":16,"ctaText":1720,"extraInformations":16,"language":1721,"slug":1713,"slugFormatted":1722},"\u002Fapi\u002F.well-known\u002Fgenid\u002F53ce5ebf73aa8b406c00","\u003Ch2>Origins and design\u003C\u002Fh2>\r\n\r\n\u003Cp>Built in the early eighteenth century for the noble Chigi Zondadari family, linked to Pope Alexander VII, the palace represents one of the most significant examples of \u003Cstrong>baroque architecture\u003C\u002Fstrong> in Siena. The design is generally attributed to the Roman architect Antonio Valeri, who conceived a sober yet scenic facade. The large regular windows, orderly lines, and refined architectural composition reflect the Roman taste of the eighteenth century while remaining rooted in Sienese tradition.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interiors that tell of prestige and art\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside, the palace houses \u003Cstrong>decorated halls\u003C\u002Fstrong>, frescoed ceilings, and historic furnishings of great charm. Some rooms preserve paintings and ornamental details that speak of the family's prestige and the role it played in the political and cultural life of the city. Walking through these rooms, one can sense the dialogue between history and art, between discreet elegance and monumentality, typical of Sienese baroque.\u003C\u002Fp>\r\n\r\n\u003Ch3>A privileged view of the heart of Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>The location of the palace is one of its most fascinating curiosities: it occupies one of the most scenic points of Piazza del Campo and offers a privileged view of the Palazzo Pubblico. Even today, during the \u003Cstrong>Palio\u003C\u002Fstrong>, the windows and balconies of the palace become one of the most exclusive places to observe the race, witnessing the bond between noble space and city life.\u003C\u002Fp>\r\n\r\n\u003Ch2>A discreet jewel in the medieval fabric\u003C\u002Fh2>\r\n\r\n\u003Cp>Despite its aristocratic presence, Palazzo Chigi Zondadari retains a sober and refined elegance, far from the decorative excesses of Roman baroque. This balance between monumentality and sobriety makes it one of the most fascinating buildings in Siena, capable of telling the noble and artistic history of the city without ever overwhelming it.\u003C\u002Fp>","\u003Cp>Overlooking the southeast corner of \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, \u003Cstrong>Palazzo Chigi Zondadari\u003C\u002Fstrong> captures the eye for its balance between baroque harmony and Sienese tradition. Walking around the square, one can perceive the dialogue that the building establishes with the surrounding medieval palaces: a silent conversation between different eras, between Gothic lines and eighteenth-century proportions.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>","Palazzo Chigi Zondadari: Baroque elegance and noble history in Siena","\u003Cdiv>Discover \u003Cstrong>Palazzo Chigi Zondadari\u003C\u002Fstrong> and be surprised by the harmony between baroque and medieval tradition. A \u003Cstrong>cultural\u003C\u002Fstrong> itinerary in the heart of Siena awaits you among art, history, and privileged views of the city's most famous square.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-chigi-zondadari",[],[1725],{"@type":1539,"@id":1726,"translations":1727,"position":1490,"imagePath":1728},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa2cb02a8c12be3b6782d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-chigi-zondadari-3-6abe72008b36d200141478.jpg",{"@type":1556,"@id":1730,"hashParam":1731},"\u002Fapi\u002F.well-known\u002Fgenid\u002F726953d2b87c48b4f528","5eb88d7c93e2f3740f4fb137b35473e2cdc9b1f204a73a198b274168b7f8d998","CONVERSION",[],[],{"@id":1736,"@type":1476,"name":1737,"poiType":1738,"address":1750,"latitude":1751,"longitude":1752,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1753,"translations":1754,"socials":1772,"gallery":1773,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1782,"position":1619,"layout":1560,"otherPoiType":1785,"logoPath":1562,"poiTagsByCategory":1786},"\u002Fapi\u002Fpois\u002F019f8f20-d5e7-7ecd-905c-21538d2bd94a","Palazzo Sansedoni",{"@id":1479,"@type":1480,"id":1481,"translations":1739,"poiCategory":1744},[1740,1742],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1741,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1743,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1745},[1746,1748],{"@type":1503,"@id":1504,"name":1505,"language":1747,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1749,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via Banchi di Sotto","43.3190459","11.3318218",[],[1755,1764],{"@type":1519,"@id":1756,"description":1757,"abstract":1758,"timetable":16,"title":1759,"subtitle":16,"ctaText":1760,"extraInformations":16,"language":1761,"slug":1762,"slugFormatted":1763},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb9da4732f84313313eed","\u003Ch2>Origini e famiglia\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra i Sansedoni spicca \u003Cstrong>Ambrogio\u003C\u002Fstrong> (1220–1286), gravemente \u003Cstrong>deformato alla nascita\u003C\u002Fstrong> e affidato alle \u003Cstrong>cure della balia\u003C\u002Fstrong>. La sua storia personale è emblematica: la balia lo espose davanti \u003Cstrong>all’altare della cappella dell’Ospedale della Maddalena\u003C\u002Fstrong>, primo convento domenicano a Siena. A diciassette anni Ambrogio decise di farsi \u003Cstrong>frate domenicano\u003C\u002Fstrong>, studiando a Parigi e Colonia, e grazie alle sue doti diplomatiche nel 1245 \u003Cstrong>contribuì a evitare uno scisma\u003C\u002Fstrong> in Germania tra il Concilio di Lione e l’imperatore Federico II.\u003C\u002Fp>\r\n\r\n\u003Cp>Intorno al 1243 fu eretta \u003Cstrong>l’antica torre\u003C\u002Fstrong>, che insieme alla \u003Cstrong>casa-torre\u003C\u002Fstrong> ultimata nel 1339 rappresentava un’unitarietà strutturale basata sull’uso del mattone sin dalla fondazione. Successivamente \u003Cstrong>la famiglia acquistò palazzi adiacenti\u003C\u002Fstrong>, allineando tre edifici e dando origine alla facciata curvilinea che segue l’andamento della Piazza. Nel 1760 la torre fu abbattuta e sostituita da una \u003Cstrong>terrazza coperta\u003C\u002Fstrong> ancora \u003Cstrong>oggi\u003C\u002Fstrong> \u003Cstrong>accessibile\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Arte e trasformazioni settecentesche\u003C\u002Fh2>\r\n\r\n\u003Cp>Dopo la morte di Rutilio Sansedoni nel 1716, i \u003Cstrong>fratelli Ambrogio e Orazio\u003C\u002Fstrong> sovrintesero ai lavori di aggiornamento del palazzo, chiamando i \u003Cstrong>pittori pisani\u003C\u002Fstrong> Giuseppe (1673–1747) e Francesco Melani (1645–1742) per \u003Cstrong>affrescare la scala di accesso alla cappella\u003C\u002Fstrong>, \u003Cstrong>l’anticappella\u003C\u002Fstrong>, la \u003Cstrong>biblioteca\u003C\u002Fstrong>, il \u003Cstrong>salotto delle porcellane\u003C\u002Fstrong>, \u003Cstrong>l’alcova\u003C\u002Fstrong> e la \u003Cstrong>camera di Alessandro\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel 1739, con l’acquisto della \u003Cstrong>Casa Campioni\u003C\u002Fstrong> e della \u003Cstrong>torre di Roccabruna\u003C\u002Fstrong>, la dimora si ampliò verso ovest, raddoppiando quasi il volume originale. Per l’occasione fu coinvolto l’\u003Cstrong>architetto fiorentino Ferdinando Ruggieri\u003C\u002Fstrong>. Nel maggio 1743 \u003Cstrong>due artisti fiorentini\u003C\u002Fstrong>, Giandomenico Ferretti e Pietro Anderlini, \u003Cstrong>decorano il salone principale\u003C\u002Fstrong>, la \u003Cstrong>Galleria\u003C\u002Fstrong>, la \u003Cstrong>camera di Roccabruna\u003C\u002Fstrong>, la \u003Cstrong>Toelette\u003C\u002Fstrong>, la \u003Cstrong>camera delle Allegorie\u003C\u002Fstrong> e la \u003Cstrong>camera delle Stagioni\u003C\u002Fstrong>, consolidando l’indirizzo filo-granducale della famiglia.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel 1757, i Sansedoni acquistarono la \u003Cstrong>Casa Tolomei\u003C\u002Fstrong>, ristrutturandola con raffinati \u003Cstrong>stucchi neoclassici dipinti in oro\u003C\u002Fstrong> e colori pastello delicati, completando così il complesso e arricchendolo di eleganza e armonia stilistica.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un viaggio tra storia, nobiltà e arte a Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>Il \u003Cstrong>Palazzo Sansedoni\u003C\u002Fstrong> non è solo un edificio: è un \u003Cstrong>racconto tridimensionale di architettura\u003C\u002Fstrong>, \u003Cstrong>arte\u003C\u002Fstrong> e \u003Cstrong>vita nobiliare senese\u003C\u002Fstrong>, dove ogni salone, ogni affresco e ogni dettaglio svela il gusto, la diplomazia e le aspirazioni di \u003Cstrong>una famiglia che ha segnato la storia della città.\u003C\u002Fstrong>\u003C\u002Fp>","\u003Cp>Nel \u003Cstrong>cuore di Siena\u003C\u002Fstrong>, affacciato sulla celebre Piazza del Campo, il \u003Cstrong>Palazzo Sansedoni\u003C\u002Fstrong> racconta la storia di una \u003Cstrong>famiglia nobile\u003C\u002Fstrong>, \u003Cstrong>ghibellina\u003C\u002Fstrong> e dedita alla \u003Cstrong>vita politica e bancaria\u003C\u002Fstrong> della città. Ogni mattone, ogni facciata curva e ogni salone affrescato trasmette \u003Cstrong>l’eleganza\u003C\u002Fstrong> e la \u003Cstrong>forza di un casato\u003C\u002Fstrong> che ha saputo intrecciare destino personale, diplomazia e gusto artistico. Dal giovane \u003Cstrong>Ambrogio Sansedoni\u003C\u002Fstrong>, cresciuto tra le \u003Cstrong>cure della balia\u003C\u002Fstrong> e destinato alla \u003Cstrong>vita religiosa\u003C\u002Fstrong>, fino ai \u003Cstrong>rinnovamenti settecenteschi\u003C\u002Fstrong> della dimora, il palazzo è testimonianza viva della \u003Cstrong>storia senese\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Nato dall’aggregato di palazzi della prima metà del XIII secolo, il complesso si trasformò progressivamente in una \u003Cstrong>residenza signorile\u003C\u002Fstrong>, dimora della famiglia Sansedoni.\u003C\u002Fp>","Palazzo Sansedoni: storia, arte e nobiltà a Siena","\u003Cdiv>Visita Palazzo Sansedoni, cammina tra saloni affrescati, torri scomparse e terrazze neoclassiche, e lasciati trasportare in secoli di storia, arte e vita senese.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-sansedoni","\u002Fpalazzo-sansedoni",{"@type":1519,"@id":1765,"description":1766,"abstract":1767,"timetable":16,"title":1768,"subtitle":16,"ctaText":1769,"extraInformations":16,"language":1770,"slug":1762,"slugFormatted":1771},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcbb90c7f8d0ce76387a1","\u003Ch2>Origins and family\u003C\u002Fh2>\r\n\r\n\u003Cp>Among the Sansedoni stands out \u003Cstrong>Ambrogio\u003C\u002Fstrong> (1220–1286), severely \u003Cstrong>deformed at birth\u003C\u002Fstrong> and entrusted to the \u003Cstrong>care of a wet nurse\u003C\u002Fstrong>. His personal story is emblematic: the wet nurse exposed him before \u003Cstrong>the altar of the chapel of the Hospital of Maddalena\u003C\u002Fstrong>, the first Dominican convent in Siena. At seventeen, Ambrogio decided to become a \u003Cstrong>Dominican friar\u003C\u002Fstrong>, studying in Paris and Cologne, and thanks to his diplomatic skills, in 1245 \u003Cstrong>he helped avoid a schism\u003C\u002Fstrong> in Germany between the Council of Lyon and Emperor Frederick II.\u003C\u002Fp>\r\n\r\n\u003Cp>Around 1243, \u003Cstrong>the ancient tower\u003C\u002Fstrong> was erected, which, along with the \u003Cstrong>house-tower\u003C\u002Fstrong> completed in 1339, represented a structural unity based on the use of brick since its foundation. Subsequently, \u003Cstrong>the family acquired adjacent palaces\u003C\u002Fstrong>, aligning three buildings and giving rise to the curvilinear facade that follows the layout of the Piazza. In 1760, the tower was demolished and replaced by a \u003Cstrong>covered terrace\u003C\u002Fstrong> still \u003Cstrong>accessible today\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Art and eighteenth-century transformations\u003C\u002Fh2>\r\n\r\n\u003Cp>After the death of Rutilio Sansedoni in 1716, the \u003Cstrong>brothers Ambrogio and Orazio\u003C\u002Fstrong> oversaw the updating works of the palace, calling the \u003Cstrong>Pisan painters\u003C\u002Fstrong> Giuseppe (1673–1747) and Francesco Melani (1645–1742) to \u003Cstrong>fresco the staircase leading to the chapel\u003C\u002Fstrong>, \u003Cstrong>the antechapel\u003C\u002Fstrong>, the \u003Cstrong>library\u003C\u002Fstrong>, the \u003Cstrong>porcelain parlor\u003C\u002Fstrong>, \u003Cstrong>the alcove\u003C\u002Fstrong>, and the \u003Cstrong>room of Alessandro\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1739, with the purchase of the \u003Cstrong>Casa Campioni\u003C\u002Fstrong> and the \u003Cstrong>tower of Roccabruna\u003C\u002Fstrong>, the residence expanded westward, almost doubling the original volume. For the occasion, the \u003Cstrong>Florentine architect Ferdinando Ruggieri\u003C\u002Fstrong> was involved. In May 1743, \u003Cstrong>two Florentine artists\u003C\u002Fstrong>, Giandomenico Ferretti and Pietro Anderlini, \u003Cstrong>decorated the main hall\u003C\u002Fstrong>, the \u003Cstrong>Gallery\u003C\u002Fstrong>, the \u003Cstrong>room of Roccabruna\u003C\u002Fstrong>, the \u003Cstrong>Toilet\u003C\u002Fstrong>, the \u003Cstrong>room of Allegories\u003C\u002Fstrong>, and the \u003Cstrong>room of Seasons\u003C\u002Fstrong>, consolidating the pro-Grand Ducal direction of the family.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1757, the Sansedoni acquired the \u003Cstrong>Casa Tolomei\u003C\u002Fstrong>, renovating it with refined \u003Cstrong>neoclassical stuccoes painted in gold\u003C\u002Fstrong> and delicate pastel colors, thus completing the complex and enriching it with elegance and stylistic harmony.\u003C\u002Fp>\r\n\r\n\u003Ch2>A journey through history, nobility, and art in Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Palazzo Sansedoni\u003C\u002Fstrong> is not just a building: it is a \u003Cstrong>three-dimensional narrative of architecture\u003C\u002Fstrong>, \u003Cstrong>art\u003C\u002Fstrong>, and \u003Cstrong>Sienese noble life\u003C\u002Fstrong>, where every hall, every fresco, and every detail reveals the taste, diplomacy, and aspirations of \u003Cstrong>a family that has marked the history of the city.\u003C\u002Fstrong>\u003C\u002Fp>","\u003Cp>In the \u003Cstrong>heart of Siena\u003C\u002Fstrong>, overlooking the famous Piazza del Campo, the \u003Cstrong>Palazzo Sansedoni\u003C\u002Fstrong> tells the story of a \u003Cstrong>noble family\u003C\u002Fstrong>, \u003Cstrong>Ghibelline\u003C\u002Fstrong> and dedicated to the \u003Cstrong>political and banking life\u003C\u002Fstrong> of the city. Every brick, every curved facade, and every frescoed hall conveys \u003Cstrong>the elegance\u003C\u002Fstrong> and the \u003Cstrong>strength of a lineage\u003C\u002Fstrong> that has managed to intertwine personal destiny, diplomacy, and artistic taste. From the young \u003Cstrong>Ambrogio Sansedoni\u003C\u002Fstrong>, raised among the \u003Cstrong>care of a wet nurse\u003C\u002Fstrong> and destined for \u003Cstrong>religious life\u003C\u002Fstrong>, to the \u003Cstrong>eighteenth-century renovations\u003C\u002Fstrong> of the residence, the palace is a living testament to \u003Cstrong>Sienese history\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Born from the aggregation of palaces from the first half of the 13th century, the complex gradually transformed into a \u003Cstrong>noble residence\u003C\u002Fstrong>, home of the Sansedoni family.\u003C\u002Fp>","Palazzo Sansedoni: history, art, and nobility in Siena","\u003Cdiv>Visit Palazzo Sansedoni, walk among frescoed halls, vanished towers, and neoclassical terraces, and let yourself be transported through centuries of history, art, and Sienese life.