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perdere",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"da-non-perdere",{"@type":1561,"@id":1567,"name":1568,"language":1569,"slug":1570,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9e7453ac73d53090db51","Must-see",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"must-see",[1572,1582],{"@type":1573,"@id":1574,"description":1575,"abstract":1576,"timetable":16,"title":1577,"subtitle":16,"ctaText":1578,"extraInformations":16,"language":1579,"slug":1580,"slugFormatted":1581},"PoiTranslation","\u002Fapi\u002F.well-known\u002Fgenid\u002F195590598d35afbfcd51","\u003Ch2>L’architettura della Basilica e la Cappella delle Volte\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno della \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> è in stile gotico cistercense e realizzato in mattoni. La facciata, priva di decorazioni fatta eccezione per il rosone, colpisce per la sua essenzialità. Una parte è coperta dalla \u003Cstrong>Cappella delle Volte\u003C\u002Fstrong>, dove si trova il dipinto di Andrea Vanni che raffigura \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong>. L’opera è significativa perché realizzata quando Caterina era ancora in vita.\u003C\u002Fp>\r\n\r\n\u003Ch2>Affreschi, opere e reliquie di Santa Caterina\u003C\u002Fh2>\r\n\r\n\u003Cp>All’interno della basilica si possono ammirare affreschi e opere che raccontano la vita, le visioni e la forza di \u003Cstrong>Santa Caterina\u003C\u002Fstrong>, figura capace di parlare a papi, re e popoli.\u003C\u002Fp>\r\n\r\n\u003Cp>A destra della facciata si trova l’ingresso al \u003Cstrong>chiostro\u003C\u002Fstrong> del 1425, dove è presente un’unica navata con capriate a vista e una serie di cappelle. Tra le opere conservate si segnalano alcuni dipinti, un Crocifisso ligneo del XIV secolo, una Pietà lignea e la Natività della Madonna, ritenuta il capolavoro di Casolani del 1584.\u003C\u002Fp>\r\n\r\n\u003Cp>Lungo la parete destra della \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> si trova la Cappella affrescata di \u003Cstrong>Santa Caterina\u003C\u002Fstrong>, fatta costruire da Niccolò Bensi nel 1466 per custodire, sull’altare marmoreo di Giovanni di Stefano, la sacra testa della Santa. Sempre lungo il fianco destro della chiesa, in una teca inserita nella parete, è collocata anche la reliquia del dito pollice di Caterina.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il campanile e le celebrazioni del 29 aprile\u003C\u002Fh3>\r\n\r\n\u003Cp>Il campanile fu costruito nel 1340, ma la sua altezza attuale venne ridotta in seguito al terremoto del 1798.\u003C\u002Fp>\r\n\r\n\u003Cp>Ogni anno, il 29 aprile,festa in onore di \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong>, la reliquia del dito pollice viene portata in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> e usata per impartire la benedizione all’Italia e all’Europa, di cui Caterina è patrona.\u003C\u002Fp>","\u003Cp>Silenziosa e solenne, la \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> custodisce uno dei legami più profondi tra \u003Cstrong>Siena\u003C\u002Fstrong> e \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong>. Tra le sue mura, la memoria della santa vive in un luogo dove arte, devozione e storia si intrecciano in un percorso \u003Cstrong>spirituale\u003C\u002Fstrong> e \u003Cstrong>culturale\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Costruita tra il 1226 e il 1265 e ampliata nel corso del Trecento, la \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> è conosciuta anche come basilica cateriniana per il suo profondo legame con \u003Cstrong>Santa Caterina\u003C\u002Fstrong>. Qui la santa veniva spesso a pregare e maturò la sua vocazione. Ancora oggi, in una \u003Cstrong>cappella affrescata\u003C\u002Fstrong>, si conserva la testa-reliquia, elemento che rende questa chiesa uno dei riferimenti più significativi per scoprire la figura della Santa.\u003C\u002Fp>","Basilica di San Domenico: luogo spirituale e culturale di Siena","\u003Cdiv>Visita la \u003Cstrong>Basilica di San Domenico\u003C\u002Fstrong> per scoprire un luogo da non perdere, dove la memoria di \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong> continua a vivere tra reliquie, arte e devozione.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"basilica-di-san-domenico","\u002Fbasilica-di-san-domenico",{"@type":1573,"@id":1583,"description":1584,"abstract":1585,"timetable":16,"title":1586,"subtitle":16,"ctaText":1587,"extraInformations":16,"language":1588,"slug":1580,"slugFormatted":1589},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdbe55f4322d28b4ae09b","\u003Ch2>The architecture of the Basilica and the Chapel of the Vaults\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior of the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> is in Cistercian Gothic style and made of bricks. The facade, devoid of decorations except for the rose window, impresses with its essentiality. A part is covered by the \u003Cstrong>Chapel of the Vaults\u003C\u002Fstrong>, where the painting by Andrea Vanni depicting \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong> is located. The work is significant because it was created while Catherine was still alive.\u003C\u002Fp>\r\n\r\n\u003Ch2>Frescoes, works, and relics of Saint Catherine\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside the basilica, one can admire frescoes and works that tell the life, visions, and strength of \u003Cstrong>Saint Catherine\u003C\u002Fstrong>, a figure capable of speaking to popes, kings, and peoples.\u003C\u002Fp>\r\n\r\n\u003Cp>To the right of the facade is the entrance to the \u003Cstrong>cloister\u003C\u002Fstrong> from 1425, which features a single nave with exposed trusses and a series of chapels. Among the preserved works are several paintings, a wooden crucifix from the 14th century, a wooden Pietà, and the Nativity of the Madonna, considered the masterpiece of Casolani from 1584.\u003C\u002Fp>\r\n\r\n\u003Cp>Along the right wall of the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> is the frescoed Chapel of \u003Cstrong>Saint Catherine\u003C\u002Fstrong>, built by Niccolò Bensi in 1466 to house, on the marble altar of Giovanni di Stefano, the sacred head of the Saint. Also along the right side of the church, in a case inserted into the wall, is the relic of Catherine's thumb.\u003C\u002Fp>\r\n\r\n\u003Ch3>The bell tower and the celebrations of April 29\u003C\u002Fh3>\r\n\r\n\u003Cp>The bell tower was built in 1340, but its current height was reduced following the earthquake of 1798.\u003C\u002Fp>\r\n\r\n\u003Cp>Every year, on April 29, the feast in honor of \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong>, the thumb relic is brought to \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> and used to impart blessings to Italy and Europe, of which Catherine is the patron.\u003C\u002Fp>","\u003Cp>Silent and solemn, the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> holds one of the deepest connections between \u003Cstrong>Siena\u003C\u002Fstrong> and \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong>. Within its walls, the memory of the saint lives in a place where art, devotion, and history intertwine in a \u003Cstrong>spiritual\u003C\u002Fstrong> and \u003Cstrong>cultural\u003C\u002Fstrong> journey.\u003C\u002Fp>\r\n\r\n\u003Cp>Built between 1226 and 1265 and expanded during the 14th century, the \u003Cstrong>Basilica of San Domenico\u003C\u002Fstrong> is also known as the Caterinian basilica due to its deep connection with \u003Cstrong>Saint Catherine\u003C\u002Fstrong>. Here, the saint often came to pray and matured her vocation. Even today, in a \u003Cstrong>frescoed chapel\u003C\u002Fstrong>, the head-relic is preserved, making this church one of the most significant references for discovering the figure of the Saint.\u003C\u002Fp>","Basilica of San Domenico: spiritual and cultural place of Siena","\u003Cdiv>Visit the Basilica of San Domenico to discover a must-see place, where the memory of Saint Catherine of Siena continues to live among relics, art, and devotion.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fbasilica-di-san-domenico",[],[1592,1597,1601],{"@type":1593,"@id":1594,"translations":1595,"position":1514,"imagePath":1596},"Gallery","\u002Fapi\u002F.well-known\u002Fgenid\u002F23712b21f5351c4630e4",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-domenico-esterno-6a760a2e092ae695139172.jpg",{"@type":1593,"@id":1598,"translations":1599,"position":1514,"imagePath":1600},"\u002Fapi\u002F.well-known\u002Fgenid\u002F04ae0ddb2a77394a672a",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-domenico-esterno-1-6a760a2dd1c7d054629704.jpg",{"@type":1593,"@id":1602,"translations":1603,"position":1514,"imagePath":1604},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fba0f53e9ac5f70795341",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-domenico-interno-3-6a760a2df1404824851625.jpg","Siena","SI","53100","Italia",{"@type":1610,"@id":1611,"hashParam":1612},"PoiPreview","\u002Fapi\u002F.well-known\u002Fgenid\u002F088e935763e5632c8518","1fef9f96195c4d4041818bcbaadf7ad68f433ed7f194f13d29ffb41204c57f45",95,"BASIC_1",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fpoi\u002F",[1618],{"category":1619,"tags":1625},{"@id":1547,"@type":1548,"translations":1620},[1621,1623],{"@type":1551,"@id":1552,"name":1553,"language":1622,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":1557,"name":1553,"language":1624,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[1626],{"@id":1544,"@type":1545,"tagCategory":1627,"translations":1633},{"@id":1547,"@type":1548,"translations":1628},[1629,1631],{"@type":1551,"@id":1552,"name":1553,"language":1630,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":1557,"name":1553,"language":1632,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[1634,1636],{"@type":1561,"@id":1562,"name":1563,"language":1635,"slug":1565,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":1567,"name":1568,"language":1637,"slug":1570,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1639,"@type":1498,"name":1640,"poiType":1641,"address":1653,"latitude":1654,"longitude":1655,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1656,"translations":1669,"socials":1687,"gallery":1688,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":1697,"position":1613,"layout":1614,"otherPoiType":1700,"logoPath":1616,"poiTagsByCategory":1701},"\u002Fapi\u002Fpois\u002F019e791b-f549-7e85-8f9c-e48a8ac7a81d","Basilica di San Francesco",{"@id":1501,"@type":1502,"id":1503,"translations":1642,"poiCategory":1647},[1643,1645],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":1644,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":1646,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":1648},[1649,1651],{"@type":1529,"@id":1530,"name":1531,"language":1650,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":1652,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Piazza San Francesco","43.3221603","11.3338376",[1657],{"@id":1544,"@type":1545,"tagCategory":1658,"translations":1664},{"@id":1547,"@type":1548,"translations":1659},[1660,1662],{"@type":1551,"@id":1552,"name":1553,"language":1661,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":1557,"name":1553,"language":1663,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[1665,1667],{"@type":1561,"@id":1562,"name":1563,"language":1666,"slug":1565,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":1567,"name":1568,"language":1668,"slug":1570,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[1670,1679],{"@type":1573,"@id":1671,"description":1672,"abstract":1673,"timetable":16,"title":1674,"subtitle":16,"ctaText":1675,"extraInformations":16,"language":1676,"slug":1677,"slugFormatted":1678},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fe67ae04b8f4b4907dc59","\u003Ch2>San Francesco a Siena: spiritualità, arte e tradizione francescana\u003C\u002Fh2>\r\n\r\n\u003Cp>La Basilica è profondamente legata alla presenza dei Frati Minori, che nel XIII secolo trovarono a Siena un terreno fertile per la predicazione, l’assistenza ai bisognosi e la diffusione della cultura religiosa. Anche per questo la chiesa conserva ancora oggi un forte valore spirituale, ma anche educativo: l’arte, nelle sue navate, serviva a rendere accessibili ai fedeli storie sacre, santi e miracoli.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il miracolo delle Sacre Particole e la devozione popolare\u003C\u002Fh3>\r\n\r\n\u003Cp>Uno degli episodi più celebri legati alla Basilica risale al 1730, quando 351 particole consacrate vennero rubate per poi essere ritrovate, tre giorni dopo, nella cassetta delle elemosine della vicina Collegiata di Santa Maria in Provenzano. Da allora nacque il \u003Cstrong>Miracolo delle Sacre Particole\u003C\u002Fstrong>: conservate con cura, le ostie risultano ancora intatte dopo oltre 280 anni e rappresentano uno dei segni più forti della devozione popolare senese.\u003C\u002Fp>\r\n\r\n\u003Ch2>Storia e architettura della Chiesa di San Francesco\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa medievale, costruita tra il 1326 e il 1475, presentava originariamente una facciata rivestita in marmo bianco e verde, in sintonia con il linguaggio architettonico senese. Dopo i restauri di fine Ottocento, l’esterno assunse l’aspetto attuale in stile neogotico, più sobrio ed essenziale. Restano però elementi di grande valore, come il rosone attribuito a \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> e il portale cuspidato con la lunetta raffigurante San Francesco e San Bernardino in adorazione della Vergine col Bambino.\u003C\u002Fp>\r\n\r\n\u003Ch3>Opere d’arte e simboli della storia senese\u003C\u002Fh3>\r\n\r\n\u003Cp>La Basilica custodisce un importante patrimonio di \u003Cstrong>arte sacra\u003C\u002Fstrong>. Tra gli affreschi attribuiti ad \u003Cstrong>Andrea Vanni\u003C\u002Fstrong> spiccano figure di santi legate alla tradizione della città. Di grande rilievo anche il crocifisso ligneo della fine del Duecento, sopravvissuto all’incendio del 1655. Nelle cappelle si conservano inoltre opere di \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> e \u003Cstrong>Pietro Lorenzetti\u003C\u002Fstrong>, mentre la tomba dei Tolomei e la memoria di \u003Cstrong>Pia de’ Tolomei\u003C\u002Fstrong> collegano la chiesa alla storia delle famiglie senesi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Spiritualità e vita quotidiana: il legame con la comunità senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi la Basilica di San Francesco è ancora un punto di riferimento per la comunità. Le bandiere delle contrade nella navata e le celebrazioni religiose che coinvolgono la città confermano il suo ruolo di ponte tra fede, identità civica e tradizione popolare.\u003C\u002Fp>","\u003Cp>Appena fuori dal centro storico di Siena sorge la \u003Cstrong>Basilica di San Francesco\u003C\u002Fstrong>, una testimonianza viva di come spiritualità e vita quotidiana si siano intrecciate nei secoli, lasciando tracce profonde nella memoria collettiva senese. La facciata in mattoni, semplice e sobria, riflette l’ideale francescano di austerità e introduce a uno spazio dove fede, arte e tradizione si incontrano.\u003C\u002Fp>","Basilica di San Francesco: il segno nella storia spirituale di Siena","\u003Cdiv>Vivi l'emozione di un viaggio nel cuore di Siena. Esplora la Basilica di San Francesco dove arte e spiritualità continuano a parlare alla città.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"basilica-di-san-francesco","\u002Fbasilica-di-san-francesco",{"@type":1573,"@id":1680,"description":1681,"abstract":1682,"timetable":16,"title":1683,"subtitle":16,"ctaText":1684,"extraInformations":16,"language":1685,"slug":1677,"slugFormatted":1686},"\u002Fapi\u002F.well-known\u002Fgenid\u002F339c7f712a7d49c5f9d0","\u003Ch2>San Francesco in Siena: spirituality, art, and Franciscan tradition\u003C\u002Fh2>\r\n\r\n\u003Cp>The Basilica is deeply connected to the presence of the Friars Minor, who in the 13th century found fertile ground in Siena for preaching, assisting the needy, and spreading religious culture. For this reason, the church still holds a strong spiritual value today, but also educational: the art in its naves served to make sacred stories, saints, and miracles accessible to the faithful.\u003C\u002Fp>\r\n\r\n\u003Ch3>The miracle of the Sacred Particles and popular devotion\u003C\u002Fh3>\r\n\r\n\u003Cp>One of the most famous episodes related to the Basilica dates back to 1730, when 351 consecrated particles were stolen and then found three days later in the alms box of the nearby Collegiate Church of Santa Maria in Provenzano. From then on, the \u003Cstrong>Miracle of the Sacred Particles\u003C\u002Fstrong> was born: carefully preserved, the hosts remain intact after over 280 years and represent one of the strongest signs of popular devotion in Siena.\u003C\u002Fp>\r\n\r\n\u003Ch2>History and architecture of the Church of San Francesco\u003C\u002Fh2>\r\n\r\n\u003Cp>The medieval church, built between 1326 and 1475, originally featured a facade covered in white and green marble, in harmony with the Sienese architectural language. After the restorations of the late 19th century, the exterior took on its current neo-Gothic appearance, more sober and essential. However, elements of great value remain, such as the rose window attributed to \u003Cstrong>Francesco di Giorgio Martini\u003C\u002Fstrong> and the pointed portal with the lunette depicting Saint Francis and Saint Bernardino in adoration of the Virgin with Child.\u003C\u002Fp>\r\n\r\n\u003Ch3>Works of art and symbols of Sienese history\u003C\u002Fh3>\r\n\r\n\u003Cp>The Basilica houses an important heritage of \u003Cstrong>sacred art\u003C\u002Fstrong>. Among the frescoes attributed to \u003Cstrong>Andrea Vanni\u003C\u002Fstrong>, figures of saints linked to the city's tradition stand out. Also of great significance is the wooden crucifix from the late 13th century, which survived the fire of 1655. In the chapels, there are also works by \u003Cstrong>Ambrogio Lorenzetti\u003C\u002Fstrong> and \u003Cstrong>Pietro Lorenzetti\u003C\u002Fstrong>, while the tomb of the Tolomei and the memory of \u003Cstrong>Pia de’ Tolomei\u003C\u002Fstrong> connect the church to the history of Sienese families.\u003C\u002Fp>\r\n\r\n\u003Ch2>Spirituality and daily life: the bond with the Sienese community\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the Basilica of San Francesco is still a reference point for the community. The flags of the contrade in the nave and the religious celebrations involving the city confirm its role as a bridge between faith, civic identity, and popular tradition.\u003C\u002Fp>","\u003Cp>Just outside the historic center of Siena stands the \u003Cstrong>Basilica of San Francesco\u003C\u002Fstrong>, a living testament to how spirituality and daily life have intertwined over the centuries, leaving deep traces in the collective memory of Siena. The simple and sober brick facade reflects the Franciscan ideal of austerity and introduces a space where faith, art, and tradition meet.\u003C\u002Fp>","Basilica of San Francesco: the mark in the spiritual history of Siena","\u003Cdiv>Experience the emotion of a journey in the heart of Siena. Explore the Basilica of San Francesco where art and spirituality continue to speak to the city.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fbasilica-di-san-francesco",[],[1689,1693],{"@type":1593,"@id":1690,"translations":1691,"position":1514,"imagePath":1692},"\u002Fapi\u002F.well-known\u002Fgenid\u002F49d9bfb80e476fc515c8",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-francesco-esterno-piazza-2-6a760945855e8695899159.jpg",{"@type":1593,"@id":1694,"translations":1695,"position":1514,"imagePath":1696},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcb3ab57952efc40c3c9b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-di-san-francesco-interni-9-6a760945a41a4490277304.jpg",{"@type":1610,"@id":1698,"hashParam":1699},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7f941310c49bd98e22a2","46e690c4622756ff50ed092f96bef4acee942d87b5ca7be47ce87e37561c1fba",[],[1702],{"category":1703,"tags":1709},{"@id":1547,"@type":1548,"translations":1704},[1705,1707],{"@type":1551,"@id":1552,"name":1553,"language":1706,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":1557,"name":1553,"language":1708,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[1710],{"@id":1544,"@type":1545,"tagCategory":1711,"translations":1717},{"@id":1547,"@type":1548,"translations":1712},[1713,1715],{"@type":1551,"@id":1552,"name":1553,"language":1714,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":1557,"name":1553,"language":1716,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[1718,1720],{"@type":1561,"@id":1562,"name":1563,"language":1719,"slug":1565,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":1567,"name":1568,"language":1721,"slug":1570,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1723,"@type":1498,"name":1724,"poiType":1725,"address":1737,"latitude":1738,"longitude":1739,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1740,"translations":1741,"socials":1759,"gallery":1760,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":1777,"position":1613,"layout":1614,"otherPoiType":1780,"logoPath":1616,"poiTagsByCategory":1781},"\u002Fapi\u002Fpois\u002F019eac57-bde9-7419-9d72-5fc10d3edd2e","Basilica di Santa Maria dei Servi",{"@id":1501,"@type":1502,"id":1503,"translations":1726,"poiCategory":1731},[1727,1729],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":1728,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":1730,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":1732},[1733,1735],{"@type":1529,"@id":1530,"name":1531,"language":1734,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":1736,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Piazza Manzoni","43.3153519","11.3378936",[],[1742,1751],{"@type":1573,"@id":1743,"description":1744,"abstract":1745,"timetable":16,"title":1746,"subtitle":16,"ctaText":1747,"extraInformations":16,"language":1748,"slug":1749,"slugFormatted":1750},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ffb93d6cb3cb04dc231e0","\u003Ch2>Storia della Basilica e dei Servi di Maria\u003C\u002Fh2>\r\n\r\n\u003Cp>I \u003Cstrong>Servi di Maria\u003C\u002Fstrong> arrivarono a Siena intorno al 1250 e fondarono qui il loro convento, inglobando l’antica chiesa di \u003Cstrong>San Clemente\u003C\u002Fstrong>, già esistente dal XII secolo.\u003C\u002Fp>\r\n\r\n\u003Cp>La costruzione della basilica si sviluppò tra XIII e XVI secolo, dando vita a un edificio stratificato che unisce elementi gotici, rinascimentali e restauri neogotici ottocenteschi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e interno della chiesa\u003C\u002Fh2>\r\n\r\n\u003Cp>L’esterno in laterizio, sobrio e compatto, presenta una facciata quattrocentesca incompiuta, tipica del gusto tardo-gotico senese, con linee semplici e volumi essenziali.\u003C\u002Fp>\r\n\r\n\u003Cp>L’interno, a tre navate, conserva l’impianto gotico originario con arcate ogivali e campate ampie, mentre le cappelle laterali mostrano interventi rinascimentali nelle cornici e negli altari.