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-sansedoni",[],[1774,1778],{"@type":1539,"@id":1775,"translations":1776,"position":1490,"imagePath":1777},"\u002Fapi\u002F.well-known\u002Fgenid\u002F858c431ecaf952ee509d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-sansedoni-10-6abe7a27ebec7153146712.jpg",{"@type":1539,"@id":1779,"translations":1780,"position":1490,"imagePath":1781},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9d66754f1e93a9ad78c5",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-sansedoni-esterno-1-6abe7a280f883925161981.jpg",{"@type":1556,"@id":1783,"hashParam":1784},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fbeb7800c1bd55f243911","e7d0deafa270a07b22c1b23817d16c8b158af0f04a00633077605a56bc201162",[],[],{"@id":1788,"@type":1476,"name":1789,"poiType":1790,"address":1802,"latitude":1803,"longitude":1804,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1805,"translations":1806,"socials":1824,"gallery":1825,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1838,"position":1619,"layout":1560,"otherPoiType":1841,"logoPath":1562,"poiTagsByCategory":1842},"\u002Fapi\u002Fpois\u002F019e976c-03a0-7d56-944b-3275b8a2fd14","Palazzo delle Papesse",{"@id":1479,"@type":1480,"id":1481,"translations":1791,"poiCategory":1796},[1792,1794],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1793,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1795,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1797},[1798,1800],{"@type":1503,"@id":1504,"name":1505,"language":1799,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1801,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via di Città, 126","43.3170331","11.3304214",[],[1807,1816],{"@type":1519,"@id":1808,"description":1809,"abstract":1810,"timetable":16,"title":1811,"subtitle":16,"ctaText":1812,"extraInformations":16,"language":1813,"slug":1814,"slugFormatted":1815},"\u002Fapi\u002F.well-known\u002Fgenid\u002F40b10f9fa9ba8ee197e2","\u003Ch2>Palazzo delle Papesse, un’architettura nuova nel cuore della Siena medievale\u003C\u002Fh2>\r\n\r\n\u003Cp>C’è un luogo, a Siena, in cui il linguaggio della città cambia. Il \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> porta nel cuore medievale senese un’architettura diversa, ordinata, sobria, rinascimentale. Sotto il progetto di \u003Cstrong>Bernardo Rossellino\u003C\u002Fstrong>, architetto protagonista della trasformazione di Pienza, il Palazzo fu costruito tra il \u003Cstrong>1460 e il 1495\u003C\u002Fstrong> per \u003Cstrong>Caterina Piccolomini\u003C\u002Fstrong>, sorella di \u003Cstrong>papa Pio II\u003C\u002Fstrong>. Una figura rara per il Quattrocento: seguì il cantiere in modo attivo, controllando spese, materiali e maestranze.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il cantiere tra Rossellino, Federighi e Urbano da Cortona\u003C\u002Fh3>\r\n\r\n\u003Cp>Dopo Rossellino, il cantiere passò ad \u003Cstrong>Antonio Federighi\u003C\u002Fstrong>, che arricchì il palazzo con cornici scolpite e motivi vegetali, rendendo più morbida la severità del progetto originario. Il completamento fu affidato a \u003Cstrong>Urbano da Cortona\u003C\u002Fstrong>, intervenuto soprattutto nelle parti superiori e nell’\u003Cstrong>altana\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il palazzo, il nome e le sue storie\u003C\u002Fh2>\r\n\r\n\u003Cp>Il nome \u003Cstrong>“Palazzo delle Papesse”\u003C\u002Fstrong> deriva dalle donne della famiglia \u003Cstrong>Piccolomini\u003C\u002Fstrong> che abitarono l’edificio. Il richiamo alla leggenda della \u003Cstrong>papessa Giovanna\u003C\u002Fstrong> è invece frutto della fantasia popolare, ma ha contribuito ad alimentare curiosità e racconti intorno al palazzo. La facciata in pietra, con \u003Cstrong>bugnato rustico\u003C\u002Fstrong> al piano terra e \u003Cstrong>bifore rinascimentali\u003C\u002Fstrong> ai piani superiori, doveva apparire ai senesi del Quattrocento come una presenza insolita: un segno estetico forte, legato al prestigio e al potere della famiglia Piccolomini.\u003C\u002Fp>\r\n\r\n\u003Ch3>Tra cortile, altana e tracce nascoste\u003C\u002Fh3>\r\n\r\n\u003Cp>All’interno, il cortile conserva un \u003Cstrong>pozzo rinascimentale\u003C\u002Fstrong> attribuito alla cerchia di Federighi, decorato con conchiglie, rosoni e motivi vegetali. Secondo la tradizione popolare, proprio questo spazio sarebbe stato luogo di incontri riservati tra emissari e personaggi politici.\u003C\u002Fp>\r\n\r\n\u003Cp>Gli ambienti interni custodiscono tracce di interventi di maestranze senesi tra Quattrocento e Cinquecento, tra cui decoratori legati alla bottega di \u003Cstrong>Giovanni di Stefano\u003C\u002Fstrong>, artista attivo anche nel \u003Cstrong>Duomo\u003C\u002Fstrong> e nella \u003Cstrong>Libreria Piccolomini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>A rendere il palazzo ancora più particolare è l’\u003Cstrong>altana panoramica\u003C\u002Fstrong>, prevista già nel progetto originario. Da qui lo sguardo si apre sui tetti medievali di Siena, sulla \u003Cstrong>Torre del Mangia\u003C\u002Fstrong> e sulla cupola del \u003Cstrong>Duomo\u003C\u002Fstrong>: un punto di osservazione sopraelevato raro nelle residenze private senesi, che racconta anche il desiderio dei Piccolomini di dominare visivamente la città.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dalla Banca d’Italia all’arte contemporanea\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel XIX secolo il palazzo fu acquistato dalla \u003Cstrong>Banca d’Italia\u003C\u002Fstrong>, che lo trasformò in sede istituzionale con caveau e archivi riservati. Ai restauri partecipò \u003Cstrong>Giuseppe Partini\u003C\u002Fstrong>, architetto senese noto per i restauri neogotici del Duomo e del Palazzo Pubblico.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel \u003Cstrong>1998\u003C\u002Fstrong>, il \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> fu trasformato in centro d’arte contemporanea grazie al lavoro di curatori come \u003Cstrong>Fabio Cavallucci\u003C\u002Fstrong> ed \u003Cstrong>Enrico Crispolti\u003C\u002Fstrong>, che inserirono installazioni e percorsi espositivi in dialogo con gli spazi rinascimentali.\u003C\u002Fp>","\u003Cp>Il \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> porta nel cuore medievale senese un’architettura diversa, ordinata, sobria, rinascimentale.\u003C\u002Fp>","Palazzo delle Papesse: il Rinascimento che cambiò volto a Siena","\u003Cdiv>Entra nel \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> e immergiti nella Siena rinascimentale, attraversata da storie di potere, arte e trasformazione.\u003Cbr>\u003Ca href=\"https:\u002F\u002Fpalazzodellepapesse.it\u002Fla-storia\u002F\">palazzodellepapesse.it\u003C\u002Fa>\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-delle-papesse","\u002Fpalazzo-delle-papesse",{"@type":1519,"@id":1817,"description":1818,"abstract":1819,"timetable":16,"title":1820,"subtitle":16,"ctaText":1821,"extraInformations":16,"language":1822,"slug":1814,"slugFormatted":1823},"\u002Fapi\u002F.well-known\u002Fgenid\u002F1d9960937e5e5b7493d8","\u003Ch2>Palazzo delle Papesse, a new architecture in the heart of medieval Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>There is a place in Siena where the language of the city changes. The \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> brings a different, orderly, sober, Renaissance architecture into the medieval heart of Siena. Under the project of \u003Cstrong>Bernardo Rossellino\u003C\u002Fstrong>, the architect who played a key role in the transformation of Pienza, the Palace was built between \u003Cstrong>1460 and 1495\u003C\u002Fstrong> for \u003Cstrong>Caterina Piccolomini\u003C\u002Fstrong>, sister of \u003Cstrong>Pope Pius II\u003C\u002Fstrong>. A rare figure for the 15th century: she actively followed the construction site, overseeing expenses, materials, and labor.\u003C\u002Fp>\r\n\r\n\u003Ch3>The construction site between Rossellino, Federighi, and Urbano da Cortona\u003C\u002Fh3>\r\n\r\n\u003Cp>After Rossellino, the construction site passed to \u003Cstrong>Antonio Federighi\u003C\u002Fstrong>, who enriched the palace with sculpted frames and floral motifs, softening the severity of the original design. The completion was entrusted to \u003Cstrong>Urbano da Cortona\u003C\u002Fstrong>, who intervened mainly in the upper parts and in the \u003Cstrong>altana\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The palace, the name, and its stories\u003C\u002Fh2>\r\n\r\n\u003Cp>The name \u003Cstrong>“Palazzo delle Papesse”\u003C\u002Fstrong> derives from the women of the \u003Cstrong>Piccolomini\u003C\u002Fstrong> family who lived in the building. The reference to the legend of \u003Cstrong>Pope Joan\u003C\u002Fstrong> is instead a product of popular imagination, but it has contributed to fueling curiosity and stories around the palace. The stone facade, with \u003Cstrong>rustic ashlar\u003C\u002Fstrong> on the ground floor and \u003Cstrong>Renaissance bifore\u003C\u002Fstrong> on the upper floors, must have appeared to the Sienese of the 15th century as an unusual presence: a strong aesthetic sign, linked to the prestige and power of the Piccolomini family.\u003C\u002Fp>\r\n\r\n\u003Ch3>Between courtyard, altana, and hidden traces\u003C\u002Fh3>\r\n\r\n\u003Cp>Inside, the courtyard preserves a \u003Cstrong>Renaissance well\u003C\u002Fstrong> attributed to Federighi's circle, decorated with shells, rosettes, and floral motifs. According to popular tradition, this space would have been a place for private meetings between emissaries and political figures.\u003C\u002Fp>\r\n\r\n\u003Cp>The internal rooms hold traces of interventions by Sienese craftsmen between the 15th and 16th centuries, including decorators linked to the workshop of \u003Cstrong>Giovanni di Stefano\u003C\u002Fstrong>, an artist also active in the \u003Cstrong>Cathedral\u003C\u002Fstrong> and in the \u003Cstrong>Piccolomini Library\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>What makes the palace even more special is the \u003Cstrong>panoramic altana\u003C\u002Fstrong>, already planned in the original project. From here, the view opens up over the medieval roofs of Siena, the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>, and the dome of the \u003Cstrong>Cathedral\u003C\u002Fstrong>: a rare elevated observation point in private Sienese residences, which also reflects the Piccolomini's desire to visually dominate the city.\u003C\u002Fp>\r\n\r\n\u003Ch2>From the Bank of Italy to contemporary art\u003C\u002Fh2>\r\n\r\n\u003Cp>In the 19th century, the palace was purchased by the \u003Cstrong>Bank of Italy\u003C\u002Fstrong>, which transformed it into an institutional headquarters with vaults and reserved archives. The restorations were participated in by \u003Cstrong>Giuseppe Partini\u003C\u002Fstrong>, a Sienese architect known for the neo-Gothic restorations of the Cathedral and the Palazzo Pubblico.\u003C\u002Fp>\r\n\r\n\u003Cp>In \u003Cstrong>1998\u003C\u002Fstrong>, the \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> was transformed into a contemporary art center thanks to the work of curators such as \u003Cstrong>Fabio Cavallucci\u003C\u002Fstrong> and \u003Cstrong>Enrico Crispolti\u003C\u002Fstrong>, who inserted installations and exhibition paths in dialogue with the Renaissance spaces.\u003C\u002Fp>","\u003Cp>The \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> brings a different, orderly, sober, Renaissance architecture into the medieval heart of Siena.\u003C\u002Fp>","Palazzo delle Papesse: the Renaissance that changed the face of Siena","\u003Cdiv>Enter the \u003Cstrong>Palazzo delle Papesse\u003C\u002Fstrong> and immerse yourself in Renaissance Siena, filled with stories of power, art, and transformation.\u003Cbr>\u003Ca href=\"https:\u002F\u002Fpalazzodellepapesse.it\u002Fla-storia\u002F\">palazzodellepapesse.it\u003C\u002Fa>\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-delle-papesse",[],[1826,1830,1834],{"@type":1539,"@id":1827,"translations":1828,"position":1490,"imagePath":1829},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5d3ddd15acb373145a6e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-delle-papesse-chiostro-2-6a74892ae2f57952819049.jpg",{"@type":1539,"@id":1831,"translations":1832,"position":1490,"imagePath":1833},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fff654024e2746ef7672d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-delle-papesse-panorama-dall-altana-4-6a74892b1c1d5695897436.jpg",{"@type":1539,"@id":1835,"translations":1836,"position":1490,"imagePath":1837},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5d4ded7579be0cf661e7",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-delle-papesse-panorama-dall-altana-1-6a74892b1008e133429578.jpg",{"@type":1556,"@id":1839,"hashParam":1840},"\u002Fapi\u002F.well-known\u002Fgenid\u002F872995ae629c6bcd298c","476fb5cf347ddc3785ae0a34ddeb36a04f88b879712cfee6f71ae5793270db32",[],[],{"@id":1844,"@type":1476,"name":1845,"poiType":1846,"address":1858,"latitude":1859,"longitude":1860,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1861,"translations":1862,"socials":1878,"gallery":1879,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1884,"position":1887,"layout":1732,"otherPoiType":1888,"logoPath":1562,"poiTagsByCategory":1889},"\u002Fapi\u002Fpois\u002F019f854c-4ff9-71ce-ae70-6bd452c4823a","Castellare degli Ugurgieri",{"@id":1479,"@type":1480,"id":1481,"translations":1847,"poiCategory":1852},[1848,1850],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1849,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1851,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1853},[1854,1856],{"@type":1503,"@id":1504,"name":1505,"language":1855,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1857,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Vicolo del Castellare, 3","43.3197390","11.3325063",[],[1863,1871],{"@type":1519,"@id":1864,"description":1865,"abstract":16,"timetable":16,"title":1866,"subtitle":16,"ctaText":1867,"extraInformations":16,"language":1868,"slug":1869,"slugFormatted":1870},"\u002Fapi\u002F.well-known\u002Fgenid\u002F347d1bdcea253c605128","\u003Ch2>Tra mura, torri e storia familiare\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel cuore di \u003Cstrong>Siena\u003C\u002Fstrong>, il \u003Cstrong>Castellare degli Ugurgieri\u003C\u002Fstrong> si staglia come uno dei pochi esempi rimasti di “castellare urbano”, una vera cittadella fortificata privata. Qui la grande famiglia nobile medievale si difendeva dalle fazioni rivali. Passeggiando nel vicolo d’ingresso, si percepisce immediatamente la forza e l’autonomia di una dimora che, fin dal XIII secolo, racconta il prestigio della potente consorteria degli Ugurgieri, discendenti dei conti della Berardenga.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un castello in città\u003C\u002Fh3>\r\n\r\n\u003Cp>Il complesso si sviluppa attorno a una corte interna quadrangolare, dominata da un’imponente torre-casaforte in pietra e mattoni, con finestre ad arco acuto che testimoniano l’originaria architettura gotica senese. L’edificio parla di strategie, protezione e vita nobiliare, e sembra custodire ancora i segreti di un tempo in cui le famiglie difendevano il proprio potere all’interno delle mura cittadine.\u003C\u002Fp>\r\n\r\n\u003Ch2>Tesori nascosti e vita quotidiana\u003C\u002Fh2>\r\n\r\n\u003Cp>Una scoperta affascinante risale ai restauri degli anni ’70: nel sottosuolo, all’interno di un antico “butto” medievale, è stato rinvenuto un immenso tesoro di ceramiche, maioliche e oggetti di uso quotidiano, perfettamente conservati. Questi reperti raccontano la vita, le abitudini alimentari e il livello di ricchezza della famiglia Ugurgieri tra il Trecento e il Seicento, offrendo un’occasione unica di comprendere la storia materiale della città.