\u003C\u002Fp>\r\n\r\n\u003Ch2>Opere d’arte e scuola senese\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra le opere più importanti spicca la \u003Cstrong>Madonna del Bordone\u003C\u002Fstrong> del 1261, di \u003Cstrong>Coppo di Marcovaldo\u003C\u002Fstrong>, capolavoro della \u003Cstrong>pittura italiana\u003C\u002Fstrong> del Duecento.\u003C\u002Fp>\r\n\r\n\u003Cp>Sono presenti anche affreschi trecenteschi e quattrocenteschi della \u003Cstrong>scuola senese\u003C\u002Fstrong> e opere di maestri come \u003Cstrong>Taddeo di Bartolo\u003C\u002Fstrong>, \u003Cstrong>Lippo Memmi\u003C\u002Fstrong> e \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il campanile e Piazza Manzoni\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>campanile\u003C\u002Fstrong> trecentesco, in laterizio e slanciato, è caratterizzato da eleganti bifore nella cella campanaria, che alleggeriscono la struttura e diffondono il suono delle campane sulla valle.\u003C\u002Fp>\r\n\r\n\u003Cp>Visibile da molti punti della città, la torre campanaria è un importante riferimento nel profilo urbano del Valdimontone.\u003C\u002Fp>\r\n\r\n\u003Ch3>Una terrazza naturale su Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, ampia e tranquilla, permette di ammirare la basilica e il campanile nella loro interezza e offre una vista spettacolare sul centro storico, dal \u003Cstrong>Duomo\u003C\u002Fstrong> alla \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La piazza è anche un punto ideale per iniziare la visita del rione del Valdimontone, uno dei più antichi di Siena e sede di una delle Contrade storiche del Palio.\u003C\u002Fp>","\u003Cp>Sul colle del \u003Cstrong>Valdimontone\u003C\u002Fstrong>, \u003Cstrong>Santa Maria dei Servi\u003C\u002Fstrong> accoglie chi arriva con una vista che svela \u003Cstrong>Siena \u003C\u002Fstrong>in tutta la sua bellezza.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>Basilica\u003C\u002Fstrong> di Santa Maria dei Servi sorge in una posizione panoramica che domina la città e si affaccia su \u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, una delle \u003Cstrong>terrazze naturali\u003C\u002Fstrong> più suggestive di Siena.\u003C\u002Fp>","Basilica di Santa Maria dei Servi: arte e panorama sul Valdimontone","\u003Cdiv>Raggiungi Santa Maria dei Servi e lasciati accogliere da uno dei luoghi più panoramici di Siena, dove arte, silenzio e storia si aprono sul profilo della città.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"basilica-di-santa-maria-dei-servi","\u002Fbasilica-di-santa-maria-dei-servi",{"@type":1573,"@id":1752,"description":1753,"abstract":1754,"timetable":16,"title":1755,"subtitle":16,"ctaText":1756,"extraInformations":16,"language":1757,"slug":1749,"slugFormatted":1758},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0f385b65064dca38d8ab","\u003Ch2>History of the Basilica and the Servants of Mary\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Servants of Mary\u003C\u002Fstrong> arrived in Siena around 1250 and founded their convent here, incorporating the ancient church of \u003Cstrong>San Clemente\u003C\u002Fstrong>, which had existed since the 12th century.\u003C\u002Fp>\r\n\r\n\u003Cp>The construction of the basilica developed between the 13th and 16th centuries, giving rise to a layered building that combines Gothic, Renaissance elements, and 19th-century neo-Gothic restorations.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and interior of the church\u003C\u002Fh2>\r\n\r\n\u003Cp>The sober and compact brick exterior features an unfinished 15th-century façade, typical of the late Gothic Sienese style, with simple lines and essential volumes.\u003C\u002Fp>\r\n\r\n\u003Cp>The interior, with three naves, preserves the original Gothic layout with pointed arches and wide spans, while the side chapels show Renaissance interventions in the frames and altars.\u003C\u002Fp>\r\n\r\n\u003Ch2>Works of art and Sienese school\u003C\u002Fh2>\r\n\r\n\u003Cp>Among the most important works stands out the \u003Cstrong>Madonna del Bordone\u003C\u002Fstrong> from 1261, by \u003Cstrong>Coppo di Marcovaldo\u003C\u002Fstrong>, a masterpiece of \u003Cstrong>Italian painting\u003C\u002Fstrong> of the 13th century.\u003C\u002Fp>\r\n\r\n\u003Cp>There are also 14th and 15th-century frescoes from the \u003Cstrong>Sienese school\u003C\u002Fstrong> and works by masters such as \u003Cstrong>Taddeo di Bartolo\u003C\u002Fstrong>, \u003Cstrong>Lippo Memmi\u003C\u002Fstrong>, and \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch3>The bell tower and Piazza Manzoni\u003C\u002Fh3>\r\n\r\n\u003Cp>The 14th-century \u003Cstrong>bell tower\u003C\u002Fstrong>, made of brick and slender, is characterized by elegant biforas in the bell chamber, which lighten the structure and spread the sound of the bells over the valley.\u003C\u002Fp>\r\n\r\n\u003Cp>Visible from many points in the city, the bell tower is an important reference in the urban profile of Valdimontone.\u003C\u002Fp>\r\n\r\n\u003Ch3>A natural terrace over Siena\u003C\u002Fh3>\r\n\r\n\u003Cp>\u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, wide and tranquil, allows you to admire the basilica and the bell tower in their entirety and offers a spectacular view of the historic center, from the \u003Cstrong>Cathedral\u003C\u002Fstrong> to the \u003Cstrong>Torre del Mangia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The square is also an ideal starting point for visiting the Valdimontone district, one of the oldest in Siena and home to one of the historic Contrade of the Palio.\u003C\u002Fp>","\u003Cp>On the hill of \u003Cstrong>Valdimontone\u003C\u002Fstrong>, \u003Cstrong>Santa Maria dei Servi\u003C\u002Fstrong> welcomes those who arrive with a view that reveals \u003Cstrong>Siena\u003C\u002Fstrong> in all its beauty.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Basilica\u003C\u002Fstrong> of Santa Maria dei Servi stands in a panoramic position that dominates the city and overlooks \u003Cstrong>Piazza Manzoni\u003C\u002Fstrong>, one of the most picturesque \u003Cstrong>natural terraces\u003C\u002Fstrong> of Siena.\u003C\u002Fp>","Basilica of Santa Maria dei Servi: art and panorama over Valdimontone","\u003Cdiv>Reach Santa Maria dei Servi and let yourself be welcomed by one of the most panoramic places in Siena, where art, silence, and history open up to the profile of the city.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fbasilica-di-santa-maria-dei-servi",[],[1761,1765,1769,1773],{"@type":1593,"@id":1762,"translations":1763,"position":1514,"imagePath":1764},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fffa73fb19a04613bcb13",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-esterno-con-drone-1-6abe6b43deb67680222522.jpg",{"@type":1593,"@id":1766,"translations":1767,"position":1514,"imagePath":1768},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fddb7ee1fd12fbfbc5d25",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-interni-3-6abe6b43c8731797281094.jpg",{"@type":1593,"@id":1770,"translations":1771,"position":1514,"imagePath":1772},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fbd317a44cf7c6bce9b4c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-interni-8-6abe6b43d51d2062118813.jpg",{"@type":1593,"@id":1774,"translations":1775,"position":1514,"imagePath":1776},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fefe03178bebfe8b53242",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dei-servi-esterni-1-6abe6b43ad867633663951.jpg",{"@type":1610,"@id":1778,"hashParam":1779},"\u002Fapi\u002F.well-known\u002Fgenid\u002F51779209844f99808e2f","c4d020d0a8c730b46931db8f1a017e3cafe7ab8bf7723464ded9b4b56543a363",[],[],{"@id":1783,"@type":1498,"name":1784,"poiType":1785,"address":1797,"latitude":1798,"longitude":1799,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1800,"translations":1801,"socials":1819,"gallery":1820,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":1829,"position":1832,"layout":1614,"otherPoiType":1833,"logoPath":1616,"poiTagsByCategory":1834},"\u002Fapi\u002Fpois\u002F019eac49-32d2-76bf-8279-002e2f101610","Chiesa della Santissima Annunziata",{"@id":1501,"@type":1502,"id":1503,"translations":1786,"poiCategory":1791},[1787,1789],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":1788,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":1790,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":1792},[1793,1795],{"@type":1529,"@id":1530,"name":1531,"language":1794,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":1796,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Complesso Museale Santa Maria della Scala","43.3170","11.3286",[],[1802,1811],{"@type":1573,"@id":1803,"description":1804,"abstract":1805,"timetable":16,"title":1806,"subtitle":16,"ctaText":1807,"extraInformations":16,"language":1808,"slug":1809,"slugFormatted":1810},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7ef028ed8c5752b7d13a","\u003Ch2>Tra luce e devozione: la Santissima Annunziata\u003C\u002Fh2>\r\n\r\n\u003Cp>Un soffio di luce e di silenzio racconta secoli di fede nella \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong>, cuore dello storico \u003Cstrong>Spedale di Santa Maria della Scala\u003C\u002Fstrong>. Fondata nel \u003Cstrong>XIV secolo\u003C\u002Fstrong> come cappella interna dello Spedale, la Chiesa offriva riparo e spiritualità ai pellegrini lungo la \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Ricostruita e ampliata nel \u003Cstrong>Cinquecento\u003C\u002Fstrong>, oggi mostra un’eleganza armoniosa, frutto della cultura manierista toscana. La facciata sobria custodisce un tesoro spirituale, evocando grazia, ascolto e rinnovamento secondo la tradizione senese.\u003C\u002Fp>\r\n\r\n\u003Ch3>Affreschi e dorature, l’Annunciazione e il Settecento nella Santissima Annunziata\u003C\u002Fh3>\r\n\r\n\u003Cp>L’altare maggiore ospita una splendida \u003Cstrong>Annunciazione\u003C\u002Fstrong> realizzata nel \u003Cstrong>1730\u003C\u002Fstrong>, attribuita a \u003Cstrong>Sebastiano Conca\u003C\u002Fstrong>, noto per la sua sensibilità luminosa e teatrale. Le decorazioni interne, ricche di stucchi e dorature, riflettono il gusto tardo barocco diffuso a Siena tra XVII e XVIII secolo, realizzate secondo le volontà testamentarie dell’antenato Rettore dello Spedale.\u003C\u002Fp>\r\n\r\n\u003Cp>Affreschi e tele della \u003Cstrong>scuola senese\u003C\u002Fstrong> accompagnano il visitatore lungo le pareti, creando un percorso visivo che intreccia devozione e bellezza. La cappella dell’ospedale, collegata alla chiesa, conserva opere di grande valore storico, che raccontano la vita quotidiana di pellegrini e malati.\u003C\u002Fp>\r\n\r\n\u003Ch2>Tra arte, storia e spiritualità\u003C\u002Fh2>\r\n\r\n\u003Cp>Artisti come \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> e \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, attivi nello stesso complesso, contribuiscono a un’atmosfera di intensa spiritualità pittorica. La chiesa era luogo di passaggio per i viandanti, offrendo conforto, cure e un momento di silenzio prima di riprendere il cammino verso Roma.\u003C\u002Fp>\r\n\r\n\u003Cp>Molti senesi la considerano un luogo “di confine”: sospeso tra la città e il mondo dei pellegrini, tra arte e carità, storia e fede. La luce che filtra dalle alte finestre crea giochi dorati che mutano durante il giorno, trasformando l’ambiente in un piccolo teatro sacro.\u003C\u002Fp>\r\n\r\n\u003Ch3>Lo Spedale di Santa Maria della Scala: arte che cura e accoglie\u003C\u002Fh3>\r\n\r\n\u003Cp>Visitando la \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong> dopo lo \u003Cstrong>Spedale di Santa Maria della Scala\u003C\u002Fstrong>, si percepisce un dialogo profondo tra arte, cura e spiritualità: ogni pietra e ogni affresco raccontano storie di accoglienza, di pellegrini e di fede che si tramanda nei secoli.\u003C\u002Fp>","\u003Cp>Esplora la \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong> a Siena, custode di arte barocca, affreschi senesi e storia dei pellegrini, tra spiritualità, bellezza e cultura nel cuore della città.\u003C\u002Fp>","Chiesa della Santissima Annunziata: un gioiello nascosto a Siena","\u003Cdiv>Lasciati stupire dalla luce e dai silenzi della \u003Cstrong>Chiesa della Santissima Annunziata\u003C\u002Fstrong> a Siena: un luogo dove \u003Cstrong>arte, fede e storia\u003C\u002Fstrong> dialogano e trasformano ogni visita in un’esperienza indimenticabile.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"chiesa-della-santissima-annunziata","\u002Fchiesa-della-santissima-annunziata",{"@type":1573,"@id":1812,"description":1813,"abstract":1814,"timetable":16,"title":1815,"subtitle":16,"ctaText":1816,"extraInformations":16,"language":1817,"slug":1809,"slugFormatted":1818},"\u002Fapi\u002F.well-known\u002Fgenid\u002F41c7f52b6e696ec5db5c","\u003Ch2>Between light and devotion: the Most Holy Annunciation\u003C\u002Fh2>\r\n\r\n\u003Cp>A breath of light and silence tells centuries of faith in the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong>, heart of the historic \u003Cstrong>Hospital of Santa Maria della Scala\u003C\u002Fstrong>. Founded in the \u003Cstrong>14th century\u003C\u002Fstrong> as an internal chapel of the Hospital, the Church provided shelter and spirituality to pilgrims along the \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Rebuilt and expanded in the \u003Cstrong>16th century\u003C\u002Fstrong>, it now displays harmonious elegance, a result of Tuscan Mannerist culture. The sober facade guards a spiritual treasure, evoking grace, listening, and renewal according to Sienese tradition.\u003C\u002Fp>\r\n\r\n\u003Ch3>Frescoes and gilding, the Annunciation and the 18th century in the Most Holy Annunciation\u003C\u002Fh3>\r\n\r\n\u003Cp>The main altar hosts a splendid \u003Cstrong>Annunciation\u003C\u002Fstrong> created in \u003Cstrong>1730\u003C\u002Fstrong>, attributed to \u003Cstrong>Sebastiano Conca\u003C\u002Fstrong>, known for his luminous and theatrical sensitivity. The internal decorations, rich in stuccos and gilding, reflect the late Baroque taste prevalent in Siena between the 17th and 18th centuries, created according to the testamentary wishes of the ancestor Rector of the Hospital.\u003C\u002Fp>\r\n\r\n\u003Cp>Frescoes and canvases from the \u003Cstrong>Sienese school\u003C\u002Fstrong> accompany the visitor along the walls, creating a visual path that intertwines devotion and beauty. The chapel of the hospital, connected to the church, preserves works of great historical value, telling the daily life of pilgrims and the sick.\u003C\u002Fp>\r\n\r\n\u003Ch2>Between art, history, and spirituality\u003C\u002Fh2>\r\n\r\n\u003Cp>Artists like \u003Cstrong>Francesco Vanni\u003C\u002Fstrong> and \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, active in the same complex, contribute to an atmosphere of intense pictorial spirituality. The church was a place of passage for travelers, offering comfort, care, and a moment of silence before resuming the journey to Rome.\u003C\u002Fp>\r\n\r\n\u003Cp>Many Sienese consider it a “border” place: suspended between the city and the world of pilgrims, between art and charity, history and faith. The light filtering through the high windows creates golden plays that change throughout the day, transforming the environment into a small sacred theater.\u003C\u002Fp>\r\n\r\n\u003Ch3>The Hospital of Santa Maria della Scala: art that heals and welcomes\u003C\u002Fh3>\r\n\r\n\u003Cp>Visiting the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong> after the \u003Cstrong>Hospital of Santa Maria della Scala\u003C\u002Fstrong>, one perceives a deep dialogue between art, care, and spirituality: every stone and every fresco tells stories of welcome, of pilgrims, and of faith that has been passed down through the centuries.\u003C\u002Fp>","\u003Cp>Explore the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong> in Siena, guardian of Baroque art, Sienese frescoes, and the history of pilgrims, amidst spirituality, beauty, and culture in the heart of the city.\u003C\u002Fp>","Church of the Most Holy Annunciation: a hidden gem in Siena","\u003Cdiv>Let yourself be amazed by the light and silences of the \u003Cstrong>Church of the Most Holy Annunciation\u003C\u002Fstrong> in Siena: a place where \u003Cstrong>art, faith, and history\u003C\u002Fstrong> converse and transform every visit into an unforgettable experience.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fchiesa-della-santissima-annunziata",[],[1821,1825],{"@type":1593,"@id":1822,"translations":1823,"position":1514,"imagePath":1824},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2f261f05ef9a5bb052fd",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsanta-maria-della-scala-chiesa-della-santissima-annunziata-6a8c0fe487fc7638221400.jpg",{"@type":1593,"@id":1826,"translations":1827,"position":1514,"imagePath":1828},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0785e056c53477131d14",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-della-santissima-annunziata-6a8c0f851ebb4825859575.jpg",{"@type":1610,"@id":1830,"hashParam":1831},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb070c791066a44ef930c","25037c6e751e5ca96f06ec838a43bfbf9b304d88f9dae0888b73cbca7c48740a",90,[],[],{"@id":1836,"@type":1498,"name":1837,"poiType":1838,"address":1850,"latitude":1851,"longitude":1852,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1853,"translations":1854,"socials":1872,"gallery":1873,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":1878,"position":1328,"layout":1614,"otherPoiType":1881,"logoPath":1616,"poiTagsByCategory":1882},"\u002Fapi\u002Fpois\u002F019ed48c-f9f9-7ecc-9c05-65963c9091ce","Chiesa di San Pietro alla Magione",{"@id":1501,"@type":1502,"id":1503,"translations":1839,"poiCategory":1844},[1840,1842],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":1841,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":1843,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":1845},[1846,1848],{"@type":1529,"@id":1530,"name":1531,"language":1847,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":1849,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"via camollia,179","43.32654447807516","11.326106772422117",[],[1855,1864],{"@type":1573,"@id":1856,"description":1857,"abstract":1858,"timetable":16,"title":1859,"subtitle":16,"ctaText":1860,"extraInformations":16,"language":1861,"slug":1862,"slugFormatted":1863},"\u002Fapi\u002F.well-known\u002Fgenid\u002F49fa2c515e1bb92006a7","\u003Ch2>Storia e architettura\u003C\u002Fh2>\r\n\r\n\u003Cp>Lo\u003Cstrong> stile romanico \u003C\u002Fstrong>dell’edificio è essenziale e sobrio: pietra nuda, proporzioni solide e “militari”, che riflettono la funzione protettiva e spirituale più che l’apparenza decorativa. Alcuni blocchi murari mostrano segni di lavorazione più antichi, probabilmente materiali di riuso provenienti da strutture romane vicine.\u003C\u002Fp>\r\n\r\n\u003Cp>Su un lato si trova la \u003Cstrong>Cappella di San Donnino\u003C\u002Fstrong>, costruita tra il 1523 e il 1526 come ex voto per ringraziare la fine di un’epidemia di peste.\u003C\u002Fp>\r\n\r\n\u003Ch2>Arte e decorazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>All’interno della chiesa sono conservati frammenti di affreschi medievali che raffigurano scene della Crocifissione e storie bibliche, opere attribuite a \u003Cstrong>Cristoforo di Bindoccio\u003C\u002Fstrong> e \u003Cstrong>Meo di Pero\u003C\u002Fstrong>. Tra le opere più rilevanti vi sono il \u003Cstrong>tabernacolo gotico del Santo Olio\u003C\u002Fstrong>, i frammenti di affreschi trecenteschi, la \u003Cstrong>Madonna col Bambino di Bartolomeo Neroni\u003C\u002Fstrong> detto il Riccio, la \u003Cstrong>Madonna con i santi Giovanni Battista \u003C\u002Fstrong>e \u003Cstrong>Pietro di Diego Pesco\u003C\u002Fstrong> e due dipinti seicenteschi dedicati a \u003Cstrong>Sant’Ugo\u003C\u002Fstrong> e al martirio di \u003Cstrong>San Donnino\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Visitare San Pietro alla Magione significa immergersi in un luogo che custodisce secoli di devozione, protezione e pellegrinaggi, tra storia, arte e spiritualità.\u003C\u002Fp>","\u003Cp>Tra pietre antiche e \u003Cstrong>simboli templari\u003C\u002Fstrong>, la \u003Cstrong>Chiesa di San Pietro alla Magione\u003C\u002Fstrong> racconta secoli di fede, \u003Cstrong>pellegrini\u003C\u002Fstrong> e \u003Cstrong>cavalieri\u003C\u002Fstrong>, custodendo silenzi che parlano più delle parole. La chiesa appartenne ai \u003Cstrong>Cavalieri Templari\u003C\u002Fstrong> dal XII secolo ed è tra le poche a \u003Cstrong>Siena\u003C\u002Fstrong> con una documentata presenza templare diretta.\u003C\u002Fp>\r\n\r\n\u003Cp>Al suo interno stabilirono la loro sede, il “\u003Cstrong>Mansio Templi\u003C\u002Fstrong>”, e vi tenevano un ospizio per pellegrini, da cui deriva il nome della chiesa.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>La storia della Chiesa \u003C\u002Fstrong>\u003Cstrong>di San Pietro alla Magione: \u003C\u002Fstrong>\u003C\u002Fp>\r\n\r\n\u003Cp>Nel 1312 la chiesa passò ai \u003Cstrong>Cavalieri Ospitalieri\u003C\u002Fstrong>, per poi essere affidata alla diocesi, e ancora oggi ospita le riunioni e le celebrazioni della sezione senese del \u003Cstrong>Sovrano Militare Ordine di Malta\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>I templari gestivano terre, proteggevano pellegrini e custodivano beni e documenti, e sulla parete si possono osservare le croci dell’ordine scolpite nella pietra. La posizione strategica e l’orientamento leggermente anomalo dell’edificio rispetto alla griglia urbana medievale suggeriscono un legame simbolico con \u003Cstrong>Gerusalemme\u003C\u002Fstrong> o con un punto preciso lungo la \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Sotto e intorno alla chiesa si trovavano sepolture di cavalieri e di pellegrini morti in viaggio, ormai perdute nel tempo. \u003Cstrong>San Pietro\u003C\u002Fstrong> era invocato soprattutto come protettore dei viaggi e garante del ritorno sicuro dei pellegrini.\u003C\u002Fp>","Chiesa di San Pietro alla Magione: storia templare e pellegrini a Siena","\u003Cdiv>Lasciati guidare dai simboli templari, ascolta il silenzio delle pietre e scopri la storia millenaria della Magione.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"chiesa-di-san-pietro-alla-magione","\u002Fchiesa-di-san-pietro-alla-magione",{"@type":1573,"@id":1865,"description":1866,"abstract":1867,"timetable":16,"title":1868,"subtitle":16,"ctaText":1869,"extraInformations":16,"language":1870,"slug":1862,"slugFormatted":1871},"\u002Fapi\u002F.well-known\u002Fgenid\u002F40e8c23da498ec63ee53","\u003Ch2>History and Architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Romanesque style\u003C\u002Fstrong> of the building is essential and sober: bare stone, solid and “military” proportions, reflecting the protective and spiritual function more than decorative appearance. Some masonry blocks show signs of older workmanship, probably reused materials from nearby Roman structures.\u003C\u002Fp>\r\n\r\n\u003Cp>On one side is the \u003Cstrong>Chapel of San Donnino\u003C\u002Fstrong>, built between 1523 and 1526 as a votive offering to thank for the end of a plague epidemic.