\u003C\u002Fp>\r\n\r\n\u003Ch3>Contrada e tradizione viva\u003C\u002Fh3>\r\n\r\n\u003Cp>Oggi il castellare ospita la sede ufficiale della \u003Cstrong>Contrada Priora della Civetta\u003C\u002Fstrong>. I preziosi reperti ceramici medievali sono esposti nel museo di contrada, mentre l’oratorio, dedicato a Sant’Antonio da Padova, rappresenta un piccolo gioiello rinascimentale progettato da Francesco di Giorgio Martini e Giacomo Cozzarelli. Durante la cena della festa titolare della Civetta, il vicolo del Castellare si trasforma in una vera cucina a cielo aperto, riportando alla vita un’atmosfera antica e autentica.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un viaggio fuori dal flusso turistico\u003C\u002Fh2>\r\n\r\n\u003Cp>Varcare l’arco d’ingresso significa entrare in un mondo silenzioso, lontano dai percorsi turistici principali. Qui, ogni pietra, ogni torre e ogni angolo della corte racconta la storia del Medioevo, della Civetta e del Palio di Siena. Un’esperienza unica e immersiva.\u003C\u002Fp>","Castellare degli Ugurgieri: Una fortezza medievale nel cuore di Siena","\u003Cdiv>Scopri il \u003Cstrong>Castellare degli Ugurgieri\u003C\u002Fstrong> e lasciati trasportare indietro nel tempo. Passeggia tra torri medievali, cortili e reperti storici e vivi un’esperienza che unisce storia e tradizione contradaiola\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"castellare-degli-ugurgieri","\u002Fcastellare-degli-ugurgieri",{"@type":1519,"@id":1872,"description":1873,"abstract":16,"timetable":16,"title":1874,"subtitle":16,"ctaText":1875,"extraInformations":16,"language":1876,"slug":1869,"slugFormatted":1877},"\u002Fapi\u002F.well-known\u002Fgenid\u002F49c55d6d8bebc259f239","\u003Ch2>Between walls, towers, and family history\u003C\u002Fh2>\r\n\r\n\u003Cp>In the heart of \u003Cstrong>Siena\u003C\u002Fstrong>, the \u003Cstrong>Castellare degli Ugurgieri\u003C\u002Fstrong> stands out as one of the few remaining examples of a “urban castle”, a true private fortified citadel. Here, the great medieval noble family defended itself from rival factions. Walking through the entrance alley, one immediately perceives the strength and autonomy of a residence that, since the 13th century, tells the prestige of the powerful Ugurgieri family, descendants of the counts of Berardenga.\u003C\u002Fp>\r\n\r\n\u003Ch3>A castle in the city\u003C\u002Fh3>\r\n\r\n\u003Cp>The complex develops around a quadrangular inner courtyard, dominated by an imposing stone and brick tower-house, with pointed arch windows that testify to the original Sienese Gothic architecture. The building speaks of strategies, protection, and noble life, and seems to still guard the secrets of a time when families defended their power within the city walls.\u003C\u002Fp>\r\n\r\n\u003Ch2>Hidden treasures and daily life\u003C\u002Fh2>\r\n\r\n\u003Cp>An intriguing discovery dates back to the restorations of the 1970s: underground, within an ancient medieval “butto”, an immense treasure of ceramics, majolica, and everyday objects was found, perfectly preserved. These artifacts tell the story of the life, eating habits, and wealth level of the Ugurgieri family between the 14th and 17th centuries, offering a unique opportunity to understand the material history of the city.\u003C\u002Fp>\r\n\r\n\u003Ch3>Contrada and living tradition\u003C\u002Fh3>\r\n\r\n\u003Cp>Today, the castellare hosts the official seat of the \u003Cstrong>Contrada Priora della Civetta\u003C\u002Fstrong>. The precious medieval ceramic artifacts are displayed in the contrada museum, while the oratory, dedicated to Saint Anthony of Padua, represents a small Renaissance jewel designed by Francesco di Giorgio Martini and Giacomo Cozzarelli. During the dinner of the Civetta's titular feast, the alley of the Castellare transforms into a true open-air kitchen, bringing back to life an ancient and authentic atmosphere.\u003C\u002Fp>\r\n\r\n\u003Ch2>A journey off the tourist trail\u003C\u002Fh2>\r\n\r\n\u003Cp>Crossing the entrance arch means entering a silent world, far from the main tourist paths. Here, every stone, every tower, and every corner of the courtyard tells the story of the Middle Ages, of the Civetta, and of the Palio of Siena. A unique and immersive experience.\u003C\u002Fp>","Castellare degli Ugurgieri: A medieval fortress in the heart of Siena","\u003Cdiv>Discover the \u003Cstrong>Castellare degli Ugurgieri\u003C\u002Fstrong> and let yourself be transported back in time. Stroll among medieval towers, courtyards, and historical artifacts and experience a journey that unites history and contrada tradition.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fcastellare-degli-ugurgieri",[],[1880],{"@type":1539,"@id":1881,"translations":1882,"position":1490,"imagePath":1883},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdd85ccf077b5c9e6451e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fcastellare-degli-ugurgeri-1-6a75e82325dad334744505.jpg",{"@type":1556,"@id":1885,"hashParam":1886},"\u002Fapi\u002F.well-known\u002Fgenid\u002F93106aa0208af38dd4ff","c772d56db04d022900bf7f60f5f6b4bb968c70e411dece47d785a77e3a5b2ee7",70,[],[],{"@id":1891,"@type":1476,"name":1892,"poiType":1893,"address":1905,"latitude":1906,"longitude":1907,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1908,"translations":1909,"socials":1928,"gallery":1929,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1930,"position":1887,"layout":1933,"otherPoiType":1934,"logoPath":1562,"poiTagsByCategory":1935},"\u002Fapi\u002Fpois\u002F019f853b-e87d-7b3f-af87-2c6a7f1e4c65","Palazzo Chigi Piccolomini alla Postierla",{"@id":1479,"@type":1480,"id":1481,"translations":1894,"poiCategory":1899},[1895,1897],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1896,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1898,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1900},[1901,1903],{"@type":1503,"@id":1504,"name":1505,"language":1902,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1904,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via del Capitano, 1","43.3164029","11.3296275",[],[1910,1919],{"@type":1519,"@id":1911,"description":1912,"abstract":1913,"timetable":16,"title":1914,"subtitle":16,"ctaText":1915,"extraInformations":16,"language":1916,"slug":1917,"slugFormatted":1918},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fef3195503e99b74e9bd3","\u003Ch2>Storia e architettura del palazzo\u003C\u002Fh2>\r\n\r\n\u003Cp>La costruzione del palazzo fu voluta da \u003Cstrong>Scipione Chigi\u003C\u002Fstrong>, importante\u003Cstrong> politico senese\u003C\u002Fstrong> e \u003Cstrong>ambasciatore della Repubblica \u003C\u002Fstrong>durante l’assedio delle \u003Cstrong>truppe imperiali e medicee\u003C\u002Fstrong> nel 1554-1555. Il progetto è attribuito a \u003Cstrong>Bartolomeo Neroni,\u003C\u002Fstrong> detto “il Riccio”.\u003C\u002Fp>\r\n\r\n\u003Cp>Il palazzo si sviluppa su \u003Cstrong>due piani nobili\u003C\u002Fstrong>, concepiti per garantire appartamenti separati ai figli Cristofano e Camillo, e riflette una progettazione attenta a combinare \u003Cstrong>prestigio\u003C\u002Fstrong> e \u003Cstrong>funzionalità\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La facciata, in \u003Cstrong>pietra arenaria\u003C\u002Fstrong>, è caratterizzata da eleganti \u003Cstrong>cornici a bugnato \u003C\u002Fstrong>e dagli \u003Cstrong>stemmi \u003C\u002Fstrong>Chigi della Rovere e dei Piccolomini, famiglia che acquisì l’edificio alla fine del Settecento.\u003C\u002Fp>\r\n\r\n\u003Ch3>Gli interni e le collezioni artistiche\u003C\u002Fh3>\r\n\r\n\u003Cp>Il primo piano ospita un \u003Cstrong>salone decorato\u003C\u002Fstrong> da \u003Cstrong>Bernard van Rantwijck\u003C\u002Fstrong> con Storie e personaggi dell’\u003Cstrong>Antico Testamento\u003C\u002Fstrong>, dodici Sibille nei pennacchi e raffigurazioni di Elia sul carro di fuoco, Isaia e Giobbe.\u003C\u002Fp>\r\n\r\n\u003Cp>Ai lati della porta d’ingresso sono dipinti a figura intera \u003Cstrong>Sansone e Davide\u003C\u002Fstrong>. Le stanze laterali contengono stucchi di \u003Cstrong>Marcello Sparzo\u003C\u002Fstrong> (1565-1608).\u003C\u002Fp>\r\n\r\n\u003Cp>Al secondo piano, il salone principale è arricchito da \u003Cstrong>affreschi \u003C\u002Fstrong>e \u003Cstrong>stucch\u003C\u002Fstrong>i di Rantwijck e \u003Cstrong>Sparti\u003C\u002Fstrong>, raffiguranti le Storie del condottiero romano Furio Camillo. Le\u003Cstrong> tele\u003C\u002Fstrong> di \u003Cstrong>Dirck de Quade van Ravensteyn\u003C\u002Fstrong> (1565-1620) raccontano le Storie di Scipione l’Africano.\u003C\u002Fp>\r\n\r\n\u003Cp>Nei due saloni e negli ambienti attigui sono inoltre esposti capolavori seicenteschi di \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>, \u003Cstrong>Bernardino Mei\u003C\u002Fstrong> e \u003Cstrong>Raffaello Vanni\u003C\u002Fstrong>, offrendo un percorso che unisce pittura, affresco e decorazione in stucco, testimonianza della grande stagione artistica senese.\u003C\u002Fp>\r\n\r\n\u003Cp>Oggi il palazzo ospita anche gli \u003Cstrong>uffici amministrativi della Pinacoteca\u003C\u002Fstrong>, inclusi\u003Cstrong> archivio\u003C\u002Fstrong> e \u003Cstrong>biblioteca\u003C\u002Fstrong>, rendendo l’edificio funzionale sia come spazio espositivo sia come centro culturale.\u003C\u002Fp>","\u003Cp>Tra le \u003Cstrong>vie storiche\u003C\u002Fstrong> di \u003Cstrong>Siena\u003C\u002Fstrong>, il \u003Cstrong>Palazzo Chigi Piccolomini alla Postierla \u003C\u002Fstrong>si erge come una dimora che respira il tempo, tra echi di passi nobiliari, luci che sfiorano gli affreschi e sussurri di una città che viveva tra politica, cultura e grandi famiglie.\u003C\u002Fp>\r\n\r\n\u003Cp>Entrare qui significa immergersi in un\u003Cstrong> viaggio sensoriale \u003C\u002Fstrong>tra \u003Cstrong>arte e storia\u003C\u002Fstrong>, dove ogni stanza racconta storie di potere, eleganza e \u003Cstrong>creatività senese\u003C\u002Fstrong>.\u003C\u002Fp>","Palazzo Chigi Piccolomini alla Postierla: arte e storia tra affreschi e stucchi rinascimentali","\u003Cdiv>Vivi l’esperienza del Palazzo Chigi Piccolomini alla Postierla: lasciati avvolgere dagli affreschi, dai colori e dai segreti delle stanze nobili, e cammina tra secoli di arte e storia che rendono Siena unica.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-chigi-piccolomini-alla-postierla","\u002Fpalazzo-chigi-piccolomini-alla-postierla",{"@type":1519,"@id":1920,"description":1921,"abstract":1922,"timetable":16,"title":1923,"subtitle":16,"ctaText":1924,"extraInformations":16,"language":1925,"slug":1926,"slugFormatted":1927},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc5f3dd440d23953c75d1","\u003Ch2>History and architecture of the palace\u003C\u002Fh2>\r\n\r\n\u003Cp>The construction of the palace was commissioned by \u003Cstrong>Scipione Chigi\u003C\u002Fstrong>, an important \u003Cstrong>Sienese politician\u003C\u002Fstrong> and \u003Cstrong>ambassador of the Republic\u003C\u002Fstrong> during the siege by \u003Cstrong>imperial and Medici troops\u003C\u002Fstrong> in 1554-1555. The project is attributed to \u003Cstrong>Bartolomeo Neroni,\u003C\u002Fstrong> known as “il Riccio”.\u003C\u002Fp>\r\n\r\n\u003Cp>The palace is developed over \u003Cstrong>two noble floors\u003C\u002Fstrong>, designed to provide separate apartments for the sons Cristofano and Camillo, and reflects careful planning to combine \u003Cstrong>prestige\u003C\u002Fstrong> and \u003Cstrong>functionality\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The facade, made of \u003Cstrong>sandstone\u003C\u002Fstrong>, is characterized by elegant \u003Cstrong>rusticated frames\u003C\u002Fstrong> and the \u003Cstrong>coats of arms\u003C\u002Fstrong> of the Chigi della Rovere and Piccolomini families, who acquired the building at the end of the eighteenth century.\u003C\u002Fp>\r\n\r\n\u003Ch3>The interiors and artistic collections\u003C\u002Fh3>\r\n\r\n\u003Cp>The first floor hosts a \u003Cstrong>decorated hall\u003C\u002Fstrong> by \u003Cstrong>Bernard van Rantwijck\u003C\u002Fstrong> with Stories and characters from the \u003Cstrong>Old Testament\u003C\u002Fstrong>, twelve Sibyls in the spandrels, and depictions of Elijah in the chariot of fire, Isaiah, and Job.\u003C\u002Fp>\r\n\r\n\u003Cp>On either side of the entrance door are full-length paintings of \u003Cstrong>Samson and David\u003C\u002Fstrong>. The side rooms contain stuccos by \u003Cstrong>Marcello Sparzo\u003C\u002Fstrong> (1565-1608).\u003C\u002Fp>\r\n\r\n\u003Cp>On the second floor, the main hall is enriched by \u003Cstrong>frescoes\u003C\u002Fstrong> and \u003Cstrong>stuccos\u003C\u002Fstrong> by Rantwijck and \u003Cstrong>Sparti\u003C\u002Fstrong>, depicting the Stories of the Roman general Furio Camillo. The \u003Cstrong>canvases\u003C\u002Fstrong> of \u003Cstrong>Dirck de Quade van Ravensteyn\u003C\u002Fstrong> (1565-1620) tell the Stories of Scipio Africanus.\u003C\u002Fp>\r\n\r\n\u003Cp>In the two halls and adjacent rooms, there are also masterpieces from the seventeenth century by \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>, \u003Cstrong>Bernardino Mei\u003C\u002Fstrong>, and \u003Cstrong>Raffaello Vanni\u003C\u002Fstrong>, offering a path that unites painting, fresco, and stucco decoration, a testament to the great artistic season of Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>Today, the palace also houses the \u003Cstrong>administrative offices of the Pinacoteca\u003C\u002Fstrong>, including the \u003Cstrong>archive\u003C\u002Fstrong> and \u003Cstrong>library\u003C\u002Fstrong>, making the building functional both as an exhibition space and as a cultural center.\u003C\u002Fp>","\u003Cp>Among the \u003Cstrong>historic streets\u003C\u002Fstrong> of \u003Cstrong>Siena\u003C\u002Fstrong>, the \u003Cstrong>Chigi Piccolomini Palace at Postierla\u003C\u002Fstrong> stands as a residence that breathes time, echoing noble footsteps, lights that caress the frescoes, and whispers of a city that lived between politics, culture, and great families.\u003C\u002Fp>\r\n\r\n\u003Cp>Entering here means immersing oneself in a \u003Cstrong>sensory journey\u003C\u002Fstrong> between \u003Cstrong>art and history\u003C\u002Fstrong>, where every room tells stories of power, elegance, and \u003Cstrong>Sienese creativity\u003C\u002Fstrong>.\u003C\u002Fp>","Chigi Piccolomini Palace at Postierla: art and history among Renaissance frescoes and stuccos","\u003Cdiv>Experience the Chigi Piccolomini Palace at Postierla: let yourself be enveloped by the frescoes, colors, and secrets of the noble rooms, and walk through centuries of art and history that make Siena unique.