\u003C\u002Fp>\r\n\r\n\u003Ch2>Art and Decorations\u003C\u002Fh2>\r\n\r\n\u003Cp>Inside the church are preserved fragments of medieval frescoes depicting scenes of the Crucifixion and biblical stories, works attributed to \u003Cstrong>Cristoforo di Bindoccio\u003C\u002Fstrong> and \u003Cstrong>Meo di Pero\u003C\u002Fstrong>. Among the most relevant works are the \u003Cstrong>gothic tabernacle of the Holy Oil\u003C\u002Fstrong>, fragments of 14th-century frescoes, the \u003Cstrong>Madonna with Child by Bartolomeo Neroni\u003C\u002Fstrong> known as il Riccio, the \u003Cstrong>Madonna with Saints John the Baptist\u003C\u002Fstrong> and \u003Cstrong>Peter by Diego Pesco\u003C\u002Fstrong>, and two 17th-century paintings dedicated to \u003Cstrong>Saint Hugh\u003C\u002Fstrong> and the martyrdom of \u003Cstrong>San Donnino\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Visiting San Pietro alla Magione means immersing oneself in a place that preserves centuries of devotion, protection, and pilgrimages, amidst history, art, and spirituality.\u003C\u002Fp>","\u003Cp>Among ancient stones and \u003Cstrong>Templar symbols\u003C\u002Fstrong>, the \u003Cstrong>Church of San Pietro alla Magione\u003C\u002Fstrong> tells centuries of faith, \u003Cstrong>pilgrims\u003C\u002Fstrong>, and \u003Cstrong>knights\u003C\u002Fstrong>, keeping silences that speak more than words. The church belonged to the \u003Cstrong>Knights Templar\u003C\u002Fstrong> from the 12th century and is among the few in \u003Cstrong>Siena\u003C\u002Fstrong> with documented direct Templar presence.\u003C\u002Fp>\r\n\r\n\u003Cp>Inside, they established their headquarters, the “\u003Cstrong>Mansio Templi\u003C\u002Fstrong>”, and held a hospice for pilgrims, from which the church derives its name.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>The history of the Church \u003C\u002Fstrong>\u003Cstrong>of San Pietro alla Magione: \u003C\u002Fstrong>\u003C\u002Fp>\r\n\r\n\u003Cp>In 1312, the church passed to the \u003Cstrong>Knights Hospitaller\u003C\u002Fstrong>, later being entrusted to the diocese, and still today it hosts the meetings and celebrations of the Sienese section of the \u003Cstrong>Sovereign Military Order of Malta\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The Templars managed lands, protected pilgrims, and safeguarded goods and documents, and on the wall, one can observe the crosses of the order carved in stone. The strategic position and the slightly anomalous orientation of the building compared to the medieval urban grid suggest a symbolic link with \u003Cstrong>Jerusalem\u003C\u002Fstrong> or a specific point along the \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Beneath and around the church were burials of knights and pilgrims who died on their journey, now lost to time. \u003Cstrong>San Pietro\u003C\u002Fstrong> was invoked especially as the protector of travelers and guarantor of the safe return of pilgrims.\u003C\u002Fp>","Church of San Pietro alla Magione: Templar History and Pilgrims in Siena","\u003Cdiv>Let yourself be guided by Templar symbols, listen to the silence of the stones, and discover the millennia-old history of the Magione.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fchiesa-di-san-pietro-alla-magione",[],[1874],{"@type":1593,"@id":1875,"translations":1876,"position":1514,"imagePath":1877},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fdf54c7bb8130283e7c43",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-della-magione-esterno-6a8c7405bc725636658489.jpg",{"@type":1610,"@id":1879,"hashParam":1880},"\u002Fapi\u002F.well-known\u002Fgenid\u002F89fcca5fa779816e47fe","3fa500f2c33334bd802a553189979d61c55682a49848903c5777f23bd8a2d173",[],[],{"@id":1884,"@type":1498,"name":1885,"poiType":1886,"address":1898,"latitude":1899,"longitude":1900,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1901,"translations":1902,"socials":1920,"gallery":1921,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":1938,"position":1328,"layout":1614,"otherPoiType":1941,"logoPath":1616,"poiTagsByCategory":1942},"\u002Fapi\u002Fpois\u002F019eac54-176c-70a6-b1b2-f089a2d6171b","Chiesa di Santa Maria in Provenzano",{"@id":1501,"@type":1502,"id":1503,"translations":1887,"poiCategory":1892},[1888,1890],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":1889,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":1891,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":1893},[1894,1896],{"@type":1529,"@id":1530,"name":1531,"language":1895,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":1897,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Piazza Provenzano","43.3206631","11.3325672",[],[1903,1912],{"@type":1573,"@id":1904,"description":1905,"abstract":1906,"timetable":16,"title":1907,"subtitle":16,"ctaText":1908,"extraInformations":16,"language":1909,"slug":1910,"slugFormatted":1911},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6c82c452dceefa66a653","\u003Ch2>Storia e origine del culto mariano\u003C\u002Fh2>\r\n\r\n\u003Cp>La costruzione della chiesa iniziò nel 1594 e si concluse nel 1604, in piena epoca manierista, su progetto di \u003Cstrong>Flaminio del Turco\u003C\u002Fstrong> e \u003Cstrong>Damiano Schifardini\u003C\u002Fstrong>. La consacrazione avvenne nel 1611, quando l’edificio divenne rapidamente uno dei principali \u003Cstrong>santuari mariani \u003C\u002Fstrong>di Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>L’origine del culto è legata a un evento ritenuto miracoloso: nel 1594 un colpo di archibugio colpì un’antica immagine della Madonna. Da quel momento si diffusero racconti di guarigioni e \u003Cstrong>grazie\u003C\u002Fstrong> ricevute, e la devozione popolare crebbe fino a spingere il\u003Cstrong> Comune\u003C\u002Fstrong> e le \u003Cstrong>Contrade\u003C\u002Fstrong> a costruire una chiesa monumentale per custodire l’immagine, oggi posta sull’altare maggiore.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e opere d’arte\u003C\u002Fh2>\r\n\r\n\u003Cp>La facciata in travertino è uno dei migliori esempi di manierismo senese: sobria, elegante e scandita da nicchie che ospitano statue ottocentesche di \u003Cstrong>Antonio Zini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>L’interno è a croce greca, dominato da una grande cupola affrescata nel Settecento con i quattro santi protettori di Siena: \u003Cstrong>Galgano\u003C\u002Fstrong>, \u003Cstrong>Savino\u003C\u002Fstrong>, \u003Cstrong>Crescenzio\u003C\u002Fstrong> e \u003Cstrong>Vittore\u003C\u002Fstrong>. Tra le opere più importanti spicca \u003Cstrong>La Messa di San Cerbone\u003C\u002Fstrong> di \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>, uno dei capolavori del barocco senese.\u003C\u002Fp>\r\n\r\n\u003Cp>Numerosi altari laterali, riccamente decorati, testimoniano la partecipazione delle Contrade alla costruzione e all’abbellimento della chiesa.\u003C\u002Fp>\r\n\r\n\u003Ch2>Santa Maria in Provenzano e il Palio del 2 luglio\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa è strettamente legata al \u003Cstrong>Palio del 2 luglio\u003C\u002Fstrong>, dedicato alla \u003Cstrong>Madonna di Provenzano\u003C\u002Fstrong>. Ogni anno le Contrade vi portano ceri e doni votivi in segno di devozione.\u003C\u002Fp>\r\n\r\n\u003Cp>E la Contrada che vince porta subito dopo la corsa il Palio appena conquestato in Provenzano, per rendere omaggio alla Madonna a cui è dedicato.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un luogo di protezione e identità\u003C\u002Fh3>\r\n\r\n\u003Cp>La Madonna di Provenzano è considerata \u003Cstrong>protettrice\u003C\u002Fstrong> della città nei momenti difficili: epidemie, carestie e guerre spinsero i senesi a rivolgersi a lei per chiedere protezione.\u003C\u002Fp>\r\n\r\n\u003Cp>La piazza antistante, un tempo degradata, fu completamente riqualificata grazie alla costruzione della chiesa, diventando un elegante spazio urbano.\u003C\u002Fp>","\u003Cp>A\u003Cstrong> Siena\u003C\u002Fstrong>, il \u003Cstrong>Palio del 2 luglio\u003C\u002Fstrong> nasce anche da una devozione profonda: quella per la \u003Cstrong>Madonna di Provenzano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>Chiesa di Santa Maria in Provenzano\u003C\u002Fstrong> è uno dei luoghi più identitari della città, profondamente legato alla \u003Cstrong>devozione mariana\u003C\u002Fstrong> e alla tradizione del Palio. Sorge nell’omonima piazza, nel \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong>, in un’area che un tempo ospitava le case del condottiero ghibellino \u003Cstrong>Provenzano Salvani\u003C\u002Fstrong>, citato da\u003Cstrong> Dante\u003C\u002Fstrong> nella \u003Cstrong>Divina Commedia\u003C\u002Fstrong>.\u003C\u002Fp>","Chiesa di Santa Maria in Provenzano: devozione e Palio a Siena","\u003Cdiv>Attraversa \u003Cstrong>Piazza Provenzano\u003C\u002Fstrong> e\u003Cbr>ritrova il legame tra devozione, arte e \u003Cstrong>Palio\u003C\u002Fstrong>.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"chiesa-di-santa-maria-in-provenzano","\u002Fchiesa-di-santa-maria-in-provenzano",{"@type":1573,"@id":1913,"description":1914,"abstract":1915,"timetable":16,"title":1916,"subtitle":16,"ctaText":1917,"extraInformations":16,"language":1918,"slug":1910,"slugFormatted":1919},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8be46eadd625a4b8e261","\u003Ch2>History and origin of the Marian cult\u003C\u002Fh2>\r\n\r\n\u003Cp>The construction of the church began in 1594 and was completed in 1604, during the full Mannerist period, based on a design by \u003Cstrong>Flaminio del Turco\u003C\u002Fstrong> and \u003Cstrong>Damiano Schifardini\u003C\u002Fstrong>. The consecration took place in 1611, when the building quickly became one of the main \u003Cstrong>Marian sanctuaries\u003C\u002Fstrong> of Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>The origin of the cult is linked to an event considered miraculous: in 1594, a gunshot hit an ancient image of the Madonna. From that moment, stories of healings and \u003Cstrong>graces\u003C\u002Fstrong> received spread, and popular devotion grew until it prompted the \u003Cstrong>Municipality\u003C\u002Fstrong> and the \u003Cstrong>Contrade\u003C\u002Fstrong> to build a monumental church to house the image, now placed on the main altar.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and artworks\u003C\u002Fh2>\r\n\r\n\u003Cp>The travertine façade is one of the best examples of Sienese Mannerism: sober, elegant, and marked by niches that host 19th-century statues by \u003Cstrong>Antonio Zini\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The interior is in a Greek cross shape, dominated by a large dome frescoed in the 18th century with the four patron saints of Siena: \u003Cstrong>Galgano\u003C\u002Fstrong>, \u003Cstrong>Savino\u003C\u002Fstrong>, \u003Cstrong>Crescenzio\u003C\u002Fstrong>, and \u003Cstrong>Vittore\u003C\u002Fstrong>. Among the most important works stands out \u003Cstrong>The Mass of San Cerbone\u003C\u002Fstrong> by \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>, one of the masterpieces of Sienese Baroque.\u003C\u002Fp>\r\n\r\n\u003Cp>Numerous richly decorated side altars testify to the participation of the Contrade in the construction and embellishment of the church.\u003C\u002Fp>\r\n\r\n\u003Ch2>Santa Maria in Provenzano and the Palio of July 2\u003C\u002Fh2>\r\n\r\n\u003Cp>The church is closely linked to the \u003Cstrong>Palio of July 2\u003C\u002Fstrong>, dedicated to the \u003Cstrong>Madonna of Provenzano\u003C\u002Fstrong>. Every year, the Contrade bring candles and votive offerings as a sign of devotion.\u003C\u002Fp>\r\n\r\n\u003Cp>And the Contrada that wins immediately brings the Palio just conquered to Provenzano, to pay homage to the Madonna to whom it is dedicated.\u003C\u002Fp>\r\n\r\n\u003Ch3>A place of protection and identity\u003C\u002Fh3>\r\n\r\n\u003Cp>The Madonna of Provenzano is considered the \u003Cstrong>protector\u003C\u002Fstrong> of the city in difficult times: epidemics, famines, and wars prompted the Sienese to turn to her for protection.\u003C\u002Fp>\r\n\r\n\u003Cp>The square in front, once degraded, was completely redeveloped thanks to the construction of the church, becoming an elegant urban space.\u003C\u002Fp>","\u003Cp>In \u003Cstrong>Siena\u003C\u002Fstrong>, the \u003Cstrong>Palio of July 2\u003C\u002Fstrong> also arises from a deep devotion: that for the \u003Cstrong>Madonna of Provenzano\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Church of Santa Maria in Provenzano\u003C\u002Fstrong> is one of the most iconic places in the city, deeply linked to \u003Cstrong>Marian devotion\u003C\u002Fstrong> and the tradition of the Palio. It stands in the square of the same name, in the \u003Cstrong>Terzo di Camollia\u003C\u002Fstrong>, in an area that once housed the houses of the Ghibelline leader \u003Cstrong>Provenzano Salvani\u003C\u002Fstrong>, mentioned by \u003Cstrong>Dante\u003C\u002Fstrong> in the \u003Cstrong>Divine Comedy\u003C\u002Fstrong>.\u003C\u002Fp>","Church of Santa Maria in Provenzano: devotion and Palio in Siena","\u003Cdiv>Cross Piazza Provenzano and rediscover the link between devotion, art, and the Palio.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fchiesa-di-santa-maria-in-provenzano",[],[1922,1926,1930,1934],{"@type":1593,"@id":1923,"translations":1924,"position":1514,"imagePath":1925},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb44afb1ed38dff136e29",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-facciata-esterna-3-6abe6da69d8c8949281384.jpg",{"@type":1593,"@id":1927,"translations":1928,"position":121,"imagePath":1929},"\u002Fapi\u002F.well-known\u002Fgenid\u002F06ad448cbd2d63be3146",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-interni-6a8c0e5e445f9301664061.jpg",{"@type":1593,"@id":1931,"translations":1932,"position":461,"imagePath":1933},"\u002Fapi\u002F.well-known\u002Fgenid\u002F3935120ea90113d378ea",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-esterno-6a8c0e5e61feb189583594.jpg",{"@type":1593,"@id":1935,"translations":1936,"position":629,"imagePath":1937},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8aef084ace8a245d4bdb",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-provenzano-esterno-con-drone-2-6abe6da6ba0a8262261274.jpg",{"@type":1610,"@id":1939,"hashParam":1940},"\u002Fapi\u002F.well-known\u002Fgenid\u002Facccad81a345155bd800","edb7ac21816cde1e3a8853d5229d455b96555c30c63cfabf9fd684d4de810847",[],[],{"@id":1944,"@type":1498,"name":1945,"poiType":1946,"address":1958,"latitude":1959,"longitude":1960,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":1961,"translations":1962,"socials":1980,"gallery":1981,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":1994,"position":1997,"layout":1614,"otherPoiType":1998,"logoPath":1616,"poiTagsByCategory":1999},"\u002Fapi\u002Fpois\u002F019ecba7-10f2-7cf7-9963-d80e6c096b32","Basilica dell'Osservanza",{"@id":1501,"@type":1502,"id":1503,"translations":1947,"poiCategory":1952},[1948,1950],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":1949,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":1951,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":1953},[1954,1956],{"@type":1529,"@id":1530,"name":1531,"language":1955,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":1957,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Strada dell'Osservanza, 7","43.33144352883088","11.339342227274544",[],[1963,1972],{"@type":1573,"@id":1964,"description":1965,"abstract":1966,"timetable":16,"title":1967,"subtitle":16,"ctaText":1968,"extraInformations":16,"language":1969,"slug":1970,"slugFormatted":1971},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb4450d3f8eafd686a1ac","\u003Cp>Immersa nel verde del\u003Cstrong> colle di Capriola\u003C\u002Fstrong>, la \u003Cstrong>Basilica dell’Osservanza\u003C\u002Fstrong> offre un’oasi di silenzio e contemplazione appena fuori dalle mura di \u003Cstrong>Siena\u003C\u002Fstrong>, un luogo dove\u003Cstrong> arte\u003C\u002Fstrong>, \u003Cstrong>storia\u003C\u002Fstrong> e \u003Cstrong>spiritualità\u003C\u002Fstrong> si intrecciano lontano dai percorsi più affollati.\u003C\u002Fp>\r\n\r\n\u003Cp>Le origini della basilica risalgono alla metà del \u003Cstrong>XV secolo\u003C\u002Fstrong>, quando \u003Cstrong>San Bernardino da Siena\u003C\u002Fstrong>, figura amatissima in città, iniziò a predicare sul colle ispirando la costruzione di un \u003Cstrong>convento francescano\u003C\u002Fstrong> dedicato all’“Osservanza”, cioè alla rigorosa osservanza della regola francescana. Dopo la sua morte nel 1444 a L’Aquila, i seguaci vollero onorarne la memoria edificando una chiesa che ne custodisse lo spirito. I lavori iniziarono nel 1476 e proseguirono per diversi decenni, dando vita a un complesso armonioso e sobrio, tipico dell’architettura francescana.\u003C\u002Fp>\r\n\r\n\u003Cp>Nel corso dei secoli, il convento e la basilica hanno accompagnato la vita religiosa e civile della città: il colle serviva anche come punto strategico di osservazione durante le guerre tra Siena e\u003Cstrong> Firenze\u003C\u002Fstrong>, e la campana maggiore avvisava la popolazione in caso di pericolo.\u003C\u002Fp>\r\n\r\n\u003Cp>La basilica subì gravi danni durante la \u003Cstrong>Seconda Guerra Mondiale\u003C\u002Fstrong>: i bombardamenti del 1944 colpirono quasi completamente l’edificio. La ricostruzione fedele, conclusa negli anni Cinquanta, restituì alla città uno dei suoi luoghi più cari.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Architettura e opere d’arte\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno semplice e luminoso ospita opere di grande valore, tra cui dipinti attribuiti a \u003Cstrong>Sano di Pietro\u003C\u002Fstrong>, e opere in \u003Cstrong>terracotta invetriata\u003C\u002Fstrong> con \u003Cstrong>San Ludovico di Tolosa\u003C\u002Fstrong> e \u003Cstrong>San Bonaventura\u003C\u002Fstrong> di \u003Cstrong>Andrea della Robbia\u003C\u002Fstrong>. Particolarmente suggestiva è la cappella dedicata a \u003Cstrong>San Bernardino\u003C\u002Fstrong>, che conserva \u003Cstrong>reliquie\u003C\u002Fstrong> e testimonianze della sua predicazione.\u003Cbr \u002F>\r\nLa facciata, sobria e immersa nel verde, riflette l’armonia dell’architettura francescana. All’interno, il complesso si sviluppa in ambienti che raccontano i secoli di storia, dalle decorazioni originali del XV secolo fino agli interventi di ricostruzione del XX secolo.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Convento e panorami\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>Il convento annesso ospita una preziosa \u003Cstrong>biblioteca storica\u003C\u002Fstrong>, ricca di \u003Cstrong>manoscritti \u003C\u002Fstrong>e volumi antichi legati alla predicazione francescana e alla storia senese. Il piazzale antistante offre una vista panoramica sulla \u003Cstrong>campagna toscana\u003C\u002Fstrong> e sulla città, rendendolo ideale per una pausa contemplativa o per scattare \u003Cstrong>fotografie\u003C\u002Fstrong> suggestive.\u003C\u002Fp>\r\n\r\n\u003Cp>La \u003Cstrong>Basilica dell’Osservanza\u003C\u002Fstrong> oggi è un luogo di pace e riflessione, perfetto per chi ama arte, storia e spiritualità. L’atmosfera raccolta e il forte legame con San Bernardino ne fanno una tappa imprescindibile per conoscere l’anima più autentica di Siena.\u003C\u002Fp>","\u003Cp>Scopri la Basilica dell’Osservanza a Siena, un luogo di arte, storia e spiritualità legato a San Bernardino. Ammira opere preziose, panorami mozzafiato e la pace del colle di Capriola.\u003C\u002Fp>","Basilica dell’Osservanza: arte, storia e spiritualità a Siena","\u003Cdiv>Respira il silenzio, osserva i dettagli e porta con te il fascino senza tempo di Siena\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"basilica-dell-osservanza","\u002Fbasilica-dell-osservanza",{"@type":1573,"@id":1973,"description":1974,"abstract":1975,"timetable":16,"title":1976,"subtitle":16,"ctaText":1977,"extraInformations":16,"language":1978,"slug":1970,"slugFormatted":1979},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd90710c9bf74edd1d9de","\u003Cp>Set in the greenery of the \u003Cstrong>Capriola hill\u003C\u002Fstrong>, the \u003Cstrong>Basilica of the Observance\u003C\u002Fstrong> offers an oasis of silence and contemplation just outside the walls of \u003Cstrong>Siena\u003C\u002Fstrong>, a place where \u003Cstrong>art\u003C\u002Fstrong>, \u003Cstrong>history\u003C\u002Fstrong>, and \u003Cstrong>spirituality\u003C\u002Fstrong> intertwine away from the more crowded paths.\u003C\u002Fp>\r\n\r\n\u003Cp>The origins of the basilica date back to the mid-\u003Cstrong>15th century\u003C\u002Fstrong>, when \u003Cstrong>Saint Bernardino of Siena\u003C\u002Fstrong>, a beloved figure in the city, began preaching on the hill, inspiring the construction of a \u003Cstrong>Franciscan convent\u003C\u002Fstrong> dedicated to the “Observance,” meaning the strict adherence to the Franciscan rule. After his death in 1444 in L’Aquila, his followers wanted to honor his memory by building a church that would preserve his spirit. Construction began in 1476 and continued for several decades, resulting in a harmonious and sober complex, typical of Franciscan architecture.\u003C\u002Fp>\r\n\r\n\u003Cp>Over the centuries, the convent and the basilica have accompanied the religious and civil life of the city: the hill also served as a strategic observation point during the wars between Siena and \u003Cstrong>Florence\u003C\u002Fstrong>, and the main bell warned the population in case of danger.\u003C\u002Fp>\r\n\r\n\u003Cp>The basilica suffered severe damage during \u003Cstrong>World War II\u003C\u002Fstrong>: the bombings of 1944 almost completely hit the building. The faithful reconstruction, completed in the 1950s, returned to the city one of its dearest places.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Architecture and artworks\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The simple and bright interior houses works of great value, including paintings attributed to \u003Cstrong>Sano di Pietro\u003C\u002Fstrong>, and \u003Cstrong>glazed terracotta\u003C\u002Fstrong> works featuring \u003Cstrong>Saint Louis of Toulouse\u003C\u002Fstrong> and \u003Cstrong>Saint Bonaventure\u003C\u002Fstrong> by \u003Cstrong>Andrea della Robbia\u003C\u002Fstrong>. Particularly striking is the chapel dedicated to \u003Cstrong>Saint Bernardino\u003C\u002Fstrong>, which preserves \u003Cstrong>relics\u003C\u002Fstrong> and testimonies of his preaching.\u003C\u002Fp>\r\n\r\n\u003Cp>The facade, sober and immersed in greenery, reflects the harmony of Franciscan architecture. Inside, the complex unfolds in spaces that tell centuries of history, from the original decorations of the 15th century to the reconstruction interventions of the 20th century.\u003C\u002Fp>\r\n\r\n\u003Ch2>\u003Cstrong>Convent and views\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\r\n\u003Cp>The attached convent houses a valuable \u003Cstrong>historical library\u003C\u002Fstrong>, rich in \u003Cstrong>manuscripts\u003C\u002Fstrong> and ancient volumes related to Franciscan preaching and Siena's history. The square in front offers a panoramic view of the \u003Cstrong>Tuscan countryside\u003C\u002Fstrong> and the city, making it ideal for a contemplative break or for taking \u003Cstrong>suggestive photographs\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>Basilica of the Observance\u003C\u002Fstrong> today is a place of peace and reflection, perfect for those who love art, history, and spirituality. The intimate atmosphere and the strong connection with Saint Bernardino make it an essential stop to discover the most authentic soul of Siena.\u003C\u002Fp>","\u003Cp>Discover the Basilica dell'Osservanza in Siena, a place of art, history, and spirituality linked to San Bernardino. Admire precious artworks, breathtaking views, and the tranquility of Capriola Hill.\u003C\u002Fp>","Basilica of the Observance: art, history, and spirituality in Siena","\u003Cdiv>Breathe in the silence, observe the details, and take with you the timeless charm of Siena\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fbasilica-dell-osservanza",[],[1982,1986,1990],{"@type":1593,"@id":1983,"translations":1984,"position":1514,"imagePath":1985},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6e88f41b63729fe08248",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dell-osservanza-7-6abf8413939e6493464360.jpg",{"@type":1593,"@id":1987,"translations":1988,"position":1514,"imagePath":1989},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8290baaad28e97459a91",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dell-osservanza-3-6abf8413843c6247627734.jpg",{"@type":1593,"@id":1991,"translations":1992,"position":1514,"imagePath":1993},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4e292fc9f0a118831e1e",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fbasilica-dell-osservanza-10-6abf841368d71738452306.jpg",{"@type":1610,"@id":1995,"hashParam":1996},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff883a884196f48e7ccf2","47265df68e6d1f26cc7aeb4738a73c89f7cf21d45cc5a35db6693c839b21ada0",70,[],[],{"@id":2001,"@type":1498,"name":2002,"poiType":2003,"address":2015,"latitude":2016,"longitude":2017,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2018,"translations":2019,"socials":2037,"gallery":2038,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2043,"position":1997,"layout":2046,"otherPoiType":2047,"logoPath":1616,"poiTagsByCategory":2048},"\u002Fapi\u002Fpois\u002F019ecbe8-9e0e-7495-8a72-54ef9b757889","Chiesa San Martino",{"@id":1501,"@type":1502,"id":1503,"translations":2004,"poiCategory":2009},[2005,2007],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":2006,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":2008,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2010},[2011,2013],{"@type":1529,"@id":1530,"name":1531,"language":2012,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":2014,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Logge del Papa, 7","43.31856187509854","11.333709026984916",[],[2020,2029],{"@type":1573,"@id":2021,"description":2022,"abstract":2023,"timetable":16,"title":2024,"subtitle":16,"ctaText":2025,"extraInformations":16,"language":2026,"slug":2027,"slugFormatted":2028},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4ffac0d361328520ec42","\u003Cp>Storia e leggende della chiesa\u003C\u002Fp>\r\n\r\n\u003Cp>Citata già nell’alto Medioevo, la Chiesa di San Martino è stata rinnovata e ampliata nei secoli, combinando elementi gotici e barocchi. Era strettamente legata alle confraternite locali e agli artigiani, in particolare sarti e falegnami, e spesso fungeva da punto di riferimento per le processioni di quartiere.\u003C\u002Fp>\r\n\r\n\u003Cp>Una \u003Cstrong>leggenda racconta\u003C\u002Fstrong> che la statua di San Martino abbia mosso il mantello da sola per proteggere un bambino che stava per cadere da un cornicione: da allora, ogni anno, i bambini ricevono una benedizione speciale durante la festa del santo. Al XV secolo risalgono altri miracoli minori legati alla salute.\u003C\u002Fp>\r\n\r\n\u003Cp>Si narra inoltre che sotto la chiesa esista un \u003Cstrong>pozzo nascosto\u003C\u002Fstrong>, utilizzato in passato per scopi rituali o per proteggere oggetti preziosi durante guerre e saccheggi, una curiosità molto amata dai residenti.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e interni\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa presenta una struttura semplice con elementi gotici e barocchi. L’interno ospita affreschi di scuola senese e dipinti raffiguranti San Martino. Sono stati rinvenuti resti di tombe medievali, a testimonianza dei legami con nobili e confratelli locali.\u003C\u002Fp>\r\n\r\n\u003Cp>L’\u003Cstrong>organo a canne\u003C\u002Fstrong>, risalente a fine ‘500\u002Finizi ‘600 e realizzato da Cesare Romani, è stato restaurato e conserva ancora gran parte dei materiali originali.\u003C\u002Fp>\r\n\r\n\u003Ch2>Opere principali\u003C\u002Fh2>\r\n\r\n\u003Cp>Tra le opere più significative della chiesa si trovano:\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Natività di Gesù\u003C\u002Fstrong>, Domenico Beccafumi (1524)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>La Circoncisione di Gesù\u003C\u002Fstrong>, Guido Reni (1636)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Il Martirio di San Bartolomeo\u003C\u002Fstrong>, Giovanni Francesco Barbieri “Il Guercino” (1637)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Madonna col Bambino\u003C\u002Fstrong>, marmo di Giuseppe Mazzuoli, collocata su uno degli altari laterali\u003C\u002Fp>\r\n\r\n\u003Cp>Volta e cupola decorate con affreschi di Annibale Mazzuoli\u003C\u002Fp>\r\n\r\n\u003Ch2>Un’esperienza a Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>La Chiesa di San Martino rappresenta un luogo dove arte, storia e fede si intrecciano. Tra affreschi, leggende e miracoli, ogni visita diventa un viaggio nella tradizione senese più autentica.\u003C\u002Fp>","\u003Cp>Una chiesa dove il tempo sembra rallentare, dove ogni angolo custodisce storie di \u003Cstrong>fede\u003C\u002Fstrong>, \u003Cstrong>miracoli\u003C\u002Fstrong> e \u003Cstrong>devozione\u003C\u002Fstrong> popolare. La Chiesa di San Martino a Siena ti accoglie con la sua struttura semplice, \u003Cstrong>affreschi\u003C\u002Fstrong> di scuola senese e \u003Cstrong>opere\u003C\u002Fstrong> che raccontano secoli di storia, legami con artigiani e confraternite, e una tradizione che ancora oggi affascina grandi e piccini.\u003C\u002Fp>","Chiesa di San Martino: arte, fede e leggende a Siena","\u003Cdiv>Scopri i segreti e i capolavori di San Martino e lasciati sorprendere dai racconti, dalle opere e dalle leggende.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"chiesa-san-martino","\u002Fchiesa-san-martino",{"@type":1573,"@id":2030,"description":2031,"abstract":2032,"timetable":16,"title":2033,"subtitle":16,"ctaText":2034,"extraInformations":16,"language":2035,"slug":2027,"slugFormatted":2036},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5eb726afd7ab488e75a6","\u003Ch2>History and legends of the church\u003C\u002Fh2>\r\n\r\n\u003Cp>Mentioned as early as the High Middle Ages, the Church of San Martino has been renewed and expanded over the centuries, combining Gothic and Baroque elements. It was closely linked to local brotherhoods and artisans, particularly tailors and carpenters, and often served as a reference point for neighborhood processions.\u003C\u002Fp>\r\n\r\n\u003Cp>A \u003Cstrong>legend tells\u003C\u002Fstrong> that the statue of San Martino moved its cloak by itself to protect a child who was about to fall from a ledge: since then, every year, children receive a special blessing during the saint's feast. Other minor miracles related to health date back to the 15th century.\u003C\u002Fp>\r\n\r\n\u003Cp>It is also said that beneath the church there exists a \u003Cstrong>hidden well\u003C\u002Fstrong>, used in the past for ritual purposes or to protect precious objects during wars and looting, a curiosity much loved by the residents.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and interiors\u003C\u002Fh2>\r\n\r\n\u003Cp>The church features a simple structure with Gothic and Baroque elements. The interior houses frescoes from the Sienese school and paintings depicting San Martino. Remains of medieval tombs have been found, testifying to the ties with local nobles and brothers.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>pipe organ\u003C\u002Fstrong>, dating back to the late 1500s\u002Fearly 1600s and made by Cesare Romani, has been restored and still retains much of the original materials.\u003C\u002Fp>\r\n\r\n\u003Ch2>Main works Among\u003C\u002Fh2>\r\n\r\n\u003Cp>the most significant works of the church are:\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Nativity of Jesus\u003C\u002Fstrong>, Domenico Beccafumi (1524)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>The Circumcision of Jesus\u003C\u002Fstrong>, Guido Reni (1636)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>The Martyrdom of Saint Bartholomew\u003C\u002Fstrong>, Giovanni Francesco Barbieri “Il Guercino” (1637)\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Madonna with Child\u003C\u002Fstrong>, marble by Giuseppe Mazzuoli, placed on one of the side altars\u003C\u002Fp>\r\n\r\n\u003Cp>Ceiling and dome decorated with frescoes by Annibale Mazzuoli\u003C\u002Fp>\r\n\r\n\u003Ch2>An experience in Siena\u003C\u002Fh2>\r\n\r\n\u003Cp>The Church of San Martino represents a place where art, history, and faith intertwine. Among frescoes, legends, and miracles, every visit becomes a journey into the most authentic Sienese tradition.\u003C\u002Fp>","\u003Cp>A church where time seems to slow down, where every corner holds stories of \u003Cstrong>faith\u003C\u002Fstrong>, \u003Cstrong>miracles\u003C\u002Fstrong>, and \u003Cstrong>popular devotion\u003C\u002Fstrong>. The Church of San Martino in Siena welcomes you with its simple structure, \u003Cstrong>frescoes\u003C\u002Fstrong> from the Sienese school, and \u003Cstrong>works\u003C\u002Fstrong> that tell centuries of history, ties with artisans and brotherhoods, and a tradition that still fascinates both young and old today.\u003C\u002Fp>","Church of San Martino: art, faith, and legends in Siena","\u003Cdiv>Discover the secrets and masterpieces of San Martino and let yourself be surprised by the stories, the works, and the legends.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fchiesa-san-martino",[],[2039],{"@type":1593,"@id":2040,"translations":2041,"position":1514,"imagePath":2042},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fed03a450402b0e1255f1",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fchiesa-di-san-martino-facciata-esterna-6a8c763582837304997429.jpg",{"@type":1610,"@id":2044,"hashParam":2045},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd8af41e4d51099ea3a2d","3f99349bc824465a834aa5db5891b770e5bb3ab96cd5398edd2edcbd66e200ac","CONVERSION",[],[],{"@id":2050,"@type":1498,"name":2051,"poiType":2052,"address":2064,"latitude":2065,"longitude":2066,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2067,"translations":2068,"socials":2087,"gallery":2088,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2093,"position":1997,"layout":2046,"otherPoiType":2096,"logoPath":1616,"poiTagsByCategory":2097},"\u002Fapi\u002Fpois\u002F019f8994-f20e-7a84-a511-f47fd0382194","Chiesa di San Raimondo al Refugio",{"@id":1501,"@type":1502,"id":1503,"translations":2053,"poiCategory":2058},[2054,2056],{"@type":1506,"@id":1507,"name":1508,"backUrl":1509,"language":2055,"slug":1515,"slugFormatted":1516},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":1518,"name":113,"backUrl":1519,"language":2057,"slug":1519,"slugFormatted":1523},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2059},[2060,2062],{"@type":1529,"@id":1530,"name":1531,"language":2061,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":1535,"name":1536,"language":2063,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"via di Fieravecchia","43.3170077","11.3383192",[],[2069,2078],{"@type":1573,"@id":2070,"description":2071,"abstract":2072,"timetable":16,"title":2073,"subtitle":16,"ctaText":2074,"extraInformations":16,"language":2075,"slug":2076,"slugFormatted":2077},"\u002Fapi\u002F.well-known\u002Fgenid\u002F128a23cf554443490651","\u003Ch2>Origini e costruzione del complesso\u003C\u002Fh2>\r\n\r\n\u003Cp>La chiesa si sviluppa all’inizio del \u003Cstrong>Seicento\u003C\u002Fstrong> all’interno del complesso assistenziale dedicato alle \u003Cstrong>Povere Abbandonate\u003C\u002Fstrong>, una congregazione fondata nel 1580 per accogliere ed educare giovani in difficoltà. Nel 1601 il nobile senese \u003Cstrong>Aurelio Chigi \u003C\u002Fstrong>promuove la costruzione della chiesa, che diventa il centro spirituale del Refugio. Dopo la sua morte, il progetto viene portato avanti da \u003Cstrong>Agostino Chigi\u003C\u002Fstrong> e successivamente da\u003Cstrong> Fabio Chigi\u003C\u002Fstrong>, futuro \u003Cstrong>papa Alessandro VII\u003C\u002Fstrong>, che ne sostiene lo sviluppo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Facciata e architettura barocca\u003C\u002Fh2>\r\n\r\n\u003Cp>La\u003Cstrong> facciata in marmo\u003C\u002Fstrong>, completata intorno al 1660 e progettata da \u003Cstrong>Benedetto Giovannelli\u003C\u002Fstrong>, rappresenta uno dei migliori esempi di \u003Cstrong>barocco senese\u003C\u002Fstrong>. L’eleganza delle linee e la presenza dello\u003Cstrong> stemma pontificio\u003C\u002Fstrong> di Alessandro VII definiscono il carattere solenne dell’edificio.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interni e patrimonio artistico\u003C\u002Fh2>\r\n\r\n\u003Cp>L’interno custodisce \u003Cstrong>opere\u003C\u002Fstrong> dei principali \u003Cstrong>pittori senesi\u003C\u002Fstrong> del Seicento, tra cui \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>,\u003Cstrong> Alessandro Casolani\u003C\u002Fstrong>, \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong> e \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Il \u003Cstrong>complesso museale\u003C\u002Fstrong> annesso conserva anche opere di epoche precedenti, come l’\u003Cstrong>Assunta di Domenico di Bartolo\u003C\u002Fstrong> e una \u003Cstrong>Santa Caterina d’Alessandria\u003C\u002Fstrong> attribuita a \u003Cstrong>Jacopo della Quercia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Valore storico e oggi\u003C\u002Fh2>\r\n\r\n\u003Cp>Oggi la chiesa e gli ambienti storici fanno parte della \u003Cstrong>Fondazione Conservatori Riuniti di Siena\u003C\u002Fstrong>, che tutela il patrimonio e ne permette la visita attraverso \u003Cstrong>percorsi culturali\u003C\u002Fstrong> e \u003Cstrong>museali\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>La sua posizione vicino a\u003Cstrong> Porta Romana\u003C\u002Fstrong> la rende una tappa significativa per comprendere la Siena barocca e il suo sistema di istituzioni assistenziali.\u003C\u002Fp>","\u003Cp>La storia di \u003Cstrong>San Raimondo al Refugio\u003C\u002Fstrong> nasce da un’idea semplice e potente: dare spazio all\u003Cstrong>’accoglienza\u003C\u002Fstrong>. Attorno a questa visione si costruisce uno dei complessi barocchi più significativi di \u003Cstrong>Siena\u003C\u002Fstrong>.\u003C\u002Fp>","Chiesa di San Raimondo al Refugio: arte barocca e accoglienza a Siena","\u003Cdiv>Scopri un luogo dove la cura diventa architettura e l’arte racconta una storia di comunità e protezione.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"chiesa-di-san-raimondo-al-refugio","\u002Fchiesa-di-san-raimondo-al-refugio",{"@type":1573,"@id":2079,"description":2080,"abstract":2081,"timetable":16,"title":2082,"subtitle":16,"ctaText":2083,"extraInformations":16,"language":2084,"slug":2085,"slugFormatted":2086},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fbfcbb9327fb67d4a7954","\u003Ch2>Origins and Construction of the Complex\u003C\u002Fh2>\r\n\r\n\u003Cp>The church was developed at the beginning of the \u003Cstrong>Seventeenth Century\u003C\u002Fstrong> within the welfare complex dedicated to the \u003Cstrong>Povere Abbandonate\u003C\u002Fstrong>, a congregation founded in 1580 to welcome and educate young people in difficulty. In 1601, the noble Sienese \u003Cstrong>Aurelio Chigi\u003C\u002Fstrong> promotes the construction of the church, which becomes the spiritual center of the Refugio. After his death, the project is carried on by \u003Cstrong>Agostino Chigi\u003C\u002Fstrong> and later by \u003Cstrong>Fabio Chigi\u003C\u002Fstrong>, future \u003Cstrong>Pope Alexander VII\u003C\u002Fstrong>, who supports its development.\u003C\u002Fp>\r\n\r\n\u003Ch2>Facade and Baroque Architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>marble facade\u003C\u002Fstrong>, completed around 1660 and designed by \u003Cstrong>Benedetto Giovannelli\u003C\u002Fstrong>, represents one of the best examples of \u003Cstrong>Sienese Baroque\u003C\u002Fstrong>. The elegance of the lines and the presence of the \u003Cstrong>papal coat of arms\u003C\u002Fstrong> of Alexander VII define the solemn character of the building.\u003C\u002Fp>\r\n\r\n\u003Ch2>Interiors and Artistic Heritage\u003C\u002Fh2>\r\n\r\n\u003Cp>The interior houses \u003Cstrong>works\u003C\u002Fstrong> by the main \u003Cstrong>Sienese painters\u003C\u002Fstrong> of the Seventeenth Century, including \u003Cstrong>Ventura Salimbeni\u003C\u002Fstrong>, \u003Cstrong>Francesco Vanni\u003C\u002Fstrong>, \u003Cstrong>Alessandro Casolani\u003C\u002Fstrong>, \u003Cstrong>Sebastiano Folli\u003C\u002Fstrong>, and \u003Cstrong>Rutilio Manetti\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The \u003Cstrong>attached museum complex\u003C\u002Fstrong> also preserves works from earlier periods, such as the \u003Cstrong>Assumption by Domenico di Bartolo\u003C\u002Fstrong> and a \u003Cstrong>Saint Catherine of Alexandria\u003C\u002Fstrong> attributed to \u003Cstrong>Jacopo della Quercia\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Historical Value and Today\u003C\u002Fh2>\r\n\r\n\u003Cp>Today, the church and the historical environments are part of the \u003Cstrong>Fondazione Conservatori Riuniti di Siena\u003C\u002Fstrong>, which protects the heritage and allows visits through \u003Cstrong>cultural\u003C\u002Fstrong> and \u003Cstrong>museum paths\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Its location near \u003Cstrong>Porta Romana\u003C\u002Fstrong> makes it a significant stop for understanding Baroque Siena and its system of welfare institutions.\u003C\u002Fp>","\u003Cp>The story of \u003Cstrong>San Raimondo al Refugio\u003C\u002Fstrong> originates from a simple and powerful idea: to provide space for \u003Cstrong>welcome\u003C\u002Fstrong>. Around this vision, one of the most significant Baroque complexes in \u003Cstrong>Siena\u003C\u002Fstrong> is built.\u003C\u002Fp>","Church of San Raimondo al Refugio: Baroque Art and Hospitality in Siena","\u003Cdiv>Discover a place where care becomes architecture and art tells a story of community and 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Casa di Santa Caterina",{"@id":2167,"@type":1502,"id":2168,"translations":2169,"poiCategory":2178},"\u002Fapi\u002Fpoi_types\u002F019daf32-f5d5-79a3-bfdc-9e05e8c6d0d0","019daf32-f5d5-79a3-bfdc-9e05e8c6d0d0",[2170,2174],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2172,"slug":31,"slugFormatted":2173},"\u002Fapi\u002F.well-known\u002Fgenid\u002Ff1d5e82fc0b07d53e553",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"\u002Fpunti-di-interesse\u002Fmonumenti-e-luoghi-sacri",{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2176,"slug":11,"slugFormatted":2177},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4e2b7a55970adbf627b3",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fpoints-of-interest\u002Fsacred-monuments",{"@id":1525,"@type":1526,"translations":2179},[2180,2183],{"@type":1529,"@id":2181,"name":1531,"language":2182,"slug":1533,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6bd597721c8a425c2e3c",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2185,"slug":1538,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002Faf8078c645e64cb9c335",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2187],{"@id":1544,"@type":1545,"tagCategory":2188,"translations":2196},{"@id":1547,"@type":1548,"translations":2189},[2190,2193],{"@type":1551,"@id":2191,"name":1553,"language":2192,"slug":1555,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9e0aa8cf2c86c0219413",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":2194,"name":1553,"language":2195,"slug":1555,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fcd05aca5221b1d59a0c3",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2197,2200],{"@type":1561,"@id":2198,"name":1563,"language":2199,"slug":1565,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5471438227e552ebc7a1",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":2201,"name":1568,"language":2202,"slug":1570,"slugFormatted":16},"\u002Fapi\u002F.well-known\u002Fgenid\u002F587a9a362363bff4db7d",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2204,2213],{"@type":1573,"@id":2205,"description":2206,"abstract":2207,"timetable":16,"title":2208,"subtitle":16,"ctaText":2209,"extraInformations":16,"language":2210,"slug":2211,"slugFormatted":2212},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2158354533255f244ffc","\u003Ch2>Un cammino tra stanze, memoria e spiritualità\u003C\u002Fh2>\r\n\r\n\u003Cp>La visita prosegue nell’\u003Cstrong>Oratorio del Crocifisso\u003C\u002Fstrong>, una chiesa seicentesca in stile \u003Cstrong>barocco \u003C\u002Fstrong>dove si conserva un \u003Cstrong>crocifisso\u003C\u002Fstrong> dipinto antichissimo, considerato uno dei più preziosi della \u003Cstrong>Toscana\u003C\u002Fstrong>. Secondo la tradizione, fu proprio davanti a questa croce che Caterina ricevette le stimmate nel 1375. Un episodio che rende questo spazio ancora più intenso.\u003C\u002Fp>\r\n\r\n\u003Cp>Poi si arriva all’\u003Cstrong>Oratorio della Cucina\u003C\u002Fstrong>, la parte più antica dell’abitazione della famiglia Benincasa. Oggi questo ambiente è decorato da grandi tele del tardo Cinquecento che raccontano gli episodi più importanti della vita di Santa Caterina. Colpisce il pavimento, ancora composto da mattonelle originali del Cinquecento: un dettaglio che restituisce con forza il senso del tempo e della permanenza.\u003C\u002Fp>\r\n\r\n\u003Ch2>La cameretta di Caterina\u003C\u002Fh2>\r\n\r\n\u003Cp>Superato il bookshop e sceso il piano interrato, si raggiunge uno degli ambienti più emozionanti del \u003Cstrong>santuario\u003C\u002Fstrong>: la cameretta di Caterina. Piccola, semplice, silenziosa, conserva ancora il ricordo della sua presenza. Qui pregava e riposava, appoggiando la testa su una pietra che usava come cuscino e che è ancora visibile.\u003C\u002Fp>\r\n\r\n\u003Cp>Le pareti, affrescate con scene della sua vita fin dall’infanzia, raccontano la storia di una ragazza che da Siena avrebbe parlato al mondo intero.\u003C\u002Fp>\r\n\r\n\u003Ch3>Lo sapevi?\u003C\u002Fh3>\r\n\r\n\u003Cp>La \u003Cstrong>Chiesa di Santa Caterina \u003C\u002Fstrong>in Fontebranda è oggi l’Oratorio della Nobile \u003Cstrong>Contrada dell’Oca\u003C\u002Fstrong>, un luogo che continua a vivere nel presente. È noto anche per un legame curioso: è infatti la contrada della cantante senese Gianna Nannini.\u003C\u002Fp>","\u003Cp>Hai mai immaginato di varcare la soglia della casa di una Santa?\u003C\u002Fp>\r\n\r\n\u003Cp>A Siena puoi farlo davvero, e non in un luogo qualunque, ma nella casa dove Santa Caterina è nata e ha vissuto. Il \u003Cstrong>Santuario Casa di Santa Caterina\u003C\u002Fstrong>, in zona Fontebranda, è uno di quei luoghi che si rivelano passo dopo passo, lasciando emergere una memoria viva, fatta di spazi, silenzi e testimonianze.