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"chigi-piccolomini-palace-at-postierla","\u002Fen\u002Fchigi-piccolomini-palace-at-postierla",[],[],{"@type":1556,"@id":1931,"hashParam":1932},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb63f3f9ec36667a0d8a6","e1f88b49fabc4109a8b32d603698e60ecb9563b008a3e8e4d5226d5d762af841","BASIC_2",[],[],{"@id":1937,"@type":1476,"name":1938,"poiType":1939,"address":1951,"latitude":1952,"longitude":1953,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1954,"translations":1955,"socials":1973,"gallery":1974,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":1975,"position":1887,"layout":1560,"otherPoiType":1978,"logoPath":1562,"poiTagsByCategory":1979},"\u002Fapi\u002Fpois\u002F019f8f4d-73a7-79d8-b419-d5c3ba325892","Palazzo Salimbeni",{"@id":1479,"@type":1480,"id":1481,"translations":1940,"poiCategory":1945},[1941,1943],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1942,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1944,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1946},[1947,1949],{"@type":1503,"@id":1504,"name":1505,"language":1948,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1950,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Piazza Salimbeni","43.3213921","11.3309132",[],[1956,1965],{"@type":1519,"@id":1957,"description":1958,"abstract":1959,"timetable":16,"title":1960,"subtitle":16,"ctaText":1961,"extraInformations":16,"language":1962,"slug":1963,"slugFormatted":1964},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa51bf844eba900aa7b26","\u003Ch2>Dal Medioevo al neogotico ottocentesco\u003C\u002Fh2>\r\n\r\n\u003Cp>Pur conservando l’aspetto di una dimora fortificata urbana, Palazzo Salimbeni è il risultato di un attento restauro ottocentesco guidato dall’architetto \u003Cstrong>Giuseppe Partini\u003C\u002Fstrong>. L’ideale era ricostruire la Siena storica secondo il gusto romantico dell’epoca, armonizzando le linee medievali con il contesto urbano. Eleganti trifore, cornici in pietra e dettagli decorativi richiamano il \u003Cstrong>gotico senese\u003C\u002Fstrong>, creando uno spettacolo architettonico che cattura lo sguardo e racconta la storia visiva della città.\u003C\u002Fp>\r\n\r\n\u003Ch2>Una banca che racconta secoli di economia\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi il palazzo ospita la storica sede di \u003Cstrong>Banca Monte dei Paschi di Siena\u003C\u002Fstrong>, la banca più antica del mondo ancora in attività. Fondata nel 1472 come “Monte Pio” per sostenere le classi meno abbienti, rappresenta un ponte tra il passato medievale e la vita economica moderna. All’interno, custodisce una collezione d’arte e una pinacoteca con capolavori del Rinascimento senese, che rendono la visita un’esperienza non solo storica, ma profondamente \u003Cstrong>culturale\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>Piazza Salimbeni: un salotto urbano\u003C\u002Fh3>\r\n\r\n\u003Cp>Di fronte al palazzo, \u003Cstrong>Piazza Salimbeni\u003C\u002Fstrong> si apre come uno spazio scenografico ottocentesco, delimitato da Palazzo Spannocchi e Palazzo Tantucci. Al centro si trova il monumento a \u003Cstrong>Sallustio Bandini\u003C\u002Fstrong>, arcidiacono, politico senese e precursore dell’economia moderna in Italia, realizzato da \u003Cstrong>Tito Sarrocchi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un’esperienza culturale tra storia e architettura\u003C\u002Fh2>\r\n\r\n\u003Cp>Una sosta davanti a Palazzo Salimbeni permette di leggere la città attraverso le sue pietre: ogni finestra, ogni dettaglio architettonico, ogni traccia della tradizione bancaria racconta una storia di potere, economia e cultura. È un luogo dove passato e presente convivono armoniosamente, offrendo al visitatore un’esperienza ricca di senso e profondamente \u003Cstrong>culturale\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Lungo la storica \u003Cstrong>Via Banchi di Sopra\u003C\u002Fstrong>, nel cuore di Siena, si erge \u003Cstrong>Palazzo Salimbeni\u003C\u002Fstrong>, edificio che da secoli incarna prestigio, potere e innovazione. Camminando davanti alla sua facciata, sembra quasi di percepire il brusio dei mercanti medievali e il tintinnio delle monete dei banchieri Salimbeni, che nel XIII e XIV secolo determinarono il destino economico della città. La struttura monumentale e severa racconta con ogni dettaglio la storia di una famiglia che fece della finanza la sua eredità.\u003C\u002Fp>","Palazzo Salimbeni: il simbolo della tradizione finanziaria senese","\u003Cdiv>Scopri \u003Cstrong>Palazzo Salimbeni\u003C\u002Fstrong> e lasciati sorprendere dall’eleganza gotica e dall’eredità culturale della Siena storica. Un itinerario tra arte, economia e tradizione ti aspetta in una delle piazze più iconiche della città.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-salimbeni","\u002Fpalazzo-salimbeni",{"@type":1519,"@id":1966,"description":1967,"abstract":1968,"timetable":16,"title":1969,"subtitle":16,"ctaText":1970,"extraInformations":16,"language":1971,"slug":1963,"slugFormatted":1972},"\u002Fapi\u002F.well-known\u002Fgenid\u002F222ed8930fb2ed29d4e3","\u003Ch2>From the Middle Ages to the 19th-century Gothic Revival\u003C\u002Fh2>\r\n\r\n\u003Cp>While retaining the appearance of a fortified urban residence, Palazzo Salimbeni is the result of a careful 19th-century restoration led by architect \u003Cstrong>Giuseppe Partini\u003C\u002Fstrong>. The ideal was to reconstruct historic Siena according to the romantic taste of the time, harmonizing medieval lines with the urban context. Elegant triforiums, stone frames, and decorative details evoke \u003Cstrong>Sienese Gothic\u003C\u002Fstrong>, creating an architectural spectacle that captures the eye and tells the visual history of the city.\u003C\u002Fp>\r\n\r\n\u003Ch2>A bank that tells centuries of economy\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the palace houses the historic headquarters of \u003Cstrong>Banca Monte dei Paschi di Siena\u003C\u002Fstrong>, the oldest bank in the world still in operation. Founded in 1472 as “Monte Pio” to support the less fortunate classes, it represents a bridge between the medieval past and modern economic life. Inside, it holds an art collection and a gallery with masterpieces of Sienese Renaissance, making the visit not only a historical experience but profoundly \u003Cstrong>cultural\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>Piazza Salimbeni: an urban lounge\u003C\u002Fh3>\r\n\r\n\u003Cp>In front of the palace, \u003Cstrong>Piazza Salimbeni\u003C\u002Fstrong> opens up like a scenic 19th-century space, bordered by Palazzo Spannocchi and Palazzo Tantucci. At the center stands the monument to \u003Cstrong>Sallustio Bandini\u003C\u002Fstrong>, archdeacon, Sienese politician, and precursor of modern economy in Italy, created by \u003Cstrong>Tito Sarrocchi\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>A cultural experience between history and architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>A stop in front of Palazzo Salimbeni allows one to read the city through its stones: every window, every architectural detail, every trace of banking tradition tells a story of power, economy, and culture. It is a place where past and present coexist harmoniously, offering the visitor an experience rich in meaning and profoundly \u003Cstrong>cultural\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Along the historic \u003Cstrong>Via Banchi di Sopra\u003C\u002Fstrong>, in the heart of Siena, stands \u003Cstrong>Palazzo Salimbeni\u003C\u002Fstrong>, a building that has embodied prestige, power, and innovation for centuries. Walking in front of its facade, one can almost perceive the buzz of medieval merchants and the clinking of coins from the Salimbeni bankers, who determined the economic fate of the city in the 13th and 14th centuries. The monumental and austere structure tells the story of a family that made finance its legacy with every detail.\u003C\u002Fp>","Palazzo Salimbeni: the symbol of Siena's financial tradition","\u003Cdiv>Discover \u003Cstrong>Palazzo Salimbeni\u003C\u002Fstrong> and be amazed by the Gothic elegance and the cultural heritage of historic Siena. An itinerary through art, economy, and tradition awaits you in one of the city's most iconic squares.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-salimbeni",[],[],{"@type":1556,"@id":1976,"hashParam":1977},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb1d9555ed53ed535d04c","b54976a081934e15bcbd4d04a95c364d9141b4ec49646eeaa66bf56692dbf0ad",[],[],{"@id":1981,"@type":1476,"name":1982,"poiType":1983,"address":1995,"latitude":1996,"longitude":1997,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1998,"translations":1999,"socials":2017,"gallery":2018,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":2019,"position":1887,"layout":1933,"otherPoiType":2022,"logoPath":1562,"poiTagsByCategory":2023},"\u002Fapi\u002Fpois\u002F019f8a76-d4bd-736b-8165-11a6b978abca","Palazzo del Rettorato",{"@id":1479,"@type":1480,"id":1481,"translations":1984,"poiCategory":1989},[1985,1987],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":1986,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":1988,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":1990},[1991,1993],{"@type":1503,"@id":1504,"name":1505,"language":1992,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":1994,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"via Banchi di Sotto, 55","43.3192668","11.3327894",[],[2000,2009],{"@type":1519,"@id":2001,"description":2002,"abstract":2003,"timetable":16,"title":2004,"subtitle":16,"ctaText":2005,"extraInformations":16,"language":2006,"slug":2007,"slugFormatted":2008},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb9314c299f3c165e7adf","\u003Ch2>L’Archivio Storico\u003C\u002Fh2>\r\n\r\n\u003Cp>L’Archivio custodisce \u003Cstrong>pergamene\u003C\u002Fstrong>, \u003Cstrong>registri\u003C\u002Fstrong>, \u003Cstrong>matricole\u003C\u002Fstrong>,\u003Cstrong> atti ufficiali\u003C\u002Fstrong> e \u003Cstrong>carteggi \u003C\u002Fstrong>che restituiscono la voce dello \u003Cstrong>Studio senese\u003C\u002Fstrong> dal 1240 a oggi. Le pergamene medievali, con \u003Cstrong>sigilli\u003C\u002Fstrong> e scritture minuziose, documentano privilegi e statuti fondamentali per l’identità dell’\u003Cstrong>Ateneo\u003C\u002Fstrong>, mentre i materiali più recenti raccontano riforme, trasformazioni e momenti chiave della vita culturale della città.\u003C\u002Fp>\r\n\r\n\u003Cp>L’\u003Cstrong>Archivio\u003C\u002Fstrong> è accessibile anche a \u003Cstrong>studiosi\u003C\u002Fstrong> e \u003Cstrong>ricercatori\u003C\u002Fstrong>, che qui trovano materiali unici per studiare la storia dell’istruzione superiore in \u003Cstrong>Toscana\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il Percorso Storico\u003C\u002Fh2>\r\n\r\n\u003Cp>Il percorso accompagna il visitatore tra\u003Cstrong> libri antichi\u003C\u002Fstrong>, \u003Cstrong>strumenti scientifici\u003C\u002Fstrong>, \u003Cstrong>fotografie d’epoca\u003C\u002Fstrong> e \u003Cstrong>oggetti simbolici \u003C\u002Fstrong>che illustrano la vita universitaria tra Medioevo e contemporaneità. La \u003Cstrong>Sala del Senato Accademico\u003C\u002Fstrong>, con arredi storici e stemmi, trasmette la solennità delle decisioni che hanno guidato lo Studio per secoli. Le sale nelle antiche case-torri conservano muri spessi e aperture originali, evocando la Siena duecentesca.\u003C\u002Fp>\r\n\r\n\u003Cp>Ogni oggetto e documento è un frammento di memoria della vita degli studenti, delle lezioni dei maestri, delle riforme granducali e delle sfide del Novecento.\u003C\u002Fp>\r\n\r\n\u003Ch2>Esperienza di visita\u003C\u002Fh2>\r\n\r\n\u003Cp>L’atmosfera è raccolta e avvolgente: la luce che filtra dalle finestre antiche, il silenzio delle sale e il profumo dei libri storici creano un’\u003Cstrong>esperienza immersiva \u003C\u002Fstrong>che invita a fermarsi, osservare e ascoltare la storia.\u003C\u002Fp>\r\n\r\n\u003Cp>Il percorso è visitabile su \u003Cstrong>appuntamento \u003C\u002Fstrong>o in giornate dedicate, spesso accompagnato da guide che arricchiscono la visita con \u003Cstrong>aneddoti\u003C\u002Fstrong> e curiosità sulla vita accademica.\u003C\u002Fp>","\u003Cp>Nel cuore del complesso medievale delle \u003Cstrong>case-torri\u003C\u002Fstrong>, il \u003Cstrong>Palazzo del Rettorato\u003C\u002Fstrong> accoglie chi desidera immergersi nella storia dell’\u003Cstrong>Università di Siena\u003C\u002Fstrong>: dalle pietre antiche agli archi dei corridoi, ogni spazio trasmette la lunga \u003Cstrong>tradizione accademica\u003C\u002Fstrong> della città.\u003C\u002Fp>\r\n\r\n\u003Cp>Camminare tra queste sale significa percepire la vita degli \u003Cstrong>studenti\u003C\u002Fstrong> e dei \u003Cstrong>maestri\u003C\u002Fstrong> che hanno attraversato secoli di \u003Cstrong>lezioni\u003C\u002Fstrong>, \u003Cstrong>riforme\u003C\u002Fstrong> e \u003Cstrong>innovazioni culturali\u003C\u002Fstrong>.\u003C\u002Fp>","Palazzo del Rettorato e Archivio Storico dell’Università di Siena","\u003Cdiv>Entra nel Palazzo del Rettorato e nell’Archivio Storico, lasciati trasportare dai secoli di storia accademica e scopri la Siena universitaria tra pergamene, strumenti e sale che parlano ancora di studenti e maestri.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-del-rettorato","\u002Fpalazzo-del-rettorato",{"@type":1519,"@id":2010,"description":2011,"abstract":2012,"timetable":16,"title":2013,"subtitle":16,"ctaText":2014,"extraInformations":16,"language":2015,"slug":2007,"slugFormatted":2016},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4a3d5b1bdeb46948fce5","\u003Ch2>The Historical Archive\u003C\u002Fh2>\r\n\r\n\u003Cp>The Archive houses \u003Cstrong>parchments\u003C\u002Fstrong>, \u003Cstrong>registers\u003C\u002Fstrong>, \u003Cstrong>matriculations\u003C\u002Fstrong>, \u003Cstrong>official acts\u003C\u002Fstrong>, and \u003Cstrong>correspondence\u003C\u002Fstrong> that give voice to the \u003Cstrong>Sienese Study\u003C\u002Fstrong> from 1240 to today. The medieval parchments, with \u003Cstrong>seals\u003C\u002Fstrong> and meticulous writings, document privileges and statutes fundamental to the identity of the \u003Cstrong>University\u003C\u002Fstrong>, while more recent materials recount reforms, transformations, and key moments in the cultural life of the city.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Archive\u003C\u002Fstrong> is also accessible to \u003Cstrong>scholars\u003C\u002Fstrong> and \u003Cstrong>researchers\u003C\u002Fstrong>, who find unique materials here to study the history of higher education in \u003Cstrong>Tuscany\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Historical Path\u003C\u002Fh2>\r\n\r\n\u003Cp>The path guides visitors through \u003Cstrong>ancient books\u003C\u002Fstrong>, \u003Cstrong>scientific instruments\u003C\u002Fstrong>, \u003Cstrong>period photographs\u003C\u002Fstrong>, and \u003Cstrong>symbolic objects\u003C\u002Fstrong> that illustrate university life between the Middle Ages and contemporary times. The \u003Cstrong>Academic Senate Hall\u003C\u002Fstrong>, with historic furnishings and coats of arms, conveys the solemnity of the decisions that have guided the Study for centuries. The halls in the ancient tower houses preserve thick walls and original openings, evoking 13th-century Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>Every object and document is a fragment of memory of the life of students, the lessons of teachers, the grand-ducal reforms, and the challenges of the 20th century.\u003C\u002Fp>\r\n\r\n\u003Ch2>Visiting Experience\u003C\u002Fh2>\r\n\r\n\u003Cp>The atmosphere is intimate and enveloping: the light filtering through the ancient windows, the silence of the halls, and the scent of historical books create an \u003Cstrong>immersive experience\u003C\u002Fstrong> that invites one to stop, observe, and listen to history.\u003C\u002Fp>\r\n\r\n\u003Cp>The path is visitable by \u003Cstrong>appointment\u003C\u002Fstrong> or on dedicated days, often accompanied by guides who enrich the visit with \u003Cstrong>anecdotes\u003C\u002Fstrong> and curiosities about academic life.\u003C\u002Fp>","\u003Cp>In the heart of the medieval complex of \u003Cstrong>tower houses\u003C\u002Fstrong>, the \u003Cstrong>Palazzo del Rettorato\u003C\u002Fstrong> welcomes those who wish to immerse themselves in the history of the \u003Cstrong>University of Siena\u003C\u002Fstrong>: from ancient stones to the arches of the corridors, every space conveys the long \u003Cstrong>academic tradition\u003C\u002Fstrong> of the city.