\u003C\u002Fp>\r\n\r\n\u003Cp>Appena superato l’ingresso, si apre il cortile con il \u003Cstrong>Portico dei Comuni d’Italia\u003C\u002Fstrong>, costruito in seguito alla proclamazione di Caterina Patrona d’Italia, avvenuta il 19 giugno 1939 da parte di Pio XII. Il suo nome nasce da un gesto simbolico: molti comuni del territorio donarono alla città di Siena la cifra corrispondente al costo di un mattone per contribuire alla costruzione del portico. Oggi questo luogo accoglie moltissimi\u003Cstrong> pellegrini\u003C\u002Fstrong> e \u003Cstrong>turisti\u003C\u002Fstrong> provenienti da ogni parte del mondo.\u003C\u002Fp>","Santuario Casa di Santa Caterina: entra nella casa della Santa Patrona d’Europa","\u003Cdiv>Visita il Santuario Casa di Santa Caterina ed entra in uno dei luoghi più intensi di Siena, dove la memoria della santa continua a vivere tra stanze, storia e silenzi.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"santuario-casa-di-santa-caterina","\u002Fsantuario-casa-di-santa-caterina",{"@type":1573,"@id":2214,"description":2215,"abstract":2216,"timetable":16,"title":2217,"subtitle":16,"ctaText":2218,"extraInformations":16,"language":2219,"slug":2211,"slugFormatted":2220},"\u002Fapi\u002F.well-known\u002Fgenid\u002F5058dc698a8376eb87f7","\u003Ch2>A journey through rooms, memory, and spirituality\u003C\u002Fh2>\r\n\r\n\u003Cp>The visit continues in the \u003Cstrong>Oratory of the Crucifix\u003C\u002Fstrong>, a 17th-century church in \u003Cstrong>Baroque\u003C\u002Fstrong> style where an ancient \u003Cstrong>crucifix\u003C\u002Fstrong> is preserved, considered one of the most precious in \u003Cstrong>Tuscany\u003C\u002Fstrong>. According to tradition, it was in front of this cross that Catherine received the stigmata in 1375. An episode that makes this space even more intense.\u003C\u002Fp>\r\n\r\n\u003Cp>Then you arrive at the \u003Cstrong>Oratory of the Kitchen\u003C\u002Fstrong>, the oldest part of the Benincasa family's home. Today, this room is decorated with large canvases from the late 16th century that depict the most important episodes of Saint Catherine's life. The floor, still composed of original tiles from the 16th century, is striking: a detail that powerfully conveys the sense of time and permanence.\u003C\u002Fp>\r\n\r\n\u003Ch2>Catherine's little room\u003C\u002Fh2>\r\n\r\n\u003Cp>After passing the bookshop and descending to the basement, you reach one of the most emotional spaces of the \u003Cstrong>sanctuary\u003C\u002Fstrong>: Catherine's little room. Small, simple, silent, it still holds the memory of her presence. Here she prayed and rested, resting her head on a stone she used as a pillow, which is still visible.\u003C\u002Fp>\r\n\r\n\u003Cp>The walls, frescoed with scenes from her life since childhood, tell the story of a girl who would speak to the whole world from Siena.\u003C\u002Fp>\r\n\r\n\u003Ch3>Did you know?\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Church of Saint Catherine\u003C\u002Fstrong> in Fontebranda is now the Oratory of the Noble \u003Cstrong>Contrada dell’Oca\u003C\u002Fstrong>, a place that continues to live in the present. It is also known for a curious connection: it is indeed the contrada of the Sienese singer Gianna Nannini.\u003C\u002Fp>","\u003Cp>Have you ever imagined crossing the threshold of a saint's house?\u003C\u002Fp>\r\n\r\n\u003Cp>In Siena, you can truly do it, and not in just any place, but in the house where Saint Catherine was born and lived. The \u003Cstrong>Sanctuary House of Saint Catherine\u003C\u002Fstrong>, in the Fontebranda area, is one of those places that reveal themselves step by step, bringing forth a living memory, made of spaces, silences, and testimonies.\u003C\u002Fp>\r\n\r\n\u003Cp>As soon as you pass through the entrance, the courtyard opens up with the \u003Cstrong>Portico of the Municipalities of Italy\u003C\u002Fstrong>, built following the proclamation of Catherine as Patroness of Italy, which took place on June 19, 1939, by Pius XII. Its name comes from a symbolic gesture: many municipalities in the area donated to the city of Siena the amount corresponding to the cost of a brick to contribute to the construction of the portico. Today, this place welcomes many \u003Cstrong>pilgrims\u003C\u002Fstrong> and \u003Cstrong>tourists\u003C\u002Fstrong> from all over the world.\u003C\u002Fp>","Sanctuary House of Saint Catherine: enter the home of the Patron Saint of Europe","\u003Cdiv>Visit the Sanctuary House of Saint Catherine and enter one of the most intense places in Siena, where the memory of the saint continues to live among rooms, history, and silences.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fsantuario-casa-di-santa-caterina",[],[2223,2227,2231,2235],{"@type":1593,"@id":2224,"translations":2225,"position":1514,"imagePath":2226},"\u002Fapi\u002F.well-known\u002Fgenid\u002F386ae681064114f5800c",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsantuario-di-santa-caterina-1-6abe884e6d308722554940.jpg",{"@type":1593,"@id":2228,"translations":2229,"position":1514,"imagePath":2230},"\u002Fapi\u002F.well-known\u002Fgenid\u002F7f0d745525af85c705b4",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsantuario-santa-caterina-4-6abe884e865a6206156892.jpg",{"@type":1593,"@id":2232,"translations":2233,"position":1514,"imagePath":2234},"\u002Fapi\u002F.well-known\u002Fgenid\u002F61e08d1c0ac0e1b1c69d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsantuario-santa-caterina-5-6abe884e927a5965453833.jpg",{"@type":1593,"@id":2236,"translations":2237,"position":1514,"imagePath":2238},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fa3ad4e8101fdf4499f65",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fsantuario-di-santa-caterina-2-6abe884e9d42c755548162.jpg",{"@type":1610,"@id":2240,"hashParam":2241},"\u002Fapi\u002F.well-known\u002Fgenid\u002F35d583fcf784718859ba","a4e8542c9bded25edc32a3ea08ae95de97abac8f56717e651e98eff4fc95f3f4",[],[2244],{"category":2245,"tags":2251},{"@id":1547,"@type":1548,"translations":2246},[2247,2249],{"@type":1551,"@id":2191,"name":1553,"language":2248,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":2194,"name":1553,"language":2250,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2252],{"@id":1544,"@type":1545,"tagCategory":2253,"translations":2259},{"@id":1547,"@type":1548,"translations":2254},[2255,2257],{"@type":1551,"@id":2191,"name":1553,"language":2256,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":2194,"name":1553,"language":2258,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2260,2262],{"@type":1561,"@id":2198,"name":1563,"language":2261,"slug":1565,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":2201,"name":1568,"language":2263,"slug":1570,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":2265,"@type":1498,"name":2266,"poiType":2267,"address":16,"latitude":16,"longitude":16,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2279,"translations":2292,"socials":2310,"gallery":2311,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2316,"position":1832,"layout":1614,"otherPoiType":2319,"logoPath":1616,"poiTagsByCategory":2320},"\u002Fapi\u002Fpois\u002F019e7915-cc75-796b-b1da-1e02cf118201","Battistero di San Giovanni",{"@id":2167,"@type":1502,"id":2168,"translations":2268,"poiCategory":2273},[2269,2271],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2270,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2272,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2274},[2275,2277],{"@type":1529,"@id":2181,"name":1531,"language":2276,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2278,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2280],{"@id":1544,"@type":1545,"tagCategory":2281,"translations":2287},{"@id":1547,"@type":1548,"translations":2282},[2283,2285],{"@type":1551,"@id":2191,"name":1553,"language":2284,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":2194,"name":1553,"language":2286,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2288,2290],{"@type":1561,"@id":2198,"name":1563,"language":2289,"slug":1565,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":2201,"name":1568,"language":2291,"slug":1570,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2293,2302],{"@type":1573,"@id":2294,"description":2295,"abstract":2296,"timetable":16,"title":2297,"subtitle":16,"ctaText":2298,"extraInformations":16,"language":2299,"slug":2300,"slugFormatted":2301},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc6a80c1788f57b3c1d37","\u003Ch2>Battistero di San Giovanni, tra storia e architettura gotica e rinascimentale\u003C\u002Fh2>\r\n\r\n\u003Cp>Il Battistero di San Giovanni sorprende fin dal primo sguardo: sotto le maestose campate della Cattedrale, si rivela quasi all’improvviso, sprigionando tutta la forza della Siena medievale e rinascimentale. \u003Cstrong>La sua facciata policroma\u003C\u002Fstrong>, in marmo bianco, verde e rosso, coincide con il retro del Duomo stesso: un esterno austero e incompiuto, che contrasta con la ricchezza dell’interno, dove sculture, decorazioni e dettagli dorati prendono vita.\u003C\u002Fp>\r\n\r\n\u003Ch2>Gli affreschi del Battistero di San Giovanni\u003C\u002Fh2>\r\n\r\n\u003Cp>Entrando nel Battistero, lo sguardo sale alle volte ogivali dipinte tra il 1447 e il 1450 da Lorenzo di Pietro, detto il Vecchietta. Le dodici scene dedicate agli Articoli del Credo, accompagnate da apostoli, profeti e iscrizioni simboliche, trasformano il soffitto in un racconto visivo che accompagna il visitatore nel cammino della fede.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il Fonte Battesimale: capolavoro rinascimentale\u003C\u002Fh2>\r\n\r\n\u003Cp>Capolavoro in marmo, bronzo e smalto, nonché fulcro del monumento, il \u003Cstrong>Fonte Battesimale\u003C\u002Fstrong> fu costruito tra il 1417 e il 1431 dalle mani dei massimi scultori del tempo. Donatello, Jacopo della Quercia, Lorenzo Ghiberti e Giovanni di Turino si misurarono nella creazione dei pannelli bronzei con scene della vita di San Giovanni Battista, per guadagnarsi la fama tra i cittadini senesi. A destare scalpore fu Il\u003Cstrong> Banchetto di Erode\u003C\u002Fstrong> di Donatello, per il suo realismo così drammatico da inquietare, oggi celebrato per la forza narrativa.\u003C\u002Fp>\r\n\r\n\u003Ch3>Il rito battesimale e il suo valore simbolico\u003C\u002Fh3>\r\n\r\n\u003Cp>Il \u003Cstrong>fonte battesimale\u003C\u002Fstrong> era alimentato da un sistema idrico sotterraneo collegato ai bottini medievali, testimonianza dell’avanzata ingegneria senese. Qui venivano battezzati tutti i senesi, anche quelli provenienti dalle zone più lontane, in un luogo dove luce, acqua e spazio rafforzavano il significato del battesimo come passaggio dalle tenebre alla salvezza. Anche il \u003Cstrong>pavimento del Battistero\u003C\u002Fstrong>, con simboli allegorici, virtù e figure religiose, accompagnava i fedeli in un percorso educativo e spirituale. Accanto al Battistero, la scalinata conserva una memoria ancora viva: una croce segna il punto in cui, secondo la tradizione, \u003Cstrong>Santa Caterina cadde spinta dal Diavolo\u003C\u002Fstrong>. Un dettaglio che aggiunge allo spazio una dimensione ancora più profonda, sospesa tra devozione, storia e mistero.\u003C\u002Fp>","\u003Cp>Uno spazio intatto, intriso di storia e spiritualità, dove l’arte e la religione si intrecciano in un viaggio culturale senza tempo. Il \u003Cstrong>Battistero di San Giovanni\u003C\u002Fstrong> è uno degli esempi più affascinanti di architettura rinascimentale e gotica: costruito tra il secondo e il terzo decennio del XIV secolo, forse sotto la direzione del capo maestro Camaino di Crescentino, sorge su strutture preesistenti, probabilmente già dedicate ai riti battesimali in epoca altomedievale.\u003C\u002Fp>","Battistero di San Giovanni: una tappa imprescindibile del Complesso del Duomo di Siena","\u003Cdiv>Non perdere l’occasione di scoprire uno degli \u003Cstrong>spazi più affascinanti di Siena\u003C\u002Fstrong>. \u003Cstrong>Acquista ora il tuo biglietto\u003C\u002Fstrong> per il Battistero di San Giovanni, per vivere un viaggio spirituale e culturale che ti porterà a scoprire la bellezza e la storia di questo straordinario complesso.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"battistero-di-san-giovanni","\u002Fbattistero-di-san-giovanni",{"@type":1573,"@id":2303,"description":2304,"abstract":2305,"timetable":16,"title":2306,"subtitle":16,"ctaText":2307,"extraInformations":16,"language":2308,"slug":2300,"slugFormatted":2309},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0c4f40298c7da6e3fe53","\u003Ch2>Baptistery of San Giovanni, between history and Gothic and Renaissance architecture\u003C\u002Fh2>\r\n\r\n\u003Cp>The Baptistery of San Giovanni surprises from the very first glance: beneath the majestic vaults of the Cathedral, it reveals itself almost suddenly, unleashing all the strength of medieval and Renaissance Siena. \u003Cstrong>Its polychrome façade\u003C\u002Fstrong>, in white, green, and red marble, coincides with the back of the Cathedral itself: an austere and unfinished exterior, contrasting with the richness of the interior, where sculptures, decorations, and golden details come to life.\u003C\u002Fp>\r\n\r\n\u003Ch2>The frescoes of the Baptistery of San Giovanni\u003C\u002Fh2>\r\n\r\n\u003Cp>Upon entering the Baptistery, the gaze rises to the painted ribbed vaults created between 1447 and 1450 by Lorenzo di Pietro, known as il Vecchietta. The twelve scenes dedicated to the Articles of the Creed, accompanied by apostles, prophets, and symbolic inscriptions, transform the ceiling into a visual narrative that guides the visitor on the path of faith.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Baptismal Font: a Renaissance masterpiece\u003C\u002Fh2>\r\n\r\n\u003Cp>A masterpiece in marble, bronze, and enamel, as well as the centerpiece of the monument, the \u003Cstrong>Baptismal Font\u003C\u002Fstrong> was constructed between 1417 and 1431 by the hands of the greatest sculptors of the time. Donatello, Jacopo della Quercia, Lorenzo Ghiberti, and Giovanni di Turino competed in creating the bronze panels depicting scenes from the life of Saint John the Baptist, to earn fame among the Sienese citizens. The \u003Cstrong>Banquet of Herod\u003C\u002Fstrong> by Donatello caused a stir for its dramatic realism that unsettles, now celebrated for its narrative strength.\u003C\u002Fp>\r\n\r\n\u003Ch3>The baptismal rite and its symbolic value\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>baptismal font\u003C\u002Fstrong> was fed by an underground water system connected to the medieval drains, a testament to advanced Sienese engineering. Here, all Sienese were baptized, even those from the farthest areas, in a place where light, water, and space reinforced the meaning of baptism as a passage from darkness to salvation. The \u003Cstrong>floor of the Baptistery\u003C\u002Fstrong>, with allegorical symbols, virtues, and religious figures, accompanied the faithful on an educational and spiritual journey. Next to the Baptistery, the staircase preserves a still vivid memory: a cross marks the spot where, according to tradition, \u003Cstrong>Saint Catherine fell pushed by the Devil\u003C\u002Fstrong>. A detail that adds an even deeper dimension to the space, suspended between devotion, history, and mystery.\u003C\u002Fp>","\u003Cp>An untouched space, steeped in history and spirituality, where art and religion intertwine in a timeless cultural journey. The \u003Cstrong>Baptistery of San Giovanni\u003C\u002Fstrong> is one of the most fascinating examples of Renaissance and Gothic architecture: built between the second and third decades of the 14th century, perhaps under the direction of the master builder Camaino di Crescentino, it stands on pre-existing structures, probably already dedicated to baptismal rites in the early medieval period.\u003C\u002Fp>","Baptistery of San Giovanni: an essential stop of the Cathedral Complex of Siena","\u003Cdiv>Don't miss the chance to discover one of the \u003Cstrong>most fascinating spaces in Siena\u003C\u002Fstrong>. \u003Cstrong>Buy your ticket now\u003C\u002Fstrong> for the Baptistery of San Giovanni, to experience a spiritual and cultural journey that will lead you to discover the beauty and history of this extraordinary complex.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fbattistero-di-san-giovanni",[],[2312],{"@type":1593,"@id":2313,"translations":2314,"position":1514,"imagePath":2315},"\u002Fapi\u002F.well-known\u002Fgenid\u002F40749008ce9dc1a0ceb4",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-battistero-foto-bruno-bruchi-proprieta-opa-6a744727b8761095572913.jpg",{"@type":1610,"@id":2317,"hashParam":2318},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fc6b48958d856ea64e992","91579df0303c40d3370dfc40710f4d53f728372cc10ae5921d97fba047855fc5",[],[2321],{"category":2322,"tags":2328},{"@id":1547,"@type":1548,"translations":2323},[2324,2326],{"@type":1551,"@id":2191,"name":1553,"language":2325,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":2194,"name":1553,"language":2327,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2329],{"@id":1544,"@type":1545,"tagCategory":2330,"translations":2336},{"@id":1547,"@type":1548,"translations":2331},[2332,2334],{"@type":1551,"@id":2191,"name":1553,"language":2333,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1551,"@id":2194,"name":1553,"language":2335,"slug":1555,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[2337,2339],{"@type":1561,"@id":2198,"name":1563,"language":2338,"slug":1565,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1561,"@id":2201,"name":1568,"language":2340,"slug":1570,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":2342,"@type":1498,"name":2343,"poiType":2344,"address":2356,"latitude":2357,"longitude":2358,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2359,"translations":2360,"socials":2378,"gallery":2379,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2384,"position":1832,"layout":1614,"otherPoiType":2387,"logoPath":1616,"poiTagsByCategory":2388},"\u002Fapi\u002Fpois\u002F019e9744-790d-7d55-9ac5-e83e4bdd520a","Cripta",{"@id":2167,"@type":1502,"id":2168,"translations":2345,"poiCategory":2350},[2346,2348],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2347,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2349,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2351},[2352,2354],{"@type":1529,"@id":2181,"name":1531,"language":2353,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2355,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Duomo di Siena","43.4226489","11.1205714",[],[2361,2370],{"@type":1573,"@id":2362,"description":2363,"abstract":2364,"timetable":16,"title":2365,"subtitle":16,"ctaText":2366,"extraInformations":16,"language":2367,"slug":2368,"slugFormatted":2369},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb8ab582c30e719006b14","\u003Ch2>Gli affreschi del Duecento: quando l'arte riscrive la storia\u003C\u002Fh2>\r\n\r\n\u003Ch3>Una scoperta che ha cambiato la storia della pittura senese\u003C\u002Fh3>\r\n\r\n\u003Cp>La \u003Cstrong>Cripta del Duomo\u003C\u002Fstrong> non è solo uno spazio straordinario, è una rivoluzione storiografica. Gli affreschi, risalenti alla fine del XIII secolo, hanno costretto gli storici dell'arte a rivedere completamente l'evoluzione della \u003Cstrong>pittura medievale senese\u003C\u002Fstrong>, anticipando soluzioni figurative che si pensava fossero comparse solo con \u003Cstrong>Duccio di Buoninsegna\u003C\u002Fstrong> e i suoi seguaci. Ciò che sembrava un'invenzione del Trecento era già qui, nascosto sotto i piedi di chi per secoli aveva camminato ignaro sopra questo tesoro.\u003C\u002Fp>\r\n\r\n\u003Ch3>La vita quotidiana del medioevo senese dipinta sulle pareti\u003C\u002Fh3>\r\n\r\n\u003Cp>Gli affreschi della cripta non raccontano solo episodi sacri. Raccontano i \u003Cstrong>senesi del Duecento\u003C\u002Fstrong>: le architetture delle loro case, gli abiti dell'epoca, i gesti familiari e quotidiani che nessun documento scritto avrebbe mai potuto restituire con questa immediatezza. Camminare tra queste pareti significa spiare dal buco della serratura la vita di una città vissuta ottocento anni fa e scoprire che, in fondo, non era così diversa dalla nostra.\u003C\u002Fp>\r\n\r\n\u003Ch2>L'atmosfera della Cripta: un luogo fuori dal tempo\u003C\u002Fh2>\r\n\r\n\u003Ch3>Nessuna finestra, nessuna distrazione: solo il Duecento\u003C\u002Fh3>\r\n\r\n\u003Cp>La \u003Cstrong>Cripta\u003C\u002Fstrong> non ha finestre. La luce artificiale è calibrata con precisione per non danneggiare gli affreschi, creando un'atmosfera raccolta e intima che accentua in modo potente la sensazione di essere altrove, o meglio, di essere indietro. Indietro di sette secoli. Molti visitatori descrivono l'ingresso nella cripta come un momento di sospensione: ogni rumore scompare, il tempo rallenta, e ciò che resta è solo la presenza silenziosa di quelle figure dipinte che ti guardano dai muri come se il tempo non fosse mai passato.\u003C\u002Fp>\r\n\r\n\u003Ch3>Siena stratificata: una città che cresce su se stessa\u003C\u002Fh3>\r\n\r\n\u003Cp>La Cripta è uno degli esempi più eloquenti che ci mostra la natura stratificata di Siena: una città che non distrugge il proprio passato, lo nasconde, lo ingloba e così facendo, lo conserva. Quello che era diventato nel tempo prima un ingresso secondario e poi persino una discarica di materiali, si è rivelato essere uno degli spazi più preziosi dell'intero patrimonio artistico senese. La storia, a Siena, si nasconde spesso sotto i piedi.\u003C\u002Fp>\r\n\r\n\u003Ch2>Perché la Cripta è una tappa da non perdere nel Duomo di Siena\u003C\u002Fh2>\r\n\r\n\u003Ch3>Un luogo che i libri di storia stavano ancora cercando\u003C\u002Fh3>\r\n\r\n\u003Cp>Visitare la \u003Cstrong>Cripta del Duomo di Siena, \u003C\u002Fstrong>da non confondere con la cripta del complesso museale di Santa Maria della Scala, significa entrare in un luogo che fino a pochi decenni fa non esisteva nelle mappe, nei cataloghi, nella memoria collettiva. Un luogo che la città aveva perso e che il caso ha restituito al mondo. Non è solo \u003Cstrong>arte medievale\u003C\u002Fstrong>: è una storia di perdita e ritrovamento, di oblio e resurrezione, che rende questa visita davvero unica e originale.\u003C\u002Fp>","\u003Cp>Ci sono scoperte che riscrivono la storia. Quella della \u003Cstrong>Cripta del Duomo di Siena\u003C\u002Fstrong> è una di queste. Durante alcuni lavori di ristrutturazione sotto la Cattedrale, gli operai si accorsero che dietro un muro c'era uno spazio vuoto. Quando lo aprirono, si trovarono di fronte a qualcosa di incredibile: \u003Cstrong>affreschi medievali perfettamente conservati\u003C\u002Fstrong>, mai esposti alla luce, rimasti sigillati per oltre settecento anni. Un tempo sospeso. Un mondo intatto. Quello che era stato murato per ampliare il Duomo e renderne più solida la base era in origine l'\u003Cstrong>Oratorio di SS. Giovannino e Gennaro,\u003C\u002Fstrong> uno spazio riservato al clero e alle funzioni preparatorie, poi dimenticato. E proprio questo oblio involontario lo ha salvato.\u003C\u002Fp>","La Cripta del Duomo di Siena: sette secoli di silenzio, un capolavoro ritrovato","\u003Cdiv>Visita la \u003Cstrong>Cripta del Duomo di Siena\u003C\u002Fstrong>: scopri orari, biglietti e come accedere a uno degli spazi medievali più straordinari e meno conosciuti della Toscana. Un capolavoro nascosto per sette secoli ti aspetta.