\u003C\u002Fp>\r\n\r\n\u003Cp>Walking through these halls means perceiving the life of \u003Cstrong>students\u003C\u002Fstrong> and \u003Cstrong>teachers\u003C\u002Fstrong> who have traversed centuries of \u003Cstrong>lessons\u003C\u002Fstrong>, \u003Cstrong>reforms\u003C\u002Fstrong>, and \u003Cstrong>cultural innovations\u003C\u002Fstrong>.\u003C\u002Fp>","Palazzo del Rettorato and Historical Archive of the University of Siena","\u003Cdiv>Enter the Palazzo del Rettorato and the Historical Archive, let yourself be carried away by centuries of academic history and discover the university life of Siena through parchments, instruments, and halls that still speak of students and teachers.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-del-rettorato",[],[],{"@type":1556,"@id":2020,"hashParam":2021},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff3b9792a5fe086c7489d","834a03489bedcdafdcb1d4932fa47bd177e84bf9b8c2a5c50fddc5a23bb3410a",[],[],{"@id":2025,"@type":1476,"name":2026,"poiType":2027,"address":16,"latitude":16,"longitude":16,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2039,"translations":2040,"socials":2059,"gallery":2060,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":2065,"position":679,"layout":1732,"otherPoiType":2068,"logoPath":1562,"poiTagsByCategory":2069},"\u002Fapi\u002Fpois\u002F019fa434-8828-7ee3-ae2f-511794b3a947","Ex Ospedale Psichiatrico San Niccolò",{"@id":1479,"@type":1480,"id":1481,"translations":2028,"poiCategory":2033},[2029,2031],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":2030,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":2032,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":2034},[2035,2037],{"@type":1503,"@id":1504,"name":1505,"language":2036,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":2038,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},[],[2041,2050],{"@type":1519,"@id":2042,"description":2043,"abstract":2044,"timetable":16,"title":2045,"subtitle":16,"ctaText":2046,"extraInformations":16,"language":2047,"slug":2048,"slugFormatted":2049},"\u002Fapi\u002F.well-known\u002Fgenid\u002F657c56aa8a191cd2effc","\u003Ch2>Origini e nascita del San Niccolò\u003C\u002Fh2>\r\n\r\n\u003Cp>Il concetto di \u003Cstrong>ricovero dei malati di mente\u003C\u002Fstrong> nasce in Italia già dal XVI secolo, prevalentemente per \u003Cstrong>ragioni di controllo sociale\u003C\u002Fstrong>. Il malato era considerato pericoloso per sé e per gli altri, e quindi da isolare. Tra il XVII e XVIII secolo, la \u003Cstrong>concezione dei manicomi inizia lentamente a evolvere\u003C\u002Fstrong>, trasformandosi da luoghi di reclusione a \u003Cstrong>spazi di cura\u003C\u002Fstrong> e \u003Cstrong>studio medico\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Con l’arrivo dei Lorena nel 1737, il sistema sanitario senese si riorganizza, favorendo la nascita di \u003Cstrong>istituzioni specializzate nella cura della follia\u003C\u002Fstrong>. L’\u003Cstrong>Ospedale Psichiatrico di Siena\u003C\u002Fstrong> viene fondato nell’ottobre 1818 nell’ex Monastero Agostiniano di San Niccolò, vicino a \u003Cstrong>Porta Romana\u003C\u002Fstrong>, e diventa presto la \u003Cstrong>seconda struttura psichiatrica più importante\u003C\u002Fstrong> della Toscana, dopo il Bonifazio di Firenze. Come molti manicomi dell’epoca, è \u003Cstrong>collocato fuori dal centro urbano\u003C\u002Fstrong>, in \u003Cstrong>aperta campagna\u003C\u002Fstrong>, permettendo ampliamenti futuri e un maggiore isolamento.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il villaggio manicomiale e le prime innovazioni\u003C\u002Fh3>\r\n\r\n\u003Cp>Il complesso fu progettato come un vero e proprio \u003Cstrong>villaggio manicomiale\u003C\u002Fstrong>, con \u003Cstrong>edifici separati\u003C\u002Fstrong>, \u003Cstrong>strade interne\u003C\u002Fstrong>, \u003Cstrong>padiglioni medici\u003C\u002Fstrong>, \u003Cstrong>laboratori\u003C\u002Fstrong> e \u003Cstrong>botteghe\u003C\u002Fstrong>. La \u003Cstrong>comunità era autosufficiente\u003C\u002Fstrong> grazie al \u003Cstrong>lavoro agricolo e artigianale\u003C\u002Fstrong> dei pazienti. L’architettura fu affidata a Francesco Azzurri, seguendo le indicazioni di Carlo Livi. Tra le principali innovazioni:\u003C\u002Fp>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Nel 1870 inaugurazione della \u003Cstrong>biblioteca medica\u003C\u002Fstrong>.\u003C\u002Fli>\r\n\t\u003Cli>Nel 1874 nasce la \u003Cstrong>clinica universitaria\u003C\u002Fstrong>, collegata \u003Cstrong>all’insegnamento della psichiatria\u003C\u002Fstrong>.\u003C\u002Fli>\r\n\t\u003Cli>Nel 1880 realizzazione delle \u003Cstrong>stanze anatomiche\u003C\u002Fstrong> per lo studio dei cadaveri.\u003C\u002Fli>\r\n\t\u003Cli>Nel 1886 costruzione della \u003Cstrong>farmacia\u003C\u002Fstrong>, separata dal resto del complesso; alcuni dipinti murali e lavori edilizi furono probabilmente realizzati dai pazienti.\u003C\u002Fli>\r\n\u003C\u002Ful>\r\n\r\n\u003Cp>Il San Niccolò diventa così un \u003Cstrong>luogo di cura\u003C\u002Fstrong>, \u003Cstrong>osservazione clinica\u003C\u002Fstrong> e \u003Cstrong>formazione universitaria\u003C\u002Fstrong>, segnando un’evoluzione significativa nella gestione della follia e dell’educazione medica.\u003C\u002Fp>\r\n\r\n\u003Ch2>Dal manicomio alla sede universitaria\u003C\u002Fh2>\r\n\r\n\u003Cp>Dopo il \u003Cstrong>secondo dopoguerra\u003C\u002Fstrong>, cresce la \u003Cstrong>critica verso i manicomi\u003C\u002Fstrong>, considerati luoghi di isolamento più che di cura. La \u003Cstrong>Legge Basaglia\u003C\u002Fstrong> del 1978 avvia la \u003Cstrong>chiusura dei manicomi\u003C\u002Fstrong>, e il San Niccolò \u003Cstrong>chiude definitivamente nel 1999\u003C\u002Fstrong>. A partire dagli anni 2000, parte del complesso viene affidata \u003Cstrong>all’Università di Siena\u003C\u002Fstrong>, che lo \u003Cstrong>trasforma in aule\u003C\u002Fstrong>, \u003Cstrong>dipartimenti\u003C\u002Fstrong>, \u003Cstrong>laboratori\u003C\u002Fstrong>, \u003Cstrong>biblioteche\u003C\u002Fstrong> e \u003Cstrong>uffici\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Il riuso simbolizza una continuità tra \u003Cstrong>memoria storica e funzione contemporanea\u003C\u002Fstrong>, \u003Cstrong>trasformando un luogo di segregazione in un centro di studio e formazione\u003C\u002Fstrong>. All’interno si trova la mostra permanente \u003Cstrong>“La memoria scomoda”\u003C\u002Fstrong>, con fotografie dei pazienti internati nel 1932, a testimoniare il passato senza dimenticare la dignità delle persone.\u003C\u002Fp>","\u003Cp>Tra \u003Cstrong>campi aperti\u003C\u002Fstrong> e \u003Cstrong>silenzi antichi\u003C\u002Fstrong>, l’Ex Ospedale Psichiatrico San Niccolò si erge come \u003Cstrong>testimone di una storia complessa\u003C\u002Fstrong>, dove \u003Cstrong>dolore\u003C\u002Fstrong>, \u003Cstrong>cura\u003C\u002Fstrong> e \u003Cstrong>conoscenza\u003C\u002Fstrong> si intrecciano. Ogni edificio, \u003Cstrong>ogni padiglione\u003C\u002Fstrong>, \u003Cstrong>racconta\u003C\u002Fstrong> un passato fatto di \u003Cstrong>isolamento\u003C\u002Fstrong>, \u003Cstrong>speranza\u003C\u002Fstrong>, \u003Cstrong>lavoro\u003C\u002Fstrong> e \u003Cstrong>innovazione medica\u003C\u002Fstrong>, invitando chi visita a riflettere sulla trasformazione di spazi concepiti per la segregazione in luoghi di studio e formazione.\u003C\u002Fp>","Ex Ospedale Psichiatrico San Niccolò: storia, cura e memoria a Siena","\u003Cdiv>Esplora l’Ex Ospedale Psichiatrico San Niccolò e il suo villaggio manicomiale, scopri la memoria dei pazienti, l’evoluzione della psichiatria e la trasformazione contemporanea in un luogo di studio e riflessione.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"ex-ospedale-psichiatrico-san-niccolo","\u002Fex-ospedale-psichiatrico-san-niccolo",{"@type":1519,"@id":2051,"description":2052,"abstract":2053,"timetable":16,"title":2054,"subtitle":16,"ctaText":2055,"extraInformations":16,"language":2056,"slug":2057,"slugFormatted":2058},"\u002Fapi\u002F.well-known\u002Fgenid\u002F009a7957f9436a487730","\u003Ch2>Origins and birth of San Niccolò\u003C\u002Fh2>\r\n\r\n\u003Cp>The concept of \u003Cstrong>asylum for the mentally ill\u003C\u002Fstrong> originated in Italy as early as the 16th century, primarily for \u003Cstrong>social control reasons\u003C\u002Fstrong>. The patient was considered dangerous to themselves and others, and thus needed to be isolated. Between the 17th and 18th centuries, the \u003Cstrong>concept of asylums slowly began to evolve\u003C\u002Fstrong>, transforming from places of confinement to \u003Cstrong>spaces for care\u003C\u002Fstrong> and \u003Cstrong>medical study\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>With the arrival of the Lorena in 1737, the Siena healthcare system was reorganized, fostering the establishment of \u003Cstrong>institutions specialized in the care of madness\u003C\u002Fstrong>. The \u003Cstrong>Psychiatric Hospital of Siena\u003C\u002Fstrong> was founded in October 1818 in the former Augustinian Monastery of San Niccolò, near \u003Cstrong>Porta Romana\u003C\u002Fstrong>, and soon became the \u003Cstrong>second most important psychiatric facility\u003C\u002Fstrong> in Tuscany, after the Bonifazio in Florence. Like many asylums of the time, it is \u003Cstrong>located outside the urban center\u003C\u002Fstrong>, in \u003Cstrong>open countryside\u003C\u002Fstrong>, allowing for future expansions and greater isolation.\u003C\u002Fp>\r\n\r\n\u003Ch3>The asylum village and early innovations\u003C\u002Fh3>\r\n\r\n\u003Cp>The complex was designed as a true \u003Cstrong>asylum village\u003C\u002Fstrong>, with \u003Cstrong>separate buildings\u003C\u002Fstrong>, \u003Cstrong>internal roads\u003C\u002Fstrong>, \u003Cstrong>medical pavilions\u003C\u002Fstrong>, \u003Cstrong>laboratories\u003C\u002Fstrong>, and \u003Cstrong>workshops\u003C\u002Fstrong>. The \u003Cstrong>community was self-sufficient\u003C\u002Fstrong> thanks to the \u003Cstrong>agricultural and artisanal work\u003C\u002Fstrong> of the patients. The architecture was entrusted to Francesco Azzurri, following the guidelines of Carlo Livi. Among the main innovations:\u003C\u002Fp>\r\n\r\n\u003Cp>In 1870, the inauguration of the \u003Cstrong>medical library\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1874, the establishment of the \u003Cstrong>university clinic\u003C\u002Fstrong>, linked to \u003Cstrong>the teaching of psychiatry\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1880, the creation of \u003Cstrong>anatomical rooms\u003C\u002Fstrong> for the study of cadavers.\u003C\u002Fp>\r\n\r\n\u003Cp>In 1886, the construction of the \u003Cstrong>pharmacy\u003C\u002Fstrong>, separate from the rest of the complex; some murals and construction work were probably carried out by the patients.\u003C\u002Fp>\r\n\r\n\u003Cp>Thus, San Niccolò became a \u003Cstrong>place of care\u003C\u002Fstrong>, \u003Cstrong>clinical observation\u003C\u002Fstrong>, and \u003Cstrong>university training\u003C\u002Fstrong>, marking a significant evolution in the management of madness and medical education.\u003C\u002Fp>\r\n\r\n\u003Ch2>From asylum to university campus\u003C\u002Fh2>\r\n\r\n\u003Cp>After the \u003Cstrong>second post-war period\u003C\u002Fstrong>, criticism of asylums grew, seen as places of isolation rather than care. The \u003Cstrong>Basaglia Law\u003C\u002Fstrong> of 1978 initiated the \u003Cstrong>closure of asylums\u003C\u002Fstrong>, and San Niccolò \u003Cstrong>closed permanently in 1999\u003C\u002Fstrong>. Starting in the 2000s, part of the complex was entrusted \u003Cstrong>to the University of Siena\u003C\u002Fstrong>, which \u003Cstrong>transformed it into classrooms\u003C\u002Fstrong>, \u003Cstrong>departments\u003C\u002Fstrong>, \u003Cstrong>laboratories\u003C\u002Fstrong>, \u003Cstrong>libraries\u003C\u002Fstrong>, and \u003Cstrong>offices\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The reuse symbolizes a continuity between \u003Cstrong>historical memory and contemporary function\u003C\u002Fstrong>, \u003Cstrong>transforming a place of segregation into a center of study and training\u003C\u002Fstrong>. Inside, there is a permanent exhibition \u003Cstrong>“The Uncomfortable Memory”\u003C\u002Fstrong>, featuring photographs of patients interned in 1932, testifying to the past while not forgetting the dignity of individuals.\u003C\u002Fp>","\u003Cp>Between \u003Cstrong>open fields\u003C\u002Fstrong> and \u003Cstrong>ancient silences\u003C\u002Fstrong>, the Ex Psychiatric Hospital San Niccolò stands as a \u003Cstrong>witness to a complex history\u003C\u002Fstrong>, where \u003Cstrong>pain\u003C\u002Fstrong>, \u003Cstrong>care\u003C\u002Fstrong>, and \u003Cstrong>knowledge\u003C\u002Fstrong> intertwine. Each building, \u003Cstrong>each pavilion\u003C\u002Fstrong>, \u003Cstrong>tells\u003C\u002Fstrong> a past made of \u003Cstrong>isolation\u003C\u002Fstrong>, \u003Cstrong>hope\u003C\u002Fstrong>, \u003Cstrong>work\u003C\u002Fstrong>, and \u003Cstrong>medical innovation\u003C\u002Fstrong>, inviting visitors to reflect on the transformation of spaces designed for segregation into places of study and training.\u003C\u002Fp>","Ex Psychiatric Hospital San Niccolò: history, care, and memory in Siena","\u003Cdiv>Explore the Ex Psychiatric Hospital San Niccolò and its asylum village, discover the memory of the patients, the evolution of psychiatry, and the contemporary transformation into a place of study and reflection.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"ex-psychiatric-hospital-san-niccolo","\u002Fen\u002Fex-psychiatric-hospital-san-niccolo",[],[2061],{"@type":1539,"@id":2062,"translations":2063,"position":1490,"imagePath":2064},"\u002Fapi\u002F.well-known\u002Fgenid\u002F54a3e7b489660d083f72",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Funiversita-san-niccolo-con-drone-2-6ac8c47b5d36f780240495.jpg",{"@type":1556,"@id":2066,"hashParam":2067},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7c5769abc1f6a5e7a95f","cfedd5aeb5513b81d41c384a2dbc2711230a26be5a16e1ff66b5dbe2fb36ce31",[],[],{"@id":2071,"@type":1476,"name":2072,"poiType":2073,"address":2085,"latitude":2086,"longitude":2087,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2088,"translations":2089,"socials":2104,"gallery":2105,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":2110,"position":679,"layout":1560,"otherPoiType":2113,"logoPath":1562,"poiTagsByCategory":2114},"\u002Fapi\u002Fpois\u002F019f8548-276d-7441-9d32-177ae3fe474e","Palazzo Berlinghieri",{"@id":1479,"@type":1480,"id":1481,"translations":2074,"poiCategory":2079},[2075,2077],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":2076,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":2078,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":2080},[2081,2083],{"@type":1503,"@id":1504,"name":1505,"language":2082,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":2084,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Piazza del Campo 7\u002F8","43.3189467","11.3316569",[],[2090,2098],{"@type":1519,"@id":2091,"description":2092,"abstract":16,"timetable":16,"title":2093,"subtitle":16,"ctaText":16,"extraInformations":2094,"language":2095,"slug":2096,"slugFormatted":2097},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0dbd2a5fe0c82d1216ff","\u003Ch2>Un palazzo affacciato sul cuore del mondo\u003C\u002Fh2>\r\n\r\n\u003Cp>C'è chi entra in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> e alza gli occhi verso la \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>. C'è chi si siede sul selciato e lascia che la piazza lo avvolga. E c'è chi, fermandosi all'imbocco di \u003Cstrong>Via \u003C\u002Fstrong>\u003Cstrong>Duprè\u003C\u002Fstrong>, si accorge che uno dei palazzi più carichi di storie di Siena è proprio lì, discreto e silenzioso, ad aspettare che qualcuno si fermi a guardarlo davvero.