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"cripta","\u002Fcripta",{"@type":1573,"@id":2371,"description":2372,"abstract":2373,"timetable":16,"title":2374,"subtitle":16,"ctaText":2375,"extraInformations":16,"language":2376,"slug":2368,"slugFormatted":2377},"\u002Fapi\u002F.well-known\u002Fgenid\u002F55c273ea3e2cf5fa327d","\u003Ch2>The frescoes of the 13th century: when art rewrites history\u003C\u002Fh2>\r\n\r\n\u003Ch3>A discovery that changed the history of Sienese painting\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Crypt of the Cathedral\u003C\u002Fstrong> is not just an extraordinary space, it is a historiographical revolution. The frescoes, dating back to the late 13th century, forced art historians to completely rethink the evolution of \u003Cstrong>Sienese medieval painting\u003C\u002Fstrong>, anticipating figurative solutions that were thought to have appeared only with \u003Cstrong>Duccio di Buoninsegna\u003C\u002Fstrong> and his followers. What seemed to be an invention of the 14th century was already here, hidden beneath the feet of those who had walked unknowingly over this treasure for centuries.\u003C\u002Fp>\r\n\r\n\u003Ch3>The daily life of medieval Siena painted on the walls\u003C\u002Fh3>\r\n\r\n\u003Cp>The frescoes of the crypt do not only tell sacred episodes. They tell the \u003Cstrong>Sienese of the 13th century\u003C\u002Fstrong>: the architecture of their houses, the clothing of the time, the familiar and everyday gestures that no written document could ever convey with this immediacy. Walking among these walls means peeking through the keyhole into the life of a city lived eight hundred years ago and discovering that, after all, it was not so different from ours.\u003C\u002Fp>\r\n\r\n\u003Ch2>The atmosphere of the Crypt: a place out of time\u003C\u002Fh2>\r\n\r\n\u003Ch3>No windows, no distractions: only the 13th century\u003C\u002Fh3>\r\n\r\n\u003Cp>The \u003Cstrong>Crypt\u003C\u002Fstrong> has no windows. The artificial light is precisely calibrated not to damage the frescoes, creating a collected and intimate atmosphere that powerfully enhances the feeling of being elsewhere, or rather, of being back. Back seven centuries. Many visitors describe entering the crypt as a moment of suspension: every noise disappears, time slows down, and what remains is only the silent presence of those painted figures watching you from the walls as if time had never passed.\u003C\u002Fp>\r\n\r\n\u003Ch3>Layered Siena: a city that grows upon itself\u003C\u002Fh3>\r\n\r\n\u003Cp>The Crypt is one of the most eloquent examples that shows us the layered nature of Siena: a city that does not destroy its past, it hides it, incorporates it, and in doing so, preserves it. What had become over time first a secondary entrance and then even a dump of materials has revealed itself to be one of the most precious spaces of the entire Sienese artistic heritage. History, in Siena, often hides beneath our feet.\u003C\u002Fp>\r\n\r\n\u003Ch2>Why the Crypt is a must-see stop in the Siena Cathedral\u003C\u002Fh2>\r\n\r\n\u003Ch3>A place that history books were still searching for\u003C\u002Fh3>\r\n\r\n\u003Cp>Visiting the \u003Cstrong>Crypt of the Siena Cathedral\u003C\u002Fstrong>, not to be confused with the crypt of the Santa Maria della Scala museum complex, means entering a place that until a few decades ago did not exist on maps, in catalogs, or in collective memory. A place that the city had lost and that chance has returned to the world. It is not just \u003Cstrong>medieval art\u003C\u002Fstrong>: it is a story of loss and rediscovery, of oblivion and resurrection, that makes this visit truly unique and original.\u003C\u002Fp>","\u003Cp>There are discoveries that rewrite history. That of the \u003Cstrong>Crypt of the Siena Cathedral\u003C\u002Fstrong> is one of them. During some renovation work beneath the Cathedral, workers noticed that behind a wall there was an empty space. When they opened it, they found themselves facing something incredible: \u003Cstrong>perfectly preserved medieval frescoes\u003C\u002Fstrong>, never exposed to light, sealed for over seven hundred years. A suspended time. An untouched world. What had been walled up to expand the Cathedral and make its base more solid was originally the \u003Cstrong>Oratory of SS. Giovannino and Gennaro,\u003C\u002Fstrong> a space reserved for the clergy and preparatory functions, then forgotten. And it is precisely this involuntary oblivion that saved it.\u003C\u002Fp>","The Crypt of the Siena Cathedral: seven centuries of silence, a masterpiece rediscovered","\u003Cdiv>Visit the \u003Cstrong>Crypt of the Siena Cathedral\u003C\u002Fstrong>: discover hours, tickets, and how to access one of the most extraordinary and lesser-known medieval spaces in Tuscany. A hidden masterpiece awaits you for seven centuries.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fcripta",[],[2380],{"@type":1593,"@id":2381,"translations":2382,"position":1514,"imagePath":2383},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6f5ee051a3bfe3622e46",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fveduta-cripta-foto-luca-betti-6a7486f23b5ac974402460.jpg",{"@type":1610,"@id":2385,"hashParam":2386},"\u002Fapi\u002F.well-known\u002Fgenid\u002F58371dff74c5b52b2ad7","d0d60d2758a8bf3fa15bf4b13866d2e29a461c0b59d00947fea99a346f4d29c2",[],[],{"@id":2390,"@type":1498,"name":2391,"poiType":2392,"address":2404,"latitude":2405,"longitude":2406,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2407,"translations":2408,"socials":2423,"gallery":2424,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2429,"position":598,"layout":1614,"otherPoiType":2432,"logoPath":1616,"poiTagsByCategory":2433},"\u002Fapi\u002Fpois\u002F019f8f83-8b54-7d6c-9884-634dd10bcaf9","Cappella del voto",{"@id":2167,"@type":1502,"id":2168,"translations":2393,"poiCategory":2398},[2394,2396],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2395,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2397,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2399},[2400,2402],{"@type":1529,"@id":2181,"name":1531,"language":2401,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2403,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Piazza del Duomo","43.3171968","11.3285564",[],[2409,2416],{"@type":1573,"@id":2410,"description":2411,"abstract":16,"timetable":16,"title":2412,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2413,"slug":2414,"slugFormatted":2415},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fff516917f677a4b8a7b0","\u003Ch2>Un gesto d'amore verso la Vergine\u003C\u002Fh2>\r\n\r\n\u003Cp>C'è un momento, entrando nel \u003Cstrong>Duomo di Siena\u003C\u002Fstrong>, in cui si svolta a destra e il bianco e nero del pavimento medievale lascia spazio a qualcosa di completamente diverso: \u003Cstrong>oro\u003C\u002Fstrong>, \u003Cstrong>marmi policromi\u003C\u002Fstrong>, \u003Cstrong>lapislazzuli\u003C\u002Fstrong>, \u003Cstrong>bronzi dorati\u003C\u002Fstrong>. È la \u003Cstrong>Cappella del Voto\u003C\u002Fstrong>, e il contrasto è voluto, necessario, quasi commovente. Come se quella cappella volesse dire: qui ci si ferma, qui si entra in un altro stato d'animo.\u003C\u002Fp>\r\n\r\n\u003Cp>Voluta da \u003Cstrong>Papa Alessandro VII\u003C\u002Fstrong>, appartenente alla famiglia \u003Cstrong>Chigi\u003C\u002Fstrong>, e costruita nel \u003Cstrong>1660\u003C\u002Fstrong>, la cappella ha una \u003Cstrong>pianta circolare\u003C\u002Fstrong> coperta da una \u003Cstrong>cupola dorata\u003C\u002Fstrong> che sembra raccogliere tutta la luce del cielo e riversarla sull'altare. È uno degli esempi più importanti di \u003Cstrong>arte e architettura barocca\u003C\u002Fstrong> presenti a Siena: un mondo di stucchi, di preziosità, di bellezza che non si trattiene.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il Bernini e i suoi allievi\u003C\u002Fh2>\r\n\r\n\u003Ch3>Le statue che sembrano respirare\u003C\u002Fh3>\r\n\r\n\u003Cp>Dentro quella cappella così ricca, due figure si impongono su tutto: \u003Cstrong>San Girolamo\u003C\u002Fstrong> e \u003Cstrong>Santa Maria Maddalena\u003C\u002Fstrong>, entrambe opere di \u003Cstrong>Gian Lorenzo Bernini\u003C\u002Fstrong>, il genio assoluto del Barocco italiano. Non sono statue: sono \u003Cstrong>presenze\u003C\u002Fstrong>. Il panneggio che si muove, i muscoli tesi, gli sguardi carichi di un'intensità che il marmo non dovrebbe essere capace di contenere.\u003C\u002Fp>\r\n\r\n\u003Cp>Accanto a loro, \u003Cstrong>Santa Caterina da Siena\u003C\u002Fstrong> e \u003Cstrong>San Bernardino da Siena\u003C\u002Fstrong>, opere degli \u003Cstrong>allievi del Bernini\u003C\u002Fstrong>: una costellazione di santità senese raccolta in uno spazio che sembra fatto apposta per custodirla.\u003C\u002Fp>\r\n\r\n\u003Ch3>Carlo Maratta e i dipinti\u003C\u002Fh3>\r\n\r\n\u003Cp>Sulle pareti laterali campeggiano due dipinti di \u003Cstrong>Carlo Maratta\u003C\u002Fstrong>, pittore del tardo Seicento: la \u003Cstrong>Visitazione\u003C\u002Fstrong> e la \u003Cstrong>Fuga in Egitto\u003C\u002Fstrong>. Colori morbidi, atmosfere intime, una grazia narrativa che bilancia la potenza delle sculture e crea un dialogo silenzioso tra pittura e marmo.\u003C\u002Fp>\r\n\r\n\u003Ch2>La Madonna del Voto . L'Avvocata dei Senesi\u003C\u002Fh2>\r\n\r\n\u003Cp>Al centro di tutto, al centro della cappella e al centro della devozione senese da oltre \u003Cstrong>sette secoli\u003C\u002Fstrong>, c'è \u003Cstrong>lei\u003C\u002Fstrong>: la \u003Cstrong>Madonna del Voto\u003C\u002Fstrong>, dipinta da \u003Cstrong>Dietisalvi\u003C\u002Fstrong>\u003Cstrong> di Speme\u003C\u002Fstrong> intorno al \u003Cstrong>1267-1270\u003C\u002Fstrong>, tempera e oro su tavola. Un'immagine che porta ancora addosso la sacralità di quell'epoca, che guarda i fedeli con quella dolcezza antica che nessun restauro ha mai potuto, né mai vorrà, iicambiare.\u003C\u002Fp>\r\n\r\n\u003Cp>È la \u003Cstrong>più importante immagine mariana della città\u003C\u002Fstrong>, e porta il titolo di \u003Cstrong>Advocata\u003C\u002Fstrong>\u003Cstrong> \u003C\u002Fstrong>\u003Cstrong>Senensium\u003C\u002Fstrong> — l'Avvocata dei Senesi: colei che intercede, che difende, che protegge. Prima si chiamava \u003Cstrong>Madonna delle Grazie\u003C\u002Fstrong>; il nome attuale si è diffuso dopo la \u003Cstrong>peste del Seicento\u003C\u002Fstrong>, quando i senesi si rivolsero a lei nei momenti più bui.\u003C\u002Fp>\r\n\r\n\u003Ch2>Sette secoli di preghiere\u003C\u002Fh2>\r\n\r\n\u003Cp>La devozione dei senesi verso questa immagine non è mai stata solo devozionale: è stata \u003Cstrong>concreta\u003C\u002Fstrong>, \u003Cstrong>storica\u003C\u002Fstrong>, \u003Cstrong>documentata\u003C\u002Fstrong>. Durante la \u003Cstrong>peste del 1348\u003C\u002Fstrong>, durante la \u003Cstrong>Seconda Guerra Mondiale\u003C\u002Fstrong> — quando nel \u003Cstrong>1944\u003C\u002Fstrong> le furono offerte simbolicamente le \u003Cstrong>chiavi della città\u003C\u002Fstrong>, ancora oggi conservate come testimonianza — durante l'emergenza del \u003Cstrong>Covid-19 nel 2020\u003C\u002Fstrong> e per la \u003Cstrong>pace in Ucraina nel 2022\u003C\u002Fstrong>: ogni volta che Siena ha avuto paura, ha guardato verso questa cappella.\u003C\u002Fp>\r\n\r\n\u003Cp>E qui una precisazione importante: la tradizione popolare collega spesso la Madonna del Voto alla \u003Cstrong>Battaglia di Montaperti del 1260\u003C\u002Fstrong>, ma il voto pronunciato dal popolo prima di quella battaglia fu fatto davanti alla \u003Cstrong>Madonna degli Occhi Grossi\u003C\u002Fstrong>, custodita nel \u003Cstrong>Museo dell'Opera del Duomo\u003C\u002Fstrong>. La Madonna del Voto fu invece commissionata \u003Cstrong>dopo la vittoria\u003C\u002Fstrong>, come \u003Cstrong>atto di ringraziamento\u003C\u002Fstrong>: non una preghiera prima della battaglia, ma una promessa mantenuta dopo.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a incontrarla\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Entra nel Duomo, svolta a destra, fermati davanti all'altare.\u003C\u002Fstrong> Guarda la Madonna del Voto negli occhi e pensa a tutti quelli che l'hanno guardata prima di te, per sette secoli, portandole paure, speranze, ringraziamenti.\u003C\u002Fp>\r\n\r\n\u003Cp>Certi luoghi non si visitano: si \u003Cstrong>frequentano\u003C\u002Fstrong>, come si frequenta qualcuno di cui ci si fida.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Duomo di Siena\u003C\u002Fstrong>, navata destra sotto la cupola, Piazza del Duomo.\u003C\u002Fp>","Cappella del Voto. Il cuore pulsante della devozione senese",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"cappella-del-voto","\u002Fcappella-del-voto",{"@type":1573,"@id":2417,"description":2418,"abstract":16,"timetable":16,"title":2419,"subtitle":16,"ctaText":16,"extraInformations":16,"language":2420,"slug":2421,"slugFormatted":2422},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd279ad45ce33dc8db03e","\u003Ch2>A gesture of love towards the Virgin\u003C\u002Fh2>\r\n\r\n\u003Cp>There is a moment, upon entering the \u003Cstrong>Siena Cathedral\u003C\u002Fstrong>, when you turn right and the black and white of the medieval floor gives way to something completely different: \u003Cstrong>gold\u003C\u002Fstrong>, \u003Cstrong>polychrome marbles\u003C\u002Fstrong>, \u003Cstrong>lapis lazuli\u003C\u002Fstrong>, \u003Cstrong>gilded bronzes\u003C\u002Fstrong>. It is the \u003Cstrong>Chapel of the Vow\u003C\u002Fstrong>, and the contrast is intentional, necessary, almost moving. As if that chapel wanted to say: here we stop, here we enter another state of mind.\u003C\u002Fp>\r\n\r\n\u003Cp>Commissioned by \u003Cstrong>Pope Alexander VII\u003C\u002Fstrong>, belonging to the \u003Cstrong>Chigi\u003C\u002Fstrong> family, and built in \u003Cstrong>1660\u003C\u002Fstrong>, the chapel has a \u003Cstrong>circular plan\u003C\u002Fstrong> covered by a \u003Cstrong>golden dome\u003C\u002Fstrong> that seems to gather all the light from the sky and pour it onto the altar. It is one of the most important examples of \u003Cstrong>Baroque art and architecture\u003C\u002Fstrong> present in Siena: a world of stuccoes, preciousness, and beauty that cannot be contained.\u003C\u002Fp>\r\n\r\n\u003Ch2>Bernini and his students\u003C\u002Fh2>\r\n\r\n\u003Ch3>The statues that seem to breathe\u003C\u002Fh3>\r\n\r\n\u003Cp>Inside that richly adorned chapel, two figures stand out above all: \u003Cstrong>Saint Jerome\u003C\u002Fstrong> and \u003Cstrong>Saint Mary Magdalene\u003C\u002Fstrong>, both works by \u003Cstrong>Gian Lorenzo Bernini\u003C\u002Fstrong>, the absolute genius of Italian Baroque. They are not statues: they are \u003Cstrong>presences\u003C\u002Fstrong>. The drapery that moves, the tensed muscles, the gazes filled with an intensity that marble should not be able to contain.\u003C\u002Fp>\r\n\r\n\u003Cp>Next to them, \u003Cstrong>Saint Catherine of Siena\u003C\u002Fstrong> and \u003Cstrong>Saint Bernardino of Siena\u003C\u002Fstrong>, works by \u003Cstrong>Bernini's students\u003C\u002Fstrong>: a constellation of Sienese holiness gathered in a space that seems made just to hold it.\u003C\u002Fp>\r\n\r\n\u003Ch3>Carlo Maratta and the paintings\u003C\u002Fh3>\r\n\r\n\u003Cp>On the side walls, two paintings by \u003Cstrong>Carlo Maratta\u003C\u002Fstrong>, a painter of the late Seicento, stand out: the \u003Cstrong>Visitation\u003C\u002Fstrong> and the \u003Cstrong>Flight into Egypt\u003C\u002Fstrong>. Soft colors, intimate atmospheres, a narrative grace that balances the power of the sculptures and creates a silent dialogue between painting and marble.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Madonna of the Vow. The Advocate of the Sienese\u003C\u002Fh2>\r\n\r\n\u003Cp>At the center of it all, at the center of the chapel and at the center of Sienese devotion for over \u003Cstrong>seven centuries\u003C\u002Fstrong>, there is \u003Cstrong>her\u003C\u002Fstrong>: the \u003Cstrong>Madonna of the Vow\u003C\u002Fstrong>, painted by \u003Cstrong>Dietisalvi\u003C\u002Fstrong>\u003Cstrong> di Speme\u003C\u002Fstrong> around \u003Cstrong>1267-1270\u003C\u002Fstrong>, tempera and gold on panel. An image that still carries the sacredness of that era, looking at the faithful with that ancient sweetness that no restoration has ever been able to, nor ever will, change.\u003C\u002Fp>\r\n\r\n\u003Cp>It is the \u003Cstrong>most important Marian image of the city\u003C\u002Fstrong>, and bears the title of \u003Cstrong>Advocata\u003C\u002Fstrong>\u003Cstrong> \u003C\u002Fstrong>\u003Cstrong>Senensium\u003C\u002Fstrong> — the Advocate of the Sienese: she who intercedes, who defends, who protects. It was previously called \u003Cstrong>Madonna delle Grazie\u003C\u002Fstrong>; the current name spread after the \u003Cstrong>plague of the Seicento\u003C\u002Fstrong>, when the Sienese turned to her in their darkest moments.\u003C\u002Fp>\r\n\r\n\u003Ch2>Seven centuries of prayers\u003C\u002Fh2>\r\n\r\n\u003Cp>The devotion of the Sienese towards this image has never been merely devotional: it has been \u003Cstrong>concrete\u003C\u002Fstrong>, \u003Cstrong>historical\u003C\u002Fstrong>, \u003Cstrong>documented\u003C\u002Fstrong>. During the \u003Cstrong>plague of 1348\u003C\u002Fstrong>, during \u003Cstrong>World War II\u003C\u002Fstrong> — when in \u003Cstrong>1944\u003C\u002Fstrong> the \u003Cstrong>keys of the city\u003C\u002Fstrong> were symbolically offered to her, still preserved today as a testimony — during the \u003Cstrong>Covid-19 emergency in 2020\u003C\u002Fstrong> and for \u003Cstrong>peace in Ukraine in 2022\u003C\u002Fstrong>: every time Siena has been afraid, it has looked towards this chapel.\u003C\u002Fp>\r\n\r\n\u003Cp>And here an important clarification: popular tradition often links the Madonna of the Vow to the \u003Cstrong>Battle of Montaperti in 1260\u003C\u002Fstrong>, but the vow pronounced by the people before that battle was made before the \u003Cstrong>Madonna degli Occhi Grossi\u003C\u002Fstrong>, kept in the \u003Cstrong>Museum of the Opera del Duomo\u003C\u002Fstrong>. The Madonna of the Vow was instead commissioned \u003Cstrong>after the victory\u003C\u002Fstrong>, as an \u003Cstrong>act of thanksgiving\u003C\u002Fstrong>: not a prayer before the battle, but a promise kept afterwards.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come meet her\u003C\u002Fh2>\r\n\r\n\u003Cp>\u003Cstrong>Enter the Cathedral, turn right, stop in front of the altar.\u003C\u002Fstrong> Look the Madonna of the Vow in the eyes and think of all those who have looked at her before you, for seven centuries, bringing her fears, hopes, thanks.\u003C\u002Fp>\r\n\r\n\u003Cp>Some places are not visited: they are \u003Cstrong>frequented\u003C\u002Fstrong>, just as one frequents someone they trust.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Siena Cathedral\u003C\u002Fstrong>, right nave under the dome, Piazza del Duomo.\u003C\u002Fp>","Chapel of the Vow. The beating heart of Sienese devotion",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"chapel-of-the-vow","\u002Fen\u002Fchapel-of-the-vow",[],[2425],{"@type":1593,"@id":2426,"translations":2427,"position":1514,"imagePath":2428},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2246e8abf9686c5e1b56",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fopa-luca-betti-0394-2-6a75ea36594a1227941034.jpg",{"@type":1610,"@id":2430,"hashParam":2431},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb40cc43313a064ada317","3398c158f530c527df56f4e5eb8746b0aaf681f85e783fcf2a61f38bd534e349",[],[],{"@id":2435,"@type":1498,"name":2436,"poiType":2437,"address":16,"latitude":16,"longitude":16,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2449,"translations":2450,"socials":2469,"gallery":2470,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2479,"position":598,"layout":1614,"otherPoiType":2482,"logoPath":1616,"poiTagsByCategory":2483},"\u002Fapi\u002Fpois\u002F019ed483-ba59-724a-b0b1-809ac400b592","Colonna della Lupa Senese",{"@id":2167,"@type":1502,"id":2168,"translations":2438,"poiCategory":2443},[2439,2441],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2440,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2442,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2444},[2445,2447],{"@type":1529,"@id":2181,"name":1531,"language":2446,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2448,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},[],[2451,2460],{"@type":1573,"@id":2452,"description":2453,"abstract":2454,"timetable":16,"title":2455,"subtitle":16,"ctaText":2456,"extraInformations":16,"language":2457,"slug":2458,"slugFormatted":2459},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4d7da5e2807c7766ca4b","\u003Ch2>La leggenda di Senio e Ascanio\u003C\u002Fh2>\r\n\r\n\u003Cp>Secondo la tradizione, \u003Cstrong>Senio\u003C\u002Fstrong> e \u003Cstrong>Ascanio\u003C\u002Fstrong>, figli di \u003Cstrong>Remo\u003C\u002Fstrong>, fuggirono dopo l’uccisione del padre per mano dello zio \u003Cstrong>Romolo\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Durante la fuga portarono con sé il simbolo della lupa, legato alla storia di \u003Cstrong>Roma\u003C\u002Fstrong> e alle origini della loro famiglia. Giunti in \u003Cstrong>Toscana\u003C\u002Fstrong>, Senio avrebbe fondato una nuova città chiamata \u003Cstrong>Sena\u003C\u002Fstrong>, da cui deriverebbe il nome Siena.\u003C\u002Fp>\r\n\r\n\u003Cp>Ancora oggi questa storia continua a essere uno dei racconti più conosciuti e amati della tradizione cittadina.\u003C\u002Fp>\r\n\r\n\u003Ch2>La Lupa ovunque in città\u003C\u002Fh2>\r\n\r\n\u003Cp>La Lupa Senese è uno dei principali simboli di Siena e compare in numerosi luoghi della città.\u003C\u002Fp>\r\n\r\n\u003Cp>La si incontra in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, in \u003Cstrong>Piazza del Duomo\u003C\u002Fstrong>, in \u003Cstrong>Piazza Tolomei\u003C\u002Fstrong>, in \u003Cstrong>Via Garibaldi\u003C\u002Fstrong> e all’interno dei \u003Cstrong>musei\u003C\u002Fstrong> cittadini. La sua presenza accompagna il visitatore lungo il percorso urbano, diventando un filo conduttore che unisce storia, identità e memoria.\u003C\u002Fp>\r\n\r\n\u003Ch2>La differenza con la lupa romana\u003C\u002Fh2>\r\n\r\n\u003Cp>Esiste un dettaglio che distingue la Lupa Senese dalla più celebre\u003Cstrong> lupa romana\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Nella rappresentazione romana la lupa guarda lateralmente, mentre nella tradizione senese il muso è rivolto in avanti, una caratteristica che rende immediatamente riconoscibile il simbolo cittadino.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un legame che unisce Siena e Roma\u003C\u002Fh3>\r\n\r\n\u003Cp>La leggenda della Lupa Senese richiama il profondo legame tra Siena e Roma attraverso il racconto delle origini della città.\u003C\u002Fp>\r\n\r\n\u003Cp>Questo rapporto si ritrova anche nella storia della \u003Cstrong>Via Francigena\u003C\u002Fstrong>, che ha reso Siena una tappa fondamentale per pellegrini e viaggiatori diretti verso Roma, e nella storia della \u003Cstrong>Chiesa\u003C\u002Fstrong>, che ha visto nascere a Siena importanti \u003Cstrong>pontefici\u003C\u002Fstrong>.\u003C\u002Fp>","\u003Cp>Ci sono simboli che si incontrano ovunque e che, con il tempo, diventano il volto stesso di una città. A \u003Cstrong>Siena\u003C\u002Fstrong>, quel simbolo è la \u003Cstrong>Lupa Senese\u003C\u002Fstrong>, presenza familiare che accompagna residenti e visitatori tra piazze, strade e monumenti.\u003C\u002Fp>\r\n\r\n\u003Cp>La sua immagine raffigura una lupa che allatta due gemelli e richiama la leggenda che racconta le origini della città.\u003C\u002Fp>","La Lupa Senese: il simbolo delle origini di Siena","\u003Cdiv>Cerca la Lupa Senese tra piazze, palazzi e monumenti della città e lasciati guidare da uno dei simboli che meglio raccontano la storia e l’identità di Siena.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"colonna-della-lupa-senese","\u002Fcolonna-della-lupa-senese",{"@type":1573,"@id":2461,"description":2462,"abstract":2463,"timetable":16,"title":2464,"subtitle":16,"ctaText":2465,"extraInformations":16,"language":2466,"slug":2467,"slugFormatted":2468},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fea08422ae6b1bbb81bc9","\u003Ch2>The Legend of Senio and Ascanio\u003C\u002Fh2>\r\n\r\n\u003Cp>According to tradition, \u003Cstrong>Senio\u003C\u002Fstrong> and \u003Cstrong>Ascanio\u003C\u002Fstrong>, sons of \u003Cstrong>Remus\u003C\u002Fstrong>, fled after their father's murder at the hands of their uncle \u003Cstrong>Romulus\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>During their escape, they brought with them the symbol of the she-wolf, linked to the history of \u003Cstrong>Rome\u003C\u002Fstrong> and the origins of their family. Upon arriving in \u003Cstrong>Tuscany\u003C\u002Fstrong>, Senio would have founded a new city called \u003Cstrong>Sena\u003C\u002Fstrong>, from which the name Siena would derive.\u003C\u002Fp>\r\n\r\n\u003Cp>Even today, this story remains one of the most well-known and beloved tales of the city's tradition.\u003C\u002Fp>\r\n\r\n\u003Ch2>The She-Wolf Everywhere in the City\u003C\u002Fh2>\r\n\r\n\u003Cp>The Sienese She-Wolf is one of the main symbols of Siena and appears in numerous places throughout the city.\u003C\u002Fp>\r\n\r\n\u003Cp>It can be found in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, in \u003Cstrong>Piazza del Duomo\u003C\u002Fstrong>, in \u003Cstrong>Piazza Tolomei\u003C\u002Fstrong>, in \u003Cstrong>Via Garibaldi\u003C\u002Fstrong>, and within the city's \u003Cstrong>museums\u003C\u002Fstrong>. Its presence accompanies the visitor along the urban path, becoming a common thread that unites history, identity, and memory.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Difference with the Roman She-Wolf\u003C\u002Fh2>\r\n\r\n\u003Cp>There is a detail that distinguishes the Sienese She-Wolf from the more famous \u003Cstrong>Roman she-wolf\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>In the Roman representation, the she-wolf looks sideways, while in the Sienese tradition, the muzzle is facing forward, a characteristic that makes the city symbol immediately recognizable.\u003C\u002Fp>\r\n\r\n\u003Ch3>A Bond that Unites Siena and Rome\u003C\u002Fh3>\r\n\r\n\u003Cp>The legend of the Sienese She-Wolf recalls the deep bond between Siena and Rome through the tale of the city's origins.\u003C\u002Fp>\r\n\r\n\u003Cp>This relationship is also found in the history of the \u003Cstrong>Via Francigena\u003C\u002Fstrong>, which made Siena a fundamental stop for pilgrims and travelers heading to Rome, and in the history of the \u003Cstrong>Church\u003C\u002Fstrong>, which saw important \u003Cstrong>popes\u003C\u002Fstrong> born in Siena.\u003C\u002Fp>","\u003Cp>There are symbols that are found everywhere and that, over time, become the very face of a city. In \u003Cstrong>Siena\u003C\u002Fstrong>, that symbol is the \u003Cstrong>Sienese She-Wolf\u003C\u002Fstrong>, a familiar presence that accompanies residents and visitors through squares, streets, and monuments.\u003C\u002Fp>\r\n\r\n\u003Cp>Its image depicts a she-wolf nursing two twins and recalls the legend that tells of the city's origins.\u003C\u002Fp>","The Sienese She-Wolf: the symbol of Siena's origins","\u003Cdiv>Look for the Sienese She-Wolf among the squares, palaces, and monuments of the city and let yourself be guided by one of the symbols that best tells the story and identity of Siena.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"colonna-della-lupa-senese-ponte-di-romana-duomo-palazzo-pubblico-piazza-tolomei-via-garibaldi","\u002Fen\u002Fcolonna-della-lupa-senese-ponte-di-romana-duomo-palazzo-pubblico-piazza-tolomei-via-garibaldi",[],[2471,2475],{"@type":1593,"@id":2472,"translations":2473,"position":1514,"imagePath":2474},"\u002Fapi\u002F.well-known\u002Fgenid\u002F923cf60788f312836dea",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Flupa-senese-6a8c730d749d8494144671.jpg",{"@type":1593,"@id":2476,"translations":2477,"position":1514,"imagePath":2478},"\u002Fapi\u002F.well-known\u002Fgenid\u002F58d2b5fd0c6e2556afaf",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Flupa-senese-verticale-6a8c737678afc999673183.jpg",{"@type":1610,"@id":2480,"hashParam":2481},"\u002Fapi\u002F.well-known\u002Fgenid\u002F47afa49a9856c973a0f1","4823a9927bb63cd2a872756b3360294bbcef0501c14b63a086160a8c6d47892b",[],[],{"@id":2485,"@type":1498,"name":2486,"poiType":2487,"address":2499,"latitude":2500,"longitude":2501,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2502,"translations":2503,"socials":2520,"gallery":2521,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2534,"position":598,"layout":1614,"otherPoiType":2537,"logoPath":1616,"poiTagsByCategory":2538},"\u002Fapi\u002Fpois\u002F019f854e-e81c-7771-b385-4e032c34a62c","Fortino delle Donne Senesi",{"@id":2167,"@type":1502,"id":2168,"translations":2488,"poiCategory":2493},[2489,2491],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2490,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2492,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2494},[2495,2497],{"@type":1529,"@id":2181,"name":1531,"language":2496,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2498,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Porta Camollia","43.3276622","11.3253877",[],[2504,2512],{"@type":1573,"@id":2505,"description":2506,"abstract":16,"timetable":16,"title":2507,"subtitle":16,"ctaText":2508,"extraInformations":16,"language":2509,"slug":2510,"slugFormatted":2511},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8f115de8e352aa54d13c","\u003Ch2>Un baluardo tra le mura della città\u003C\u002Fh2>\r\n\r\n\u003Cp>Lungo la cinta muraria settentrionale, a pochi passi da \u003Cstrong>Porta Camollia\u003C\u002Fstrong>, il \u003Cstrong>Fortino delle Donne Senesi\u003C\u002Fstrong> si erge come testimone silenzioso di eroismo e determinazione. Progettato durante l’assedio di Siena del 1554-1555, il fortino racconta la resistenza della città contro le truppe imperiali di Carlo V e l’esercito fiorentino di Cosimo I de’ Medici. Camminando nei dintorni, sembra quasi di percepire il ritmo dei passi delle donne, il suono delle pale e dei picconi, il fruscio delle vesti colorate mentre rinforzavano i bastioni sotto il fuoco nemico.\u003C\u002Fp>\r\n\r\n\u003Ch3>Le donne al centro della storia\u003C\u002Fh3>\r\n\r\n\u003Cp>Il nome del fortino celebra il contributo delle donne senesi, organizzate in tre compagnie di circa duecento nobildonne e popolane ciascuna. La compagnia di \u003Cstrong>Laudomia Forteguerri\u003C\u002Fstrong> in viola, quella di \u003Cstrong>Fausta Piccolomini\u003C\u002Fstrong> in rosa e quella di \u003Cstrong>Livia Faustini\u003C\u002Fstrong> in bianco parteciparono attivamente alla difesa della città. Blaise de Monluc, comandante delle truppe franco-senesi, le descrisse con ammirazione, sottolineando come la loro determinazione superasse persino quella degli uomini.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architettura e innovazioni militari\u003C\u002Fh2>\r\n\r\n\u003Cp>Il fortino riflette le innovazioni del Rinascimento nell’ingegneria militare: scarpate robuste, punti strategici per coprire gli angoli ciechi e difese pensate per resistere ai primi colpi di artiglieria moderna. Qui, ogni pietra parla di strategie, sacrifici e ingegno, mentre il visitatore può immaginare le donne salire sulle mura per lanciare pietre, olio bollente e pece sugli assedianti, tra coraggio e determinazione.\u003C\u002Fp>\r\n\r\n\u003Ch3>Un luogo di memoria e cammini culturali\u003C\u002Fh3>\r\n\r\n\u003Cp>Oggi il fortino è inserito nel percorso di valorizzazione delle \u003Cstrong>mura medievali di Siena\u003C\u002Fstrong>, diventando una tappa privilegiata per passeggiate \u003Cstrong>culturali\u003C\u002Fstrong> e itinerari che raccontano il ruolo femminile nella storia militare della città. Entrare nel fortino significa immergersi in un’atmosfera densa di storia e leggenda, lontano dai percorsi turistici tradizionali, con una vista unica sui vicoli storici e sulle fortificazioni esterne.\u003C\u002Fp>\r\n\r\n\u003Ch2>Esperienza storica e culturale\u003C\u002Fh2>\r\n\r\n\u003Cp>Una visita al \u003Cstrong>Fortino delle Donne Senesi\u003C\u002Fstrong> non è solo un viaggio tra mura e torri, ma un’immersione nei racconti epici della città, nelle strategie, nelle vite e nel coraggio di chi ha contribuito a scrivere la storia di Siena. Ogni angolo, ogni pietra, ogni scorcio suggerisce la resilienza e l’ingegno della popolazione senese, rendendo la visita un’esperienza intensa e profondamente \u003Cstrong>culturale\u003C\u002Fstrong>.\u003C\u002Fp>","Fortino delle Donne Senesi: una storia coraggio","\u003Cdiv>Scopri il \u003Cstrong>Fortino delle Donne Senesi\u003C\u002Fstrong> e lasciati trasportare indietro nel tempo. Passeggia tra mura, torri e racconti epici e vivi un’esperienza unica di storia, cultura e memoria a Siena.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"fortino-delle-donne-senesi","\u002Ffortino-delle-donne-senesi",{"@type":1573,"@id":2513,"description":2514,"abstract":16,"timetable":16,"title":2515,"subtitle":16,"ctaText":2516,"extraInformations":16,"language":2517,"slug":2518,"slugFormatted":2519},"\u002Fapi\u002F.well-known\u002Fgenid\u002F25792f4de0b0d3a0f562","\u003Ch2>A bulwark within the city walls\u003C\u002Fh2>\r\n\r\n\u003Cp>Along the northern city wall, just a few steps from \u003Cstrong>Porta Camollia\u003C\u002Fstrong>, the \u003Cstrong>Fortress of the Sienese Women\u003C\u002Fstrong> stands as a silent witness of heroism and determination. Designed during the siege of Siena from 1554 to 1555, the fortress tells the story of the city's resistance against the imperial troops of Charles V and the Florentine army of Cosimo I de' Medici. Walking around, one can almost feel the rhythm of the women's footsteps, the sound of shovels and picks, the rustle of colorful garments as they reinforced the bastions under enemy fire.\u003C\u002Fp>\r\n\r\n\u003Ch3>The women at the center of history\u003C\u002Fh3>\r\n\r\n\u003Cp>The name of the fortress celebrates the contribution of Sienese women, organized into three companies of about two hundred noblewomen and commoners each. The company of \u003Cstrong>Laudomia Forteguerri\u003C\u002Fstrong> in purple, that of \u003Cstrong>Fausta Piccolomini\u003C\u002Fstrong> in pink, and that of \u003Cstrong>Livia Faustini\u003C\u002Fstrong> in white actively participated in the defense of the city. Blaise de Monluc, commander of the Franco-Sienese troops, described them with admiration, emphasizing how their determination surpassed even that of men.\u003C\u002Fp>\r\n\r\n\u003Ch2>Architecture and military innovations\u003C\u002Fh2>\r\n\r\n\u003Cp>The fortress reflects the innovations of the Renaissance in military engineering: robust slopes, strategic points to cover blind spots, and defenses designed to withstand the first blows of modern artillery. Here, every stone speaks of strategies, sacrifices, and ingenuity, while visitors can imagine the women climbing the walls to throw stones, boiling oil, and pitch on the besiegers, amidst courage and determination.\u003C\u002Fp>\r\n\r\n\u003Ch3>A place of memory and cultural paths\u003C\u002Fh3>\r\n\r\n\u003Cp>Today, the fortress is included in the enhancement route of the \u003Cstrong>medieval walls of Siena\u003C\u002Fstrong>, becoming a privileged stop for \u003Cstrong>cultural\u003C\u002Fstrong> walks and itineraries that tell the female role in the military history of the city. Entering the fortress means immersing oneself in an atmosphere rich in history and legend, away from traditional tourist paths, with a unique view of the historic alleys and external fortifications.\u003C\u002Fp>\r\n\r\n\u003Ch2>Historical and cultural experience\u003C\u002Fh2>\r\n\r\n\u003Cp>A visit to the \u003Cstrong>Fortress of the Sienese Women\u003C\u002Fstrong> is not just a journey through walls and towers, but an immersion in the epic tales of the city, in the strategies, lives, and courage of those who contributed to writing the history of Siena. Every corner, every stone, every glimpse suggests the resilience and ingenuity of the Sienese population, making the visit an intense and profoundly \u003Cstrong>cultural\u003C\u002Fstrong> experience.\u003C\u002Fp>","Fortress of the Sienese Women: a story of courage","\u003Cdiv>Discover the \u003Cstrong>Fortress of the Sienese Women\u003C\u002Fstrong> and let yourself be transported back in time. Stroll through walls, towers, and epic tales and experience a unique journey of history, culture, and memory in Siena.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"fortress-of-the-sienese-women","\u002Fen\u002Ffortress-of-the-sienese-women",[],[2522,2526,2530],{"@type":1593,"@id":2523,"translations":2524,"position":1514,"imagePath":2525},"\u002Fapi\u002F.well-known\u002Fgenid\u002F8cc83c9f578c24ddb172",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Ffortino-delle-donne-senesi-dettaglio-cunicolo-2-6a76072d0fa4d730233834.jpg",{"@type":1593,"@id":2527,"translations":2528,"position":1514,"imagePath":2529},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fde0bc4a52a951df91ee5",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Ffortino-delle-donne-senesi-2-6a76072cd3a46433503430.jpg",{"@type":1593,"@id":2531,"translations":2532,"position":1514,"imagePath":2533},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2f5d685d0b85d33b3517",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Ffortino-delle-donne-senesi-targa-6a76072d021f7881383502.jpg",{"@type":1610,"@id":2535,"hashParam":2536},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb6f5c74d27383afc238e","871691b97bac8ec1201f9807b1ac77566a7baed2fd66514f40e373a950a5633d",[],[],{"@id":2540,"@type":1498,"name":2541,"poiType":2542,"address":2554,"latitude":2555,"longitude":2556,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2557,"translations":2558,"socials":2576,"gallery":2577,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2582,"position":598,"layout":1614,"otherPoiType":2585,"logoPath":1616,"poiTagsByCategory":2586},"\u002Fapi\u002Fpois\u002F019ed52f-fdef-7b21-ba50-c9c44d8025da","Logge della Mercanzia",{"@id":2167,"@type":1502,"id":2168,"translations":2543,"poiCategory":2548},[2544,2546],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2545,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2547,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2549},[2550,2552],{"@type":1529,"@id":2181,"name":1531,"language":2551,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2553,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"via di città, 14","43.31914243126657","11.33106708465661",[],[2559,2568],{"@type":1573,"@id":2560,"description":2561,"abstract":2562,"timetable":16,"title":2563,"subtitle":16,"ctaText":2564,"extraInformations":16,"language":2565,"slug":2566,"slugFormatted":2567},"\u002Fapi\u002F.well-known\u002Fgenid\u002F60f6f8d72f5eee5c306e","\u003Ch2>Tra gotico senese e Rinascimento\u003C\u002Fh2>\r\n\r\n\u003Cp>Costruite tra il Quattrocento e la metà del XV secolo, le Logge uniscono la raffinatezza del \u003Cstrong>gotico senese\u003C\u002Fstrong> alle prime suggestioni del \u003Cstrong>Rinascimento\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>Le ampie arcate, armoniose e imponenti, si aprono su uno spazio che un tempo rappresentava il centro nevralgico della vita economica cittadina.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il Tribunale della Mercanzia\u003C\u002Fh2>\r\n\r\n\u003Cp>Non era un semplice luogo di passaggio, ma la sede del potente \u003Cstrong>Tribunale della Mercanzia\u003C\u002Fstrong>, dove si amministrava la \u003Cstrong>giustizia commerciale\u003C\u002Fstrong>, si risolvevano dispute tra mercanti e si regolavano gli scambi.\u003C\u002Fp>\r\n\r\n\u003Cp>Le Logge raccontano così un’epoca in cui Siena era una delle più importanti\u003Cstrong> piazze finanziarie\u003C\u002Fstrong> d’Europa, in dialogo con città come \u003Cstrong>Firenze\u003C\u002Fstrong>, \u003Cstrong>Venezia\u003C\u002Fstrong> e \u003Cstrong>Lucca\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Statue, sedili e decorazioni\u003C\u002Fh2>\r\n\r\n\u003Cp>Sui pilastri si aprono nicchie che custodiscono cinque statue marmoree dedicate agli \u003Cstrong>apostoli Pietro\u003C\u002Fstrong> e \u003Cstrong>Paolo\u003C\u002Fstrong> e ai \u003Cstrong>santi protettori \u003C\u002Fstrong>della città. Le figure, scolpite da artisti come il \u003Cstrong>Vecchietta\u003C\u002Fstrong> e \u003Cstrong>Antonio Federighi\u003C\u002Fstrong>, danno al complesso un forte valore simbolico e artistico.\u003C\u002Fp>\r\n\r\n\u003Cp>Sotto le arcate si trovano due raffinati sedili marmorei, capolavori rinascimentali. Quello di destra, decorato con scene e figure della storia antica, invita ancora oggi a una sosta suggestiva.\u003C\u002Fp>\r\n\r\n\u003Ch3>Una quinta scenografica verso Piazza del Campo\u003C\u002Fh3>\r\n\r\n\u003Cp>Alzando lo sguardo, le volte decorate con \u003Cstrong>affreschi\u003C\u002Fstrong> e stucchi creano un’atmosfera capace di riportare il visitatore in un tempo lontano.\u003C\u002Fp>\r\n\r\n\u003Cp>Dal lato rivolto verso \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, la loggia accompagna con eleganza l’ingresso verso il cuore civico della città. Sopra si erge il palazzo che ospita il \u003Cstrong>Circolo degli Uniti\u003C\u002Fstrong>, storico ritrovo aristocratico fondato nel Seicento e ancora oggi simbolo di prestigio.\u003C\u002Fp>","\u003Cp>C’è stato un tempo in cui il mondo passava da\u003Cstrong> Siena\u003C\u002Fstrong>: le \u003Cstrong>Logge della Mercanzia\u003C\u002Fstrong> ne conservano ancora oggi il racconto.\u003C\u002Fp>\r\n\r\n\u003Cp>Alle spalle di \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, nel celebre \u003Cstrong>Crocevia del Travaglio\u003C\u002Fstrong>, questo spazio segnava il punto d’incontro delle principali vie medievali, tra cui la \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Da qui passavano \u003Cstrong>mercanti\u003C\u002Fstrong>, \u003Cstrong>pellegrini\u003C\u002Fstrong> e \u003Cstrong>viaggiatori\u003C\u002Fstrong> provenienti da tutta Europa.\u003C\u002Fp>","Logge della Mercanzia: il crocevia storico di Siena","\u003Cdiv>Fermati sotto le Logge della Mercanzia e lasciati avvolgere da un luogo in cui ogni pietra racconta viaggi, commerci, incontri e la grande storia di Siena.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"logge-della-mercanzia","\u002Flogge-della-mercanzia",{"@type":1573,"@id":2569,"description":2570,"abstract":2571,"timetable":16,"title":2572,"subtitle":16,"ctaText":2573,"extraInformations":16,"language":2574,"slug":2566,"slugFormatted":2575},"\u002Fapi\u002F.well-known\u002Fgenid\u002F9bbe7c5ce8753d1e3053","\u003Ch2>Between Sienese Gothic and Renaissance\u003C\u002Fh2>\r\n\r\n\u003Cp>Built between the 15th century and the mid-15th century, the Logge combine the refinement of \u003Cstrong>Sienese Gothic\u003C\u002Fstrong> with the early suggestions of the \u003Cstrong>Renaissance\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Cp>The wide arches, harmonious and imposing, open onto a space that once represented the nerve center of the city's economic life.\u003C\u002Fp>\r\n\r\n\u003Ch2>The Tribunal of Mercanzia\u003C\u002Fh2>\r\n\r\n\u003Cp>It was not just a simple passageway, but the seat of the powerful \u003Cstrong>Tribunal of Mercanzia\u003C\u002Fstrong>, where \u003Cstrong>commercial justice\u003C\u002Fstrong> was administered, disputes between merchants were resolved, and exchanges were regulated.\u003C\u002Fp>\r\n\r\n\u003Cp>The Logge thus tell of an era when Siena was one of the most important \u003Cstrong>financial centers\u003C\u002Fstrong> in Europe, in dialogue with cities like \u003Cstrong>Florence\u003C\u002Fstrong>, \u003Cstrong>Venice\u003C\u002Fstrong>, and \u003Cstrong>Lucca\u003C\u002Fstrong>.\u003C\u002Fp>\r\n\r\n\u003Ch2>Statues, seats, and decorations\u003C\u002Fh2>\r\n\r\n\u003Cp>On the pillars, niches open that house five marble statues dedicated to the \u003Cstrong>apostles Peter\u003C\u002Fstrong> and \u003Cstrong>Paul\u003C\u002Fstrong> and the city's \u003Cstrong>patron saints\u003C\u002Fstrong>. The figures, sculpted by artists such as \u003Cstrong>Vecchietta\u003C\u002Fstrong> and \u003Cstrong>Antonio Federighi\u003C\u002Fstrong>, give the complex a strong symbolic and artistic value.\u003C\u002Fp>\r\n\r\n\u003Cp>Under the arches are two refined marble seats, Renaissance masterpieces. The one on the right, decorated with scenes and figures from ancient history, still invites a suggestive pause today.\u003C\u002Fp>\r\n\r\n\u003Ch3>A scenic backdrop towards Piazza del Campo\u003C\u002Fh3>\r\n\r\n\u003Cp>Looking up, the ceilings decorated with \u003Cstrong>frescoes\u003C\u002Fstrong> and stuccos create an atmosphere capable of transporting the visitor to a distant time.\u003C\u002Fp>\r\n\r\n\u003Cp>On the side facing \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, the loggia elegantly accompanies the entrance to the civic heart of the city. Above rises the palace that houses the \u003Cstrong>Circolo degli Uniti\u003C\u002Fstrong>, a historic aristocratic gathering founded in the 17th century and still today a symbol of prestige.\u003C\u002Fp>","\u003Cp>There was a time when the world passed through \u003Cstrong>Siena\u003C\u002Fstrong>: the \u003Cstrong>Logge della Mercanzia\u003C\u002Fstrong> still preserve its story today.\u003C\u002Fp>\r\n\r\n\u003Cp>Behind \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, in the famous \u003Cstrong>Crocevia del Travaglio\u003C\u002Fstrong>, this space marked the meeting point of the main medieval roads, including the \u003Cstrong>Via Francigena\u003C\u002Fstrong>. Here passed \u003Cstrong>merchants\u003C\u002Fstrong>, \u003Cstrong>pilgrims\u003C\u002Fstrong>, and \u003Cstrong>travelers\u003C\u002Fstrong> from all over Europe.\u003C\u002Fp>","Logge della Mercanzia: the historical crossroads of Siena","\u003Cdiv>Stop under the Logge della Mercanzia and let yourself be enveloped by a place where every stone tells stories of journeys, trade, meetings, and the great history of Siena.