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Palazzo Berlinghieri\u003C\u002Fstrong> apparteneva all'aristocrazia senese, alla famiglia che ne porta il nome. Oggi ospita gli \u003Cstrong>uffici del Comune di Siena\u003C\u002Fstrong> e, al piano terra, il \u003Cstrong>Visit\u003C\u002Fstrong>\u003Cstrong> Siena \u003C\u002Fstrong>\u003Cstrong>Tourist\u003C\u002Fstrong>\u003Cstrong> Office\u003C\u002Fstrong>: il primo volto ufficiale che la città offre ai suoi visitatori. Un palazzo che accoglie, dunque. Come ha sempre fatto.\u003C\u002Fp>\r\n\r\n\u003Ch2>Stendhal, Giulia e un amore che non chiese permesso\u003C\u002Fh2>\r\n\r\n\u003Cp>Ma la storia che rende questo palazzo davvero indimenticabile non è istituzionale. È \u003Cstrong>romantica\u003C\u002Fstrong>, appassionata, letterariamente straordinaria.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Giulia Rinieri de Rocchi\u003C\u002Fstrong> era una giovane nobildonna senese affidata alla tutela di \u003Cstrong>Daniello Berlinghieri\u003C\u002Fstrong>, ministro del Granducato di Toscana a Parigi. Fu lì che incontrò \u003Cstrong>Henri Beyle\u003C\u002Fstrong>, il grande scrittore che il mondo conosce come \u003Cstrong>Stendhal\u003C\u002Fstrong>. E si innamorò. Profondamente, irrevocabilmente.\u003C\u002Fp>\r\n\r\n\u003Cp>Quando Stendhal chiese a Berlinghieri il permesso di sposarla, il tutore rifiutò: lo scrittore non era un partito adatto. Ma Giulia non si arrese. La loro relazione continuò, clandestina e intensa, con incontri a Siena, soprattutto nel \u003Cstrong>1832\u003C\u002Fstrong>, e altrove, fino alla \u003Cstrong>morte dello scrittore\u003C\u002Fstrong>. Un amore che non chiese permesso, che non accettò confini, che durò più di ogni ostacolo.\u003C\u002Fp>\r\n\r\n\u003Cp>E quell'amore si vede ancora, nascosto tra le righe dei romanzi di Stendhal. Molti studiosi riconoscono in \u003Cstrong>Giulia\u003C\u002Fstrong> l'ispirazione per \u003Cstrong>Mathilde de la \u003C\u002Fstrong>\u003Cstrong>Môle\u003C\u002Fstrong>, la protagonista febbrile e orgogliosa de \u003Cstrong>Il Rosso e il Nero\u003C\u002Fstrong>. E ne \u003Cstrong>La\u003C\u002Fstrong>\u003Cstrong> Certosa di Parma\u003C\u002Fstrong> compare un \u003Cstrong>Palazzo di Vignano\u003C\u002Fstrong> che richiama la villa appartenuta ai Berlinghieri nella località di \u003Cstrong>Vignano\u003C\u002Fstrong>, vicino a Siena. La letteratura come memoria, l'amore come ispirazione: Palazzo Berlinghieri è anche questo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il Carroccio e la memoria di Montaperti\u003C\u002Fh2>\r\n\r\n\u003Cp>All'interno del palazzo si conserva qualcosa di straordinario: il \u003Cstrong>Carroccio del Palio\u003C\u002Fstrong>, visibile da \u003Cstrong>Casato di Sotto\u003C\u002Fstrong>. Trainato da \u003Cstrong>quattro buoi di razza chianina\u003C\u002Fstrong>, questo carro trionfale sfila durante il \u003Cstrong>Corteo Storico\u003C\u002Fstrong> che precede la corsa, portando con sé il \u003Cstrong>Drappellone\u003C\u002Fstrong>, il prezioso drappo dipinto che sarà il premio della vittoria.\u003C\u002Fp>\r\n\r\n\u003Cp>Il Carroccio non è solo un elemento scenografico: è un \u003Cstrong>simbolo carico di memoria storica\u003C\u002Fstrong>. Nella tradizione senese ricorda il carro catturato ai \u003Cstrong>fiorentini a Montaperti nel 1260\u003C\u002Fstrong>, nella battaglia più celebre e più amata della storia cittadina. Sul carro campeggia una scritta in latino che tradotta suona come una preghiera eterna: \u003Cstrong>"O Regina, degna della corona più alta del Padre, contemplerò per sempre la tua verginità"\u003C\u002Fstrong>, un'invocazione alla Vergine, protettrice di Siena da sempre.\u003C\u002Fp>\r\n\r\n\u003Ch2> \u003C\u002Fh2>\r\n\r\n\u003Cp> \u003C\u002Fp>","Palazzo Berlinghieri. Dove la storia incontra un amore impossibile","\u003Cp>Vieni a scoprirlo, \u003Cstrong>fermati all'imbocco di Via Duprè\u003C\u002Fstrong>\u003Cstrong>, guarda il palazzo, pensa a Giulia e Stendhal.\u003C\u002Fstrong> E poi, cerca il Carroccio.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, all'imbocco di Via Duprè, Siena.\u003C\u002Fp>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-berlinghieri","\u002Fpalazzo-berlinghieri",{"@type":1519,"@id":2099,"description":2100,"abstract":16,"timetable":16,"title":2101,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2102,"slug":2096,"slugFormatted":2103},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3140f58500e8979a16a7","\u003Ch2>A palace overlooking the heart of the world\u003C\u002Fh2>\r\n\r\n\u003Cp>There are those who enter \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> and look up at the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>. There are those who sit on the cobblestones and let the square envelop them. And there are those who, stopping at the entrance of \u003Cstrong>Via \u003C\u002Fstrong>\u003Cstrong>Duprè\u003C\u002Fstrong>, realize that one of the most storied palaces in Siena is right there, discreet and silent, waiting for someone to stop and truly look at it.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Palazzo Berlinghieri\u003C\u002Fstrong> belonged to the Sienese aristocracy, to the family that bears its name. Today it houses the \u003Cstrong>offices of the Municipality of Siena\u003C\u002Fstrong> and, on the ground floor, the \u003Cstrong>Visit\u003C\u002Fstrong>\u003Cstrong> Siena \u003C\u002Fstrong>\u003Cstrong>Tourist\u003C\u002Fstrong>\u003Cstrong> Office\u003C\u002Fstrong>: the first official face the city offers to its visitors. A palace that welcomes, therefore. As it always has.\u003C\u002Fp>\r\n\r\n\u003Ch2>Stendhal, Giulia, and a love that did not ask for permission\u003C\u002Fh2>\r\n\r\n\u003Cp>But the story that makes this palace truly unforgettable is not institutional. It is \u003Cstrong>romantic\u003C\u002Fstrong>, passionate, and literarily extraordinary.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Giulia Rinieri de Rocchi\u003C\u002Fstrong> was a young Sienese noblewoman entrusted to the guardianship of \u003Cstrong>Daniello Berlinghieri\u003C\u002Fstrong>, minister of the Grand Duchy of Tuscany in Paris. It was there that she met \u003Cstrong>Henri Beyle\u003C\u002Fstrong>, the great writer known to the world as \u003Cstrong>Stendhal\u003C\u002Fstrong>. And she fell in love. Deeply, irrevocably.\u003C\u002Fp>\r\n\r\n\u003Cp>When Stendhal asked Berlinghieri for permission to marry her, the guardian refused: the writer was not a suitable match. But Giulia did not give up. Their relationship continued, clandestine and intense, with meetings in Siena, especially in \u003Cstrong>1832\u003C\u002Fstrong>, and elsewhere, until the \u003Cstrong>death of the writer\u003C\u002Fstrong>. A love that did not ask for permission, that did not accept boundaries, that lasted longer than any obstacle.\u003C\u002Fp>\r\n\r\n\u003Cp>And that love can still be seen, hidden between the lines of Stendhal's novels. Many scholars recognize in \u003Cstrong>Giulia\u003C\u002Fstrong> the inspiration for \u003Cstrong>Mathilde de la \u003C\u002Fstrong>\u003Cstrong>Môle\u003C\u002Fstrong>, the feverish and proud protagonist of \u003Cstrong>The Red and the Black\u003C\u002Fstrong>. And in \u003Cstrong>The\u003C\u002Fstrong>\u003Cstrong> Charterhouse of Parma\u003C\u002Fstrong> appears a \u003Cstrong>Palazzo di Vignano\u003C\u002Fstrong> that recalls the villa belonging to the Berlinghieri in the locality of \u003Cstrong>Vignano\u003C\u002Fstrong>, near Siena. Literature as memory, love as inspiration: Palazzo Berlinghieri is also this.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Carroccio and the memory of Montaperti\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside the palace, something extraordinary is preserved: the \u003Cstrong>Carroccio of the Palio\u003C\u002Fstrong>, visible from \u003Cstrong>Casato di Sotto\u003C\u002Fstrong>. Pulled by \u003Cstrong>four Chianina breed oxen\u003C\u002Fstrong>, this triumphant cart parades during the \u003Cstrong>Historical Parade\u003C\u002Fstrong> that precedes the race, carrying with it the \u003Cstrong>Drappellone\u003C\u002Fstrong>, the precious painted cloth that will be the prize for victory.\u003C\u002Fp>\r\n\r\n\u003Cp>The Carroccio is not just a scenic element: it is a \u003Cstrong>symbol laden with historical memory\u003C\u002Fstrong>. In Sienese tradition, it recalls the cart captured from the \u003Cstrong>Florentines at Montaperti in 1260\u003C\u002Fstrong>, in the most famous and beloved battle in the city's history. On the cart, there is a Latin inscription that translates as an eternal prayer: \u003Cstrong>"O Queen, worthy of the highest crown of the Father, I will forever contemplate your virginity"\u003C\u002Fstrong>, an invocation to the Virgin, protector of Siena since time immemorial.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come and discover it\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Stop at the entrance of Via \u003C\u002Fstrong>\u003Cstrong>Duprè\u003C\u002Fstrong>\u003Cstrong>, look at the palace, think of Giulia and Stendhal.\u003C\u002Fstrong> And then, seek the Carroccio.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, at the entrance of Via Duprè, Siena.\u003C\u002Fp>","Palazzo Berlinghieri. Where history meets an impossible love",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-berlinghieri",[],[2106],{"@type":1539,"@id":2107,"translations":2108,"position":1490,"imagePath":2109},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fbc6a858d1f20f0853c30",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-berlinghieri-1-6abe73d2440f9522047580.jpg",{"@type":1556,"@id":2111,"hashParam":2112},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3972932c60ee9acc5d2b","7aa361fcc27af73bd81d20d6db7cb1d0d00c680286786fa7fe975140c5c8a3d9",[],[],{"@id":2116,"@type":1476,"name":2117,"poiType":2118,"address":2130,"latitude":2131,"longitude":2132,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2133,"translations":2134,"socials":2152,"gallery":2153,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":2166,"position":679,"layout":1560,"otherPoiType":2169,"logoPath":1562,"poiTagsByCategory":2170},"\u002Fapi\u002Fpois\u002F019f8f87-7380-79af-8d69-70d99b209b68","Palazzo Diavoli",{"@id":1479,"@type":1480,"id":1481,"translations":2119,"poiCategory":2124},[2120,2122],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":2121,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":2123,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":2125},[2126,2128],{"@type":1503,"@id":1504,"name":1505,"language":2127,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":2129,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"via Fiorentina","43.3332347","11.3107617",[],[2135,2144],{"@type":1519,"@id":2136,"description":2137,"abstract":2138,"timetable":16,"title":2139,"subtitle":16,"ctaText":2140,"extraInformations":16,"language":2141,"slug":2142,"slugFormatted":2143},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3fadf1de2f8fa4d2f868","\u003Ch2>Origini e famiglia dei proprietari\u003C\u002Fh2>\r\n\r\n\u003Cp>Il palazzo \u003Cstrong>apparteneva a una famiglia senese\u003C\u002Fstrong> estinta, i \u003Cstrong>Turchi\u003C\u002Fstrong>, poi subentrarono i Buonsignori. \u003Cstrong>Sul portone principale\u003C\u002Fstrong> una scritta ancora leggibile recita: “Palatinum Turcarum”, memoria storica di chi vi ha abitato. Il legame con la famiglia Turchi è centrale anche \u003Cstrong>nell’interpretazione del nome “Diavoli\u003C\u002Fstrong>”: in epoca medievale, il termine “\u003Cstrong>turco\u003C\u002Fstrong>” era spesso \u003Cstrong>associato all’idea di infedeltà religiosa\u003C\u002Fstrong>, trasformandosi nel tempo in simbolo di \u003Cstrong>superstizione e male\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il mistero e le leggende del Palazzo\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>L’origine del nome\u003C\u002Fstrong> “Palazzo dei Diavoli” è avvolta nel \u003Cstrong>mistero\u003C\u002Fstrong> e nelle \u003Cstrong>leggende\u003C\u002Fstrong>:\u003C\u002Fp>\r\n\r\n\u003Cp>Secondo la \u003Cstrong>tradizione popolare\u003C\u002Fstrong>, il palazzo isolato \u003Cstrong>fuori dalle mura\u003C\u002Fstrong> sarebbe stato \u003Cstrong>teatro di riunioni segrete e riti\u003C\u002Fstrong> considerati \u003Cstrong>proibiti\u003C\u002Fstrong>, alimentando \u003Cstrong>un’aura di paura\u003C\u002Fstrong> e \u003Cstrong>mistero\u003C\u002Fstrong> tipica del Medioevo.\u003C\u002Fp>\r\n\r\n\u003Cp>Il \u003Cstrong>cognome dei Turchi\u003C\u002Fstrong>, reinterpretato \u003Cstrong>in senso superstizioso\u003C\u002Fstrong>, rafforzò l’associazione con il diabolico.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>battaglia di Camollia\u003C\u002Fstrong> del 25 luglio 1526 contribuì a \u003Cstrong>consolidare il mito:\u003C\u002Fstrong> un \u003Cstrong>contingente senese mise in fuga le truppe fiorentine e papali\u003C\u002Fstrong>, e i \u003Cstrong>nemici\u003C\u002Fstrong> avrebbero creduto di \u003Cstrong>vedere figure demoniache uscire dal palazzo\u003C\u002Fstrong>. L’episodio è documentato anche in una lettera di Francesco Vettori a Niccolò Machiavelli.\u003C\u002Fp>\r\n\r\n\u003Ch2>Arte e architettura\u003C\u002Fh2>\r\n\r\n\u003Cp>Il palazzo ospita una \u003Cstrong>piccola cappella\u003C\u002Fstrong>, attribuita ad Antonio Federighi e Giulio Rossi, che testimonia la \u003Cstrong>rilevanza artistica dell’edificio\u003C\u002Fstrong>. Pur \u003Cstrong>non essendo un museo né visitabile\u003C\u002Fstrong> all’interno, il Palazzo Diavoli \u003Cstrong>rimane un monumento di grande fascino storico\u003C\u002Fstrong> e \u003Cstrong>architettonico\u003C\u002Fstrong>, visibile dall’esterno e immerso in un contesto che evoca il fascino medievale di Siena.\u003C\u002Fp>","\u003Cp>Tra le colline che si aprono a \u003Cstrong>nord-est del centro storico\u003C\u002Fstrong> di Siena, il \u003Cstrong>Palazzo Diavoli\u003C\u002Fstrong> si erge come un guardiano silenzioso del passato. L’edificio, visibile dall’esterno, cattura lo sguardo con la sua \u003Cstrong>forma singolare\u003C\u002Fstrong>: la parte più antica risale al XIV secolo ed è stata successivamente sopraelevata, completata da una \u003Cstrong>torre cilindrica\u003C\u002Fstrong> che domina la campagna circostante.\u003C\u002Fp>","Palazzo Diavoli: storia, mistero e leggende a Siena","\u003Cdiv>Osserva il Palazzo Diavoli, lasciati avvolgere dalle sue \u003Cstrong>storie di battaglie e superstizione\u003C\u002Fstrong>, e \u003Cstrong>immergiti nel mistero\u003C\u002Fstrong> di uno dei luoghi più enigmatici e affascinanti di Siena.\u003C\u002Fdiv>",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-diavoli","\u002Fpalazzo-diavoli",{"@type":1519,"@id":2145,"description":2146,"abstract":2147,"timetable":16,"title":2148,"subtitle":16,"ctaText":2149,"extraInformations":16,"language":2150,"slug":2142,"slugFormatted":2151},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fbaab8ec73973bb2e5252","\u003Ch2>Origins and family of the owners\u003C\u002Fh2>\r\n\r\n\u003Cp>The palace \u003Cstrong>belonged to an extinct Sienese family\u003C\u002Fstrong>, the \u003Cstrong>Turchi\u003C\u002Fstrong>, followed by the Buonsignori. \u003Cstrong>On the main door\u003C\u002Fstrong> an inscription still legible reads: “Palatinum Turcarum”, a historical memory of those who lived there. The connection with the Turchi family is central also \u003Cstrong>in the interpretation of the name “Diavoli”\u003C\u002Fstrong>: in medieval times, the term “\u003Cstrong>Turk\u003C\u002Fstrong>” was often \u003Cstrong>associated with the idea of religious unfaithfulness\u003C\u002Fstrong>, transforming over time into a symbol of \u003Cstrong>superstition and evil\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>The mystery and legends of the Palazzo\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>The origin of the name\u003C\u002Fstrong> “Palazzo dei Diavoli” is shrouded in \u003Cstrong>mystery\u003C\u002Fstrong> and \u003Cstrong>legends\u003C\u002Fstrong>:\u003C\u002Fp>\r\n\r\n\u003Cp>According to \u003Cstrong>popular tradition\u003C\u002Fstrong>, the isolated palace \u003Cstrong>outside the walls\u003C\u002Fstrong> would have been \u003Cstrong>the scene of secret meetings and rites\u003C\u002Fstrong> considered \u003Cstrong>forbidden\u003C\u002Fstrong>, fueling \u003Cstrong>an aura of fear\u003C\u002Fstrong> and \u003Cstrong>mystery\u003C\u002Fstrong> typical of the Middle Ages.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>surname of the Turchi\u003C\u002Fstrong>, reinterpreted \u003Cstrong>in a superstitious sense\u003C\u002Fstrong>, reinforced the association with the diabolical.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>battle of Camollia\u003C\u002Fstrong> on July 25, 1526 contributed to \u003Cstrong>consolidating the myth:\u003C\u002Fstrong> a \u003Cstrong>Sienese contingent drove away the Florentine and papal troops\u003C\u002Fstrong>, and the \u003Cstrong>enemies\u003C\u002Fstrong> would have believed they \u003Cstrong>saw demonic figures emerging from the palace\u003C\u002Fstrong>. The episode is also documented in a letter from Francesco Vettori to Niccolò Machiavelli.\u003C\u002Fp>\r\n\r\n\u003Ch2>Art and architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>The palace houses a \u003Cstrong>small chapel\u003C\u002Fstrong>, attributed to Antonio Federighi and Giulio Rossi, which testifies to the \u003Cstrong>artistic relevance of the building\u003C\u002Fstrong>. Although \u003Cstrong>not a museum nor open for visits\u003C\u002Fstrong> inside, the Palazzo Diavoli \u003Cstrong>remains a monument of great historical\u003C\u002Fstrong> and \u003Cstrong>architectural charm\u003C\u002Fstrong>, visible from the outside and immersed in a context that evokes the medieval charm of Siena.\u003C\u002Fp>","\u003Cp>Among the hills that open to the \u003Cstrong>northeast of the historic center\u003C\u002Fstrong> of Siena, the \u003Cstrong>Palazzo Diavoli\u003C\u002Fstrong> stands as a silent guardian of the past. The building, visible from the outside, captures the eye with its \u003Cstrong>singular shape\u003C\u002Fstrong>: the oldest part dates back to the 14th century and was later raised, completed by a \u003Cstrong>cylindrical tower\u003C\u002Fstrong> that dominates the surrounding countryside.\u003C\u002Fp>","Palazzo Diavoli: history, mystery, and legends in Siena","\u003Cdiv>Observe the Palazzo Diavoli, let yourself be enveloped by its \u003Cstrong>stories of battles and superstition\u003C\u002Fstrong>, and \u003Cstrong>immerse yourself in the mystery\u003C\u002Fstrong> of one of the most enigmatic and fascinating places in Siena.\u003C\u002Fdiv>",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-diavoli",[],[2154,2158,2162],{"@type":1539,"@id":2155,"translations":2156,"position":1490,"imagePath":2157},"\u002Fapi\u002F.well-known\u002Fgenid\u002F15622fe34f632e81da04",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-diavoli-3-6abe795867df7996034446.jpg",{"@type":1539,"@id":2159,"translations":2160,"position":60,"imagePath":2161},"\u002Fapi\u002F.well-known\u002Fgenid\u002Feb9c26b4733f33a5ac65",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-diavoli-4-6abe79588fcde177956956.jpg",{"@type":1539,"@id":2163,"translations":2164,"position":542,"imagePath":2165},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff9285119e8bfa23f4b85",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fpalazzo-diavoli-5-6abe79588309c436728977.jpg",{"@type":1556,"@id":2167,"hashParam":2168},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffe96bb6974de50319d94","3072c8898161b67bd4c19111f3fe9f25a8b6fee4ec23afb185eee1c9891e9187",[],[],{"@id":2172,"@type":1476,"name":2173,"poiType":2174,"address":2186,"latitude":2187,"longitude":2188,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2189,"translations":2190,"socials":2204,"gallery":2205,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":2206,"position":679,"layout":1933,"otherPoiType":2209,"logoPath":1562,"poiTagsByCategory":2210},"\u002Fapi\u002Fpois\u002F019f853f-0f90-7896-b56b-f29f6463e293","Palazzo Tolomei",{"@id":1479,"@type":1480,"id":1481,"translations":2175,"poiCategory":2180},[2176,2178],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":2177,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":2179,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":2181},[2182,2184],{"@type":1503,"@id":1504,"name":1505,"language":2183,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":2185,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via dei Termini","43.3199558","11.3310266",[],[2191,2198],{"@type":1519,"@id":2192,"description":2193,"abstract":16,"timetable":16,"title":2194,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2195,"slug":2196,"slugFormatted":2197},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8f21080b85e898eac2b4","\u003Ch2>Una pietra che vale più di una torre\u003C\u002Fh2>\r\n\r\n\u003Cp>C'è qualcosa di diverso, in \u003Cstrong>Palazzo Tolomei\u003C\u002Fstrong>, rispetto a tutti gli altri palazzi medievali di Siena. Non è solo la bellezza, non è solo l'antichità. È il \u003Cstrong>messaggio\u003C\u002Fstrong> che porta scritto nelle pietre: il potere non ha più bisogno di torri altissime per affermarsi. Ha bisogno di \u003Cstrong>eleganza\u003C\u002Fstrong>, di \u003Cstrong>solidità\u003C\u002Fstrong>, di un palazzo che dica a chiunque lo guardi — io sono qui, e resto.\u003C\u002Fp>\r\n\r\n\u003Cp>Costruito tra il \u003Cstrong>1207 e il 1212\u003C\u002Fstrong> dai fratelli \u003Cstrong>Jacopo e Tolomeo di Rinaldo Tolomei\u003C\u002Fstrong>, il palazzo è un manifesto dello \u003Cstrong>stile senese\u003C\u002Fstrong> più puro: \u003Cstrong>bifore\u003C\u002Fstrong> ornate di rosette scolpite, \u003Cstrong>volticelle\u003C\u002Fstrong>\u003Cstrong> ricamate a merletti di pietra\u003C\u002Fstrong>, cornici cesellate sui davanzali, \u003Cstrong>busti leonini\u003C\u002Fstrong> a lato del portale con gli stemmi di famiglia a vegliare dall'alto. Una bellezza austera e raffinata insieme, che non urla ma si impone.\u003C\u002Fp>\r\n\r\n\u003Ch2>Un castellare nel cuore della città\u003C\u002Fh2>\r\n\r\n\u003Cp>Eppure, dietro quella grazia, si nascondeva qualcosa di più duro. Nonostante si trovasse nel cuore della città, il palazzo era \u003Cstrong>quasi un castellare\u003C\u002Fstrong>: serrato di notte con \u003Cstrong>portoni di pietra\u003C\u002Fstrong>, il vicolo della Torre blindato da cancelli davanti e dietro, il vicolo del Coltellinaio ridotto a un \u003Cstrong>budello oscuro\u003C\u002Fstrong> sormontato dai saloni del piano nobile. La famiglia Tolomei non viveva soltanto in un palazzo: viveva in una \u003Cstrong>fortezza travestita da residenza\u003C\u002Fstrong>, dove ogni dettaglio architettonico era anche un sistema di difesa.\u003C\u002Fp>\r\n\r\n\u003Cp>I \u003Cstrong>fondachi a tre navate\u003C\u002Fstrong> sorretti da pilastri quadrati, la \u003Cstrong>tettoia medievale\u003C\u002Fstrong> sulla facciata per proteggere i clienti dagli sgoccioli: tutto parla di un luogo che era insieme \u003Cstrong>dimora\u003C\u002Fstrong>, \u003Cstrong>sede bancaria\u003C\u002Fstrong> e \u003Cstrong>simbolo di potere\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Una storia di incendi, vendette e battaglie\u003C\u002Fh2>\r\n\r\n\u003Ch3>Il fuoco del popolo e le torri abbattute\u003C\u002Fh3>\r\n\r\n\u003Cp>Nel \u003Cstrong>1240\u003C\u002Fstrong> il palazzo subì i danni di un \u003Cstrong>incendio appiccato dal popolo\u003C\u002Fstrong>, in una delle tante fiammate di conflitto politico che attraversavano la Siena medievale. Nel \u003Cstrong>1268\u003C\u002Fstrong>, durante gli scontri con i \u003Cstrong>Salimbeni\u003C\u002Fstrong>, le \u003Cstrong>torri vennero abbattute\u003C\u002Fstrong>: una perdita enorme, ma anche un segno dei tempi. Il potere stava cambiando forma.\u003C\u002Fp>\r\n\r\n\u003Cp>La rovina più drammatica arrivò nel \u003Cstrong>1267\u003C\u002Fstrong>: accusati di \u003Cstrong>"guelfismo"\u003C\u002Fstrong> per aver tentato di trattare con il Papato la revoca della scomunica del \u003Cstrong>1262\u003C\u002Fstrong> di \u003Cstrong>Urbano IV\u003C\u002Fstrong> — una scomunica che liberava i debitori dall'obbligo di pagare, il che per una famiglia di banchieri equivaleva alla \u003Cstrong>rovina totale\u003C\u002Fstrong> — i Tolomei dovettero fuggire e il palazzo venne \u003Cstrong>distrutto\u003C\u002Fstrong>. Si salvarono solo i \u003Cstrong>colonnelli delle finestre\u003C\u002Fstrong>, troppo preziosi perché la furia popolare potesse permettersi di abbatterli.\u003C\u002Fp>\r\n\r\n\u003Ch3>La sede del Consiglio Generale\u003C\u002Fh3>\r\n\r\n\u003Cp>Fino al \u003Cstrong>1284\u003C\u002Fstrong>, il palazzo ospitò il \u003Cstrong>Consiglio Generale della Repubblica di Siena\u003C\u002Fstrong>: fu tra queste mura che si decisero le sorti della città, che si discussero alleanze e si pianificarono battaglie. Qui, o nelle sedi precedenti dei Tolomei alla Chiesa di San Cristoforo, si lavorò alle decisioni che portarono alla \u003Cstrong>Guerra di Montaperti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>La Pia, Dante e le origini leggendarie\u003C\u002Fh2>\r\n\r\n\u003Cp>La tradizione vuole che \u003Cstrong>Pia dei Tolomei\u003C\u002Fstrong>, citata da \u003Cstrong>Dante\u003C\u002Fstrong> nel \u003Cstrong>Purgatorio\u003C\u002Fstrong> con i versi più dolci e malinconici della Commedia, possa aver vissuto proprio qui. Un'eco letteraria che trasforma il palazzo in qualcosa di più di un monumento: in una \u003Cstrong>presenza viva\u003C\u002Fstrong>, capace di attraversare i secoli attraverso la poesia.\u003C\u002Fp>\r\n\r\n\u003Cp>E le origini stesse della famiglia portano con sé una leggenda straordinaria: si dice che i Tolomei discendessero dalla \u003Cstrong>dinastia tolemaica\u003C\u002Fstrong> che governò l'Egitto tra il \u003Cstrong>300 e il 30 a.C.\u003C\u002Fstrong>, la stessa di \u003Cstrong>Cleopatra\u003C\u002Fstrong>. Arrivati in Italia al seguito di \u003Cstrong>Carlo Magno\u003C\u002Fstrong>, divennero una delle famiglie più potenti di Siena, dominando \u003Cstrong>prestiti\u003C\u002Fstrong>, \u003Cstrong>cambi\u003C\u002Fstrong> e \u003Cstrong>affari bancari\u003C\u002Fstrong> con una rete che si estendeva ben oltre le mura della città.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a guardarlo\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Fermati davanti a Palazzo Tolomei, alza gli occhi sulle bifore, cerca i leoni sul portale.\u003C\u002Fstrong> Ogni pietra porta un nome, ogni cornice nasconde una storia. Non è solo un palazzo medievale: è \u003Cstrong>Siena che racconta \u003C\u002Fstrong>\u003Cstrong>se\u003C\u002Fstrong>\u003Cstrong> stessa\u003C\u002Fstrong> nella sua forma più orgogliosa e antica.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Tolomei\u003C\u002Fstrong>, centro storico di Siena.\u003C\u002Fp>","Palazzo Tolomei: il Potere di Pietra nel Cuore di Siena",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"palazzo-tolomei","\u002Fpalazzo-tolomei",{"@type":1519,"@id":2199,"description":2200,"abstract":16,"timetable":16,"title":2201,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2202,"slug":2196,"slugFormatted":2203},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffd7723d6cba4a3ec1600","\u003Ch2>A stone worth more than a tower\u003C\u002Fh2>\r\n\r\n\u003Cp>There is something different about \u003Cstrong>Palazzo Tolomei\u003C\u002Fstrong> compared to all the other medieval palaces in Siena. It is not just the beauty, it is not just the antiquity. It is the \u003Cstrong>message\u003C\u002Fstrong> written in the stones: power no longer needs towering heights to assert itself. It needs \u003Cstrong>elegance\u003C\u002Fstrong>, \u003Cstrong>solidity\u003C\u002Fstrong>, a palace that tells anyone who looks at it — I am here, and I remain.\u003C\u002Fp>\r\n\r\n\u003Cp>Built between \u003Cstrong>1207 and 1212\u003C\u002Fstrong> by the brothers \u003Cstrong>Jacopo and Tolomeo di Rinaldo Tolomei\u003C\u002Fstrong>, the palace is a manifesto of the purest \u003Cstrong>Sienese style\u003C\u002Fstrong>: \u003Cstrong>double windows\u003C\u002Fstrong> adorned with carved rosettes, \u003Cstrong>small arches\u003C\u002Fstrong>\u003Cstrong> embroidered with stone lace\u003C\u002Fstrong>, sculpted frames on the sills, \u003Cstrong>lion-headed busts\u003C\u002Fstrong> flanking the portal with family crests watching from above. An austere and refined beauty, which does not shout but imposes itself.\u003C\u002Fp>\r\n\r\n\u003Ch2>A stronghold in the heart of the city\u003C\u002Fh2>\r\n\r\n\u003Cp>Yet, behind that grace, something harder was hidden. Despite being located in the heart of the city, the palace was \u003Cstrong>almost a stronghold\u003C\u002Fstrong>: locked at night with \u003Cstrong>stone doors\u003C\u002Fstrong>, the alley of the Torre secured by gates at both ends, the alley of the Coltellinaio reduced to a \u003Cstrong>dark passage\u003C\u002Fstrong> overshadowed by the grand halls of the noble floor. The Tolomei family did not just live in a palace: they lived in a \u003Cstrong>fortress disguised as a residence\u003C\u002Fstrong>, where every architectural detail was also a defense system.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>three-nave warehouses\u003C\u002Fstrong> supported by square pillars, the \u003Cstrong>medieval roof\u003C\u002Fstrong> on the facade to protect customers from dripping: everything speaks of a place that was both \u003Cstrong>home\u003C\u002Fstrong>, \u003Cstrong>banking headquarters\u003C\u002Fstrong>, and \u003Cstrong>symbol of power\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>A story of fires, vendettas, and battles\u003C\u002Fh2>\r\n\r\n\u003Ch3>The fire of the people and the fallen towers\u003C\u002Fh3>\r\n\r\n\u003Cp>In \u003Cstrong>1240\u003C\u002Fstrong>, the palace suffered damage from a \u003Cstrong>fire set by the people\u003C\u002Fstrong>, in one of the many flare-ups of political conflict that swept through medieval Siena. In \u003Cstrong>1268\u003C\u002Fstrong>, during clashes with the \u003Cstrong>Salimbeni\u003C\u002Fstrong>, the \u003Cstrong>towers were brought down\u003C\u002Fstrong>: a huge loss, but also a sign of the times. Power was changing form.\u003C\u002Fp>\r\n\r\n\u003Cp>The most dramatic ruin came in \u003Cstrong>1267\u003C\u002Fstrong>: accused of \u003Cstrong>"Guelphism"\u003C\u002Fstrong> for attempting to negotiate with the Papacy for the revocation of the excommunication of \u003Cstrong>1262\u003C\u002Fstrong> by \u003Cstrong>Urban IV\u003C\u002Fstrong> — an excommunication that freed debtors from the obligation to pay, which for a family of bankers meant \u003Cstrong>total ruin\u003C\u002Fstrong> — the Tolomei had to flee and the palace was \u003Cstrong>destroyed\u003C\u002Fstrong>. Only the \u003Cstrong>window columns\u003C\u002Fstrong> were saved, too precious for the popular fury to afford to bring them down.