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Flogge-della-mercanzia",[],[2578],{"@type":1593,"@id":2579,"translations":2580,"position":1514,"imagePath":2581},"\u002Fapi\u002F.well-known\u002Fgenid\u002F2805b45a5cd40783b6c4",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Flogge-della-mercanzia-dettaglio-porta-6a8c724a85865643374661.jpg",{"@type":1610,"@id":2583,"hashParam":2584},"\u002Fapi\u002F.well-known\u002Fgenid\u002F76c0a535d24611f2254b","a249f77924856455bd63433a37d9251ab0e74ad5eae293e2c0d9f34b236ff0fc",[],[],{"@id":2588,"@type":1498,"name":2589,"poiType":2590,"address":2602,"latitude":2603,"longitude":2604,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2605,"translations":2606,"socials":2622,"gallery":2623,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2628,"position":598,"layout":1614,"otherPoiType":2631,"logoPath":1616,"poiTagsByCategory":2632},"\u002Fapi\u002Fpois\u002F019f8f89-c770-7b38-a6a0-0647555ae628","Madonna dei Terremoti",{"@id":2167,"@type":1502,"id":2168,"translations":2591,"poiCategory":2596},[2592,2594],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2593,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2595,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2597},[2598,2600],{"@type":1529,"@id":2181,"name":1531,"language":2599,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2601,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Piazza del Campo, 12","43.3189467","11.3316569",[],[2607,2615],{"@type":1573,"@id":2608,"description":2609,"abstract":16,"timetable":16,"title":2610,"subtitle":16,"ctaText":2611,"extraInformations":16,"language":2612,"slug":2613,"slugFormatted":2614},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd0ff99eb5d7a9cab1af0","\u003Ch2>Cercandola, la si trova quasi per caso\u003C\u002Fh2>\r\n\r\n\u003Cp>Passeggiando in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, all'angolo tra la \u003Cstrong>Bocca del Casato\u003C\u002Fstrong> e il \u003Cstrong>Chiasso del Bargello\u003C\u002Fstrong>, c'è qualcosa che ferma lo sguardo prima che la mente lo registri. Un tabernacolo, una cornice di travertino, una tela che ritrae la \u003Cstrong>Madonna con il Bambino\u003C\u002Fstrong> con i santi intorno. La \u003Cstrong>Madonna dei Terremoti\u003C\u002Fstrong> non si annuncia. Si trova alzando gli occhi nel momento giusto, e chi la trova capisce subito che dietro quella cornice c'è una storia che vale la pena ascoltare.\u003C\u002Fp>\r\n\r\n\u003Ch2>Le origini: un affresco perduto e un’eredità che resiste\u003C\u002Fh2>\r\n\r\n\u003Ch3>Gentile da Fabriano e l’opera perduta\u003C\u002Fh3>\r\n\r\n\u003Cp>In origine, il tabernacolo custodiva un affresco realizzato intorno al \u003Cstrong>1424\u003C\u002Fstrong> da \u003Cstrong>Gentile da Fabriano\u003C\u002Fstrong>, raffigurante la \u003Cstrong>Madonna con il Bambino\u003C\u002Fstrong> insieme a \u003Cstrong>San Giovanni Battista\u003C\u002Fstrong>, \u003Cstrong>San Pietro\u003C\u002Fstrong>, \u003Cstrong>San Paolo\u003C\u002Fstrong> e \u003Cstrong>San Cristoforo\u003C\u002Fstrong>. Un’opera preziosa, capace di catturare lo sguardo e lo spirito dei fedeli, che purtroppo oggi non esiste più, persa tra le pieghe del tempo come molte altre tracce della storia senese. Nel \u003Cstrong>1764\u003C\u002Fstrong>, l’antica edicola fu sostituita da una tela dei primi del Seicento, probabilmente realizzata nella bottega di \u003Cstrong>Francesco Rustici\u003C\u002Fstrong>, detto Rustichino, impreziosita da stucchi e decorazioni di \u003Cstrong>Bernardino Cremoni\u003C\u002Fstrong>. La nuova tela raffigura la \u003Cstrong>Madonna con il Bambino\u003C\u002Fstrong>, accompagnata da \u003Cstrong>San Bernardino\u003C\u002Fstrong>, \u003Cstrong>Santa Caterina\u003C\u002Fstrong>, \u003Cstrong>San Lorenzo\u003C\u002Fstrong> e \u003Cstrong>Santo Stefano\u003C\u002Fstrong>, continuando a raccontare, con silenziosa grazia, la devozione di una comunità che attraversava i secoli portando con sé fede, timori e gratitudine.\u003C\u002Fp>\r\n\r\n\u003Ch2>Il terremoto che ha cambiato tutto\u003C\u002Fh2>\r\n\r\n\u003Ch3>La notte del 26 maggio 1798\u003C\u002Fh3>\r\n\r\n\u003Cp>La notte del \u003Cstrong>26 maggio 1798\u003C\u002Fstrong>, un terremoto violentissimo colpì \u003Cstrong>Siena\u003C\u002Fstrong>. Le zone popolari subirono i danni maggiori, e anche il tabernacolo della \u003Cstrong>Bocca del Casato\u003C\u002Fstrong> fu danneggiato: la cornice in stucco distrutta, la tela compromessa. Eppure, tra lo stupore e il sollievo per i quartieri risparmiati, i cittadini videro un segno: la protezione della \u003Cstrong>Vergine\u003C\u002Fstrong>. Fu allora che decisero di restituire alla Madonna il loro ringraziamento con un gesto che durasse nei secoli: restaurarono il tabernacolo.\u003C\u002Fp>\r\n\r\n\u003Ch2>La cornice di travertino e la memoria scolpita\u003C\u002Fh2>\r\n\r\n\u003Cp>La tela fu collocata in una nuova cornice di \u003Cstrong>travertino\u003C\u002Fstrong>, sobria e solenne, con una \u003Cstrong>lapide in latino\u003C\u002Fstrong> che ricordava l’evento e la gratitudine del quartiere. Da quel momento il tabernacolo prese il nome di \u003Cstrong>Madonna dei Terremoti\u003C\u002Fstrong>: un nome scelto non da artisti o nobili, ma da chi aveva vissuto la paura e voleva fissare per sempre il segno della protezione divina. Camminando oggi in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> e alzando gli occhi verso la cornice, si legge ancora quella gratitudine, silenziosa, scolpita nella pietra e nel cuore della città.\u003C\u002Fp>","Madonna dei Terremoti: il tabernacolo che Siena ha restaurato per gratitudine","\u003Cdiv>Vuoi scoprire la \u003Cstrong>Siena\u003C\u002Fstrong> più autentica e nascosta? Cerca la \u003Cstrong>Madonna dei Terremoti\u003C\u002Fstrong> all’angolo della \u003Cstrong>Bocca del Casato\u003C\u002Fstrong> e lascia che la storia di paura, devozione e gratitudine ti racconti chi sono davvero i senesi.\u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"madonna-dei-terremoti","\u002Fmadonna-dei-terremoti",{"@type":1573,"@id":2616,"description":2617,"abstract":16,"timetable":16,"title":2618,"subtitle":16,"ctaText":2619,"extraInformations":16,"language":2620,"slug":2613,"slugFormatted":2621},"\u002Fapi\u002F.well-known\u002Fgenid\u002F211e3cb559b924833da9","\u003Ch2>Looking for it, you find it almost by chance\u003C\u002Fh2>\r\n\r\n\u003Cp>Walking in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong>, at the corner between \u003Cstrong>Bocca del Casato\u003C\u002Fstrong> and \u003Cstrong>Chiasso del Bargello\u003C\u002Fstrong>, there is something that catches the eye before the mind registers it. A tabernacle, a travertine frame, a canvas depicting the \u003Cstrong>Madonna with Child\u003C\u002Fstrong> surrounded by saints. The \u003Cstrong>Madonna dei Terremoti\u003C\u002Fstrong> does not announce itself. It is found by looking up at the right moment, and those who find it immediately understand that behind that frame lies a story worth listening to.\u003C\u002Fp>\r\n\r\n\u003Ch2>The origins: a lost fresco and a legacy that endures\u003C\u002Fh2>\r\n\r\n\u003Ch3>Gentile da Fabriano and the lost work\u003C\u002Fh3>\r\n\r\n\u003Cp>Originally, the tabernacle housed a fresco created around \u003Cstrong>1424\u003C\u002Fstrong> by \u003Cstrong>Gentile da Fabriano\u003C\u002Fstrong>, depicting the \u003Cstrong>Madonna with Child\u003C\u002Fstrong> along with \u003Cstrong>Saint John the Baptist\u003C\u002Fstrong>, \u003Cstrong>Saint Peter\u003C\u002Fstrong>, \u003Cstrong>Saint Paul\u003C\u002Fstrong>, and \u003Cstrong>Saint Christopher\u003C\u002Fstrong>. A precious work, capable of capturing the gaze and spirit of the faithful, which unfortunately no longer exists today, lost in the folds of time like many other traces of Sienese history. In \u003Cstrong>1764\u003C\u002Fstrong>, the ancient niche was replaced by a canvas from the early seventeenth century, probably created in the workshop of \u003Cstrong>Francesco Rustici\u003C\u002Fstrong>, known as Rustichino, embellished with stuccos and decorations by \u003Cstrong>Bernardino Cremoni\u003C\u002Fstrong>. The new canvas depicts the \u003Cstrong>Madonna with Child\u003C\u002Fstrong>, accompanied by \u003Cstrong>Saint Bernardino\u003C\u002Fstrong>, \u003Cstrong>Saint Catherine\u003C\u002Fstrong>, \u003Cstrong>Saint Lawrence\u003C\u002Fstrong>, and \u003Cstrong>Saint Stephen\u003C\u002Fstrong>, continuing to tell, with silent grace, the devotion of a community that traversed the centuries carrying with it faith, fears, and gratitude.\u003C\u002Fp>\r\n\r\n\u003Ch2>The earthquake that changed everything\u003C\u002Fh2>\r\n\r\n\u003Ch3>The night of May 26, 1798\u003C\u002Fh3>\r\n\r\n\u003Cp>On the night of \u003Cstrong>May 26, 1798\u003C\u002Fstrong>, a violent earthquake struck \u003Cstrong>Siena\u003C\u002Fstrong>. The popular areas suffered the greatest damage, and the tabernacle of the \u003Cstrong>Bocca del Casato\u003C\u002Fstrong> was also damaged: the stucco frame destroyed, the canvas compromised. Yet, amidst the astonishment and relief for the spared neighborhoods, the citizens saw a sign: the protection of the \u003Cstrong>Virgin\u003C\u002Fstrong>. It was then that they decided to return their gratitude to the Madonna with a gesture that would last through the centuries: they restored the tabernacle.\u003C\u002Fp>\r\n\r\n\u003Ch2>The travertine frame and the memory carved\u003C\u002Fh2>\r\n\r\n\u003Cp>The canvas was placed in a new \u003Cstrong>travertine\u003C\u002Fstrong> frame, sober and solemn, with a \u003Cstrong>plaque in Latin\u003C\u002Fstrong> that commemorated the event and the gratitude of the neighborhood. From that moment, the tabernacle took the name of \u003Cstrong>Madonna dei Terremoti\u003C\u002Fstrong>: a name chosen not by artists or nobles, but by those who had lived through fear and wanted to forever fix the mark of divine protection. Walking today in \u003Cstrong>Piazza del Campo\u003C\u002Fstrong> and looking up at the frame, one can still read that gratitude, silent, carved in stone and in the heart of the city.\u003C\u002Fp>","Madonna dei Terremoti: the tabernacle that Siena restored out of gratitude","\u003Cdiv>Do you want to discover the most authentic and hidden \u003Cstrong>Siena\u003C\u002Fstrong>? Look for the \u003Cstrong>Madonna dei Terremoti\u003C\u002Fstrong> at the corner of \u003Cstrong>Bocca del Casato\u003C\u002Fstrong> and let the story of fear, devotion, and gratitude tell you who the Sienese really are.\u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Fmadonna-dei-terremoti",[],[2624],{"@type":1593,"@id":2625,"translations":2626,"position":1514,"imagePath":2627},"\u002Fapi\u002F.well-known\u002Fgenid\u002F99bb396abd473e06fe1b",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Fmadonna-dei-terremoti-1-6a75f5b35f805911963057.jpg",{"@type":1610,"@id":2629,"hashParam":2630},"\u002Fapi\u002F.well-known\u002Fgenid\u002F4b0231423bb91767c16e","1d5432e45f0b95e70d070a92a174ceaabd48b887f3b69b9385cbc42e1c9d1ce7",[],[],{"@id":2634,"@type":1498,"name":2635,"poiType":2636,"address":2648,"latitude":2649,"longitude":2650,"phone":16,"mobile":16,"email":16,"website":16,"stars":16,"poiTag":2651,"translations":2652,"socials":2670,"gallery":2671,"city":1605,"province":1606,"postalCode":1607,"country":1608,"poiPreview":2676,"position":2679,"layout":2046,"otherPoiType":2680,"logoPath":1616,"poiTagsByCategory":2681},"\u002Fapi\u002Fpois\u002F019ed528-c4c3-7049-aff7-7b07678c1096","Logge del Papa",{"@id":2167,"@type":1502,"id":2168,"translations":2637,"poiCategory":2642},[2638,2640],{"@type":1506,"@id":2171,"name":30,"backUrl":31,"language":2639,"slug":31,"slugFormatted":2173},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1506,"@id":2175,"name":10,"backUrl":11,"language":2641,"slug":11,"slugFormatted":2177},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},{"@id":1525,"@type":1526,"translations":2643},[2644,2646],{"@type":1529,"@id":2181,"name":1531,"language":2645,"slug":1533,"slugFormatted":16},{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},{"@type":1529,"@id":2184,"name":1536,"language":2647,"slug":1538,"slugFormatted":16},{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"Via di Pantaneto","43.31871441506153","11.333649638835773",[],[2653,2662],{"@type":1573,"@id":2654,"description":2655,"abstract":2656,"timetable":16,"title":2657,"subtitle":16,"ctaText":2658,"extraInformations":16,"language":2659,"slug":2660,"slugFormatted":2661},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fb69f28e46719a938dd8d","\u003Ch2>Un dono di pietra e prestigio\u003C\u002Fh2>\r\n\r\n\u003Cp>Nel \u003Cstrong>1462\u003C\u002Fstrong>, nel cuore di una Siena ancora profondamente \u003Cstrong>gotica e medievale\u003C\u002Fstrong>, comparve qualcosa di inaspettato: tre arcate di \u003Cstrong>marmo travertino bianco\u003C\u002Fstrong>, luminose, proporzionate, figlie di un'altra idea di bellezza. Le \u003Cstrong>Logge del Papa\u003C\u002Fstrong> non nacquero per necessità difensiva, né per utilità pratica. Nacquero per \u003Cstrong>volontà e prestigio\u003C\u002Fstrong>: quello di \u003Cstrong>Papa Pio II Piccolomini\u003C\u002Fstrong>, senese illustre, umanista tra i più grandi del Quattrocento, che volle lasciare alla sua città, e alla sua famiglia, un segno indelebile di eleganza e potere.\u003C\u002Fp>\r\n\r\n\u003Cp>Il progetto fu affidato ad \u003Cstrong>Antonio Federighi\u003C\u002Fstrong>, uno dei maggiori artisti del \u003Cstrong>Rinascimento senese\u003C\u002Fstrong>, che trasformò uno spazio occupato da edifici e botteghe in uno dei luoghi più raffinati della città. Un'operazione urbanistica e simbolica insieme: prima vennero abbattute le costruzioni preesistenti, poi al loro posto sorse qualcosa che sembrava arrivare da un altro mondo.\u003C\u002Fp>\r\n\r\n\u003Ch2>L'architettura, un manifesto rinascimentale\u003C\u002Fh2>\r\n\r\n\u003Cp>Le logge sono un \u003Cstrong>manifesto di stile\u003C\u002Fstrong>: \u003Cstrong>tre arcate a tutto sesto\u003C\u002Fstrong>, colonne con \u003Cstrong>capitelli corinzi\u003C\u002Fstrong>, proporzioni ispirate all'architettura antica, tutto realizzato in \u003Cstrong>travertino bianco\u003C\u002Fstrong>. In una città fatta prevalentemente di \u003Cstrong>mattoni rossi\u003C\u002Fstrong>, quel bianco risalta con una forza quasi provocatoria, come una dichiarazione di appartenenza a un gusto diverso, più classico, più romano.\u003C\u002Fp>\r\n\r\n\u003Cp>Sugli angoli e sulle facciate campeggiano gli \u003Cstrong>stemmi dei Piccolomini\u003C\u002Fstrong> con le cinque mezzelune crescenti. Nella parte superiore, l'iscrizione in latino non lascia dubbi: \u003Cstrong>"PIUS II PONT MAX GENTILIBUS SUIS PICCOLOMINEIS", \u003C\u002Fstrong>Pio II Pontefice Massimo ai suoi parenti Piccolomini. Un dono, certo. Ma anche una firma, orgogliosa e permanente.\u003C\u002Fp>\r\n\r\n\u003Ch2>Una storia di promesse e silenzi\u003C\u002Fh2>\r\n\r\n\u003Cp>Le logge furono pensate per \u003Cstrong>feste\u003C\u002Fstrong>, \u003Cstrong>ricevimenti\u003C\u002Fstrong>, \u003Cstrong>matrimoni\u003C\u002Fstrong>, \u003Cstrong>celebrazioni pubbliche\u003C\u002Fstrong> e \u003Cstrong>funerali solenni\u003C\u002Fstrong>. Una cornice degna degli eventi più importanti della vita cittadina. Nella realtà, però, non furono mai molto utilizzate per questi scopi. Solo nel \u003Cstrong>Settecento\u003C\u002Fstrong> tornarono a vivere, facendo da palcoscenico a \u003Cstrong>riunioni pubbliche\u003C\u002Fstrong> e alle \u003Cstrong>discussioni delle tesi di laurea\u003C\u002Fstrong> degli studenti dello \u003Cstrong>Studium Senese\u003C\u002Fstrong>: un uso sobrio, quasi domestico, lontano dalla grandiosità immaginata.\u003C\u002Fp>\r\n\r\n\u003Cp>Oggi le logge sono \u003Cstrong>chiuse da una cancellata\u003C\u002Fstrong>, aperta solo in occasione di \u003Cstrong>eventi particolari\u003C\u002Fstrong>. Una presenza silenziosa, ma non per questo meno potente.\u003C\u002Fp>\r\n\r\n\u003Ch2>Vieni a scoprirle\u003C\u002Fh2>\r\n\r\n\u003Cp>Le \u003Cstrong>Logge del Papa\u003C\u002Fstrong> sono uno di quegli angoli di Siena che si trovano quasi per caso e che si faticano a dimenticare. Quel bianco che risalta sul rosso dei mattoni, quelle proporzioni perfette, quella firma papale incisa nella pietra.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Via di Città\u003C\u002Fstrong>, nei pressi della Chiesa di San Martino, Siena.\u003C\u002Fp>","\u003Cp>Le Logge del Papa sono uno dei gioielli rinascimentali di Siena: costruite nel 1462 per volontà di Papa Pio II Piccolomini, in marmo travertino con arcate corinzie. Un dono di pietra che ancora oggi sorprende chi le incontra.\u003C\u002Fp>","Logge del Papa, il rinascimento nel cuore medievale di Siena","\u003Cdiv>\u003Cstrong>Passaci davanti, alzа gli occhi, leggila quella iscrizione.\u003C\u002Fstrong> Cinquecento anni dopo, il messaggio è ancora lì, chiarissimo. \u003C\u002Fdiv>",{"@type":1511,"@id":1512,"locale":35,"name":1513,"position":1514},"logge-del-papa","\u002Flogge-del-papa",{"@type":1573,"@id":2663,"description":2664,"abstract":2665,"timetable":16,"title":2666,"subtitle":16,"ctaText":2667,"extraInformations":16,"language":2668,"slug":2660,"slugFormatted":2669},"\u002Fapi\u002F.well-known\u002Fgenid\u002Fd95db20cc329e9805d5a","\u003Ch2>A gift of stone and prestige\u003C\u002Fh2>\r\n\r\n\u003Cp>In \u003Cstrong>1462\u003C\u002Fstrong>, in the heart of a Siena still profoundly \u003Cstrong>Gothic and medieval\u003C\u002Fstrong>, something unexpected appeared: three arches of \u003Cstrong>white travertine marble\u003C\u002Fstrong>, bright, proportionate, the offspring of another idea of beauty. The \u003Cstrong>Pope's Loggias\u003C\u002Fstrong> were not born out of defensive necessity, nor for practical utility. They were born out of \u003Cstrong>willingness and prestige\u003C\u002Fstrong>: that of \u003Cstrong>Pope Pius II Piccolomini\u003C\u002Fstrong>, an illustrious Sienese, one of the greatest humanists of the fifteenth century, who wanted to leave his city, and his family, an indelible mark of elegance and power.\u003C\u002Fp>\r\n\r\n\u003Cp>The project was entrusted to \u003Cstrong>Antonio Federighi\u003C\u002Fstrong>, one of the leading artists of the \u003Cstrong>Sienese Renaissance\u003C\u002Fstrong>, who transformed a space occupied by buildings and workshops into one of the most refined places in the city. An urban and symbolic operation at once: first, the pre-existing constructions were demolished, then in their place arose something that seemed to come from another world.\u003C\u002Fp>\r\n\r\n\u003Ch2>The architecture, a Renaissance manifesto\u003C\u002Fh2>\r\n\r\n\u003Cp>The loggias are a \u003Cstrong>manifesto of style\u003C\u002Fstrong>: \u003Cstrong>three full arches\u003C\u002Fstrong>, columns with \u003Cstrong>Corinthian capitals\u003C\u002Fstrong>, proportions inspired by ancient architecture, all made of \u003Cstrong>white travertine\u003C\u002Fstrong>. In a city predominantly made of \u003Cstrong>red bricks\u003C\u002Fstrong>, that white stands out with an almost provocative strength, like a declaration of belonging to a different, more classical, more Roman taste.\u003C\u002Fp>\r\n\r\n\u003Cp>On the corners and facades, the \u003Cstrong>coats of arms of the Piccolomini\u003C\u002Fstrong> with the five crescent moons stand out. At the top, the inscription in Latin leaves no doubt: \u003Cstrong>"PIUS II PONT MAX GENTILIBUS SUIS PICCOLOMINEIS",\u003C\u002Fstrong> Pius II, Supreme Pontiff, to his Piccolomini relatives. A gift, certainly. But also a signature, proud and permanent.\u003C\u002Fp>\r\n\r\n\u003Ch2>A story of promises and silences\u003C\u002Fh2>\r\n\r\n\u003Cp>The loggias were designed for \u003Cstrong>festivities\u003C\u002Fstrong>, \u003Cstrong>receptions\u003C\u002Fstrong>, \u003Cstrong>weddings\u003C\u002Fstrong>, \u003Cstrong>public celebrations\u003C\u002Fstrong>, and \u003Cstrong>solemn funerals\u003C\u002Fstrong>. A worthy frame for the most important events of city life. In reality, however, they were never much used for these purposes. Only in the \u003Cstrong>Eighteenth Century\u003C\u002Fstrong> did they come back to life, serving as a stage for \u003Cstrong>public meetings\u003C\u002Fstrong> and the \u003Cstrong>discussions of graduation theses\u003C\u002Fstrong> of students from the \u003Cstrong>Studium Senese\u003C\u002Fstrong>: a sober, almost domestic use, far from the grandeur imagined.\u003C\u002Fp>\r\n\r\n\u003Cp>Today the loggias are \u003Cstrong>closed by a gate\u003C\u002Fstrong>, opened only on the occasion of \u003Cstrong>special events\u003C\u002Fstrong>. A silent presence, but no less powerful for that.\u003C\u002Fp>\r\n\r\n\u003Ch2>Come and discover them\u003C\u002Fh2>\r\n\r\n\u003Cp>The \u003Cstrong>Pope's Loggias\u003C\u002Fstrong> are one of those corners of Siena that are found almost by chance and are hard to forget. That white that stands out against the red of the bricks, those perfect proportions, that papal signature engraved in stone.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cstrong>Via di Città\u003C\u002Fstrong>, near the Church of San Martino, Siena.\u003C\u002Fp>","\u003Cp>The Pope's Loggias are one of Siena's Renaissance jewels: built in 1462 by order of Pope Pius II Piccolomini, in travertine marble with Corinthian arches. A gift of stone that still surprises those who encounter it today.\u003C\u002Fp>","Pope's Loggias, the renaissance in the medieval heart of Siena","\u003Cdiv>\u003Cstrong>Walk past, look up, read that inscription.\u003C\u002Fstrong> Five hundred years later, the message is still there, crystal clear. \u003C\u002Fdiv>",{"@type":1511,"@id":1521,"locale":15,"name":1522,"position":121},"\u002Fen\u002Flogge-del-papa",[],[2672],{"@type":1593,"@id":2673,"translations":2674,"position":1514,"imagePath":2675},"\u002Fapi\u002F.well-known\u002Fgenid\u002F6f76d8a08fbe8b0dd22d",[],"https:\u002F\u002Fd3i8lfewrnejp4.cloudfront.net\u002Fml\u002Fgallery\u002Flogge-del-papa-6a8c7186ac382683584535.jpg",{"@type":1610,"@id":2677,"hashParam":2678},"\u002Fapi\u002F.well-known\u002Fgenid\u002F0aeb25c2b59f609de339","755cf984f42323b4f0c5a7afc45e7da202a0aaca5159925075c05c544cd569a6",30,[],[],{"@id":2683,"@type":2100},"\u002Fapi\u002Fpois?itemsPerPage=24&poiType.translations.name%5B%5D=Sacred%20Monuments",{"@type":2104,"template":2105,"variableRepresentation":2106,"mapping":2685},[2686,2687,2688,2689,2690,2691,2692,2693,2694,2695,2696,2697,2698,2699,2700,2701,2702,2703,2704,2705,2706,2707,2708,2709,2710],{"@type":2109,"variable":2110,"property":2110,"required":150},{"@type":2109,"variable":2112,"property":2110,"required":150},{"@type":2109,"variable":2114,"property":2114,"required":150},{"@type":2109,"variable":2116,"property":2114,"required":150},{"@type":2109,"variable":2118,"property":2118,"required":150},{"@type":2109,"variable":2120,"property":2118,"required":150},{"@type":2109,"variable":2122,"property":2122,"required":150},{"@type":2109,"variable":2124,"property":2122,"required":150},{"@type":2109,"variable":2126,"property":2126,"required":150},{"@type":2109,"variable":2128,"property":2128,"required":150},{"@type":2109,"variable":2130,"property":2128,"required":150},{"@type":2109,"variable":2132,"property":2132,"required":150},{"@type":2109,"variable":2134,"property":2132,"required":150},{"@type":2109,"variable":2136,"property":2136,"required":150},{"@type":2109,"variable":2138,"property":2136,"required":150},{"@type":2109,"variable":2140,"property":2140,"required":150},{"@type":2109,"variable":2142,"property":2140,"required":150},{"@type":2109,"variable":2144,"property":2144,"required":150},{"@type":2109,"variable":2146,"property":2144,"required":150},{"@type":2109,"variable":2148,"property":2148,"required":150},{"@type":2109,"variable":2150,"property":2148,"required":150},{"@type":2109,"variable":2152,"property":2152,"required":150},{"@type":2109,"variable":2154,"property":2152,"required":150},{"@type":2109,"variable":2156,"property":2157},{"@type":2109,"variable":2159,"property":2126}]