\u003C\u002Fp>\r\n\r\n\u003Ch3>The seat of the General Council\u003C\u002Fh3>\r\n\r\n\u003Cp>Until \u003Cstrong>1284\u003C\u002Fstrong>, the palace housed the \u003Cstrong>General Council of the Republic of Siena\u003C\u002Fstrong>: it was within these walls that the fate of the city was decided, alliances were discussed, and battles were planned. Here, or in the previous seats of the Tolomei at the Church of San Cristoforo, decisions were made that led to the \u003Cstrong>War of Montaperti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Pia, Dante, and the legendary origins\u003C\u002Fh2>\r\n\r\n\u003Cp>Tradition has it that \u003Cstrong>Pia dei Tolomei\u003C\u002Fstrong>, mentioned by \u003Cstrong>Dante\u003C\u002Fstrong> in the \u003Cstrong>Purgatorio\u003C\u002Fstrong> with the sweetest and most melancholic verses of the Comedy, may have lived right here. A literary echo that transforms the palace into something more than a monument: into a \u003Cstrong>living presence\u003C\u002Fstrong>, capable of crossing the centuries through poetry.\u003C\u002Fp>\r\n\r\n\u003Cp>And the very origins of the family carry with them an extraordinary legend: it is said that the Tolomei descended from the \u003Cstrong>Ptolemaic dynasty\u003C\u002Fstrong> that ruled Egypt between \u003Cstrong>300 and 30 BC\u003C\u002Fstrong>, the same as \u003Cstrong>Cleopatra\u003C\u002Fstrong>. Arriving in Italy in the wake of \u003Cstrong>Charlemagne\u003C\u002Fstrong>, they became one of the most powerful families in Siena, dominating \u003Cstrong>loans\u003C\u002Fstrong>, \u003Cstrong>currency exchanges\u003C\u002Fstrong>, and \u003Cstrong>banking affairs\u003C\u002Fstrong> with a network that extended well beyond the city walls.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come and see it\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Stop in front of Palazzo Tolomei, raise your eyes to the double windows, look for the lions on the portal.\u003C\u002Fstrong> Every stone bears a name, every frame hides a story. It is not just a medieval palace: it is \u003Cstrong>Siena telling \u003C\u002Fstrong>\u003Cstrong>itself\u003C\u002Fstrong>\u003Cstrong> in its proudest and oldest form.\u003C\u002Fstrong>\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Tolomei\u003C\u002Fstrong>, historic center of Siena.\u003C\u002Fp>","Palazzo Tolomei: the Power of Stone in the Heart of Siena",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fpalazzo-tolomei",[],[],{"@type":1556,"@id":2207,"hashParam":2208},"\u002Fapi\u002F.well-known\u002Fgenid\u002F12acfaf349442ca07a1a","1e033db9dde33b74b597e3b4086cae70a08748c9c6a64702bbe095bce4c36e0f",[],[],{"@id":2212,"@type":1476,"name":2213,"poiType":2214,"address":2226,"latitude":2227,"longitude":2228,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2229,"translations":2230,"socials":2246,"gallery":2247,"city":1551,"province":1552,"postalCode":1553,"country":1554,"poiPreview":2248,"position":679,"layout":1560,"otherPoiType":2251,"logoPath":1562,"poiTagsByCategory":2252},"\u002Fapi\u002Fpois\u002F019ed995-a257-7c0a-a7a7-d2edaa0f1dd3","Villa Rubini",{"@id":1479,"@type":1480,"id":1481,"translations":2215,"poiCategory":2220},[2216,2218],{"@type":1484,"@id":1485,"name":30,"backUrl":31,"language":2217,"slug":31,"slugFormatted":1491},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1484,"@id":1493,"name":10,"backUrl":11,"language":2219,"slug":11,"slugFormatted":1497},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},{"@id":1499,"@type":1500,"translations":2221},[2222,2224],{"@type":1503,"@id":1504,"name":1505,"language":2223,"slug":1507,"slugFormatted":16},{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},{"@type":1503,"@id":1509,"name":1510,"language":2225,"slug":1512,"slugFormatted":16},{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"Via degli Umiliati, 45","43.325361822730244","11.329457084656612",[],[2231,2239],{"@type":1519,"@id":2232,"description":2233,"abstract":2234,"timetable":16,"title":2235,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2236,"slug":2237,"slugFormatted":2238},"\u002Fapi\u002F.well-known\u002Fgenid\u002F60a63a0b08dfee79a19c","\u003Ch2>Un segreto appena fuori dalle mura\u003C\u002Fh2>\r\n\r\n\u003Cp>Ci sono luoghi che non si cercano: si \u003Cstrong>trovano\u003C\u002Fstrong>. E quando li trovi, hai la sensazione che ti stessero aspettando. \u003Cstrong>Villa Rubini Manenti\u003C\u002Fstrong> è uno di questi: una dimora storica nascosta nel verde, appena fuori dalle imponenti \u003Cstrong>mura medievali di Siena\u003C\u002Fstrong>, che sussurra storie d'altri tempi a chi ha la pazienza di avvicinarsi e ascoltare.\u003C\u002Fp>\r\n\r\n\u003Cp>Le sue origini si perdono tra la \u003Cstrong>fine dell'Ottocento\u003C\u002Fstrong> e la \u003Cstrong>prima metà del Novecento\u003C\u002Fstrong>, forse sulle tracce di antichi poderi agricoli trasformati nel tempo in un'elegante residenza. Nel nome porta l'anima della \u003Cstrong>famiglia Rubini\u003C\u002Fstrong>, che ne fu appassionata custode per generazioni, fino a quando l'ultima erede, con un \u003Cstrong>gesto d'amore immenso\u003C\u002Fstrong>, la donò al \u003Cstrong>Comune di Siena\u003C\u002Fstrong> per farne un dono eterno alla sua comunità.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il parco, i sentieri, gli scorci\u003C\u002Fh2>\r\n\r\n\u003Cp>Attorno alla villa si dispiega l'abbraccio romantico di un \u003Cstrong>parco immenso\u003C\u002Fstrong>: vialetti segreti, \u003Cstrong>serre addormentate\u003C\u002Fstrong>, fitti boschi che creano un'oasi di pace rimasta per lunghi anni lontana dagli occhi del turismo di massa. Proprio questo lungo isolamento ha protetto nel tempo un'atmosfera \u003Cstrong>profondamente intima\u003C\u002Fstrong>, un incanto quasi fiabesco che avvolge chiunque decida di varcare la sua soglia.\u003C\u002Fp>\r\n\r\n\u003Cp>Camminando senza fretta lungo i sentieri, la natura si apre all'improvviso per regalare \u003Cstrong>scorci panoramici\u003C\u002Fstrong> d'incomparabile bellezza: i \u003Cstrong>tetti rossi di Siena\u003C\u002Fstrong>, le \u003Cstrong>torri medievali\u003C\u002Fstrong> e il profilo della città emergono tra le chiome degli alberi come per magia, in uno di quei momenti in cui ci si ferma e si capisce perché questo posto è speciale.\u003C\u002Fp>\r\n\r\n\u003Ch2>Una storia di cura e umanità\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel corso del \u003Cstrong>Novecento\u003C\u002Fstrong> la villa ha teso le braccia ai più fragili, accogliendo \u003Cstrong>funzioni di assistenza\u003C\u002Fstrong> e intrecciando indissolubilmente la sua storia architettonica a quella \u003Cstrong>umana e sociale\u003C\u002Fstrong> della città. Non solo una dimora storica, ma un luogo che ha saputo \u003Cstrong>prendersi cura\u003C\u002Fstrong>, che ha conosciuto il peso e la grazia di chi ha bisogno di riparo.\u003C\u002Fp>\r\n\r\n\u003Ch2>La nuova primavera\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi Villa Rubini Manenti vive una nuova ed emozionante stagione. Progetti come \u003Cstrong>"EduCarSI"\u003C\u002Fstrong> e \u003Cstrong>"Villa Rubini Lab"\u003C\u002Fstrong> stanno riempiendo i giardini di \u003Cstrong>cultura\u003C\u002Fstrong>, \u003Cstrong>risate di bambini\u003C\u002Fstrong> e nuove energie sociali, trasformando questo spazio dell'anima in un \u003Cstrong>rifugio aperto e inclusivo\u003C\u002Fstrong> per famiglie e giovani. La memoria del passato e l'abbraccio del presente convivono in perfetta armonia, in un luogo che continua a rinnovarsi senza dimenticare chi è.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a scoprirla\u003C\u002Fh2>\r\n\r\n\u003Cp>Se cerchi la \u003Cstrong>Siena più vera\u003C\u002Fstrong>, quella fatta di \u003Cstrong>sussurri\u003C\u002Fstrong>, profumo di terra e orizzonti che riempiono il cuore, Villa Rubini Manenti ti aspetta.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Entra nel parco, cammina senza fretta, lasciati sorprendere.\u003C\u002Fstrong> Certi luoghi non si visitano: si \u003Cstrong>respirano\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Villa Rubini Manenti è una dimora storica nascosta nel verde appena fuori dalle mura di Siena: un parco romantico, scorci panoramici sui tetti medievali e una storia di famiglia, cura e rinascita. Un luogo dell'anima da scoprire.\u003C\u002Fp>","Villa Rubini Manenti. Il segreto verde di Siena",{"@type":1487,"@id":1488,"locale":35,"name":1489,"position":1490},"villa-rubini","\u002Fvilla-rubini",{"@type":1519,"@id":2240,"description":2241,"abstract":2242,"timetable":16,"title":2243,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2244,"slug":2237,"slugFormatted":2245},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb942f264f403c9f5e933","\u003Ch2>A secret just outside the walls\u003C\u002Fh2>\r\n\r\n\u003Cp>There are places that are not sought: they are \u003Cstrong>found\u003C\u002Fstrong>. And when you find them, you have the feeling that they have been waiting for you. \u003Cstrong>Villa Rubini Manenti\u003C\u002Fstrong> is one of these: a historic residence hidden in the greenery, just outside the imposing \u003Cstrong>medieval walls of Siena\u003C\u002Fstrong>, whispering stories from other times to those who have the patience to approach and listen.\u003C\u002Fp>\r\n\r\n\u003Cp>Its origins date back to the \u003Cstrong>late 19th century\u003C\u002Fstrong> and the \u003Cstrong>first half of the 20th century\u003C\u002Fstrong>, perhaps tracing the paths of ancient agricultural estates transformed over time into an elegant residence. In its name lies the soul of the \u003Cstrong>Rubini family\u003C\u002Fstrong>, who were passionate guardians for generations, until the last heir, with a \u003Cstrong>gesture of immense love\u003C\u002Fstrong>, donated it to the \u003Cstrong>Municipality of Siena\u003C\u002Fstrong> to make it an eternal gift to its community.\u003C\u002Fp>\r\n\r\n\u003Ch2>The park, the paths, the views\u003C\u002Fh2>\r\n\r\n\u003Cp>Surrounding the villa unfolds the romantic embrace of a \u003Cstrong>vast park\u003C\u002Fstrong>: secret pathways, \u003Cstrong>sleeping greenhouses\u003C\u002Fstrong>, dense woods that create an oasis of peace that has remained for many years away from the eyes of mass tourism. This long isolation has protected over time a \u003Cstrong>deeply intimate\u003C\u002Fstrong> atmosphere, an almost fairytale charm that envelops anyone who decides to cross its threshold.\u003C\u002Fp>\r\n\r\n\u003Cp>Walking leisurely along the paths, nature suddenly opens up to offer \u003Cstrong>panoramic views\u003C\u002Fstrong> of incomparable beauty: the \u003Cstrong>red rooftops of Siena\u003C\u002Fstrong>, the \u003Cstrong>medieval towers\u003C\u002Fstrong>, and the profile of the city emerge among the treetops as if by magic, in one of those moments when you stop and understand why this place is special.\u003C\u002Fp>\r\n\r\n\u003Ch2>A story of care and humanity\u003C\u002Fh2>\r\n\r\n\u003Cp>Throughout the \u003Cstrong>20th century\u003C\u002Fstrong>, the villa has opened its arms to the most fragile, welcoming \u003Cstrong>assistance functions\u003C\u002Fstrong> and intertwining its architectural history with the \u003Cstrong>human and social\u003C\u002Fstrong> history of the city. Not just a historic residence, but a place that has known how to \u003Cstrong>care\u003C\u002Fstrong>, that has experienced the weight and grace of those in need of shelter.\u003C\u002Fp>\r\n\r\n\u003Ch2>The new spring\u003C\u002Fh2>\r\n\r\n\u003Cp>Today Villa Rubini Manenti is experiencing a new and exciting season. Projects like \u003Cstrong>"EduCarSI"\u003C\u002Fstrong> and \u003Cstrong>"Villa Rubini Lab"\u003C\u002Fstrong> are filling the gardens with \u003Cstrong>culture\u003C\u002Fstrong>, \u003Cstrong>children's laughter\u003C\u002Fstrong>, and new social energies, transforming this space of the soul into an \u003Cstrong>open and inclusive refuge\u003C\u002Fstrong> for families and young people. The memory of the past and the embrace of the present coexist in perfect harmony, in a place that continues to renew itself without forgetting who it is.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come discover it\u003C\u002Fh2>\r\n\r\n\u003Cp>If you are looking for the \u003Cstrong>truest Siena\u003C\u002Fstrong>, the one made of \u003Cstrong>whispers\u003C\u002Fstrong>, the scent of earth, and horizons that fill the heart, Villa Rubini Manenti is waiting for you.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Enter the park, walk leisurely, let yourself be surprised.\u003C\u002Fstrong> Certain places are not visited: they are \u003Cstrong>breathed\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Villa Rubini Manenti is a historic residence hidden in the greenery just outside the walls of Siena: a romantic park, panoramic views of the medieval rooftops, and a story of family, care, and rebirth. A place for the soul to discover.\u003C\u002Fp>","Villa Rubini Manenti. The green secret of Siena",{"@type":1487,"@id":1495,"locale":15,"name":1496,"position":60},"\u002Fen\u002Fvilla-rubini",[],[],{"@type":1556,"@id":2249,"hashParam":2250},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffbc933ff08c810cdf4f7","698afb45e7d398e2903420231098cca55f50b196f901be2c1feb5595f8b16886",[],[],{"@id":2254,"@type":2255},"\u002Fapi\u002Fpois?itemsPerPage=24&poiType.translations.name%5B%5D=Palazzi%20storici","PartialCollectionView",{"@type":2257,"template":2258,"variableRepresentation":2259,"mapping":2260},"IriTemplate","\u002Fapi\u002Fpois{?poiType.poiCategory,poiType.poiCategory[],poiType,poiType[],poiTag,poiTag[],poiTag.tagCategory,poiTag.tagCategory[],name,translations.slug,translations.slug[],translations.slugFormatted,translations.slugFormatted[],poiType.poiCategory.translations.slug,poiType.poiCategory.translations.slug[],stars,stars[],poiType.translations.name,poiType.translations.name[],poiType.translations.slug,poiType.translations.slug[],poiPreview.hashParam,poiPreview.hashParam[],orderByPosition,orderByName}","BasicRepresentation",[2261,2264,2266,2268,2270,2272,2274,2276,2278,2280,2282,2284,2286,2288,2290,2292,2294,2296,2298,2300,2302,2304,2306,2308,2311],{"@type":2262,"variable":2263,"property":2263,"required":93},"IriTemplateMapping","poiType.poiCategory",{"@type":2262,"variable":2265,"property":2263,"required":93},"poiType.poiCategory[]",{"@type":2262,"variable":2267,"property":2267,"required":93},"poiType",{"@type":2262,"variable":2269,"property":2267,"required":93},"poiType[]",{"@type":2262,"variable":2271,"property":2271,"required":93},"poiTag",{"@type":2262,"variable":2273,"property":2271,"required":93},"poiTag[]",{"@type":2262,"variable":2275,"property":2275,"required":93},"poiTag.tagCategory",{"@type":2262,"variable":2277,"property":2275,"required":93},"poiTag.tagCategory[]",{"@type":2262,"variable":2279,"property":2279,"required":93},"name",{"@type":2262,"variable":2281,"property":2281,"required":93},"translations.slug",{"@type":2262,"variable":2283,"property":2281,"required":93},"translations.slug[]",{"@type":2262,"variable":2285,"property":2285,"required":93},"translations.slugFormatted",{"@type":2262,"variable":2287,"property":2285,"required":93},"translations.slugFormatted[]",{"@type":2262,"variable":2289,"property":2289,"required":93},"poiType.poiCategory.translations.slug",{"@type":2262,"variable":2291,"property":2289,"required":93},"poiType.poiCategory.translations.slug[]",{"@type":2262,"variable":2293,"property":2293,"required":93},"stars",{"@type":2262,"variable":2295,"property":2293,"required":93},"stars[]",{"@type":2262,"variable":2297,"property":2297,"required":93},"poiType.translations.name",{"@type":2262,"variable":2299,"property":2297,"required":93},"poiType.translations.name[]",{"@type":2262,"variable":2301,"property":2301,"required":93},"poiType.translations.slug",{"@type":2262,"variable":2303,"property":2301,"required":93},"poiType.translations.slug[]",{"@type":2262,"variable":2305,"property":2305,"required":93},"poiPreview.hashParam",{"@type":2262,"variable":2307,"property":2305,"required":93},"poiPreview.hashParam[]",{"@type":2262,"variable":2309,"property":2310},"orderByPosition","position",{"@type":2262,"variable":2312,"property":2279},"orderByName"]